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Sweet Betsy From Pike (Arr. Gilpin) (SAB)

Full of diverse rhythms, meters, harmonies, text-painting, and lots of humor, the journey of Sweet Betsy and Long Ike from Pike County to California has never sounded so fun! This delightful new take on the popular American folk song from the Gold Rush era will become a favorite for you and your singers and will certainly entertain your audiences.

Sweet Betsy From Pike (Arr. Gilpin) (SATB)

Full of diverse rhythms, meters, harmonies, text-painting, and lots of humor, the journey of Sweet Betsy and Long Ike from Pike County to California has never sounded so fun! This delightful new take on the popular American folk song from the Gold Rush era will become a favorite for you and your singers and will certainly entertain your audiences.

Thomas Morley: Laboravi In Gemitu Meo (Ed. Lionel Pike)

Laboravi In Gemitu Meo by the Renaissance English composer and one of the principle members of the Madrigal School. This work, expertly edited by Lionel Pike , is arranged for unaccompanied SSAATB Chorus and lasts around 5 minutes. The text for  Laboravi In Gemitu Meo comes from Psalm vi, 6: "I am weary of my groaning, every night wash I my bed: and water my couch with my tears." Composer  Thomas Morley  was the most famous composer of Secular music in Elizabethan England, and was a contemporary of William Shakespeare. His use of the tritone interval in this work results in a sense of unease, something that resonates with the context of the piece: it was composed in retribution for informing on his fellow Catholics. 

Palestrina: Hodie Maria Virgo for SSAT Chorus

Edition Pike

Bastien Piano Basics: Performance Primer

A variety of original tunes, folk songs and pop styles, for study or performance.

Bastien Piano Basics: Performance Level 2

A variety of original tunes, folk songs and pop styles, for study or performance.

Handel's Messiah: Warm-Ups For Successful Performance - Singer's Edition (Book/Online Media)

Handel's Messiah: Warm-Ups For Successful Performance has been specially designed to help choirs who are preparing to sing Handel's Messiah . This valuable resource is a must for every choral director responsible for guiding the performance of this cherished yet challenging work. The book is available as a Director's Score or Singer's Edition and each is broken into three sections: Part I provides an introduction to preparing Messiah and highlights Baroque performance practice and ideals, practical considerations for the performance and other helpful information. Part II includes warm-ups for 20 choruses. Part III includes appendices with a historical context of Messiah , primary sources supporting Baroque style and expression and a recommended reading list. The Director's Score includes the full text and warm-ups with Piano accompaniments, along with a code for accessing downloadable singer parts online. The Singer's Edition includes a handy folder-sized print edition of the vocal warm-ups.

Jesus on the Mountain Peak

Thomas Tallis: In Ieiunio Et Fletu (Tudor Anthems)

These editions, taken from the acclaimed Tudor Anthems anthology, represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of difficulty for mixed voice choir, accompanied and unaccompanied by an array of composers including Batten, Byrd, Gibbons, Philips, Sheppard, Tallis, Taverner and Weelkes. The works are prepared in an easily understood performing edition by Lionel Pike.

John Sheppard: In Manus Tuas, Domine (Tudor Anthems)

These editions, taken from the acclaimed Tudor Anthems anthology, represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of difficulty for mixed voice choir, accompanied and unaccompanied by an array of composers including Batten, Byrd, Gibbons, Philips, Sheppard, Tallis, Taverner and Weelkes. The works are prepared in an easily understood performing edition by Lionel Pike.

John Taverner: Dum Transisset Sabbatum (Tudor Anthems)

These editions, taken from the acclaimed Tudor Anthems anthology, represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of difficulty for mixed voice choir, accompanied and unaccompanied by an array of composers including Batten, Byrd, Gibbons, Philips, Sheppard, Tallis, Taverner and Weelkes. The works are prepared in an easily understood performing edition by Lionel Pike.

Adrian Batten: O Sing Joyfully (Tudor Anthems)

These editions, taken from the acclaimed Tudor Anthems anthology, represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of difficulty for mixed voice choir, accompanied and unaccompanied by an array of composers including Batten, Byrd, Gibbons, Philips, Sheppard, Tallis, Taverner and Weelkes. The works are prepared in an easily understood performing edition by Lionel Pike.

William Byrd: Laudibus In Sanctis (Tudor Anthems)

These editions, taken from the acclaimed Tudor Anthems anthology, represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of difficulty for mixed voice choir, accompanied and unaccompanied by an array of composers including Batten, Byrd, Gibbons, Philips, Sheppard, Tallis, Taverner and Weelkes. The works are prepared in an easily understood performing edition by Lionel Pike.

Thomas Morley: Agnus Dei (Tudor Anthems)

These editions, taken from the acclaimed Tudor Anthems anthology, represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of difficulty for mixed voice choir, accompanied and unaccompanied by an array of composers including Batten, Byrd, Gibbons, Philips, Sheppard, Tallis, Taverner and Weelkes. The works are prepared in an easily understood performing edition by Lionel Pike.

Rejoice In The Lord Always (Tudor Anthems)

These editions, taken from the acclaimed Tudor Anthems anthology, represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of difficulty for mixed voice choir, accompanied and unaccompanied by an array of composers including Batten, Byrd, Gibbons, Philips, Sheppard, Tallis, Taverner and Weelkes. The works are prepared in an easily understood performing edition by Lionel Pike.

Richard Dering: Quem Vidistis, Pastores? (Tudor Anthems)

These editions, taken from the acclaimed Tudor Anthems anthology, represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of difficulty for mixed voice choir, accompanied and unaccompanied by an array of composers including Batten, Byrd, Gibbons, Philips, Sheppard, Tallis, Taverner and Weelkes. The works are prepared in an easily understood performing edition by Lionel Pike.

Thomas Weelkes: Hosanna To The Son Of David (Tudor Anthems)

These editions, taken from the acclaimed Tudor Anthems anthology, represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of difficulty for mixed voice choir, accompanied and unaccompanied by an array of composers including Batten, Byrd, Gibbons, Philips, Sheppard, Tallis, Taverner and Weelkes. The works are prepared in an easily understood performing edition by Lionel Pike.

Peter Philips: Ave Maria (Tudor Anthems)

These editions, taken from the acclaimed Tudor Anthems anthology, represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of difficulty for mixed voice choir, accompanied and unaccompanied by an array of composers including Batten, Byrd, Gibbons, Philips, Sheppard, Tallis, Taverner and Weelkes. The works are prepared in an easily understood performing edition by Lionel Pike.

Thomas Ford: Almighty God, Which Hast Me Brought (Tudor Anthems)

These editions, taken from the acclaimed Tudor Anthems anthology, represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of difficulty for mixed voice choir, accompanied and unaccompanied by an array of composers including Batten, Byrd, Gibbons, Philips, Sheppard, Tallis, Taverner and Weelkes. The works are prepared in an easily understood performing edition by Lionel Pike.

William Byrd: Ne Irascaris Domine/Civitas Sancti Tui (Tudor Anthems)

These editions, taken from the acclaimed Tudor Anthems anthology, represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of difficulty for mixed voice choir, accompanied and unaccompanied by an array of composers including Batten, Byrd, Gibbons, Philips, Sheppard, Tallis, Taverner and Weelkes. The works are prepared in an easily understood performing edition by Lionel Pike.

Standing Upon This Peak Of Glory

Robert Schumann: Traumerei Op.15 No.7 (Piano Solo)

This piece by Robert Schumann is from his elaborate Kinderszenen (Scenes from Childhood) Op.15. Set for Piano solo and demonstrates the composers' musical imagination at the peak of his poetic clarity.

Hold Back the River

British guitarist-songwriter-singer James Bay touches hearts and emotions with this 2015 chart hit that has a perfect musical arc from intimate opening to a powerful and stirring peak and returning for a hushed closing.

James Bay: Hold Back the River

British guitarist-songwriter-singer James Bay touches hearts and emotions with this 2015 chart hit that has a perfect musical arc from intimate opening to a powerful and stirring peak and returning for a hushed closing.

James Bay: Hold Back The River (2PT Vocal Songbook)

British guitarist-songwriter-singer James Bay touches hearts and emotions with this 2015 chart hit that has a perfect musical arc from intimate opening to a powerful and stirring peak and returning for a hushed closing.