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Invitation

Invitation

Here is a unique yet highly effective rendition of this Latin favorite by arranging craftsman, Frank Mantooth. Using an up-tempo groove, a fresh harmonic structure and interesting orchestration textures, Frank has created a winnerfor mature bands. An extended introduction helps establish the mood and the first statement is presented by a small combo of alto, trumpet and trombone.

The Impermanence of Things : Full Score

A work for solo piano, ensemble and electronics as premiered by Huw Watkins, Ryan Wigglesworth and the London Sinfonietta at LSO/St Luke’s in 2009 as part of a BBC Invitation Concert.

Pastorale. Pastoralmusik für Orgel. Band 1 : Italien, Schweiz, Frankreich, England

The present collection contains 47 Pastorale compositions for organ of the 17th and 18th centuries from Italy, Switzerland, France and England: Pastorales with characteristic Sicilian rhythms, writing with organ point and the imitation of shepherd instruments as well as Noëls with their typical ornamentation and wealth of color. The selected works are of a mid-level difficulty and are an invitation to discover a repertoire which is most charming not only during Christmas season.

Valses Lentes et Amoureuses

Klami (1900-1961) was an acclaimed Finnish orchestral composer whose works in other genres also deserve to be known. Valses lentes et amoureuses consists of two waltzes and dates from 1932. It is one of the most graceful pieces of salon music ever composed by Uuno Klami. The first waltz, Con passione, begins in subtly sensual, veiled, passionate mood, like an invitation to a dance. The second movement begins with a languorously erotic and chromatic introduction leading to a livelier Wienerlied in a G-major landscape.

Johannes Brahms: Piano Pieces (Clothbound)

Johannes Brahms ’ late Piano works in the form of the two editions HN 36 (paperbound) and 37 (clothbound) have been a cornerstone of the Henle catalogue ever since the early 1950s. In 2011 the volume with Piano pieces (HN 6014) was published in the new Brahms Complete Edition, an edition of these important works that reflected the latest in scholarly research. Having already published single volumes of the Urtext editions of opus numbers 76, 79 and 116–119 with the up-to-date musical text in the Complete Edition, Henle are now rounding off this Brahms project by publishing the revised volume of collected works, available as a classic paperbound, clothbound or handy study edition. An open invitation to all those who wish to immerse themselves in Brahms ’ fascinating Piano cosmos.

Lucio Silla K.135

Lucio Silla K. 135Dramma per musica in three actsOn 13 December 1769 Leopold Mozart and his son Wolfgang set out on their first tour of Italy. It was not until 28 March 1771 that they finally returned to Salzburg.The trip brought the young composer two commissions for opere serie. In March 1770 he was commissioned to write Mitridate, K.87 (74a), for the 1770–71 Carneval season at the Regio Ducal Teatro in Milan. Mozart started workon the opera in Bologna on 29 September 1770, and the première duly took place on the Feast of St. Stephen (26 December) in 1770. The second, Lucio Silla (K. 135), again commissioned for the 1771–72 Carneval seasoninMilan, doubtless resulted from the success of Mitridate. News of the commission reached the Mozarts in March 1771 in Verona, where they had stopped on their return to Salzburg. (At roughly the same time Wolfgang received aninvitation from Vienna to supply a serenata teatrale for the wedding of Archduke Ferdinand, the third son of Maria Theresia, scheduled to take place in Milan in October 1771. This invitation ultimately resulted in Ascanio in Alba,K. 111.)- Urtext of the New Mozart Edition- Full score (BA4590-01) and vocal score (BA4590-90) available for sale- Performance material (BA4590-72) available for hire