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Christmas Non Stop

The Real Book - Volume 2 : Book-USB Flash Drive Pack

The Real Book you know and love has now been updated to include backing tracks for 240 songs on one convenient USB flash drive stick! The four play-along CDs cost a combined $100 so this is an amazing package price! The Real Booksare the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. This package includes the complete book for the second edition of the Cinstrument Volume 2 book, as well as a USB stick for backing tracks matching arrangements in the book. Now you can play along with a real rhythm section, professionally recorded for these songs. The USB stick is compatible withMacs and PCs, with the tracks in MP3 format. Looking for a particular song? Check out the Real Book Songfinder here.

Olivier Messiaen: Traité de Rythme, de Couleur, et d'Ornithologie Vol.2 (Book)

Rythmes non rétrogradables; Technique des Rythmes; Augmentations et Diminutions; Pédales et Canons; Personages rythmiques; Analyse de 'Rite of Spring'; Analyse de 'Turangalîla'; Valeurs irrationelles; Rythmes contemporains; Essai d'Interpolations et Metaboles

Pelle Gudmundsen-Holmgreen: Sol Går Op, Sol Går Ned (Vocal Score)

Vocal score for Sol Går Op, Sol Går Ned by Pelle Gudmundsen-Holmgreen . A 'non-opera' for singers, musicians, actors and dancers. Text by Ursula Andkjær Olsen & Ecclesiastes / The Song of Solomon.

The Real Book Volume 1 Bb Edition : Book/USB Flash Drive Pack

The Real Book you know and love has now been updated to include backing tracks for 240 songs on one convenient USB flash drive stick! The play-along CDs alone are worth $100 so this is an amazing package price! The Real Books arethe best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed without anyreqard to copyright law or royalties paide to the composers who created these musical masterpieces. Hal Leonard is very proud to present the first legitimate and legal editions of these books ever produced. You won't even noticethe difference, other than that all of the notorious errors have been fixed!

Rock in the Mountains

The well-known traditional melodies Rock My Soul, Go Tell It on the Mountain and Mary´s Boy Child have been put together by Roland Kernen in this attractive medley. Arranged in a way that enables flexible instrumentation this work isplayable by a non-standard brass band line-up. The percussion parts are optional. A lively work that will leave your audience rockin off to Christmas.

Front and Center : First Movement of A Tribute to Arthur Delamont

Famed bandmaster Arthur Delamont always started his concerts with a rousing overture, and Front and Center is in this proud tradition. In a non-stop 9/8 rhythm, this piece explodes with energy and effervescence. Full of powerful fanfares, lively melodies, driving percussion and dynamic contrasts, this exciting concert opener moves through different musical colors without ever losing its relentless drive. An exhilarating tour-de-force showcasing all sections of the band! Front and Center is the first movement of A Tribute to Arthur Delamont and was commissioned by the West Vancouver Youth Band.

Canticle of the Creatures

This distinctive six-movement suite is one of Jim Curnow's most requested works. Inspired by the writings of Saint Francis of Assisi, the suite succeeds in expressing his love for peace and his respect for all creatures. Eachmovement is a short tone poem that uses the modern concert band as the vehicle for creating spectacular musical images.I. PrologueII. Brother SunIII. Sister Moon and StarsIV. Brother FireV.Mother EarthVI. EpilogueRecorded live in concert in December 2013 by the Orchestre à Vents Non Identifié (OVNI) of Montreal - Mr. Jonathan Dagenais, conductor

Fiasali Dreaming

It is my intention that this piece should represent a dream sequence. The text is therefore non-intelligible in any semantic sense, in the same way that most dreams are. It is also my ambition that the actual music is unintelligible (irrational), which is a very different matter alltogether. It could easíly be maintained that all music is irrational and therefore unintelligible. It is my hope that the text in connection with the four delays create a spacial musical unreality or distance, which ceases at the very end of the piece where all delays and amplification stop and we again can "wake up".Andy Pape.

Symphony No. 1 - The Archangels

The Swiss composer Franco Cesarini has waited a long time to write his first symphony and after years of considering and drafting, this Archangels Symphony, Symphony nr. 1 is a vast composition consisting of highly dramatic language, intense thematic developments and frequent polyphonic elaborations. The thematic material is taken from old Gregorian melodies that form the basis for the entire work, which is, despite the title, a non-programmatic work. It consists out of 4 movements: Gabriel, the gentle archangel; the supreme healer Raphael; the energetic archangel Michael, the Prince of the heavenly host; and surprisingly the archangel Urile, the ‘forgotten’ archangel. Atrue masterpiece and a fantastic musical challenge!

Thyellene : The Battle on the Heath

The Battle on the Heath On 24 January 1597, the ‘Tielenheide’ - a stretch of moorland near the Belgian village of Tielen, south of Turnhout-was the scene of a great battle. Prince Maurice of Nassau, commander of the Dutch army,crushingly defeated Count Varax, a Burgundian general of the Spanish army. In military circles, the Battle of Turnhout caused quite a stir: a Spanish army of five thousand men was initially held up for hours through daring shortmoves by fifteen cavalrymen and a few hundred foot-soldiers -and subsequently, this Spanish army was overpowered by barely a thousand cavalrymen, without the help of the infantrymen. New weaponry proved its value that day. TheDutch cavalrymen were not armed with spears, as previously, but with long, carbine-like pistols . Before the pikemen of the Spanish army could stick their fearsome, six-metre-long spears into the ground to protect themselvesagainst the onrushing horses, they were shot to pieces or knocked down. During the battle, the state troops seized a number of flags, which would embellish the Ridderzaal (Knights’ Hall) in The Hague for years.In a contemporaryDutch military magazine, the victory at the ‘Tielenheide’ has been described as “ the heaviest blow ever delivered by the Dutch cavalry”. The location where the battle took place is no langer moorland: it is now a pine forestplanted more than a century age, to meet the demand for wood in the old coalmines of Limburg . Part of the forest is now the military territory of the Third Paratroop Batallion, and part is now the De Waal nature reserve: it isnot accessible to the public. In Tielen there is still a street called the Tielenheide, near the former moorland.

Kaija Saariaho: Io (Score)

The harmonic basis for this composition is found from analysing sounds of individual instruments, with the non-harmonic sounds produced on double bass and bass flute, these provide a model for the chord structure of the piece.The harmonic energy of the piece is provided through the treatment of timbre as a system, which is formed from the categorisation of instruments and the sounds they produce. The instruments are divided into different categories according to how and where they place themselves along an axis whose end points are either clear or noise like sounds. In this approach clear, clean sounds are considered consonances with noises as dissonances.Work for Chamber Ensemble, Tape and Live Electronics. Premiered in the Pompidou Centre, Paris in in July 1987, and commissioned by IRCAM for the Ensemble Intercontemporain to celebrate the 10th anniversary of Centre Georges-Pompidou. Winner of the 1998 Ars Electronica Prize.

Free Running

Free Running is an exciting, high velocity tour-de-force that will keep both musicians and the audience on the edge of their seats. Inspiration for the work came from the pointillistic paintings of Seurat (who createdimages by using tiny spots of primary colors on his canvas) and from Parkour, a form of urban acrobatics in which participants, known as free runners, use the structures of the rural landscape to perform catlike leaps and sprints.The resulting creation is a non-stop piece of music made up of only staccato notes in a constant rhythm moving through different sections of the ensemble. Free Running was commissioned by the Troy University Symphony Bandfor the 2011 Alabama Music Educators Association Convention. Ideal for concert or festival use, it is guaranteed to leave the audience breathless! Dur: 5:10Recorded by the Troy University Symphony Band - Ralph Ford,conductor

Juliana Hodkinson: Angel View

Angel View by Juliana Hodkinson , scored for seven or more performers and electronics. 'Angel View is an assemblage of urban and musical debris, somewhere between a wordless live radio play, enacted film soundtrack and instrumental theatre. Chiseling cement, falling debris, scraping cutlery, breaking glass, criss-crossing cables, squealing tram-wheels, an upturned bicycle, a grid of cables, a travel souvenir, a shop window, a revolving carousel, a brace of monkeys, a wall under siege, a dining table laid for an ancestral dinner ? it is a sonic bazaar. Made up of over 20 parts, each designed to overlap, the work?s architecture is full of of non-sequiturs and arbitrary cross-relations between imagined streets intersecting and running parallel, reflecting the surrealism of everyday life described in Walter Benjamin?s Einbahnstrasse and still present in the contemporary dilemmas and opportunities of Berlin today. All this is heard as if from an aerial perspective, perhaps the Victory Column where angels sit in Wings of Desire, from where Berlin below is observed as a series of tragedies.' Juliana Hodkinson

Cendrillon pour chant et piano

En choisissant de rester fidèle au conte de Perrault, le librettiste Henri Cain a rendu un fier service à Jules Massenet (1842-1912) : le voici encouragé à déployer dans l’opéra Cendrillon toute la panoplie de merveilles qui fait le charme d’un tel sujet et à écrire pour la Fée-Marraine et sa cour une musique éthérée et scintillante. Le compositeur a fait du Prince charmant un rôle travesti – chanté par une mezzo-soprano et non, comme chez Rossini, par un ténor –, adoucissant par-là même un personnage « aussi proche des rives de l’enfance que sa tendre partenaire » (P. Kaminski). Sans céder au moindre sentimentalisme sucré, la musique de Massenet nous étreint par sa simplicité, sa pureté et l’ardeur des sentiments qu’elle exalte. Le présent volume comprend la réduction complète de l’opéra pour chant et piano, l’intégralité du livret ainsi qu’une notice historique et une iconographie permettant de lever le voile sur l’éclatant triomphe de sa création à l’Opéra-Comique, le 16 février 1892, que confirmèrent dans la foulée plusieurs reprises à Bruxelles, Genève et Milan.

Roger Boutry: Divertimento (Saxophone and Orchestra)

Divertimento is an outstanding composition by Roger Boutry for Alto Saxophone and Harmony Orchestra. This great work is really nice to play and will enlighten the audience. The Orchestra composition required is: 2 Flutes, 2 Oboes, 2 Bassoons, 2 small Clarinets, Clarinet I, Clarinet II, 1 Bass Clarinet, 2 Alto Saxophones, 2 Tenor Saxophones, 1 Baritone Saxophone, 4 Horns, 4 Bb or C Trumpets, 4 Trombone or 3 Trombone and an Euphonium, 1 Bb or C Bass, 1 Double Bass, 1 Harp, Timpani, Drum and a Celesta. It is divided into three parts: I. “Allegro ma non troppo”, is strongly rhythmic and syncopated. It includes a Cadenza by the Solo Saxophone and is written as a tribute to Jazz music. II. “Andante”, also includes a Cadenza by the Solo Saxophone but at the end of the section. It is reminiscent of slower blues ballads. III. This part features few sections by the Solo Saxophone but is specially highlighted its ending, in a bright and fast finale. This volume features the score and parts for all the instruments. Born in France in 1932, Roger Boutry received numerous prizes, including those for Piano, Composition and Conducting. He received the Grand Prix de Rome in 1954. His career was quite successful, alternating between Harmony professor, composer and conductor. He also received numerous prizes for his incredible compositions.

Scalin' and Wailin'

Scalin' and Wailin' is a flexible, fun piece written with a differentiated instruction model. Three different difficulty levels meet students where they're at in their development and allows space for each to grow. This piece is also ideal for educators and conductors looking for side by side programming - younger ensembles can all play within the easiest group and more advanced ensembles can play within the more difficult groups, all fitting together in one energetic piece. Celebrate BandQuest's 20th anniversary with this special release, and find what works for your ensemble! BandQuest®, an exciting series of new music and accompanying curricula for band, is a program publishedby the American Composers Forum. The series was started as a response to feedback from music educators that there is a pressing need for new, fresh band music. The heart of this program is new works written by a diverse group of leading American composers who have created challenging pieces that are a true departure from standard middle school repertoire. Every BandQuest project includes a residency component in which the composer works collaboratively with a middle school as they create their new piece. Many BandQuest pieces are accompanied by an interdisciplinary curriculum designed to assist students as they learn the music and to integrate each piece with non-music studies. Visit www.bandquest.org to learn more about this innovative series, and email bandquest@composersforum.org to request a free downloadable audio catalog.

AirTurn Tap Drum Page Turner

Wireless trigger to improve your performance! Piezo-operated padded switches deliver a fast and reliable response. Excellent for drummers and percussionists. •Read music and scroll lyrics •Trigger backing tracks and effects •Customize DAW and MIDI control •Capture video, photo, and more! Turning pages has never been easier for drummers! The AirTurn TAP seamlessly blends into your kit or percussion setup with two trigger pads for smooth page turning with the strike of a stick! Depending on what app or software you choose, you can do more than turning pages. You can scroll lyrics and tabs, start and stop back tracks, start and stop a metronome and much more. The TAP is the professional choice for taking control of your tablet or computer. The perfect trigger for Digital Audio Workstation control. Using our free customization app, AirTurn Manager, assign your favourite hotkeys and keyboard shortcuts to a trigger pad for easy recording and editing control. Arm tracks, start/stop recording and playback, toggle metronome, undo actions, solo/mute tracks, and anything else your computer keyboard can do! The TAP is completely customizable for keystrokes, shortcuts, switching types, MIDI, and so much more! Trigger clips and samples, start/stop loops, change presets, toggle effects, the MIDI world is your oyster! Assign any MIDI CC, Program Change, or Note to each switch with any value. Adjust a full range of settings: MIDI Commands and Notes, Auto-Repeat, Idle Time, Low Power or Fast Response Mode, Debounce, and Switch Types. Switches may be defined as Momentary, Latching, Pulse or Command. Key Features •Max Range: At 150+ feet, AirTurn leads the industry with maximum operating range. •Portable: Lightweight and durable construction allows you to throw it your gear bag and go. •Max Battery Life: A rechargeable battery provides 150-200 hours of play time with a single charge. The TAP works with devices that have Bluetooth 4 or higher. •Efficient: Piezo-operated padded switches deliver a fast and reliable response. •Status Indicators: Bluetooth status LED. Low battery status LED. •Power Saving: Automatically turns off when the host tablet or computer is turned off. •Versatile: Mounts to 1” diameter poles using a side mount clamp. Customization •May be used with external momentary triggers, such as the Roland BT-1. •Choose from 7 default modes that cover most apps or assign custom keystrokes and shortcuts as well as MIDI commands using the free AirTurn Manager app. •Adjust a full range of settings including: Keyboard keystrokes including modifiers, MIDI Commands and Notes, Auto-Repeat, Idle Time, Low Power or Fast Response Mode, Debounce, and Switch Types. Switches may be defined as Momentary, Latching, Pulse or Command. •Two pairing methods: Open pairing lets you store the connections of up to 8 different devices for instant connections. Closed pairing stores the connection for only one device and does not connect erroneously to other devices. •Use multiple devices: Configure up to 8 devices at the same time for max customization. *The AirTurn TAP will not work with iPads 1 and 2 (Model numbers A1219, A1337 and A1395 - A1397). If the manufacturer of the tablet says it works with a Bluetooth 4.0 keyboard, it will work with the TAP.  

Le opere attestate in antologie compilate in vita : Vol. 10/I - Edizione critica a cura di Alessandro Borin - David Bryant (testi in italiano e

Vol. 10 of the Complete Works, articulated in two parts, contains the music found exclusively in manuscript and printed anthologies compiled prior to the great sixteenth-century Venetian composer’s death in 1585. Broadly speaking, Gabrieli’s contributions to collective anthologies fall into the following categories: 1) celebratory compositions, in several cases conceived as individual contributions to madrigal cycles by various composers in honour of more or less prominent Venetian or other personalities; 2) compositions originating in social and cultural circles close to Gabrieli; products of the composer’s habitual interaction with patrons, poets and musicians in midsixteenth-century Venice, these compositions are published in anthologies containing similar works by other composers in Gabrieli’s milieu; 3) individual madrigals inserted in generic multi-author anthologies. Vol. 10/I features eight compositions on texts in Latin, Italian and ‘stradioto’ dialect (a linguistic concoction in which words of Greek origin appear against a background of simulated Venetian dialect). These include Gabrieli’s contribution to a Corona of nine sonnets by various composers on the death of Annibale Caro, the celebrated man-of-letters whose production comprises a highly successful Italian translation of Virgil’s Aeneid. The entire Corona is edited in the Complete Works. Gabrieli’s presence in multi-author anthologies follows a predictable pattern. The young composer’s earliest madrigals appear in editions of music by well-established authors (Vincenzo Ruffo, Cipriano de Rore) or collective anthologies edited by enterprising local musicians or other cultural figures (Giulio Bonagiunta, a singer at St Mark’s; the Venetian poet, actor and musician Antonio Molino). These give way to anthologies of music by highly celebrated composers, to which Gabrieli, his reputation now secure, accedes by invitation; and, beginning in 1583, non-Italian publications (increasingly common in the years following the composer’s death).

Quad 500 Foot Controller - Airturn

Now with Bluetooth 5, you can get more power, speed, and range from your setup. Enjoy 200+ hours of use with each battery charge, along with an even faster and more responsive experience. Silent and professional wireless foot switch with four custom programmable pedals. • Turn pages, read music, scroll lyrics and tabs • Control multimedia and teleprompter apps • Cue audio and effects Capture dynamic video, photos, and more! Complete with silent-tactile switches and a high-quality molded exterior, the AirTurn QUAD 500 is a premium four-switch controller for professionals and hobbyists. Using reed switch technology, and created from a virtually indestructible polymer blend, each pedal is made to outlast any mechanical switch. • Endless Apps: Hundreds of compatible apps for turning pages, teleprompting, reading music, scrolling lyrics and tabs, triggering backing tracks and effects, sending MIDI commands, cueing audio and lighting, capturing photo and video, live streaming, plus so much more! • App Control: Seven built-in modes store switch commands that work with hundreds of apps including those supported with AirDirect. • Customize: Create commands for almost any app that responds to keystrokes, macros, mouse clicks, or MIDI with the free AirTurn Manager. Adjust features such as Auto-Repeat, Idle Time, Low Power or Fast Response Mode, and Debounce. Select switch types such as Momentary, Latching, Pulse, or Command. • Updates: AirTurn Manager supports Over-the-Air updates to firmware for the latest features. • Silent-Tactile: Completely silent, gentle switch action, felt under foot. • Durable: Fully-enclosed, high-quality molded exterior with non-mechanical switches. • Max Range: At 200+ feet, AirTurn leads the industry’s operating range. • Max Battery Life: Rechargeable battery provides 200+ hours of play time with a single charge, displays status indicators, and automatically turns off when the host device is turned off. • Status Indicators: Bluetooth status LED. Low battery status LED. • Flexible Use: Pedal board compatible with optional 9v supply. • Pairing Options: Choose open pairing for instant connections or choose closed pairing to store a single connection and prevent unintended connection to other devices. • Multiple Devices: Connect up to eight AirTurn devices for more switch options. • Compatibility: Works with devices that have Bluetooth 4 or higher. • Warranty: Best-in-class 2-year warranty with product registration (includes battery).

Poul Ruders: Final Nightshade - An Adagio Of The Night (Score)

Premiered by The New York Philharmonic, conducted by Lorin Maazel, at Avery Fisher Hall, Lincoln Center, New York City, 10th June 2004.Orchestration3 Flutes, 3rd dbl. Piccolo2 Oboes1 English Horn in F3 Clarinets in Bb, 3rd dbl. Bas Clarinet in Bb2 Bassoons1 Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba1 (set of) Timpani2 Percussion (two players)1: Bass Drum (large), Chinese Cymbal, Mark Tree2: TamTam (large), Vibraphone, Antique Cymbal1 Harp1 Piano dbl. CelestaStringsAll non-octave transposing instruments are notated in their relevant transpositions.Horns notated in bass clef sound a fourth above the notated pitch.All accidentals apply to each single note only, except tied notes. Naturals for 'safety'.Programme NoteThis piece marks the conclusion of what could now be called 'The Nightshade Trilogy', three pieces which explore the contrasting worlds of Light and Darkness. As opposed to the earlier chamber work Nightshade, which dealt with extremes of high and low pitches, and the chamber orchestra composition Second Nightshade, a two-fold piece contrasting darkness/anxiety and light/calm, Final Nightshade, for full symphony orchestra, takes us on a journey in which the forces of dark and light struggle - and co-exist - in a predominantly polyphonic web, with brooding undertones. The melodic point-of-departure is not, surprisingly, to be found in either of the two preceding pieces of the Trilogy, but in an older piece, Corpus Cum Figuris from 1985. Over the ensuing years I've dreamt, on and off, of 'doing something' with the opening measures of this older work, perhaps even building a new composition on that very simple, inward-looking time was ripe, and there's a nice nostalgia angle to the idea: Corpus Cum Figuris was the first piece of mine to be performed by the New YOrk Philharmonic, at the Horizons Festival, conducted by Oliver Knussen, in 1986. Final Nightshade based on the few opening bars of Corpus Cum Figuris offers a new world of intertwining melodies played mostly in Violins and Flutes - along with the darker, at times even menacing forces of the rest of the Orchestra. The world itself, nightshade, is wonderfully evocative: pale moonlight, elusive shadows, dark, silent forests in the dead of night. Which is why I've given the new work of sub-title, 'An Adagio of the Night' - it's a slow-paced Nocturne, with 'Lightness and Hope' prevailing towards the end. Or do they? Poul Ruders, September 2003

NUX B-5RC Wireless Guitar System

B-5RC trådløst system passer perfekt til alle typer elektrisk guitar, akustisk-elektrisk guitar, basguitar, elektro ukulele m.m. Forbedret af den seneste trådløse teknologiske innovation og opgraderet algoritme, kan B-5/B-5RC nu fungere godt med instrumenter, der er udstyret med aktive pickupper. Desuden kommer den med det banebrydende auto-matching-system, som giver dig mulighed for at nyde fuldstændig frihed uden nogen opsætning. Nyd, hav det sjovt og rock på! Ingen summen/brummende med de aktive pickups Produkttekst fra producenten: B-5RC wireless system fits in perfectly with all types of electric guitar, acoustic-electric guitar, bass guitar, Ukulele. Enhanced by the latest wireless technology innovation and upgraded algorithm, B-5/B-5RC can now work well with instruments that equipped with active pickups. Moreover, it comes with the ground-breaking auto-matching system which allows you to enjoy complete freedom without any setup. Enjoy, have fun & rock on ! No Buzzing/Humming With The Active Pickups NUX B-5 RC works perfectly with active/passive electric guitar and bass, and acoustic-electric guitars with piezo or magnetic pickup. The signal is crystal clear. High Quality Audio B-5 Wireless delivers the signal on 2.4 GHZ frequency range. That's a global interference-free broadcasting range you can use everywhere without a signal break. With the 24-bit 44.1 kHz audio quality you will never experience unwanted sound degradation. Quick-Play, No Setup Required Each pair of B-5 wireless transmitter and receiver has a unique and fast-matching system. Just hold the power button to turn ON both wireless devices, plug the transmitter to your guitar, and the receiver to your amp (or any gear you want to send your guitar signal to like a pedal, audio interface etc). It's ready to play! And it has a useful MUTE function; just short click the transmitter's POWER button when you want to stop playing for a short time. Stay Charged, Stay Tuned! The B-5 wireless has a built-in long-lasting battery, you can play for up to 4 hours non-stop. And if you leave it ON for 10 minutes without playing, it shuts OFF automatically to save the battery life. And we created a useful solution for the gigging musician; B-5 RC Power Case is a charge station for B-5 wireless, it provides up to 15 hours battery life and charges the wireless system approximately 3 times. Wireless Freedom B-5 has a 50-foot (15 meters) line-in-sight wireless streaming distance, and it delivers the signal between the transmitter and the receiver in less than 5 milliseconds. There's also an optional Cable Tone simulation to get your tone with the cable capacitive effect without using a cord. Cable Tone simulation makes your sound as natural as using a high-quality cable.  Press the receiver's power button (short click) to activate the Cable Tone, the LED indicator will change to ORANGE color. Ultimate Compatibility Our goal has always been making it with unbeatable compatibility. We designed the B-5 wireless to interface on a  variety of guitar and bass guitar body types, so there are no issues regarding tremolo bars or angled input jacks. Slim and light design allows you to play comfortably on any guitar and bass guitar type, including acoustic guitars and ukulele. Color: Black Electronics: Built-in Battery Capacity: 3.7V/500mA (Transmitter and Receiver) Application for: Guitar, ukulele Frequency Response: 20Hz – 20kHz Operating range: 2.4GHz Specifications: Transmission Range: 50 feet / 15m line-of-sight Specifications II: Audio Quality: 24-bit 44.1 KHz, Up to 15 hours of playing time Accessories: B-5RC Power Case-Battery Capacity 4000mAh (included) Length: 107 mm Width: 25 mm Height: 26 mm Weight: 6 8g