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Trees of North Texas - Robert A. Vines - Bog - University of Texas Press - Plusbog.dk

The Golden Thread and Other Plays - Emilio Carballido - Bog - University of Texas Press - Plusbog.dk

Cetamura Del Chianti - Nancy Thomson De Grummond - Bog - University of Texas Press - Plusbog.dk

Cetamura Del Chianti - Nancy Thomson De Grummond - Bog - University of Texas Press - Plusbog.dk

Shore Ecology of the Gulf of Mexico - Brian Morton - Bog - University of Texas Press - Plusbog.dk

Unruly Domestication - Kristin Skrabut - Bog - University of Texas Press - Plusbog.dk

Unruly Domestication - Kristin Skrabut - Bog - University of Texas Press - Plusbog.dk

Chican@ Artivistas - Martha Gonzalez - Bog - University of Texas Press - Plusbog.dk

Love in the Drug War - Sarah Luna - Bog - University of Texas Press - Plusbog.dk

Love in the Drug War - Sarah Luna - Bog - University of Texas Press - Plusbog.dk

Jewish Women in Fin de Siecle Vienna - Alison Rose - Bog - University of Texas Press - Plusbog.dk

I've Had to Think Up a Way to Survive - Lynn Melnick - Bog - University of Texas Press - Plusbog.dk

Mission Unaccomplished - Alan Nadel - Bog - University of Texas Press - Plusbog.dk

The Native Americans of the Texas Edwards Plateau, 1582-1799 - Maria F. Wade - Bog - University of Texas Press - Plusbog.dk

The Native Americans of the Texas Edwards Plateau, 1582-1799 - Maria F. Wade - Bog - University of Texas Press - Plusbog.dk

2003 – Texas Old Missions and Forts Restoration Association Book Award Winner – Texas Catholic Historical Society2004 – Finalist: Friends of the Dallas Public Library Award for Book Making the Most Significant Contribution to Knowledge – Texas Institute of LettersThe region that now encompasses Central Texas and northern Coahuila, Mexico, was once inhabited by numerous Native hunter-gather groups whose identities and lifeways we are only now learning through archaeological discoveries and painstaking research into Spanish and French colonial records. From these key sources, Maria F. Wade has compiled this first comprehensive ethnohistory of the Native groups that inhabited the Texas Edwards Plateau and surrounding areas during most of the Spanish colonial era. Much of the book deals with events that took place late in the seventeenth century, when Native groups and Europeans began to have their first sustained contact in the region. Wade identifies twenty-one Native groups, including the Jumano, who inhabited the Edwards Plateau at that time. She offers evidence that the groups had sophisticated social and cultural mechanisms, including extensive information networks, ladino cultural brokers, broad-based coalitions, and individuals with dual-ethnic status. She also tracks the eastern movement of Spanish colonizers into the Edwards Plateau region, explores the relationships among Native groups and between those groups and European colonizers, and develops a timeline that places isolated events and singular individuals within broad historical processes.

DKK 327.00
1

Crossing Waters - Marisel C. Moreno - Bog - University of Texas Press - Plusbog.dk

Crossing Waters - Marisel C. Moreno - Bog - University of Texas Press - Plusbog.dk

2023 Honorable Mention, Isis Duarte Book Prize, Haiti/ Dominican Republic section (LASA) 2023 Winner, Gordon K. and Sybil Lewis Book Award, Caribbean Studies Association An innovative study of the artistic representations of undocumented migration within the Hispanophone Caribbean Debates over the undocumented migration of Latin Americans invariably focus on the southern US border, but most migrants never cross that arbitrary line. Instead, many travel, via water, among the Caribbean islands. The first study to examine literary and artistic representations of undocumented migration within the Hispanophone Caribbean, Crossing Waters relates a journey that remains silenced and largely unknown. Analyzing works by novelists, short-story writers, poets, and visual artists replete with references to drowning and echoes of the Middle Passage, Marisel Moreno shines a spotlight on the plight that these migrants face. In some cases, Puerto Rico takes on a new role as a stepping-stone to the continental United States and the society migrants will join there. Meanwhile the land border between Haiti and the Dominican Republic, the only terrestrial border in the Hispanophone Caribbean, emerges as a complex space within this cartography of borders. And while the Border Patrol occupies US headlines, the Coast Guard occupies the nightmares of refugees. An untold story filled with beauty, possibility, and sorrow, Crossing Waters encourages us to rethink the geography and experience of undocumented migration and the role that the Caribbean archipelago plays as a border zone.

DKK 702.00
1

Crossing Waters - Marisel C. Moreno - Bog - University of Texas Press - Plusbog.dk

Crossing Waters - Marisel C. Moreno - Bog - University of Texas Press - Plusbog.dk

2023 Honorable Mention, Isis Duarte Book Prize, Haiti/ Dominican Republic section (LASA) 2023 Winner, Gordon K. and Sybil Lewis Book Award, Caribbean Studies Association An innovative study of the artistic representations of undocumented migration within the Hispanophone Caribbean Debates over the undocumented migration of Latin Americans invariably focus on the southern US border, but most migrants never cross that arbitrary line. Instead, many travel, via water, among the Caribbean islands. The first study to examine literary and artistic representations of undocumented migration within the Hispanophone Caribbean, Crossing Waters relates a journey that remains silenced and largely unknown. Analyzing works by novelists, short-story writers, poets, and visual artists replete with references to drowning and echoes of the Middle Passage, Marisel Moreno shines a spotlight on the plight that these migrants face. In some cases, Puerto Rico takes on a new role as a stepping-stone to the continental United States and the society migrants will join there. Meanwhile the land border between Haiti and the Dominican Republic, the only terrestrial border in the Hispanophone Caribbean, emerges as a complex space within this cartography of borders. And while the Border Patrol occupies US headlines, the Coast Guard occupies the nightmares of refugees. An untold story filled with beauty, possibility, and sorrow, Crossing Waters encourages us to rethink the geography and experience of undocumented migration and the role that the Caribbean archipelago plays as a border zone.

DKK 246.00
1

Cinema, Slavery, and Brazilian Nationalism - Richard A. Gordon - Bog - University of Texas Press - Plusbog.dk

Cinema, Slavery, and Brazilian Nationalism - Richard A. Gordon - Bog - University of Texas Press - Plusbog.dk

A unique contribution to film studies, Richard Gordon’s Cinema, Slavery, and Brazilian Nationalism is the first full-length book on Brazilian films about slavery. By studying Brazilian films released between 1976 and 2005, Gordon examines how the films both define the national community and influence viewer understandings of Brazilianness. Though the films he examines span decades, they all communicate their revised version of Brazilian national identity through a cinematic strategy with a dual aim: to upset ingrained ways of thinking about Brazil and to persuade those who watch the films to accept a new way of understanding their national community. By examining patterns in this heterogeneous group of films, Gordon proposes a new way of delineating how these films attempt to communicate with and change the minds of audience members. Gordon outlines five key aspects that each film incorporates, which describe their shared formula for and role in constructing social identity. These elements include the ways in which the films attempt to create links between the past and the viewers’ present and their methods of encouraging viewers to identify with their protagonists, who are often cast as a prototype for the nation. By aligning themselves with this figure, viewers arrive at a definition of their national identity that, while Afrocentric, also promotes racial and ethnic inclusiveness. Gordon’s innovative analysis transcends the context of his work, and his conclusions can be applied to questions of national identity and film across cultures.

DKK 217.00
1

Women in Mexico - Julia Tunon Pablos - Bog - University of Texas Press - Plusbog.dk

Women in Mexico - Julia Tunon Pablos - Bog - University of Texas Press - Plusbog.dk

Throughout Mexico''s history, women have been subjected to a dual standard: exalted in myth, they remain subordinated in their social role by their biology. But this dualism is not so much a battle between the sexes as the product of a social system. The injustices of this system have led Mexican women to conclude that they deserve a better world, one worth struggling for. Published originally in Spanish as Mujeres en México: Una historia olvidada , this work examines the role of Mexican women from pre-Cortés to the 1980s, addressing the interplay between myth and history and the gap between theory and practice. Pointing to such varied prototypes as the Virgin of Guadalupe, La Malinche, and Sor Juana, Tuñón contrasts what these women represent with more realistic but less-exalted counterparts such as Josefa Ortiz de Domínguez, La Güera Rodríguez, and Juana Belén Gutiérrez de Mendoza. She also discusses the identity transformation by which indigenous women come to see themselves as Mexicanas, and analyzes such issues as women''s economic dislocation in the labor force, education, and self-image. In challenging the illusion that historians have created of women in Mexico''s history, Tuñón hopes to recover feminism—with its strengths and weaknesses, its vision of the world that is both intellectual and full of feeling. By examining the social world of Mexico, she also hopes to determine those situations that cause oppression, exploitation, and marginalization of women.

DKK 177.00
1

Uncivil Wars - Sandra Messinger Cypess - Bog - University of Texas Press - Plusbog.dk

Uncivil Wars - Sandra Messinger Cypess - Bog - University of Texas Press - Plusbog.dk

The first English-language book to place the works of Elena Garro (1916–1998) and Octavio Paz (1914–1998) in dialogue with each other, Uncivil Wars evokes the lives of two celebrated literary figures who wrote about many of the same experiences and contributed to the formation of Mexican national identity but were judged quite differently, primarily because of gender. While Paz’s privileged, prize-winning legacy has endured worldwide, Garro’s literary gifts garnered no international prizes and received less attention in Latin American literary circles. Restoring a dual perspective on these two dynamic writers and their world, Uncivil Wars chronicles a collective memory of wars that shaped Mexico, and in turn shaped Garro and Paz, from the Conquest period to the Mexican Revolution; the Spanish Civil War, which the couple witnessed while traveling abroad; and the student massacre at Tlatelolco Plaza in 1968, which brought about social and political changes and further tensions in the battle of the sexes. The cultural contexts of machismo and ethnicity provide an equally rich ground for Sandra Cypess’s exploration of the tandem between the writers’ personal lives and their literary production. Uncivil Wars illuminates the complexities of Mexican society as seen through a tense marriage of two talented, often oppositional writers. The result is an alternative interpretation of the myths and realities that have shaped Mexican identity, and its literary soul, well into the twenty-first century.

DKK 209.00
1

Photopoetics at Tlatelolco - Samuel Steinberg - Bog - University of Texas Press - Plusbog.dk

Photopoetics at Tlatelolco - Samuel Steinberg - Bog - University of Texas Press - Plusbog.dk

In the months leading up to the 1968 Olympic games in Mexico City, students took to the streets, calling for greater democratization and decrying crackdowns on political resistance by the ruling PRI party. During a mass meeting held at the Plaza of the Three Cultures in the Tlatelolco neighborhood, paramilitary forces opened fire on the gathering. The death toll from the massacre remains a contested number, ranging from an official count in the dozens to estimates in the hundreds by journalists and scholars. Rereading the legacy of this tragedy through diverse artistic-political interventions across the decades, Photopoetics at Tlatelolco explores the state’s dual repression-both the massacre’s crushing effects on the movement and the manipulation of cultural discourse and political thought in the aftermath. Examining artifacts ranging from documentary photography and testimony to poetry, essays, chronicles, cinema, literary texts, video, and performance, Samuel Steinberg considers the broad photographic and photopoetic nature of modern witnessing as well as the specific elements of light (gunfire, flares, camera flashes) that ultimately defined the massacre. Steinberg also demonstrates the ways in which the labels of “massacre” and “sacrifice” inform contemporary perceptions of the state’s blatant and violent repression of unrest. With implications for similar processes throughout the rest of Latin America from the 1960s to the present day, Photopoetics at Tlatelolco provides a powerful new model for understanding the intersection of political history and cultural memory.

DKK 230.00
1