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St. Paul and Epicurus - Norman Wentworth Dewitt - Bog - University of Minnesota Press - Plusbog.dk

St. Paul and Epicurus - Norman Wentworth Dewitt - Bog - University of Minnesota Press - Plusbog.dk

St. Paul and Epicurus was first published in 1954. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Everyone who is interesting in the meaning of the Bible will find this a revealing study, for it opens up a new window on the New Testament, a window that was walled up centuries ago by prejudice. Professor DeWitt throws new light on the writings of the Apostle Paul by showing how they were influenced by the teachings of the Greek philosopher Epicurus. The Epicureanism could have a place in Christian religion may come as a surprise to those familiar with the conventional concept of the philosophy of Epicurus. As demonstrated in the meaning of the English word epicure ,derived from the name of the ancient philosopher, the modern world has long associated Epicurus with the indulgence of sensual pleasure in food and drink. But, as Professor DeWitt makes clear both in this volume and in its predecessor, Epicurus and His Philosophy , the pleasures which the ancient Greek espoused as constituting the chief good of life were not the pleasures of the flesh. The merit and the lure, however, of the Epicurean ethic, which allied happiness with pleasure, were so appealing and so widely acknowledged that Paul had no choice but to adopt it and bless it for his followers with the sanction of religion. He could not, though, admit indebtedness to a philosopher who had long been accused of sensualism and atheism, and there was no choice, therefore, but to consign Epicurus to anonymity. Through his scholarly investigation into the Epicurean source of certain portions of the Epistles, Professor DeWitt provides new explanations or translations for seventy-six biblical verses. The close scrutiny of biblical passages is carried out, not in a spirit of vandalism, but in a quest for accuracy, and the result is a challenging, readable, and absorbing book.

DKK 380.00
1

Homes in the Heartland - Fred W. Peterson - Bog - University of Minnesota Press - Plusbog.dk

Homes in the Heartland - Fred W. Peterson - Bog - University of Minnesota Press - Plusbog.dk

Available for the first time in paperback and with a new preface, Homes in the Heartland offers a captivating explanation of the revolutionary balloon frame house construction that swept across Minnesota, Iowa, North Dakota, South Dakota, and Wisconsin from 1850 to 1920, enabling the settlers of the upper Midwest to build affordable permanent structures in which to establish frontier homes. Featuring more than 150 illustrations, including photographs and house plans, Fred W. Peterson leads readers through the technical aspects of farmhouse construction and discusses the social, economic, and aesthetic values of these familiar homes. Together these narratives provide a fascinating window into the lives of the people who occupied these houses. As the American Historical Review says, “Peterson demonstrates the potential and use of architecture for the purposes of writing social history.” Fred W. Peterson retired in 1999 from teaching art history at the University of Minnesota, Morris. He lives in Salisbury, Maryland.

DKK 229.00
1

Copying Machines - Catherine Liu - Bog - University of Minnesota Press - Plusbog.dk

Copying Machines - Catherine Liu - Bog - University of Minnesota Press - Plusbog.dk

Explores literary theory’s fear of and fascination with the mechanical. Anxieties about fixing the absolute difference between the human being and the mechanical replica, the automaton, are as old as the first appearance of the machine itself. Exploring these anxieties and the efforts they prompted, this book opens a window on one of the most significant, if subtle, ideological battles waged on behalf of the human against the machine since the Enlightenment—one that continues in the wake of technological and conceptual progress today. A sustained examination of the automaton as early modern machine and as a curious ancestor of the twentieth-century robot, Copying Machines offers extended readings of mechanistic images in the eighteenth century through the prism of twentieth-century commentary. In readings of texts by Lafayette, Molière, Laclos, and La Bruyère—and in a chapter on the eighteenth-century inventor of automatons, Jacques Vaucanson—Catherine Liu provides a fascinating account of ways in which the automaton and the preindustrial machine haunt the imagination of ancien régime France and structure key moments of the canonical literature and criticism of the period.

DKK 228.00
1

Copying Machines - Catherine Liu - Bog - University of Minnesota Press - Plusbog.dk

Copying Machines - Catherine Liu - Bog - University of Minnesota Press - Plusbog.dk

Explores literary theory’s fear of and fascination with the mechanical. Anxieties about fixing the absolute difference between the human being and the mechanical replica, the automaton, are as old as the first appearance of the machine itself. Exploring these anxieties and the efforts they prompted, this book opens a window on one of the most significant, if subtle, ideological battles waged on behalf of the human against the machine since the Enlightenment—one that continues in the wake of technological and conceptual progress today. A sustained examination of the automaton as early modern machine and as a curious ancestor of the twentieth-century robot, Copying Machines offers extended readings of mechanistic images in the eighteenth century through the prism of twentieth-century commentary. In readings of texts by Lafayette, Molière, Laclos, and La Bruyère—and in a chapter on the eighteenth-century inventor of automatons, Jacques Vaucanson—Catherine Liu provides a fascinating account of ways in which the automaton and the preindustrial machine haunt the imagination of ancien régime France and structure key moments of the canonical literature and criticism of the period.

DKK 556.00
1

Black and Indigenous - Mark Anderson - Bog - University of Minnesota Press - Plusbog.dk

Black and Indigenous - Mark Anderson - Bog - University of Minnesota Press - Plusbog.dk

Garifuna live in Central America, primarily Honduras, and the United States. Identified as Black by others and by themselves, they also claim indigenous status and rights in Latin America. Examining this set of paradoxes, Mark Anderson shows how, on the one hand, Garifuna embrace discourses of tradition, roots, and a paradigm of ethnic political struggle. On the other hand, Garifuna often affirm blackness through assertions of African roots and affiliations with Blacks elsewhere, drawing particularly on popular images of U.S. blackness embodied by hip-hop music and culture. Black and Indigenous explores the politics of race and culture among Garifuna in Honduras as a window into the active relations among multiculturalism, consumption, and neoliberalism in the Americas. Based on ethnographic work, Anderson questions perspectives that view indigeneity and blackness, nativist attachments and diasporic affiliations, as mutually exclusive paradigms of representation, being, and belonging. As Anderson reveals, within contemporary struggles of race, ethnicity, and culture, indigeneity serves as a normative model for collective rights, while blackness confers a status of subaltern cosmopolitanism. Indigeneity and blackness, he concludes, operate as unstable, often ambivalent, and sometimes overlapping modes through which people both represent themselves and negotiate oppression.

DKK 237.00
1

Black and Indigenous - Mark Anderson - Bog - University of Minnesota Press - Plusbog.dk

Black and Indigenous - Mark Anderson - Bog - University of Minnesota Press - Plusbog.dk

Garifuna live in Central America, primarily Honduras, and the United States. Identified as Black by others and by themselves, they also claim indigenous status and rights in Latin America. Examining this set of paradoxes, Mark Anderson shows how, on the one hand, Garifuna embrace discourses of tradition, roots, and a paradigm of ethnic political struggle. On the other hand, Garifuna often affirm blackness through assertions of African roots and affiliations with Blacks elsewhere, drawing particularly on popular images of U.S. blackness embodied by hip-hop music and culture. Black and Indigenous explores the politics of race and culture among Garifuna in Honduras as a window into the active relations among multiculturalism, consumption, and neoliberalism in the Americas. Based on ethnographic work, Anderson questions perspectives that view indigeneity and blackness, nativist attachments and diasporic affiliations, as mutually exclusive paradigms of representation, being, and belonging. As Anderson reveals, within contemporary struggles of race, ethnicity, and culture, indigeneity serves as a normative model for collective rights, while blackness confers a status of subaltern cosmopolitanism. Indigeneity and blackness, he concludes, operate as unstable, often ambivalent, and sometimes overlapping modes through which people both represent themselves and negotiate oppression.

DKK 573.00
1

Hush Hush, Forest - Mary Casanova - Bog - University of Minnesota Press - Plusbog.dk

Hush Hush, Forest - Mary Casanova - Bog - University of Minnesota Press - Plusbog.dk

Lyrical words and elegant woodcuts capture the quiet beauty of the forest as day fades to night and autumn gives way to the North Woods winter While we are tucked in, snug in warm blankets as we listen to bedtime stories, the woods around us whisper another tale. As the golden leaves waft through the lengthening shadows, the loon sings one last lullaby, the whirring hummingbird takes one last sip, the industrious beaver saws one last branch for her lodge. Here, in enchanting words and woodcuts, is the magic of night falling and winter approaching in the North Woods. Hush Hush, Forest peers through twilight’s window at the raccoon preening, the doe and fawn bedding down, the last bat of the season flitting away. The owl surveys, the rabbit scurries, the bear hunkers, readying her den. Marking the rhythm between the falling leaf and the falling snowflake, picturing the rituals of creatures big and small as they prepare for the long winter’s sleep, this charming book captures a time of surpassing wonder for readers of all ages—and bids everyone in the hushed forest a peaceful good night.

DKK 173.00
1

The Biopolitics of Breast Cancer - Maren Klawiter - Bog - University of Minnesota Press - Plusbog.dk

The Biopolitics of Breast Cancer - Maren Klawiter - Bog - University of Minnesota Press - Plusbog.dk

For nearly forty years, feminists and patient activists have argued that medicine is a deeply individualizing and depoliticizing institution. According to this view, medical practices are incidental to people’s transformation from patients to patient activists. The Biopolitics of Breast Cancer turns this understanding upside down. Maren Klawiter analyzes the evolution of the breast cancer movement to show the broad social impact of how diseases come to be medically managed and publicly administered. Examining surgical procedures, adjuvant therapies, early detection campaigns, and the rise in discourses of risk, Klawiter demonstrates that these practices created a change in the social relations-if not the mortality rate-of breast cancer that initially inhibited, but later enabled, collective action. Her research focuses on the emergence and development of new forms of activism that range from grassroots patient empowerment to environmental activism and corporate-funded breast cancer awareness. The Biopolitics of Breast Cancer opens a window onto a larger set of changes currently transforming medically advanced societies and ultimately challenges our understanding of the origins, politics, and future of the breast cancer movement. Maren Klawiter holds a PhD in sociology from the University of California, Berkeley. She is currently pursuing a law degree at Yale University.

DKK 237.00
1

The Biopolitics of Breast Cancer - Maren Klawiter - Bog - University of Minnesota Press - Plusbog.dk

The Biopolitics of Breast Cancer - Maren Klawiter - Bog - University of Minnesota Press - Plusbog.dk

For nearly forty years, feminists and patient activists have argued that medicine is a deeply individualizing and depoliticizing institution. According to this view, medical practices are incidental to people’s transformation from patients to patient activists. The Biopolitics of Breast Cancer turns this understanding upside down. Maren Klawiter analyzes the evolution of the breast cancer movement to show the broad social impact of how diseases come to be medically managed and publicly administered. Examining surgical procedures, adjuvant therapies, early detection campaigns, and the rise in discourses of risk, Klawiter demonstrates that these practices created a change in the social relations-if not the mortality rate-of breast cancer that initially inhibited, but later enabled, collective action. Her research focuses on the emergence and development of new forms of activism that range from grassroots patient empowerment to environmental activism and corporate-funded breast cancer awareness. The Biopolitics of Breast Cancer opens a window onto a larger set of changes currently transforming medically advanced societies and ultimately challenges our understanding of the origins, politics, and future of the breast cancer movement. Maren Klawiter holds a PhD in sociology from the University of California, Berkeley. She is currently pursuing a law degree at Yale University.

DKK 573.00
1

Art in Red Wing - Lawrence Schmeckebier - Bog - University of Minnesota Press - Plusbog.dk

Art in Red Wing - Lawrence Schmeckebier - Bog - University of Minnesota Press - Plusbog.dk

Art in Red Wing was first published in 1946. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.What happens to the American small community in periods of war and challenge, change and uncertainty? In an age of planning, why not look at the community basis for planning?With these two questions as a basis, the University of Minnesota, in 1943, began one of the most exhaustive studies of an American community undertaken in recent times. Red Wing, Minnesota, on the banks of the Mississippi River in Goodhue County was chosen as the “typical small American city.”Professors of education, economics, sociology, art, home economics, journalism, and public health joined with city officials and civic leaders in studying every aspect of the city and its people. Their findings are published in eleven bulletins, each devoted to an individual topic. The entire survey, entitled The Community Basis for Postwar Planning, was coordinated by Roland S. Vaile, professor of economics and marketing at the University of Minnesota, and made possible by a grant from the Graduate School.The present study, Art in Red Wing, considers the public role of art and architecture in the reconstruction of the postwar Red Wing community; examining a variety of artistic expression including housing style, civic architecture, window displays, public sculpture, and pottery.

DKK 220.00
1

Lewd Looks - Elena Gorfinkel - Bog - University of Minnesota Press - Plusbog.dk

Lewd Looks - Elena Gorfinkel - Bog - University of Minnesota Press - Plusbog.dk

One of the most fascinating phenomena of 1960s film culture is the emergence of American sexploitation films—salacious indies made on the margins of Hollywood. Hundreds of such films were produced and shown on both urban and small-town screens over the course of the decade. Yet despite their vital importance to the film scene, and though they are now understood as a gateway to the emergence of publicly exhibited hardcore pornography in the early 1970s, these films have been largely overlooked by scholars. Defined by low budgets, quick production times, unknown actors, strategic uses of nudity, and a sensationalist obsession with unbridled female sexuality, sexploitation films provide a unique window into a tumultuous period in American culture and sexual politics. In Lewd Looks, Elena Gorfinkel examines the social and legal developments that made sexploitation films possible: their aesthetics, their regulation, and their audiences. Gorfinkel explores the ways sexploitation films changed how spectators encountered and made sense of the sexualized body and set the stage for the adult film industry of today. Lewd Looks recovers a lost chapter in the history of independent cinema and American culture—a subject that will engross readers interested in media, sexuality, gender, and the 1960s. Gorfinkel investigates the films and their contexts with scholarly depth and vivid storytelling, producing a new account of the obscene image, screen sex, and adult film and media.

DKK 237.00
1

Lewd Looks - Elena Gorfinkel - Bog - University of Minnesota Press - Plusbog.dk

Lewd Looks - Elena Gorfinkel - Bog - University of Minnesota Press - Plusbog.dk

One of the most fascinating phenomena of 1960s film culture is the emergence of American sexploitation films—salacious indies made on the margins of Hollywood. Hundreds of such films were produced and shown on both urban and small-town screens over the course of the decade. Yet despite their vital importance to the film scene, and though they are now understood as a gateway to the emergence of publicly exhibited hardcore pornography in the early 1970s, these films have been largely overlooked by scholars. Defined by low budgets, quick production times, unknown actors, strategic uses of nudity, and a sensationalist obsession with unbridled female sexuality, sexploitation films provide a unique window into a tumultuous period in American culture and sexual politics. In Lewd Looks, Elena Gorfinkel examines the social and legal developments that made sexploitation films possible: their aesthetics, their regulation, and their audiences. Gorfinkel explores the ways sexploitation films changed how spectators encountered and made sense of the sexualized body and set the stage for the adult film industry of today. Lewd Looks recovers a lost chapter in the history of independent cinema and American culture—a subject that will engross readers interested in media, sexuality, gender, and the 1960s. Gorfinkel investigates the films and their contexts with scholarly depth and vivid storytelling, producing a new account of the obscene image, screen sex, and adult film and media.

DKK 833.00
1

Take My Word for It - Anatoly Liberman - Bog - University of Minnesota Press - Plusbog.dk

Take My Word for It - Anatoly Liberman - Bog - University of Minnesota Press - Plusbog.dk

Three centuries of English idioms—their unusual origins and unexpected interpretations To pay through the nose. Raining cats and dogs. By hook or by crook. Curry favor. Drink like a fish. Eat crow. We hear such phrases every day, but this book is the first truly all-encompassing etymological guide to both their meanings and origins. Spanning more than three centuries, Take My Word for It is a fascinating, one-of-a-kind window into the surprisingly short history of idioms in English. Widely known for his studies of word origins, Anatoly Liberman explains more than one thousand idioms, both popular and obscure, occurring in both American and British standard English and including many regional expressions. The origins, and even the precise meaning, of most idioms are often obscure and lost in history. Based on a critical analysis of countless conjectures, with exact, in-depth references (rare in the literature on the subject), Take My Word for It provides not only a large corpus of idiomatic phrases but also a vast bibliography. Detailed indexes and a thesaurus make the content accessible at a glance, and Liberman’s introduction and conclusion add historical dimensions. The result of decades of research by a leading authority, this book is both instructive and absorbing for scholars and general readers, who won’t find another resource as comparable in scope or based on data even remotely as exhaustive.

DKK 229.00
1

Days on the Family Farm - Carrie A. Meyer - Bog - University of Minnesota Press - Plusbog.dk

Days on the Family Farm - Carrie A. Meyer - Bog - University of Minnesota Press - Plusbog.dk

From the beginning of the twentieth century to World War II, farm wife May Lyford Davis kept a daily chronicle that today offers a window into a way of life that has all but disappeared. May and her husband Elmo lived through two decades of prosperity, the Great Depression, and two World Wars in their Midwestern farming community. Like many women of her time, Davis kept diaries that captured the everyday events of the family farm; she also kept meticulous farming accounts. In doing so, she left an extraordinary record that reflects not only her own experiences but also the history of early twentieth-century American agriculture. May and Elmo’s story, engagingly told by Carrie A. Meyer, showcases the large-scale evolution of agriculture from horses to automobile and tractors, a surprisingly vibrant family and community life, and the business of commercial farming. Details such as what items were bought and sold, what was planted and harvested, the temperature and rainfall, births and deaths, and the direction of the wind are gathered to reveal a rich picture of a world shared by many small farmers. With sustainable and small-scale farming again on the rise in the United States, Days on the Family Farm resonates with both the profound and mundane aspects of rural life—past and present—in the Midwest. Carrie A. Meyer is associate professor of economics at George Mason University.

DKK 170.00
1

Drawing the Sea Near - C. Anne Claus - Bog - University of Minnesota Press - Plusbog.dk

Drawing the Sea Near - C. Anne Claus - Bog - University of Minnesota Press - Plusbog.dk

How Japanese coastal residents and transnational conservationists collaborated to foster relationships between humans and sea life Drawing the Sea Near opens a new window to our understanding of transnational conservation by investigating projects in Okinawa shaped by a “conservation-near” approach—which draws on the senses, the body, and memory to collapse the distance between people and their surroundings and to foster collaboration and equity between coastal residents and transnational conservation organizations. This approach contrasts with the traditional Western “conservation-far” model premised on the separation of humans from the environment. Based on twenty months of participant observation and interviews, this richly detailed, engagingly written ethnography focuses on Okinawa’s coral reefs to explore an unusually inclusive, experiential, and socially just approach to conservation. In doing so, C. Anne Claus challenges orthodox assumptions about nature, wilderness, and the future of environmentalism within transnational organizations. She provides a compelling look at how transnational conservation organizations—in this case a field office of the World Wide Fund for Nature in Okinawa—negotiate institutional expectations for conservation with localized approaches to caring for ocean life. In pursuing how particular projects off the coast of Japan unfolded, Drawing the Sea Near illuminates the real challenges and possibilities of work within the multifaceted transnational structures of global conservation organizations. Uniquely, it focuses on the conservationists themselves: why and how has their approach to project work changed, and how have they themselves been transformed in the process?

DKK 800.00
1

Days on the Family Farm - Carrie A. Meyer - Bog - University of Minnesota Press - Plusbog.dk

Days on the Family Farm - Carrie A. Meyer - Bog - University of Minnesota Press - Plusbog.dk

From the beginning of the twentieth century to World War II, farm wife May Lyford Davis kept a daily chronicle that today offers a window into a way of life that has all but disappeared. May and her husband Elmo lived through two decades of prosperity, the Great Depression, and two World Wars in their Midwestern farming community. Like many women of her time, Davis kept diaries that captured the everyday events of the family farm; she also kept meticulous farming accounts. In doing so, she left an extraordinary record that reflects not only her own experiences but also the history of early twentieth-century American agriculture. May and Elmo’s story, engagingly told by Carrie A. Meyer, showcases the large-scale evolution of agriculture from horses to automobile and tractors, a surprisingly vibrant family and community life, and the business of commercial farming. Details such as what items were bought and sold, what was planted and harvested, the temperature and rainfall, births and deaths, and the direction of the wind are gathered to reveal a rich picture of a world shared by many small farmers. With sustainable and small-scale farming again on the rise in the United States, Days on the Family Farm resonates with both the profound and mundane aspects of rural life—past and present—in the Midwest. Carrie A. Meyer is associate professor of economics at George Mason University.

DKK 430.00
1

Morgan Park - Arnold R. Alanen - Bog - University of Minnesota Press - Plusbog.dk

Morgan Park - Arnold R. Alanen - Bog - University of Minnesota Press - Plusbog.dk

From 1915 to 1971 the large U.S. Steel plant was a major part of Duluth’s landscape and life. Just as important was Morgan Park—an innovatively planned and close-knit community constructed for the plant’s employees and their families. In this new book Arnold R. Alanen brings to life Morgan Park, the formerly company-controlled town that now stands as a city neighborhood, and the U.S. Steel plant for which it was built. Planned by renowned landscape architects, architects, and engineers, and provided with schools, churches, and recreational and medical services by U.S. Steel, Morgan Park is an iconic example—like Lowell, Massachusetts, and Pullman, Illinois—of a twentieth-century company town, as well as a window into northeastern Minnesota’s industrial roots. Starting with the intense political debates that preceded U.S. Steel’s decision to build a plant in Duluth, Morgan Park follows the town and its residents through the boom years to the closing of the outmoded facility—an event that foreshadowed industrial shutdowns elsewhere in the United States—and up to today, as current residents work to preserve the community’s historic character. Through compelling archival and contemporary photographs and vibrant stories of a community built of concrete and strong as steel, Alanen shows the impact both the plant and Morgan Park have had on life in Duluth. Arnold R. Alanen is professor of landscape architecture at the University of Wisconsin–Madison. His previous books include Main Street Ready-Made: The New Deal Community of Greendale, Wisconsin and Preserving Cultural Landscapes in America.

DKK 573.00
1

Morgan Park - Arnold R. Alanen - Bog - University of Minnesota Press - Plusbog.dk

Morgan Park - Arnold R. Alanen - Bog - University of Minnesota Press - Plusbog.dk

From 1915 to 1971 the large U.S. Steel plant was a major part of Duluth’s landscape and life. Just as important was Morgan Park—an innovatively planned and close-knit community constructed for the plant’s employees and their families. In this new book Arnold R. Alanen brings to life Morgan Park, the formerly company-controlled town that now stands as a city neighborhood, and the U.S. Steel plant for which it was built. Planned by renowned landscape architects, architects, and engineers, and provided with schools, churches, and recreational and medical services by U.S. Steel, Morgan Park is an iconic example—like Lowell, Massachusetts, and Pullman, Illinois—of a twentieth-century company town, as well as a window into northeastern Minnesota’s industrial roots. Starting with the intense political debates that preceded U.S. Steel’s decision to build a plant in Duluth, Morgan Park follows the town and its residents through the boom years to the closing of the outmoded facility—an event that foreshadowed industrial shutdowns elsewhere in the United States—and up to today, as current residents work to preserve the community’s historic character. Through compelling archival and contemporary photographs and vibrant stories of a community built of concrete and strong as steel, Alanen shows the impact both the plant and Morgan Park have had on life in Duluth. Arnold R. Alanen is professor of landscape architecture at the University of Wisconsin–Madison. His previous books include Main Street Ready-Made: The New Deal Community of Greendale, Wisconsin and Preserving Cultural Landscapes in America.

DKK 254.00
1

Mechanics and Meaning in Architecture - Lance Lavine - Bog - University of Minnesota Press - Plusbog.dk

Mechanics and Meaning in Architecture - Lance Lavine - Bog - University of Minnesota Press - Plusbog.dk

An exploration of technology’s role in architecture and humanity’s understanding of nature. In Mechanics and Meaning in Architecture, Lance LaVine shows that in architecture, as practiced and taught today, the technological aspect of the profession—how weight is distributed, how heat flow is regulated, and how light is permitted to enter—has been ceded to engineers and other technical specialists. And in doing so, he argues, architects have lost sight of one of architecture’s most important purposes, that of providing a literal and figurative window onto the world. As a technology of habitation, architecture should give people both a practical and a metaphorical understanding of their relationship with nature. For LaVine, this knowledge emanates from a sensual understanding of the natural world as a “felt force.” At its most basic level, architecture demands an understanding of and response to the natural forces of gravity, climate, and sunlight. At the center of Mechanics and Meaning in Architecture are case studies of four very different houses: a Finnish log farmhouse from the nineteenth century; Charles Moore’s house in Orinda, California; Tadao Ando’s Wall House in Japan; and Le Corbusier’s Villa Savoye near Paris. Through his imaginative readings of structures, LaVine highlights how the architects involved have used the oldest and most fundamental architectural technologies-walls, floors, ceilings, columns, beams, and windows-in ways that offer creative responses to the natural world and humanity’s place in it. Clearly, architects are comfortable with the practical and aesthetic components of their profession. With this book, Lance LaVine encourages them also to understand what makes their use of technology unique and essential, and to reclaim the natural world for meaningful interpretation in their design of buildings.

DKK 254.00
1

Gichi Bitobig, Grand Marais - Timothy Cochrane - Bog - University of Minnesota Press - Plusbog.dk

Gichi Bitobig, Grand Marais - Timothy Cochrane - Bog - University of Minnesota Press - Plusbog.dk

The journals of two clerks of the American Fur Company recall a lost moment in the history of the fur trade and the Anishinaabeg along Lake Superior’s North Shore Long after the Anishinaabeg first inhabited and voyageurs plied Lake Superior’s North Shore in Minnesota, and well before the tide of Scandinavian immigrants swept in, Bela Chapman, a clerk of John Jacob Astor’s American Fur Company, fetched up in Gichi Bitobig—a stony harbor now known as Grand Marais. Through the year that followed, Chapman recorded his efforts on behalf of Astor’s enterprise: setting up a working post to compete with the Hudson Bay Company, establishing trading relationships with the local Anishinaabeg, and steering a crew of African-Anishinaabeg, Yankee, Virginian, and Métis boatmen. The young clerk’s journal, and another kept by his successor, George Johnston, provides a window into a story largely lost to history. Using these and other little known documents, Timothy Cochrane recreates the drama that played out in the cold weather months in Grand Marais between 1823 and 1825. In its portrayal of the changing fur trade on the great lake, Gichi Bitobig, Grand Marais offers a rare glimpse of the Anishinaabeg—especially the leader Espagnol—as astute and active trading partners, playing the upstart Americans for competitive advantage against their rivals, even as the company men contend with the harsh geographic realities of the North Shore. Through the words of long-ago witnesses, the book recovers both the too-often overlooked Anishinaabeg roots and corporate origins of Grand Marais, a history deeper and more complex than is often told. Gichi Bitobig, Grand Marais recalls a time in northern Minnesota when men of the American Fur Company and the Anishinaabeg navigated the shifting course of progress, negotiating the new perils and prospects of commerce’s westward drift.

DKK 195.00
1

Cyberculture - Pierre Levy - Bog - University of Minnesota Press - Plusbog.dk

Cyberculture - Pierre Levy - Bog - University of Minnesota Press - Plusbog.dk

A clear explanation and provocative look at the impact of new technologies on world society. Needing guidance and seeking insight, the Council of Europe approached Pierre Lévy, one of the world’s most important and well-respected theorists of digital culture, for a report on the state (and, frankly, the nature) of cyberspace. The result is this extraordinary document, a perfectly lucid and accessible description of cyberspace—from infrastructure to practical applications-along with an inspired, far-reaching exploration of its ramifications. A window on the digital world for the technologically timid, the book also offers a brilliant vision of the philosophical and social realities and possibilities of cyberspace for the adept and novice alike. In an overview, Lévy discusses the distinguishing features of cyberspace and cyberculture from anthropological, philosophical, cultural, and sociological points of view. An optimist about the future potential of cyberspace, he eloquently argues that technology—and specifically the infrastructure of cyberspace, the Internet—can have a transformative effect on global society. Some of the issues he takes up are new art forms; changes in relationships to knowledge, education, and training; the preservation of linguistic and cultural differences; the emergence and implications of collective intelligence; the problems of social exclusion; and the impact of new technology on the city and democracy in general. In considerable detail, Lévy describes the ways in which cyberspace will help promote the growth of democracy, primarily through the participation of individuals or groups. His analysis is enlivened by his own personal impressions of cyberculture—garnered from bulletin boards, mailing lists, virtual reality demonstrations, and simulations. Immediate in its details, visionary in its scope, deeply informed yet free of unnecessary technical language, Cyberculture is the book we require in our digital age.

DKK 229.00
1

Nothing Has to Make Sense - Sherene H. Razack - Bog - University of Minnesota Press - Plusbog.dk

Nothing Has to Make Sense - Sherene H. Razack - Bog - University of Minnesota Press - Plusbog.dk

How Western nations have consolidated their whiteness through the figure of the Muslim in the post-9/11 world While much has been written about post-9/11 anti-Muslim racism (often termed Islamophobia), insufficient attention has been given to how anti-Muslim racism operates through law and is a vital part of law’s protection of whiteness. This book fills this gap while also providing a unique new global perspective on white supremacy. Sherene H. Razack, a leading critical race and feminist scholar, takes an innovative approach by situating law within media discourses and historical and contemporary realities. We may think of law as logical, but, argues Razack, its logic breaks down when the subject is Muslim. Tracing how white subjects and majority-white nations in the post-9/11 era have consolidated their whiteness through the figure of the Muslim, Razack examines four sites of anti-Muslim racism: efforts by American evangelical Christians to ban Islam in the school curriculum; Canadian and European bans on Muslim women’s clothing; racial science and the sentencing of Muslims as terrorists; and American national memory of the torture of Muslims during wars and occupations. Arguing that nothing has to make sense when the subject is Muslim, she maintains that these legal and cultural sites reveal the dread, phobia, hysteria, and desire that mark the encounter between Muslims and the West. Through the prism of racism, Nothing Has to Make Sense argues that the figure of the Muslim reveals a world divided between the deserving and the disposable, where people of European origin are the former and all others are confined in various ways to regimes of disposability. Emerging from critical race theory, and bridging with Islamophobia/critical religious studies, it demonstrates that anti-Muslim racism is a revelatory window into the operation of white supremacy as a global force.

DKK 984.00
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Making the Carry - Timothy Cochrane - Bog - University of Minnesota Press - Plusbog.dk

Making the Carry - Timothy Cochrane - Bog - University of Minnesota Press - Plusbog.dk

An extraordinary illustrated biography of a MÉtis man and Anishinaabe woman navigating great changes in their homeland along the U.S.–Canada border in the early twentieth century John Linklater, of Anishinaabeg, Cree, and Scottish ancestry, and his wife, Tchi-Ki-Wis, of the Lac La Croix First Nation, lived in the canoe and border country of Ontario and Minnesota from the 1870s until the 1930s. During that time, the couple experienced radical upheavals in the Quetico–Superior region, including the cutting of white and red pine forests, the creation of Indian reserves/reservations and conservation areas, and the rise of towns, tourism, and mining. With broad geographical sweep, historical significance, and biographical depth, Making the Carry tells their story, overlooked for far too long. John Linklater, a renowned game warden and skilled woodsman, was also the bearer of traditional ecological knowledge and Indigenous heritage, both of which he was deeply committed to teaching others. He was sought by professors, newspaper reporters, museum personnel, and conservationists-among them Sigurd Olson, who considered Linklater a mentor. Tchi-Ki-Wis, an extraordinary craftswoman, made a sweeping array of necessary yet beautiful objects, from sled dog harnesses to moose calls to birch bark canoes. She was an expert weaver of large Anishinaabeg cedar bark mats with complicated geometric designs, a virtually lost art. Making the Carry traces the routes by which the couple came to live on Basswood Lake on the international border. John’s MÉtis ancestors with deep Hudson’s Bay Company roots originally came from Orkney Islands, Scotland, by way of Hudson Bay and Red River, or what is now Winnipeg. His family lived in Manitoba, northwest Ontario, northern Minnesota, and, in the case ofJohn and Tchi-Ki-Wis, on Isle Royale. A journey through little-known Canadian history, the book provides an intimate portrait of MÉtis people. Complete with rarely seen photographs of activities from dog mushing to guiding to lumbering, as well as of many objects made by Tchi-Ki-Wis, such as canoes, moccasins, and cedar mats, Making the Carry is a window on a traditional way of life and a restoration of two fascinating Indigenous people to their rightful place in our collective past.

DKK 225.00
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