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Never weather-beaten sail

Never weather-beaten sail

Thomas Campion’s Never weather-beaten sail is a sprightly text that powerfully evokes the sailor’s plea for God’s calming presence upon the sea’s unrelenting rushing waves. At the opening of this work for unaccompanied mixedvoices, the jaunty alto/tenor movement in thirds symbolises the curling waves of the undulating sea, the mellifluous soprano melody represents the boat’s sails, and the bass section’s never-changing ‘A’ provides the anchor. Allfour voices then come together in homophony, urging God to “come quickly...and take my soul to rest”. Rather than a simple repetition of thematic material in the manner of a standard hymn, the texture alters through the rest ofthework until the very end where all voices gradually fade away into the distance, leaving what seems like a lone voice in the wilderness to cry “to Thee”. Contrasting to other well-known setting of this text, this newwork provides a fresh interpretation, suitable for intermediate choirs.

DKK 73.00
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All Await

All Await

All Await was commissioned by Trinity Presbyterian Church, Berwyn, Pennsylvania, in celebration of the church’s 150th anniversary. It received its premiere performance at Trinity Church in December, 2012 by the Chancel Choir and Director Paul Vanderslice. Nancy Gifford was asked to compose a celebratory piece for this occasion based on an Advent theme. The text was inspired by a fourth-century hymn of St. Ambrose of Milan, Veni, Redemptor gentium. In this context, All Await echoes elements of traditional western sacred music while using today’s language. The piece begins plaintively in the E natural minor mode and suddenly breaks into joyful polyphony. In the second section (theGloria Patri adapted into English), we move into E Major and the music becomes more rhythmic and robust. The climax of the piece describes the angel Gabriel’s message to Mary, when “the Word of God descends.” Dramatically descending melodic lines appear, sung in turn by each voice part and then played by the organ. Repetition and reinvention of these musical ideas follow, with marked contrasts in texture, dynamics, articulation, and expression. Short organ interludes occur throughout the piece, introducing new sections of choral music. This work ends with a short coda, closing with the words “All await,” sung by the chorus three times and answered by the organ.

DKK 56.00
1