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Oliver Jeffers - Oliver Jeffers - Bog - Rizzoli International Publications - Plusbog.dk

DKK 439.00
1

A Mary Oliver Collection - Mary Oliver - Bog - Penguin Group USA - Plusbog.dk

Marx at the Arcade - Jamie Woodcock - Bog - Haymarket Books - Plusbog.dk

Marx at the Arcade - Jamie Woodcock - Bog - Haymarket Books - Plusbog.dk

Praise for Working the Phones : “A sharp reminder of the difficulties faced by call-center workers.” — The Financial Times “Jamie Woodcock shows us what call-centers can tell us about bleakness and resistance in the modern workplace.” — VICE “Jamie Woodcock’s brilliant insider account of life in a British call-center reveals the dirty realities of digital capitalism . . . a book that is sure to become a classic.” —Peter Fleming, author of The Mythology of Work “Woodcock knows not only his theory but his subject inside out. There’s casualization, cruelty, and regimentation, but also subversion, and his focus on employee resistance offers a flicker of hope.” — Times Higher Education In Marx at the Arcade , acclaimed researcher Jamie Woodcock delves into the hidden abode of the gaming industry. In an account that will appeal to hardcore gamers, digital skeptics, and the joystick-curious, Woodcock unravels the vast networks of artists, software developers, and factory and logistics workers whose seen and unseen labor flows into the products we consume on a gargantuan scale. Along the way, he analyzes the increasingly important role the gaming industry plays in contemporary capitalism and the broader transformations of work and the economy that it embodies. Jamie Woodcock is a sociologist of work, focusing on digital labor, the gig economy, and resistance. He is currently a fellow at the London School of Economics and is the author of the award-winning Working the Phones (2016). He is on the editorial board of Historical Materialism and an editor of Notes from Below , an online journal of workers’ inquiry.

DKK 504.00
1

Tank Girl: Colour Classics Trilogy (1988-1995) Boxed Set - Jamie Hewlett - Bog - Titan Books Ltd - Plusbog.dk

Oliver! - Marc Napolitano - Bog - Oxford University Press Inc - Plusbog.dk

Oliver! - Marc Napolitano - Bog - Oxford University Press Inc - Plusbog.dk

When the show was first produced in 1960, at a time when transatlantic musical theatre was dominated by American productions, Oliver! already stood out for its overt Englishness. But in writing Oliver!, librettist and composer Lionel Bart had to reconcile the Englishness of his Dickensian source with the American qualities of the integrated book musical. To do so, he turned to the musical traditions that had defined his upbringing: English music hall, Cockney street singing, and East End Yiddish theatre. This book reconstructs the complicated biography of Bart''s play, from its early inception as a pop musical inspired by a marketable image, through its evolution into a sincere Dickensian adaptation that would push English musical theatre to new dramatic heights. The book also addresses Oliver!''s phenomenal reception in its homeland, where audiences responded to the musical''s Englishness with a nationalistic fervor. The musical, which has more than fulfilled its promise as one of the most popular English musicals of all time, remains one of the country''s most significant shows.Author Marc Napolitano shows how Oliver!''s popularity has ultimately exerted a significant influence on two separate cultural trends. Firstly, Bart''s adaptation forever impacted the culture text of Dickens''s Oliver Twist; to this day, the general perception of the story and the innumerable allusions to the novel in popular media are colored heavily by the sights, scenes, sounds, and songs from the musical, and virtually every major adaptation of from the 1970s on has responded to Bart''s work in some way. Secondly, Oliver! helped to move the English musical forward by establishing a post-war English musical tradition that would eventually pave the way for the global dominance of the West End musical in the 1980s. As such, Napolitano''s book promises to be an important book for students and scholars in musical theatre studies as well as to general readers interested in the megamusical.

DKK 500.00
1