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OWSINSKI BOBBY MUSIC 3.0 SURVIVAL GUIDE MAKING MUSIC 2ND EDITION BK

OWSINSKI BOBBY MUSIC 3.0 SURVIVAL GUIDE MAKING MUSIC 2ND EDITION BK

Rued Langgaard: Augustinusiana

Augustinusiana. Instrumentation: 2 vl, vlc. BVN63

Cheryl Frances-Hoad: The Ogre Lover

Cheryl Frances-Hoad's The Ogre Lover for String Trio (Vl, Va, Vc). Composed in 2007. Duration: 9 minutes

Airs Bohemiens Vl-Piano

Guitar Jam Along: 10 Classic Rock Songs 3.0 (Book/CD)

This edition of the popular Guitar Jam Along series is aimed at rock music fans, with a fantastic collection of 10 Hard Rock Classics. It is combinable with BOE7810 and BOE7804 and contains the same songs. Guitar Jam Along 10 Classic Rock Songs 3.0 includes the songs: Pictures Of You (The Last Goodnight), Open Road (Bryan Adams), Don't You Forget About Me (Simple Minds), It's Not My Time (3 Doors Down) and more. Play with Kiss, Linkin Park, 3 Doors Down and others 10 Leadsheets for Guitar players, each on one double page With tab version as additional leadsheet No more turning pages while playing along Includes CD with full version and play-along version Very good readability - clearly marked songparts  

Mixed Bag No.11: Nicholas Hare - Music At The Court Of Henry VIII (Score/Parts)

The highly acclaimed Mixed Bag series provides a great opportunity for woodwind players of mixed ability to play together, and make a perfect recital item for young musicians who are getting used to playing with others. Part 1 is quite demanding but Parts 2, 3 and 4 are easier. These parts can be played by just one or several players - it’s up to you! Optional ‘filler’ parts are also included for beginners. Music at the Court of Henry VIII contains 5 pieces, all expertly arranged by Nicholas Hare, and dedicated to the boys of Cheltenham College Junior School, where he was Director of Music for many years.

Gran Duetto Concertante Op 52 Fl (Vl) Chit

Ian Venables: At the Court Of The Poisoned Rose

Programme Note: The song At the Court of the Poisoned Rose was commissioned by the countertenor, James Huw-Jeffries. It is based upon a long prose poem by the Scottish poetess Marion Angus (1866-1946). Published under the title of Alas! Poor Queen, the poem narrates the tragic story of the life of Mary, Queen of Scots, who was manipulated by the political ambitions of those around her. Given the work’s length and sectional nature, the song is more akin to a ‘Dramatic Scena’. The music opens mysteriously, setting a nostalgic atmosphere that seeks to mirror the queen’s confinement and sense of resignation. This is followed by a contrasting section that conveys her love of life’s trivialities and her capricious nature – it is quicker in tempo. These two ideas are subsequently developed and reshaped. At the words ‘she rode through Liddesdale with a song’ I have adapted an aire by the Elizabethan composer Philip Rosseter and interpolated material from the previous sections. The emotional climax of the work comes on the poignant words ‘Queens should be cold and wise’. In spite of this, the lighthearted and earthly bound music returns reminding us that the Queen only ‘loved little things and red-legged partridges, and the golden fishes of the Duc de Guise’. - Ian Venables Duration: c. 6 minutes

Sonate N 06 En Mi Mineur Vl Ou Fl-Piano

Heinichen: Missa- Händel: Dixit Dominus [Rademann]

The music of the Court of Dresden is of special interest to Hans-Christoph Rademann and his two Dresden ensembles. Johann David Heinichen’s Missa No.11 is presented in a manner in which the musicians can display the entire majestic sound of this festive court music from the baroque era.

Mozart und Mannheim

Under the rule of the Elector Palatine Carl Theodor the orchestra at the Court of Mannheim became renowned throughout Europe. The progressive tendencies of this orchestra also affected sacred music at the Court in that symphonic forms, orchestral technique and a symphonic sonority were adopted in the composition of this music.

Music for the Queen's Court

Weihnachten am Dresdner Hof [Kopp]

The music of the present CD conveys to the listener a musical impression of the celebration of Christmas Eve which took place in the Church of the Court of Dresden in around 1750. The works recorded here all belong to the first flowering of Catholic church music at the Court of Dresden. “Carus deserves credit for its consistently illuminating exploration of the rich Dresden school of baroque sacred music. Long may it continue!” [Gramophone]

Music For A Puppet Court (Score)

. . .a stunning palette of orchestral colour which transforms the 16th-century material without abusing its essential character.Michael John White, The Independent, 1 April 1988

Lloyd Webber, W: Court Suite: Pf

Franz Joseph Haydn: Concerto for Violin and Orchestra C major Hob. VIIa:1

Haydn’s concertante works written at the court of the Princes of Esterházy, reflect the skills of individual members of the Esterhazy court orchestra. Thus Haydn created the Violin Concerto in C major Hob. Vlla:1 for the court orchestra’s concertmaster, Luigi Tomasini, a famous violinist of the day and a himself a composer. Tomasini must have inspired Haydn to the technical brilliance and the lovely, Italian tone that resonates through this still quasi-Baroque concerto. Our Urtext edition is based on the Haydn Complete Edition, also published by G. Henle Verlag. In the detailed preface one can read about which sources were consulted for the edition, which is rounded off bysophisticated string bowings and fingerings by Kurt Guntner, and by cadenzas created by Franz Beyer.

Zwölf Geistliche Gesänge

In his role as Kapellmeister to the Dresden court Heinrich Schütz composed 'Zwölf Geistliche Gesänge' for the Saxon court church. Six of them belong to the liturgy of the 'German Mass'. They can be sungindividually as well as in their entirety, today as well as then, even by 'small cantors' - as Schütz wanted it to be 'to the honour of God'.This selection of 12 motets for four-part mixed chorus (SATB) opens up theseworks to the field of practical music making.

Bass Along: 10 Classic Rock Songs 3.0 (Book/CD)

Continuing the tradition of the fantastic Bass Along series, this Play-Along edition features 10 of the best Classic Rock songs. Combinable with BOE7804 and BOE7811, contains same songs.

Cubase SX 3.0 Advanced Level DVD (Music Pro Guides)

Steinberg's Cubase SX3 converges extraordinary sound quality, intuitive handling and a vast range of functions with creative tools that save you time at every link of the production chain, from the initial musical idea to final mastering. Mastering these abilities is critical to getting the most from Cubase SX3, and in this Advanced Level DVD from Hal Leonard's MusicPro Guides series of DVDs you'll learn the skills you need to know to produce advanced arrangements by setting up loops and determining their tempos, creating a Tempo Track, using the Sample Editor (to create an effect) and more. This DVD teaches you to master the Mixer functions including training on Automating EQ, Grouping Tracks, Compression, Delays, mixing Pre-fader versus Post Fader, setting up sends, even adding a second mixer to your projects. A must-have training program for anyone wanting to make the most of using Cubase SX3!

J.L. Bach: Mache dich auf, werde licht. Kantaten

Johann Ludwig Bach was next to Johann Bernhard the most musically accomplished cousin of Johann Sebastian Bach. In 1711 he became Court Music Director at the Court of Meiningen, and he remained in this position for twenty years, until his death in 1731. 22 sacred cantatas by Johann Ludwig Bach have been handed down in copies made by J. S. Bach, who prepared them in 1726 for use in worship services in Leipzig. On this CD, „Mache dich auf, werde licht“ Hermann Max presents four of these cantatas.

The King and I – Revised Edition (Vocal Songbook)

This revised edition features 12 songs from the beloved 1951 musical about a British governess in the Siamese court, including: Getting to Know You, Hello, Young Lovers, I Have Dreamed, I Whistle a Happy Tune, Shall We Dance?

The Music Of Richard L. Saucedo Vol. 3

Includes: Full Tilt, Georgian Court Fanfare, Symphony No. 2 - Mvt. 2, Rhythm Danse, Song of the Gandy Dancers, Brick Street Encounter, Forever Holding Close the Memories, Into the Clouds!, Ode to Greensleeves, Asian Folk Rhapsody, and Temecula Valley Fanfare.

John Tavener: Little Ceremonial

Little Ceremonial was commissioned by the West Australian Symphony Orchestra, generously supported by Janet Holmes à Court AC, and the Norfolk and Norwich Festival. It was first performed on 26th March 2010 at the Perth Concert Hall, conducted by Paul Daniel.

Missa sancta No. 1 E-flat major : WeV A.2

Carl Maria von Weber wrote his Missa sancta no. 1 in E flat major in just two months, despite his heavy workload as Kapellmeister at the Dresden court. The work acquired the nickname “Freischütz Mass” because the composer interrupted work on his opera of the same name in January and February 1818 to compose the mass. And so Weber presented himself to his new employer King Friedrich August I of Saxony as a versatile composer, for as well as his main task of developing a German opera alongside the existing Italian opera at court, his duties also included writing church music. In the Mass Weber responded to the local conditions in a particular way: he took into accountliturgical practice at the Dresden court by adding an Offertorium to the sections of the mass ordinary, setting this as a bravura aria specially written for the Dresden star soprano Filippo Sassaroli. Because of the reverberant acoustics in the Hofkirche, he avoided rapid changes of harmony. Although the Mass was perceived as too “operatic” by critics, it was very well received by audiences and also pleased the King. • Practically oriented edition based on the sources, performance material available on sale for the first time • Easy to medium difficulty level • Text of the Mass includes an Offertorium in accordance with liturgical practice at the Dresden court at the time

Festkonzert im Weihezeitraum : Frauenkirche Dresden

After Johann Adolf Hasse had ended his career as a composer for the opera stage and finally settled down in Venice, he wrote a number of sacred works. Since he had long been obligated to the Saxon Court, where he served as a composer for three decades until 1763, these works were originally intended for the Catholic Court Church in Dresden. The solemn-pathetic Missa in G minor [1783], with the inserted movement "Ad te levavi," is Hasse's final work: a crowning conclusion to an oeuvre whose significance in music history has only recently begun to be recognized and has now received the fitting acknowledgement it deserves.