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Black Print with a White Carnation - Amy Helene Forss - Bog - University of Nebraska Press - Plusbog.dk

Black Print with a White Carnation - Amy Helene Forss - Bog - University of Nebraska Press - Plusbog.dk

Mildred Dee Brown (1905–89) was the cofounder of Nebraska’s Omaha Star , the longest running black newspaper founded by an African American woman in the United States. Known for her trademark white carnation corsage, Brown was the matriarch of Omaha’s Near North Side—a historically black part of town—and an iconic city leader. Her remarkable life, a product of the Reconstruction era and Jim Crow, reflects a larger American history that includes the Great Migration, the Red Scare of the post–World War era, civil rights and black power movements, desegregation, and urban renewal. Within the context of African American and women’s history studies, Amy Helene Forss’s Black Print with a White Carnation examines the impact of the black press through the narrative of Brown’s life and work. Forss draws on more than 150 oral histories, numerous black newspapers, and government documents to illuminate African American history during the political and social upheaval of the twentieth century. During Brown’s fifty-one-year tenure, the Omaha Star became a channel of communication between black and white residents of the city, as well as an arena for positive weekly news in the black community. Brown and her newspaper led successful challenges to racial discrimination, unfair employment practices, restrictive housing covenants, and a segregated public school system, placing the woman with the white carnation at the center of America’s changing racial landscape.

DKK 256.00
1

Writing at the Limit - Daniel Punday - Bog - University of Nebraska Press - Plusbog.dk

Writing at the Limit - Daniel Punday - Bog - University of Nebraska Press - Plusbog.dk

While some cultural critics are pronouncing the death of the novel, a whole generation of novelists have turned to other media with curiosity rather than fear. These novelists are not simply incorporating references to other media into their work for the sake of verisimilitude, they are also engaging precisely such media as a way of talking about what it means to write and read narrative in a society filled with stories told outside the print medium. By examining how some of our best fiction writers have taken up the challenge of film, television, video games, and hypertext, Daniel Punday offers an enlightening look into the current status of such fundamental narrative concepts as character, plot, and setting. He considers well-known postmodernists like Thomas Pynchon and Robert Coover, more-accessible authors like Maxine Hong Kingston and Oscar Hijuelos, and unjustly overlooked writers like Susan Daitch and Kenneth Gangemi, and asks how their works investigate the nature and limits of print as a medium for storytelling. Writing at the Limit explores how novelists locate print writing within the contemporary media ecology, and what it really means to be writing at print’s media limit.

DKK 472.00
1

The Brahms-Keller Correspondence - Wiltrud Martin - Bog - University of Nebraska Press - Plusbog.dk

The Brahms-Keller Correspondence - Wiltrud Martin - Bog - University of Nebraska Press - Plusbog.dk

For two decades, beginning in the early 1870s, Robert Keller ushered into print most of Johannes Brahms's major compositions. This volume collects for the first time the complete extant correspondence between Brahms and Keller. Their correspondence illuminates a relationship of mutual respect and friendship and highlights the labour that went into the publication of Brahms's masterpieces.

DKK 573.00
1

Bill Nye's Western Humor - Bill Nye - Bog - University of Nebraska Press - Plusbog.dk

Bill Nye's Western Humor - Bill Nye - Bog - University of Nebraska Press - Plusbog.dk

Although Bill Nye (1850-1896) was America's best known humorist in the late 1880's and early 1890's, his work is little known today--his books long out of print and his columns yellowing in newspaper files. Now T. A. Larson, a dyed-in-the-wool Nye fan for more than thirty years, has assembled the best of Bill Nye's work, most of it dating from the seven Wyoming years when Nye made his name. The selections are chosen from Laramie, Cheyenne, and Denver newspapers and from six books published in the 1890's. The resulting collection is both good fun and a valuable picture of a lively period.

DKK 162.00
1

Take All to Nebraska - S. K. Winther - Bog - University of Nebraska Press - Plusbog.dk

Take All to Nebraska - S. K. Winther - Bog - University of Nebraska Press - Plusbog.dk

The Bison Book edition brings back into print the first of the novels comprising Sophus Keith Winter's Grimsen trilogy. The author was "born in Denmark and was brought to the United States at the age of two. Following in a large sense the history of his own family, he has put together a sensitive record of human relationships in his account of how Peter Grimsen, his wife Meta, and his sons adapt themselves to life in an unfamiliar land. Fine as they are as a human story, the three novels, Take All to Nebraska (1936), Mortgage Your Heart (1937), and This Passion Never Dies (1938), possess also an enduring significance as a case history illustrating the economic conditions of the period. . . .

DKK 162.00
1

Nature's Mountain Mansion - - Bog - University of Nebraska Press - Plusbog.dk

Nature's Mountain Mansion - - Bog - University of Nebraska Press - Plusbog.dk

Nature’s Mountain Mansion is the first anthology on Yosemite that focuses exclusively on the nineteenth century, the critical period in which Yosemite was “discovered” by an expanding nation and transformed into one of the country’s most visited national parks. While there are volumes that provide readings about Yosemite in the nineteenth century, few provide critical—sometimes even disparaging—eyewitness reflections on the Yosemite experience, and none include excerpts from the government documents that defined the future of the park, such as the Yosemite Valley Grant Act of 1864. This anthology collects selections from fiction, nonfiction, and government documents that demonstrate the glory, the brutality, and the controversies surrounding this extraordinary and much-loved landscape. Some selections have not appeared in print since their original publication, while others have not been republished or excerpted for decades.

DKK 240.00
1

The Dawn-Builder - John G. Neihardt - Bog - University of Nebraska Press - Plusbog.dk

The Dawn-Builder - John G. Neihardt - Bog - University of Nebraska Press - Plusbog.dk

The Dawn Builder, originally published in 1910, was John G. Neihardt’s first novel. At the center of it is a one-eyed, peg-legged man named Waters. He comes to Fort Calhoun, Nebraska Territory, in 1862 and drinks himself into a hole when he isn’t setting type on the town newspaper. Because his thirst is metaphysical as well, he only temporarily loses sight of the possibility of happiness, of building his own dawn. Like all memorable characters, Waters can’t be contained on the page. Isolated by his physical ugliness, marked by loneliness not yet deadened by silence, compromised by his own excessive energy, he reaches out to a young woman farther outside society than he is and to a kindly widow and her son. The Dawn Builder is reminiscent of Twain in its frontier humor, of Poe in its bizarre adventures, and of Dickens in its casting of some busybodies who belong to the Needle Club. Its return to print will be welcomed by John G. Neihardt’s many admirers.

DKK 380.00
1

The Places of Modernity in Early Mexican American Literature, 1848–1948 - Jose F. Aranda - Bog - University of Nebraska Press - Plusbog.dk

The Places of Modernity in Early Mexican American Literature, 1848–1948 - Jose F. Aranda - Bog - University of Nebraska Press - Plusbog.dk

2023 Choice Outstanding Academic Title In The Places of Modernity in Early Mexican American Literature, 1848–1948 , José F. Aranda Jr. describes the first one hundred years of Mexican American literature. He argues for the importance of interrogating the concept of modernity in light of what has emerged as a canon of earlier pre-1968 Mexican American literature. In order to understand modernity for diverse communities of Mexican Americans, he contends, one must see it as an apprehension, both symbolic and material, of one settler colonial world order giving way to another more powerful colonialist but imperial vision of North America. Letters, folklore, print culture, and literary production demonstrate how a new Anglo-American political imaginary revised and realigned centuries-old discourses on race, gender, class, religion, citizenship, power, and sovereignty. The “modern,” Aranda argues, makes itself visible in cultural productions being foisted on a “conquered people,” who were themselves beneficiaries of a notion of the modern that began in 1492. For Mexican Americans, modernity is less about any particular angst over global imperial designs or cultures of capitalism and more about becoming the subordinates of a nation-building project that ushers the United States into the twentieth century.

DKK 846.00
1

The Places of Modernity in Early Mexican American Literature, 1848–1948 - Jose F. Aranda - Bog - University of Nebraska Press - Plusbog.dk

The Places of Modernity in Early Mexican American Literature, 1848–1948 - Jose F. Aranda - Bog - University of Nebraska Press - Plusbog.dk

2023 Choice Outstanding Academic Title In The Places of Modernity in Early Mexican American Literature, 1848–1948 , José F. Aranda Jr. describes the first one hundred years of Mexican American literature. He argues for the importance of interrogating the concept of modernity in light of what has emerged as a canon of earlier pre-1968 Mexican American literature. In order to understand modernity for diverse communities of Mexican Americans, he contends, one must see it as an apprehension, both symbolic and material, of one settler colonial world order giving way to another more powerful colonialist but imperial vision of North America. Letters, folklore, print culture, and literary production demonstrate how a new Anglo-American political imaginary revised and realigned centuries-old discourses on race, gender, class, religion, citizenship, power, and sovereignty. The “modern,” Aranda argues, makes itself visible in cultural productions being foisted on a “conquered people,” who were themselves beneficiaries of a notion of the modern that began in 1492. For Mexican Americans, modernity is less about any particular angst over global imperial designs or cultures of capitalism and more about becoming the subordinates of a nation-building project that ushers the United States into the twentieth century.

DKK 242.00
1

A Planetary Lens - Audrey Goodman - Bog - University of Nebraska Press - Plusbog.dk

A Planetary Lens - Audrey Goodman - Bog - University of Nebraska Press - Plusbog.dk

Thomas J. Lyon Book Award from the Western Literature Association A Planetary Lens delves into the history of the photo-book, the materiality of the photographic image on the page, and the cultural significance of landscape to reassess the value of print, to locate the sites where stories resonate, and to listen to western women’s voices. From foundational California photographers Anne Brigman and Alma Lavenson to contemporary Native poets and writers Leslie Marmon Silko and Joy Harjo, women artists have used photographs to generate stories and to map routes across time and place. A Planetary Lens illuminates the richness and theoretical sophistication of such composite texts. Looking beyond the ideologies of wilderness, migration, and progress that have shaped settler and popular conceptions of the region, A Planetary Lens shows how many artists gather and assemble images and texts to reimagine landscape, identity, and history in the U.S. West. Based on extensive research into the production, publication, and circulation of women’s photo-texts, A Planetary Lens offers a fresh perspective on the entangled and gendered histories of western American photography and literature and new models for envisioning regional relations.

DKK 539.00
1

Memories of Buffalo Bill - Louisa Frederici Cody - Bog - University of Nebraska Press - Plusbog.dk

Memories of Buffalo Bill - Louisa Frederici Cody - Bog - University of Nebraska Press - Plusbog.dk

Written with the help of Courtney Ryley Cooper, Memories of Buffalo Bill offers an idealized account of William F. Cody’s life from the perspective of his wife, Louisa. True to its origins, this account offers many more details about Cody’s domestic life, including his children, than any other preceding work. Although William and Louisa’s real-life marriage was marred by some high-profile scandals, it endured until her husband’s death in 1917. Memories of Buffalo Bill, the first biography of William F. Cody to appear after his death, strikes a celebratory tone in narrating highlights of his life and enterprises. Through its introduction, notes, and appendixes, this edition offers a broader context for the Codys’ marriage, evidencing its private realities and the collaboration required to preserve the Buffalo Bill image in the public eye. Out of print since its first publication, Louisa Cody’s memoir highlights the processes involved in crafting and preserving a national myth. Both for what it does and does not say, it was the first step in laying a foundation for the enduring legacy of Buffalo Bill as an American icon.

DKK 222.00
1

Refiguring Minds in Narrative Media - David Ciccoricco - Bog - University of Nebraska Press - Plusbog.dk

Refiguring Minds in Narrative Media - David Ciccoricco - Bog - University of Nebraska Press - Plusbog.dk

How do writers represent cognition, and what can these representations tell us about how our own minds work? Refiguring Minds in Narrative Media is the first single-author book to explore these questions across media, moving from analyses of literary narratives in print to those found where so much cultural and artistic production occurs today: computer screens. Expanding the domain of literary studies from a focus on representations to the kind of simulations that characterize narratives in digital media, such as those found in interactive, web-based digital fictions and story-driven video games, David Ciccoricco draws on new research in the cognitive sciences to illustrate how the cybernetic and ludic qualities characterizing narratives in new literary media have significant implications for how we understand the workings of actual minds in an increasingly media-saturated culture. Amid continued concern about the impact of digital media on the minds of readers and players today, and the alarming philosophical questions generated by the communion of minds and machines, Ciccoricco provides detailed examples illustrating how stories in virtually any medium can still nourish creative imagination and cultivate critical—and ethical—reflection. Contributing new insights on attention, perception, memory, and emotion, Refiguring Minds in Narrative Media is a book at the forefront of a new wave of media-conscious cognitive literary studies.

DKK 430.00
1

Imagining the African American West - Blake Allmendinger - Bog - University of Nebraska Press - Plusbog.dk

Imagining the African American West - Blake Allmendinger - Bog - University of Nebraska Press - Plusbog.dk

The literature of the African American West is the last racial discourse of the region that remains unexplored. Blake Allmendinger addresses this void in literary and cultural studies with Imagining the African American West —the first comprehensive study of African American literature on the early frontier and in the modern urban American West. Allmendinger charts the terrain of African American literature in the West through his exploration of novels, histories, autobiographies, science fiction, mysteries, formula westerns, melodramas, experimental theater, and political essays, as well as rap music and film. He examines the histories of James P. Beckwourth and Oscar Micheaux; slavery, the Civil War, and the significance of the American frontier to blacks; and the Harlem Renaissance, the literature of urban unrest, rap music, black noir, and African American writers, including Toni Morrison and Walter Mosley. His study utilizes not only the works of well-known African American writers but also some obscure and neglected works, out-of-print books, and unpublished manuscripts in library archives. Much of the scholarly neglect of the “Black West” can be blamed on how the American West has been imagined, constructed, and framed in scholarship to date. In his study, Allmendinger provides the appropriate theoretical, cultural, and historical contexts for understanding the literature and suggests new directions for the future of black western literature.

DKK 177.00
1

Theodore E. White and the Development of Zooarchaeology in North America - R. Lee Lyman - Bog - University of Nebraska Press - Plusbog.dk

Theodore E. White and the Development of Zooarchaeology in North America - R. Lee Lyman - Bog - University of Nebraska Press - Plusbog.dk

Theodore E. White and the Development of Zooarchaeology in North America illuminates the researcher and his lasting contribution to a field that has largely ignored him in its history. The few brief histories of North American zooarchaeology suggest that Paul W. Parmalee, John E. Guilday, Elizabeth S. Wing, and Stanley J. Olsen laid the foundation of the field. Only occasionally is Theodore White (1905–77) included, yet his research is instrumental for understanding the development of zooarchaeology in North America. R. Lee Lyman works to fill these gaps in the historical record and revisits some of White’s analytical innovations from a modern perspective. A comparison of publications shows that not only were White’s zooarchaeological articles first in print in archaeological venues but that he was also, at least initially, more prolific than his contemporaries. While the other “founders” of the field were anthropologists, White was a paleontologist by training who studied long-extinct animals and their evolutionary histories. In working with remains of modern mammals, the typical paleontological research questions were off the table simply because the animals under study were too recent. And yet White demonstrated clearly that scholars could infer significant information about human behaviors and cultures. Lyman presents a biography of Theodore White as a scientist and a pioneer in the emerging field of modern anthropological zooarchaeology.

DKK 465.00
1

The New Nancy - Jeff Karnicky - Bog - University of Nebraska Press - Plusbog.dk

The New Nancy - Jeff Karnicky - Bog - University of Nebraska Press - Plusbog.dk

In The New Nancy Jeff Karnicky explores how today’s successful daily comic strips are flexible and relatable, and he uses Olivia Jaimes’s 2018 reboot of the long-running comic strip Nancy to illustrate the ways that contemporary comics have adapted to twenty-first-century technology and culture. Because comic creation has become part of the gig economy, flexible comics must be accessible to both online and print readers, and they must quickly grab readers’ attention. Flexible comic creators like Jaimes must focus both on the work of producing comics and on building an audience. Daily comics also must form a relatable connection with readers. Most contemporary comic creators cultivate an online persona through which they engage readers with specific identities, beliefs, and expectations. This work might form a mutually beneficial bond that results in a successful daily comic strip, but it risks becoming fraught, toxic, and sometimes even dangerous. Jaimes cultivates a relatable persona in connection with longtime readers and new fans. Nancy finds its humor in both nostalgic objects (like cookie jars) and contemporary technological objects (like smartphones). Rebooted comic strips like Nancy directly confront the stereotypical representations that haunt the past of comics. Focusing on Nancy’s role in contemporary culture, Karnicky uses literary studies, cultural studies, and media studies to argue that Jaimes’s comic strip has something to say about comics, contemporary culture, and the intersection of the two.

DKK 246.00
1

Manifest Destiny 2.0 - Sara Humphreys - Bog - University of Nebraska Press - Plusbog.dk

Manifest Destiny 2.0 - Sara Humphreys - Bog - University of Nebraska Press - Plusbog.dk

At a time when print and film have shown the classic Western and noir genres to be racist, heteronormative, and neocolonial, Sara Humphreys’s Manifest Destiny 2.0 asks why these genres endure so prolifically in the video game market. While video games provide a radically new and exciting medium for storytelling, most game narratives do not offer fresh ways of understanding the world. Video games with complex storylines are based on enduring American literary genres that disseminate problematic ideologies, quelling cultural anxieties over economic, racial, and gender inequality through the institutional acceptance and performance of Anglo cultural, racial, and economic superiority. Although game critics and scholars recognize how genres structure games and gameplay, the concept of genre continues to be viewed as a largely invisible power, subordinate to the computational processes of programming, graphics, and the making of a multimillion-dollar best seller. Investigating the social and cultural implications of the Western and noir genres in video games through two case studies—the best-selling games Red Dead Redemption (2010) and L.A. Noire (2011)—Humphreys demonstrates how the frontier myth continues to circulate exceptionalist versions of the United States. Video games spread the neoliberal and neocolonial ideologies of the genres even as they create a new form of performative literacy that intensifies the genres well beyond their originating historical contexts. Manifest Destiny 2.0 joins the growing body of scholarship dedicated to the historical, theoretical, critical, and cultural analysis of video games.

DKK 209.00
1

Manifest Destiny 2.0 - Sara Humphreys - Bog - University of Nebraska Press - Plusbog.dk

Manifest Destiny 2.0 - Sara Humphreys - Bog - University of Nebraska Press - Plusbog.dk

At a time when print and film have shown the classic Western and noir genres to be racist, heteronormative, and neocolonial, Sara Humphreys’s Manifest Destiny 2.0 asks why these genres endure so prolifically in the video game market. While video games provide a radically new and exciting medium for storytelling, most game narratives do not offer fresh ways of understanding the world. Video games with complex storylines are based on enduring American literary genres that disseminate problematic ideologies, quelling cultural anxieties over economic, racial, and gender inequality through the institutional acceptance and performance of Anglo cultural, racial, and economic superiority. Although game critics and scholars recognize how genres structure games and gameplay, the concept of genre continues to be viewed as a largely invisible power, subordinate to the computational processes of programming, graphics, and the making of a multimillion-dollar best seller. Investigating the social and cultural implications of the Western and noir genres in video games through two case studies—the best-selling games Red Dead Redemption (2010) and L.A. Noire (2011)—Humphreys demonstrates how the frontier myth continues to circulate exceptionalist versions of the United States. Video games spread the neoliberal and neocolonial ideologies of the genres even as they create a new form of performative literacy that intensifies the genres well beyond their originating historical contexts. Manifest Destiny 2.0 joins the growing body of scholarship dedicated to the historical, theoretical, critical, and cultural analysis of video games.

DKK 846.00
1

A Horse's Tale - Mark Twain - Bog - University of Nebraska Press - Plusbog.dk

A Horse's Tale - Mark Twain - Bog - University of Nebraska Press - Plusbog.dk

At the turn of the twentieth century Minnie Maddern Fiske, a New York actress, socialite, and animal rights activist, wrote to Mark Twain with an unusual request: for Twain to write about the evils of bullfighting equal to that of his anti-vivisectionist story A Dog’s Tale . Twain responded with A Horse’s Tale , a comic animal tale that doubled as a frontier adventure and political diatribe. A Horse’s Tale concerns Soldier Boy, Buffalo Bill Cody’s favorite horse, as the protagonist and sometime narrator at a fictional frontier outpost with the U.S. Seventh Cavalry. When the general’s orphaned niece arrives, Buffalo Bill takes her under his wing and ultimately lends her Soldier Boy so that they may seek adventure together. Twain uses the friendship between the girl and the horse as the basis for his eventual indictment of the barbarism of Spanish bullfighting. Twain’s novella is unusual for its complex tone—combining a comic children’s story and a dark portrait of animal cruelty. Including the themes of transatlantic relations and frontier culture, Twain offers a fresh look into the world of Buffalo Bill Cody from the perspective of one of America’s most beloved authors. First published in 1906 in Harper’s Monthly and as a single volume the following year, A Horse’s Tale never again appeared in print except in anthologies of Twain’s work. This edition includes the full text of Twain’s original story, an introduction that situates the work in historical and biographical context, thorough annotations, and the addition of significant archival material related to Twain, Cody, and Fiske.

DKK 573.00
1