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Edward Elgar: The Snow Op.26 No.1 (Violin 2)

The 2nd Violin part for Sir Edward Elgar's setting of The Snow Op.26 No.1 for Chorus, Violins and Piano.

Edward Elgar: The Snow Op.26 No.1 (Violin 1)

The 1st Violin part for Sir Edward Elgar's setting of The Snow Op.26 No.1 for Chorus, Violins and Piano.

Heidelberger Chorblatter Nr. 26

Meeres Stille / Gluckliche Fahrt GeWV 26

Forever I Will Sing : Flute, 26 Handbells

Stapler keyboard black : 24/6 26/6

Martha Sullivan: The Lord Bless You And Keep You

This beloved benediction from Numbers 6:24-26 is offered in an artful and accessible setting with expressive phrases and a fresh contemporary harmonization that will enhance the close of any concert or worship service. Duration: ca. 1:30.

Stapler g-clef black : 24/6 26/6

Let Me Walk With You : I John 2:5-6, Galatians 5:16, John 12:26 Matthew 20:26-28

This gospel-driven anthem incorporates the classic hymn text, 'O Master, let me walk with thee in lowly paths of service free.' The powerful original refrain brings it altogether for a passionate prayer to follow Jesus. This gospel-driven anthem incorporates the classic hymn text, 'O Master, let me walk with thee in lowly paths of service free.' The powerful original refrain brings it altogether for a passionate prayer to follow Jesus.

Nun danket alle Gott : Motette Nr. 26 aus 'Israelsbrünnlein'

Emily Crocker: Benedictus And Hosanna (2-Part)

Emily Crocker's setting of Psalm 117:26 is written for 2-part chorus and combines a fast tempo and mixed meters to create a jubilant and buoyant style that will delight singers, audiences and congregations alike.Commissioned by the Florida Elementary Music Association Elementary All-State Chorus in January 2006.

Emily Crocker: Benedictus And Hosanna (3-Part)

Emily Crocker's setting of Psalm 117:26 is written for 3-part chorus and combines a fast tempo and mixed meters to create a jubilant and buoyant style that will delight singers, audiences and congregations alike.Commissioned by the Florida Elementary Music Association Elementary All-State Chorus in January 2006.

In Paradisum

Using text from the traditional Latin liturgy of the Western Church Requiem Mass. For SATB choir and string orchestra. First performed on 26 November 2022 at Younger Hall, St Andrews by St Andrews Chorus, conducted by Michael Downes. Full Score and Parts are available on hire from the publisher.

O Desayo (Arr. Brymer) (2-Part)

This traditional Angolan greeting song uses easily-learned Bantu and Portuguese phrases along with English verses. Allow your students to add the drum accompaniment or use the ShowTrax CD for additional authenticity. Performance time approx.2:26. Available separately: SATB, 3-Part Mixed and 2-Part. I-Pak and ShowTrax CD also available.

O Desayo (Arr. Brymer) (3-Part)

This traditional Angolan greeting song uses easily-learned Bantu and Portuguese phrases along with English verses. Allow your students to add the drum accompaniment or use the ShowTrax CD for additional authenticity. Performance time approx.2:26. Available separately: SATB, 3-Part Mixed and 2-Part. I-Pak and ShowTrax CD also available.

Joel Raney: ¡Cantad Hosanna! (Sing Hosanna) (SATB)

For Palm Sunday, here is a multicultural introit featuring Spanish words intermixed with English. Choirs will enjoy the lively calypso rhythms that are easily learned, as well as the bilingual text which lends itself to adding children to join in on the festive “hosannas!” (Matthew 21:1-11, Mark 11, Luke 19, John 12, Psalm 118:25-26)

Jesus in the Garden : Mark 14:32-42, Matthew 26:36-39

This is an emotional depiction of the late night scene of Jesus praying in the Garden of Gethsemane. It unfolds with the plea, Father, Father, let this cup pass from me, and concludes with the final refrain, Thy will be done. Effectively incorporating a verse of O the Deep, Deep Love of Jesus, this original ballad makes the agony and resolute love of the passion story all the more real. This is an emotional depiction of the late night scene of Jesus praying in the Garden of Gethsemane. It unfolds with the plea, Father, Father, let this cup pass from me, and concludes with the final refrain, Thy will be done. Effectively incorporating a verse of O the Deep, Deep Love of Jesus, this original ballad makes the agony and resolute love of the passion story all the more real.

Greg Gilpin: Yankee Doodle Rhythm (4-Part)

From the collection, I Can Feel the Rhythm this patriotic ditty is performed as 4-part vocal speech and can work for just about every age level. A unique performance presentation and an excellent tool to teach singers rhythm-reading, style, dynamics and musical form. Feature one of your drummers or incorporate choreography with this unique selection. Available separately: 4-part vocal speech, drum part included; StudioTrax CD. Duration: ca. 1:26.

Joel Raney: Put Peace Into Each Other's Hands (SATB)

The message of peace, unity, mercy, and love are perfectly captured in this text that calls each of us to “put Christ into each other’s hands.” Original music sets these words in an emotionally packed anthem with piano and optional flute accompaniment. Ideal for communion services and any worship emphasizing care for each other. (Exodus 14:19-31, Psalms 34:14, Proverbs 15:1, Zechariah 8:19, Matthew 26:26, Mark 9:50, Mark 14:22, Luke 1:79, Luke 2:14, Luke 22:19, John 14:27, John 16:33, Romans 2:10, Romans 12:18, Romans 14:19, 1 Corinthians 7:15, 1 Corinthians 10:16, 1 Corinthians 11:23-24, 1 Corinthians 11:33-34, 2 Corinthians 10:1, 2 Corinthians 13:11, Galatians 5:23, Ephesians 4:2, Philippians 4:5, Colossians 3:12, Colossians 3:15, 1 Thessalonians 5:13, 1 Timothy 2:2, 1 Timothy 3:3, 1 Timothy 6:11, Hebrews 12:14, 1 Peter 3:4, 1 Peter 3:11, 1 Peter 3:15)

It Takes Two (Arr. Gilpin) (2-Part)

This pop favorite, recorded as a duet by Marvin Gaye and Kim Weston and notably covered by Tina Turner and Rod Stewart, is amazingly arranged for SATB, SAB, as well as 2-part choirs. The SATB captures the fun and rhythm of the original while the 2-part smoothes the syncopated rhythms so they are accessible for younger voices. Fantastic show choir number that begs for choreography! Available separately: SATB, SAB, 2-part, StudioTrax CD. Duration: ca. 3:26.

It Takes Two (Arr. Gilpin) (SATB)

This pop favorite, recorded as a duet by Marvin Gaye and Kim Weston and notably covered by Tina Turner and Rod Stewart, is amazingly arranged for SATB, SAB, as well as 2-part choirs. The SATB captures the fun and rhythm of the original while the 2-part smoothes the syncopated rhythms so they are accessible for younger voices. Fantastic show choir number that begs for choreography! Available separately: SATB, SAB, 2-part, StudioTrax CD. Duration: ca. 3:26.

Invocation

Uses: General, Call to Worship, Introit, Concert Scripture: Psalm 17:5-7; Psalm 102; John 22:26-29 Heres a gospel-styled choral with a highly original voice. Parallel harmonic movement and earthy harmonies provide great impact as the choir sings,Send us Your love, let it rain from above. Dramatic and primal, this brief, yet effective song is a welcome call to worship in sanctuaries and an excellent opener in concert halls. Highly recommended! Instrumental parts (b, dm) available as a digitaldownload.

Psalms of the Passover

This major work for chorus, soloists and piano quartet (piano, violin, clarinet, cello) or full orchestra is based on the Psalms used in the Passover Seder dinner from the Old Testament times to the present. Psalms 113 to 118 areset in four movements and unite the Judeo-Christian community in song, as mentioned in the New Testament (Matthew 26:30 and Mark 14:26). These Psalms may have been the last songs Jesus sang with His disciples at the Last Supperbefore His death. Includes: To the God of Glory and Mercy (Psalm 113); Passover Hymn (Psalm 114); The One True God (Psalm 115); Thanksgiving (Psalm 116); Summons to Praise (Psalm 117);Processional Hymn (Psalm 118) – based on HAD GADYA, an ancient Aramaic song used at the conclusion of the Passover Seder. Available separately: SATB/Piano Score, Piano Quartet (parts for Violin, Clarinet and Cello),Orchestra score and parts (pic, fl 1-2, ob 1-2, ehn, cl 1-2, bcl, bn 1-2, hn 1-2-3-4, tpt 1-2-3, tbn 1-2, btbn, tba, timp, perc 1-2-3, hp, cel, vn 1-2, va, vc, db). Duration: ca. 23:00.

The Welcome Table (with Sweet By and By) : Proverb 3:5, Matthew 22:1-14, Luke 14:15-24, I Corinthians 11:23-26

This communion anthem goes way beyond celebrating the table of the Lord, providing the promise of sitting at the table of the Lord for eternity in our heavenly home. This is a powerful ballad that builds with intensity while incorporating the spiritual 'Sweet By and By.' This originally appeared in Joel Raney's Tenebrae service, 'Who Is Jesus?,' code no. 8491. This communion anthem goes way beyond celebrating the table of the Lord, providing the promise of sitting at the table of the Lord for eternity in our heavenly home. This is a powerful ballad that builds with intensity while incorporating the spiritual 'Sweet By and By.' This originally appeared in Joel Raney's Tenebrae service, 'Who Is Jesus?,' code no. 8491.

One World, One Communion : Matthew 4:2, Luke 22:14-26, Luke 24:30, Luke 24:42, John 8:15 John 21:13, Acts 2:42

This charming communion anthem celebrates the unity of sharing the act of breaking bread with all believers worldwide proclaiming, "there is room for everyone." Imbued with a unique global flavor enhanced by flute and light percussion, this is the ideal anthem for World Communion Sunday. Percussion Part: Cabasa or Shaker, Congas or Bongos This charming communion anthem celebrates the unity of sharing the act of breaking bread with all believers worldwide proclaiming, "there is room for everyone." Imbued with a unique global flavor enhanced by flute and light percussion, this is the ideal anthem for World Communion Sunday. Percussion Part: Cabasa or Shaker, Congas or Bongos