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PIANO CONCERTO NO. 2 PNO+SOLO

PIANO CONCERTO NO. 2 PNO+SOLO

Lost Solo Concertos reconstructed - Bach, Johann Sebastian

complete edition, score, Anthology, Urtext edition Instr-Solo/Str/Bc Indbundet udgave

Serenata : for Solo Percussion and Band

Scored by one of America's finest arrangers, this three movement solo for marimba and band is suitable for advanced high school or university performance. Optional duet version included.

Variations And Theme : for Solo Flute and Concert Band

First published in 1979, this masterful work for solo flute and band is available again in this newly engraved edition. The solo part displays a variety of styles from beautifully expressive lyric lines to spirited fasterpassages, all supported wonderfully by the full ensemble. Dur: 8:30

Niels Viggo Bentzon: Tre Sonatas E Tre Partita's (Violin solo)

Tre Sonatas E Tre Partita's for Violin solo by Niels Viggo Bentzon.

Solo Bossa : for Flugel Horn and Band

This work marks yet another addition to Otto M. Schwarz’s catalogue of solo repertoire and will be especially welcome due to the rarity of solos for flugel horn! Groovy accents create an exciting contrast to the more flowing musical elements. Simple improvisations complement the piece, which contains a catchy tune that will stay with anyone who plays or listens to the work.The solo part is also available in an edition with piano accompaniment (1961-13-401 M).

Moon River : For Vocal Solo or opt. Instrumental Solo with Band

Performed by Audrey Hepburn in the 1961 film Breakfast at Tiffanys, Henry Mancinis iconic ballad has won numerous awards including the Oscar for Best Original Song and the Grammy for Record of the Year, and has beenrecorded by countlessartists over the years. Arranged as a flexible solo vehicle for vocalist or instrumentalist (flute, oboe, clarinet, alto sax, trumpet, or F horn), this finely crafted setting will certainly add a specialmoment on any concert.

Ponte Vecchio : for Solo Bb Trumpet, Euphonium or Solo Eb Alto Saxophone and Concert Band

This work was commissioned by the Osaka Kyoiku University Wind Orchestra. The world premiere took place with trumpet soloist, Osamu Kumashiro and was conducted by the composer, who was inspired by the famous Ponte Vecchio (the old bridge) during a visit to Florence. The solo part can also be performed on euphonium or alto saxophone.

The Carnival of Venice (Fantasie and Variations) : Solo Feature for Flute, Trumpet, Trombone, Baritone B.C., Tuba B.C., or Xylophone

Solo Feature for Flute, Trumpet, Trombone, Baritone B.C., Tuba B.C., or XylophoneOne of the best-known solo vehicles ever written is now available for younger players in this skillfully crafted setting by JohnnieVinson. With several options for the featured instrument, this is a great way to showcase standout players year after year. (solo grade 4, band grade 3)

Clari-Fun-Key : Solo for Clarinet and Band

Gilbert Tinner’s Clari-Fun-Key is an exciting twomovement work for solo clarinet and concert band. The first movement is in a rock-like funk style with fast flowing melodic figures. The second movement is in a much slower lyrical bossa nova style with the clarinet showing off its warm, rich characteristic sound. A perfect piece for giving your clarinet soloist a bit of the limelight.

Consolations, Grand solo de concert and Other Work : Suppl. 10

Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor.

Complete Works for Piano Solo : 5 volumes in slipcase

This five-volume boxed edition of Mozart’s complete œuvre for piano contain the definitive Urtext from the “New Mozart Edition” in a well-presented large format. For the first time, everything written for solo piano by the man who was perhaps thegreatest genius in music history will be presented in this unique special edition. All works have been meticulously checked to reflect the latest in musicological research.

Chameleon : Concertino for Solo Bb Euphonium and Brass Band

Chameleon is a three-part solo piece for euphonium and brass band. The different styles within the piece provide lots of variety, requiring refined technique and a great deal of flexibility from the soloist. This composition was commissioned by Georg Pranger, to whom the piece is also dedicated. As a pioneer of the Austrian euphonium soloist scene, Pranger is committed to the ‘unshackling’ of this wonderful instrument and the creation of great musical momentum, as achieved by this commission. Chameleon is a three-part solo piece for euphonium and brass band. The different styles within the piece provide lots of variety, requiring refined technique and a great deal of flexibility from the soloist. This composition was commissioned by Georg Pranger, to whom the piece is also dedicated. As a pioneer of the Austrian euphonium soloist scene, Pranger is committed to the ‘unshackling’ of this wonderful instrument and the creation of great musical momentum, as achieved by this commission.

From Both Sides Now : Instrumental Solo with Band

“From Both Sides Now”, written in 1967, is one of the most famous songs by Canadian singer/songwriter Joni Mitchell. A novel by Saul Bellow, “Henderson the Rain King”, was her inspiration to write the song. She has recorded the song twice: first in 1969 on the album “Clouds” and again in 2000 on the album “Both Sides Now”. The latest recording feature a more orchestrated, jazz-inspired version of the song. This arrangement is written in “quasi-tango” style. There are three solo-options included: Bb-Inatruments, Eb-Instruments and C-Instruments (Bass Clef).

Nexus : for Solo Trumpet, Winds and Percussion

The word nexus is defined as a tie or link between people and events. Nexus, for solo trumpet and band, includes several links between composer James Curnow and educator Alfred Watkins, to whom the work is dedicated. A well-known theme (particularly to Mr. Watkins' students) is drawn upon as the piece utilizes two primary musical settings - an energetic and agile scherzo that appears in the beginning and again at the end, contrasted with an expressive Ballad theme. The soloist at the premiere (and on the recording) is Christopher Watkins, Alfred's son. This is a well-crafted and rewarding work for soloist and band alike. Dur: 6:00 (Recorded by the University of Alabama atBirmingham Wind Symphony - Dr. Sue Samuels, conductor. Christopher Watkins, trumpet soloist.)

The Girl with the Flaxen Hair : Solo for Alto Sax or English Horn and Band

Delicately scored and beautifully paced, here is Debussy's beautiful lyric melody arranged as a solo vehicle for alto sax or English horn with concert band. A wonderful opportunity for exploring the rich romanticism of Debussy'smusic while providing an attractive setting for a standout soloist. Dur: 2:30 (Includes full performance CD)

Solo concerto

Images Pour Big Band Et Sax Alto Solo / Piano Solo

Solo concerto op. 3

Neun Sonaten for Solo Instrument and BC : for Solo Instrument and Basso continuo

Tango for Joe : Trombone Solo

Tango for Joe : Trombone Solo

Solo concerto : Wind concertos II

Slidestream : Solo for Trombone Section

Slidestream is particularly dedicated to the trombone section. Thecomposer, a trombonist himself, purposely renounced integratingtechnically difficult challenges; he lets the warm colours of theinstrument come to light in the lyrical theme. Slidestream is acomposition in Latin style, rich in nuances in the accompaniment,which will allow your trombone players a chance to shine.

Myrsnipa - Vocal or Instrumental Solo