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Origins of Pre-Columbian Art - Terence Grieder - Bog - University of Texas Press - Plusbog.dk

Origins of Pre-Columbian Art - Terence Grieder - Bog - University of Texas Press - Plusbog.dk

Since Columbus first called the natives of the Americas “Indians,” the sources of their art and culture have been a puzzle. The strange mixture of objects of Asian appearance with those decidedly un-Asian has provided fuel for controversy between those who see the American cultures as products of diffusion and those who see them as independent inventions. Origins of Pre-Columbian Art cuts through this old dispute to provide a fresh look at ancient cultural history in the Americas and the Pacific basin. Using evidence from archaeology, ethnology, and psychology, Terence Grieder suggests that contact between individuals across cultural borders is the root of both invention and diffusion. By tracing the spread of early symbolic techniques, materials, and designs from Europe and Asia to the lands of the Pacific and to the Americas, he displays the threads woven through humanity’s common cultural heritage. While archaeology provides examples of ancient symbols, ethnology reveals widely separated modern peoples still using these symbols and giving them similar meanings. Mapping these patterns of use and meaning, the author describes three waves of migration from Asia to the Americas, each carrying its own cluster of ideas and the symbols that expressed them. First Wave cultures focused on their environment and on the human body, inventing symbols that compared people and nature. Second Wave symbolism emphasized the center and the periphery: the village and the horizon; the tree or pole as world axis; and the world’s rim, where spirits exist. These cultures created masks to give form to those beings beyond the horizon. The heavens were finally incorporated into the system of symbols by Third Wave peoples, who named the celestial bodies as gods, treasured heaven-colored stones, and represented the world in pyramids. Emphasizing the interpretation of art in its many forms, Grieder has found that such seemingly minor decorations as bark cloth clothing and tattoos have deep meaning. Ancient art, he argues, was the vehicle for ancient science, serving to express insights into biology, astronomy, and the natural world.

DKK 214.00
1

The First New Chronicle and Good Government - Felipe Guaman Poma De Ayala - Bog - University of Texas Press - Plusbog.dk

The First New Chronicle and Good Government - Felipe Guaman Poma De Ayala - Bog - University of Texas Press - Plusbog.dk

One of the most fascinating books on pre-Columbian and early colonial Peru was written by a Peruvian Indian named Felipe Guaman Poma de Ayala. This book, The First New Chronicle and Good Government, covers pre-Inca times, various aspects of Inca culture, the Spanish conquest, and colonial times up to around 1615 when the manuscript was finished. Now housed in the Royal Library, Copenhagen, Denmark, and viewable online at www.kb.dk/permalink/2006/poma/info/en/frontpage.htm, the original manuscript has 1,189 pages accompanied by 398 full-page drawings that constitute the most accurate graphic depiction of Inca and colonial Peruvian material culture ever done. Working from the original manuscript and consulting with fellow Quechua- and Spanish-language experts, Roland Hamilton here provides the most complete and authoritative English translation of approximately the first third of The First New Chronicle and Good Government. The sections included in this volume (pages 1–369 of the manuscript) cover the history of Peru from the earliest times and the lives of each of the Inca rulers and their wives, as well as a wealth of information about ordinances, age grades, the calendar, idols, sorcerers, burials, punishments, jails, songs, palaces, roads, storage houses, and government officials. One hundred forty-six of Guaman Poma's detailed illustrations amplify the text.

DKK 343.00
1

Covarrubias - Adriana Williams - Bog - University of Texas Press - Plusbog.dk

Covarrubias - Adriana Williams - Bog - University of Texas Press - Plusbog.dk

At the center of an artistic milieu as vital and exciting as the Left Bank of Paris or Greenwich Village, Rosa and Miguel Covarrubias knew almost everyone in the limelight of the 1930s and 1940s—Langston Hughes, Carl Van Vechten, John Huston, Diego Rivera, and Frida Kahlo, to name just a few. As fascinating themselves as any of their friends, the couple together fostered a renaissance of interest in the history and traditional arts of Mexico''s indigenous peoples, while amassing an extraordinary collection of art that ranged from pre-Hispanic Olmec and Aztec sculptures to the work of Diego Rivera. Written by a long-time friend of Rosa, this book presents a sparkling account of the life and times of Rosa and Miguel. Adriana Williams begins with Miguel''s birth in 1904 and follows the brilliant early flowering of his artistic career as a renowned caricaturist for Vanity Fair and the New Yorker magazines, his meeting and marriage with Rosa at the height of her New York dancing career, and their many years of professional collaboration on projects ranging from dance to anthropology to painting and art collecting to the development of museums to preserve Mexico''s pre-Columbian heritage. Interviewing as many of their friends as possible, Williams fills her narrative with reminiscences that illuminate Miguel''s multifaceted talents, Rosa''s crucial collaboration in many of his projects, and their often tempestuous relationship.

DKK 326.00
1

Arabs in the Mirror - Nissim Rejwan - Bog - University of Texas Press - Plusbog.dk

Arabs in the Mirror - Nissim Rejwan - Bog - University of Texas Press - Plusbog.dk

What is an Arab? Though many in the West would answer that question with simplistic stereotypes, the reality is far more complex and interesting. Arabs themselves have been debating Arab identity since pre-Islamic times, coming to a variety of conclusions about the nature and extent of their “Arabness.” Likewise, Westerners and others have attempted to analyze Arab identity, reaching mostly negative conclusions about Arab culture and capacity for self-government. To bring new perspectives to the question of Arab identity, Iraqi-born scholar Nissim Rejwan has assembled this fascinating collection of writings by Arab and Western intellectuals, who try to define what it means to be Arab. He begins with pre-Islamic times and continues to the last decades of the twentieth century, quoting thinkers ranging from Ibn Khaldun to modern writers such as al-Ansari, Haykal, Ahmad Amin, al-''Azm, and Said. Through their works, Rejwan shows how Arabs have grappled with such significant issues as the influence of Islam, the rise of nationalism, the quest for democracy, women''s status, the younger generation, Egypt''s place in the Arab world, Israel''s role in Middle Eastern conflict, and the West''s "cultural invasion." By letting Arabs speak for themselves, Arabs in the Mirror refutes a prominent Western stereotype—that Arabs are incapable of self-reflection or self-government. On the contrary, it reveals a rich tradition of self-criticism and self-knowledge in the Arab world.

DKK 209.00
1