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The Victoria Peak

Every December, the Winter Band Festival is held at the Disneyland resort in Hong Kong where bands from various Asian countries perform and enjoy an international atmosphere. The Victoria Peak , a concert march by Satoshi Yagisawa - a popular composer in Asian countries and beyond - was commissioned for the festival in 2013. This bright, colourful work is ideal as an opening piece for your concert and will undoubtedly enchant wind music fans around the world!

Brad Leftwich: Old-Time Fiddle Round Peak Style (Book/Online Audio)

Traditional Southern old-time fiddling from the world-renowned Round Peak area of the Blue Ridge Mountains in North Carolina, focusing on the style and repertoire of master fiddler Tommy Jarrell (1901-1985). Author Brad Leftwich , himself an acclaimed fiddler who learned the music in person from Jarrell , presents detailed, accurate transcriptions of 83 tunes (the bulk of Jarrell 's repertoire) both in standard music notation and fiddle tablature, along with interesting anecdotal information relating to each tune. Comes with access to online audio played solo at a moderate tempo to facilitate learning. Helpful stylistic tips and important background information on the area and the music, along with biographical information on Jarrell and many of the musicians from whom he learned, illustrated with many fascinating old photographs. Featuring the old-time Round Peak fiddle style and repertoire of Tommy Jarrell. Detailed, accurate transcriptions of 83 tunes in standard notation and tablature. Online audio including all 83 tunes played solo at moderate tempo. Stylistic tips, photos, and background information on Round Peak music and musicians.

Round Peak Style Clawhammer Banjo

This book presents more than 70 tunes in the unique, highly developed clawhammer style known as "Round Peak" -named after the Blue Ridge Mountain, North Carolina community where it originated. While not intended for the absolute beginner, this book will benefit players at various experience levels. Tunes in the book are organized according to the specific Banjo tuning used, with A and D tunings most prominent. Much of the book's commentary and the audio download recording is directed towards the fretless variant of the 5-string Banjo but as these tunes are written in standard 5-string Banjo tablature, they can most definitely be played on the more common fretted instrument. Includes tune, lyrics and extensive historical and biographical notes plus technical tips and a discography. Written in 5-string Banjo tablature only. Audio download available online.

Michael Morenga: Fit For Guitar - Tonleiter-Übungen

Second in the Michael Morenga 'Fit for Guitar' series. All the exercises you need to stay at the peak of your playing powers.

Anne-Marie: Speak Your Mind (PVG)

This exclusive folio presents all the songs from rising pop sensation Anne-Marie's debut album, including bonus song Peak . Each song is arranged for Piano and Voice with chord symbols, Guitar chord boxes and full lyrics.

Red Hot Chili Peppers: Stadium Arcadium (Drum Recorded Versions)

You won't miss a beat with this matching folio of drum transcriptions to Red Hot CHilli Peppers anticipated and acclaimed ninth studio album, Stadium Arcadium. Chad Smith is at the peak of his powers and this is demonstrated in this accurate and complete Drum Recorded Versions edition with all 28 transcriptions plus full lyrics and melody line.

Beethoven: Symphony No.9 In D Minor Op.125 'Choral' (Miniature Score)

Completed in 1824, three years before the composer's death, Beethoven's Ninth Symphony occupies a special place at the summit of Classical literature- the peak of Beethoven's orchestral output and, for generations of composers, the supreme model of extended symphonic form. Reproduced here from the authoritative Litolff edition and appears in full score with original instrumentation. Ideal for study purpose

Power Tools for Peak Pro : Complete Guide To The Mac'S Mos

Tarik O'Regan: Eminent Domains

Eminent Domains - Three interludes for solo guitar from Acallam na Senórach. Created for Stewart French.These interludes for solo guitar were extrapolated from Acallam na Senórach, originally co-commissioned by the National Chamber Choir of Ireland, the University of Notre Dame?s DeBartolo Performing Arts Center, Notre Dame, Indiana and Peak Performances at Montclair State University, Montclair, New Jersey.Duration: c.12?

Wolfgang Amadeus Mozart: The Magic Flute In Full Score

The Magic Flute In Full Score was created at the peak of the Enlightenment, Mozart's divine and enduring milestone of Opera is both a light-hearted fairy tale and an epic story of the struggle between good and evil.The Magic Flute met instant acclaim at its 1791 premiere, and it remains among one of Mozart's most performed and admired works.

Mont-Blanc : La voie royale

With its height of 4,808 metres, Mont-Blanc is called ?the roof of Europe?. This wonderful work was inspired by ?the roof of Europe? with its luminous and huge glaciers. Telling the story of a set of mountain climbers and their journey to the peak, along with all the hazards they would encounter, this work will provide mountainous inspiration for all your musicians. One definitely not to be missed!

Claudio Monteverdi: Madrigals Books IV & V

These 39 secular madrigals represent "the peak of the music that Monteverdi produced in the first half of his life" (Grove's Dictionary) and are essential to the repertoire of serious vocal students. Amateurs and professionals alike will enjoy the new English translations printed alongside the most reliable Italian text. Preface and translations by Stanley Appelbaum.Reprint of Tomo IV and Tomo V of Tutte le opere di Claudio Monteverdi, published "nel Vittoriale degli Italiani," 1927.

Classic Queen

Photographer Mick Rock's two-year collaboration with Queen in the mid-1970s resulted in a wealth of stunning pictures ranging from iconic album covers to informal shots of band members at home, in the studio and backstage. Included with this title are more than 250 images, including test Polaroids from studio shoots and many out-takes. Complete with quotes from the band and an annotated timeline, Classic Queen is a must-have photographic case history of a legendary band reaching the peak of its powers!

Piano Concerto No. 21 in C Major KV 467

Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the then young form in classical perfection. Among the most beautiful of them, which are quite equals of his great symphonies, are the works which hecomposed in a two year period (1784- 1786) which marks the highest peak in Mozart's instrumental writing and in his career as a virtuoso.- Urtext of the New Mozart Edition- Full score & parts(BA5317), two-Piano reduction (BA5317-90) and study score format 22.5 x 16.5cm (TP148) available for sale.

The White Stone

The White Stone was commissioned by the band of the catholic parish of Dossenheim on the occasion of the 1250th anniversary of the town of Dossenheim near Heidelberg, Germany. The work is named after a high peak (White Stone) in the east of the town. Throughout the piece the composer uses the tune ‘How lovely you are, my Dossenheim’ in different forms and shapes, and musically he depicts the history and landscapes of this idyllic town. A challenging and versatile concert work with lots of beautiful melodies as well as rhythmical and energetic sequences.

Pomp and Circumstance Op. 39 : March No. 3 in C minor

The English composer Sir Edward Elgar wrote the five Pomp and Circumstance marches between 1901 and 1930, the time of the British Empire, when the colonial and strategic world power of England was at its peak. March No. 3 in C minor, although less well-known then March No.1, was regarded by the composer as the most successful of the marches in terms of composition technique and musical content. The dark colours of the minor tonality and the hopeful sounding cantabile theme are extremely impressive, giving the march its unique character. This is a great chance to bring British pomp andsplendour to your performance.

Tony Bacon/Gareth Morgan: Paul McCartney - Bassmaster

Paul McCartney is one of the best pop bassists in the world, and he was at a creative peak during the time he played with The Beatles. This new book presents a fresh musical analysis of his consistently inventive and influential bass playing of that period. Drawing on a special interview with McCartney, the book tells the full story of his role as bass player in The Beatles, from the first single, Love Me Do in 1962, to the last album, Let It Be in 1970. All bass players owe a debt to Paul McCartney's groundbreaking and revolutionary work with The Beatles, and for the first time this book shows exactly why.

Richard Houghton: The Beatles - I Was There

Not just a fantastic book about The Beatles ! This is also a unique document of the Sixties – a great big slice of rock music heritage. It documents The Beatles when they were at their peak: at their world-conquering best. And it does so through the eyes of 500 of their fans, all telling their personal tales of when they saw The Beatles live in concert – both in the UK and the US. Packed with vintage 60s memorabilia and never-before-seen photos of John Lennon, Paul McCartney, George Harrison and Ringo Starr,  I Was There: The Beatles Live  is a lovingly designed time-capsule, a portrait of an era. It is as close to actually being at a Sixties Beatles' gig and meeting, living or working with the band that you will ever get.

Drumbassadors: One For The Money, But Two For The Show

Disc 1 contains a concert of the drumbassadors (Rene? Creemers and Wim de Vries) which was given for a wildly enthusiastic live audience in the Netherlands in 2009. The drumbassadors show their great creativity and virtuosity in the beautiful drum compositions of their own. Supported by a few guest musicians the drumbassadors take you to an absolutely unique peak in the field of drumming.Disc 2 is an instruction DVD on which Rene ?and Wim explain matters such as grip, strokes, motion, sitting balance, tone, dynamics, coordination, phrasing and melodic playing. Further attention is paid to playing with brushes and hints how to study systematically are given. In addition, Rene? and Wim demonstrate, once again, in a number of solo, duo and band performances, how hugely creative and varied their unique style of playing is.

Felix Mendelssohn: String Quartets Op.12 And Op.13 (Study Score)

The string quartet is generally considered as the chamber-music genre of the classical era: invented by Haydn, elaborated by Haydn and Mozart, and brought to its compositional peak by Beethoven. All later quartet composers had to measure themselves against the works of these three masters. This applies first and foremost to Mendelssohn, who has always been called a “classical romantic.” His Quartet in a minor op. 13 in particular is said to have strong Beethovenian stylistic traits. It was composed in late summer and fall 1827, shortly after Beethoven’s late quartets appeared in print, works that Mendelssohn was no doubt familiar with. The Quartet in E flat major op. 12 waswritten two years later, during Mendelssohn’s first tour of England. A textually identical score of the two quartets is published in Henle’s Study Scores series (HN 9270).

Lick Library: Learn To Play Iron Maiden

For many years Iron Maiden have represented the very peak of the New Wave Of British Heavy Metal movement that swept the musical world in the mid 1970s. Their spectacular stage shows and thundering, nightmarish metal anthems scored the band one of the most devoted followings in rock, combining infamy and genuine musical thrills to devastating effect. The dual speed-metal soloing and shotgun riffs of Dave Murray, Adrian Smith and later Janick Gers, has long been a trademark of the Maiden sound, and this DVD provides a note-for-note guide to five of their most characteristic and recognisable classics. Danny Gill shares the secrets and techniques so you can capture the sounds of these masters of metal for yourself. Includes the anthems Can I Play With Madness, Run To The Hills and Number Of The Beast.

Felix Mendelssohn: String Quartets Op.12/13

The string quartet is generally considered as the chamber-music genre of the classical era: invented by Haydn, elaborated by Haydn and Mozart, and brought to its compositional peak by Beethoven. All later quartet composers had to measure themselves against the works of these three masters. This applies first and foremost to Mendelssohn, who has always been called a “classical romantic.” His Quartet in a minor op. 13 in particular is said to have strong Beethovenian stylistic traits. It was composed in late summer and fall 1827, shortly after Beethoven’s late quartets appeared in print, works that Mendelssohn was no doubt familiar with. The Quartet in E flat major op. 12 was written two years later, during Mendelssohn’s first tour of England. A textually identical score of the two quartets is published in Henle’s Study Scores series (HN 9270).

1 X 1905

The composition “1.X.1905,” generally referred to as a “sonata,” stems from the autumn of 1905, the peak of the riots between the Czech- and German-speaking populations in Janá ek’s hometown Brno. Reacting to the violent death of a Czech worker, Janá ek wrote a three-part composition for Piano originally bearing the title “From the Street, on October 1, 1905.” Dissatisfied with the work, however, Janá ek is said to have first burned the third movement in his fireplace and then thrown the remaining two movements into the Vltava, even before its premiere. A copy of these first two movements on which thepublication of the first edition was later based is also missing today. For this reason, the Urtext edition of G. Henle Publishers and Universal Edition is based solely on the first edition from 1924, which Janá ek expert Ji í Zahrádka has carefully evaluated and annotated for this volume.

Luigi Cherubini: Requiem Mass In C Minor (Vocal Score)

The Requiem Mass in C Minor, Cherubini’s first, was commissioned for the anniversary of the execution of Louis XVI by the restored French monarchy. The Requiem was highly admired by the public and critics as well as by Mendelssohn, Berlioz and Beethoven. Cherubini sets a solemn tone right from the beginning by using the lower Strings and winds only to accompany the Voices and continues to display his inventiveness with great effectiveness throughout the work. The thunder and lightning of the Dies Irae, the prayerful pianissimo sections of the Agnus Dei accompanied by ostinato, the complete lack of soloists are all remarkable elements of this historically important work.Luigi Cherubini was a composer, conductor, teacher, administrator and music publisher who, though born in Italy, dominated the musical world of Paris for nearly five decades. His composing life can be divided very roughly into to phases: the operatic phase during the French Revolutionary period and the equally successful religious music phase at the beginning of the Restoration afterwards. His directorship of the Paris Conservatoire strengthened its position at the peak of musical education on the Continent.

Bud Powell Trio: Bouncing With Bud

A number of Storyville Records' iconic jazz and blues albums are now available in a new series of remastered high quality vinyl releases. Featuring some of the best artists from the vast Storyville catalogue, the “Storyville Vinyl Remasters” series presents great music on deluxe vinyl. Each release is limited edition, pressed onto 180 gram virgin vinyl with the original covers and sleeve notes preserved. Updated notes have been added to the inner sleeves and a free download of the album is included. The audio has been remastered specifically for vinyl to secure the best sound that these great releases deserve. Bud Powell was a jazz pianist of rare talent, perhaps unique in his ability to inject vocal inflections into his improvisational playing. He reached a peak by the late 1940s although sadly by the 1950s he seemed to be succumbing to the mental illness that had plagued him all his life. Unexpectedly his career had a sporadic revival after he moved to France in 1959. Cared for by a friend, Bud Powell still proved capable of giving performances occasionally as brilliantly fluent as his finest from the 1940s. One of these performances were immortalized on this recording from Jazzhus Montmartre in 1962.