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Teddy Wilson: Solo Teddy Wilson Big Band - Box Set

Teddy Wilson made national news when he went on tour as part of the Benny Goodman Trio, the swing era's first interracial group.Teddy Wilson's style, which evolved from the influence of Earl Hines, Art Tatum and Fats Waller, achieved a neat, quietly swinging symmetry, mostly in single-note lines, that was revolutionary in jazz and influenced countless musicians The box contains 8 CDs, 1 DVD and a 32-page illustrated booklet.The recordings in the 8-disc set include studio sessions, transcriptions, radio broadcasts and live performances spanning the period from 1939 (the date of his big band?s formation) to 1983, three years before his death. Featured are solo, trio, quartet, quintet and sextet as well as big band performances. Guest soloists in the recordings include Dizzy Gillespie, Coleman Hawkins, Kai Winding and J.J.Johnson. Ben Webster is soloist on the big band recordings.The DVD is called Boogie Woogie Dream and is a short with Teddy Wilson's Big Band, Lena Horne, Pete Johnson and Albert Ammons. Taken together this career-defining collection provides the ultimate proof that Teddy Wilson was not only a multi-talented composer and bandleader but also a supremely elegant and sophisticated soloist whose smooth style made him more accessible to the general public than almost any other jazz musician of his day.

A Whole New World

A Whole New World by Alan Menken/Tim Rice. Arranged by Eric Wilson for Concert Band. Score and parts.

The Music Man: Vocal Score

Meredith Wilson. Complete vocal score of the famous stage musical and hit film, including 'Seventy Six Trombones', 'Till There Was You' and 'It's You'.

In The Midnight Hour

This R&B hit recorded by Wilson Pickett in the '60s features a catchy groove in a medium rock tempo. Paul's solid arrangement will sound great with limited rehearsal time. (Includes full performance CD)

Everybody Needs Somebody to Love

This rockin' tune from the '60s boasts notable recordings by Wilson Pickett, the Rolling Stones, and most famously the Blues Brothers. This easy chart is skillfully scored for all sections, and requires no solos.

In the Midnight Hour

This R & B hit recorded by Wilson Pickett features a catchy groove in a medium tempo. Johnnie's version is in the pocket and churns from beginning to end. Great for dance lines and auxiliary groups.

In the Midnight Hour

Discovery Series - Grade 1.5 Recorded back in the '60s by Wilson Pickett, this familar pop classic has an unmistakable hard-driving groove. Your students will have a ball playing this and your audiences will enjoy hearing it!

Land of a Thousand Dances

Paul Murtha has taken this rock classic from 1966 by Wilson Picket and given it a funky new groove that's perfect for dance teams and rockin' the stands. This is sure to have everyone singing along with the Na-na-na's.

The Legends of Soul

Featuring some of the funkiest rhythm and blues sounds of the 70's, John Wasson's driving arrangement includes Soul Man (Sam and Dave), Respect (Aretha Franklin), In The Midnight Hour (Wilson Pickett) and Sittin' On The Dock Of The Bay (Otis Redding).

Land Of A Thousand Dances

Recorded by Wilson Pickett in the '60s, here is a high-energy rock tune that everyone is sure to recognize. Rick's easy chart features the trademark riffs, solo breaks for drums, and a written or ad lib. solo for tenor sax. Guaranteed crowd pleaser.

Rock This City! Medley

Three powerhouse hits from the past combine in one unstoppable 6-minute medley. Super choreography feature! Includes: R.O.C.K. in the U.S.A. (1986 - John Mellencamp), Land of a Thousand Dances (1966 - Wilson Pickett), We BuiltThis City (1985 - Starship). Available SATB, SAB, 2-Part, IPakC and ShowTrax CD.

Everybody Needs Somebody to Love

Recorded in the '60s by artists such as Wilson Pickett and The Rolling Stones, this gospel-flavored hit was then famously featured in the 1980 film The Blues Brothers. Paul Murtha's rockin' arrangement for young jazz ensemble brings out all the excitement and rhythmic energy of a Blues Brothers performance.

On Staff : A Practical Guide to Starting Your Career in a University Music Department

Industrial Revolution

By range, this would be only a Grade 1½. What makes this a Grade 2 is the use of chromatics and syncopation in the middle of the measure. This composition is exciting and a great teaching tool. Only the 1st clarinet crosses the break. 1st trumpet's highest note is B (in the staff).

Land of a Thousand Dances

Here's that famous song with the “na na na na na” hook and lyrics that name 16 different dances. It's been recorded by countless artists from Wilson Pickett to Joan Baez, and is great fun in this new instrumentalversion for strings. Robert Longfield's solid version is easy to learn and will sound terrific with younger players.

I Remember Clifford

I Remember Clifford, arranged by Erik Morales features a gorgeous flugelhorn in the ballad style with a brief double time section. Played around 70 BPM, the trumpet 2 flugel solo is all written out with suggested improvisation if needed. The lead trumpet range is to written G on top of the staff. Includes optional flute and vibraphone parts.

Viva Tirado

From the acclaimed 1962 album Moment of Truth by the Gerald Wilson Big Band, ‘Viva Tirado’ was the impressive lead-off tune. This arrangement in a medium Latin style features the soaring melody of the saxes paired with the energetic drive of the rhythm section and punches from the brass. Solo space is also provided for alto sax and trumpet.

God Only Knows

Recorded in 1966 as a part of the Beach Boys' landmark Pet Sounds album, this ballad has become a prime example of Brian Wilson's innovative approach to songwriting and recording. Hailed for its formal and harmonic complexities as well as a memorable hook, “God Only Knows” has remained popular through the years, and was featured prominently in the biographical film Love & Mercy about the life of Brian Wilson.

Peter Maxwell Davies: Concert Suite From The Boy Friend (Full Score)

In 1971 Davies adapted the original Sandy Wilson music, and wrote some of his own, for Ken Russell's film of The Boy Friend. The music, like the film, goes way over the top in reviving the style of the 1930s, and the suite includes careful and wickedly acute notations of period conventions; swoops, sickly vibratos, toy percussion instruments and the rest. Arrangements of the songs, with piano links, are followed by a fantasy in which the heroine dreams up dances by Davies himself.

A Composer's Insight - Volume 4 : Thoughts, Analysis and Commentary on Contemporary Masterpieces for Wind Band

A Composer's Insight, Volume 4 is the fourth in a five-volume series on major contemporary composers and their works for wind band. Included in this initial volume are rare, “behind-the-notes” perspectivesacquired from personal interviews with each composer. An excellent resource for conductors, composers or enthusiasts interested in acquiring a richer musical understanding of the composers' training, compositional approach,musical influences and interpretative ideas. Features the music of: Samuel Adler, David Bedford, Daniel Bukvich, David Del Tredici, Eric Ewazen, Walter Hartley, Joseph Wilcox Jenkins, Joan Tower, Joseph Turrin, Dan Welcher andDana Wilson.

Days Of Wine And Roses Je Arr Lewis

Everybody will recognize this Mancini gem. Mike Lewis treats the band right with this tasty, yet fun-to-play swinger but throws some heat to the saxes with some fun solis and a clever modulation from E-flat to F. There are no improvised solos and the lead trumpet range is to a written G on top of the staff. Sounds great with reduced instrumentation and includes optional parts, too. Packed with all the swing figures and phrasing you need to teach your students how to swing. (3:05)

Richard Wagner: Tannhauser (Vocal Score)

Wagner completed the first version of the opera in 1845 during his tenure as Kapellmeister at the royal court of Dresden, but he continued to redraft and revise it for the rest of his life. The setting is medieval Germany: the minstrel Tannhauser has fallen into sin with the goddess Venus but after a year, in a moment of realisation he demands to leave. He finds himself near his home and is reunited with Elisabeth, a girl he once loved. Elisabeth's uncle, the landgrave, organises a singing competition between Tannhauser and Wolfram, who also loves her. Wolfram's song is simple and moving, while Tannhauser, confused by Venus, outrages the audience by singing of profane love. He is banished to Rome on a pilgrimage to seek redemption, and Elisabeth follows him with Wolfram. After much searching, she gives up and dies, just missing Tannhauser, who Wolfram discovers creeping back to Venus, the Pope having said that it was as impossible for him to be forgiven as for his staff to sprout flowers. Tannhauser sees Elisabeth and casts himself to die by her coffin, and the Pope's staff bursts into bloom. This is the Schirmer edition of the Vocal Score, edited and translated into English by Natalia MacFarren.

Instrumental Jazz Arranging - A Comprehensive And Practical Guide

Instrumental Jazz Arranging consists of a systematic presentation of the essential techniques and materials of jazz arranging. Authors Mike Tomaro and John Wilson draw upon 50+ years of combined teaching experience to bring you a book that addresses all of the basic needs for beginning arrangers.Topics include counterpoint/linear writing, jazz harmony, compositional techniques, and orchestration. All topics serve to address issues concerned with true arranging in great detail. The book may be used in both individual and classroom instructional situations.The accompanying CDs - 170 tracks in all! - include many of the examples in the book, plus templates for assignments formatted for Finale®.

Guitar Abc: Book A

Colourstrings Guitar ABC is designed primarily for young beginner students as their first introduction to the world of guitar playing. This material can be adapted for teaching children of any age and used either on its own or combined with other beginner learning materials. In this book, the different elements of music and the music staff are introduced as simply as possible. The book is suitable for both private and group instruction. The repertoire is a collection of children's songs and folksongs from different countries. A teachers' guide is included in the publication. The Guitar ABC is based on the famous Colourstrings string instrument methodology.

Herbie Hancock: Cantaloupe Island (Jazz Ensemble) - Score/Parts

The best of the amazing Herbie Hancock! Arranger Mike Kamuf scores this hip, funky Herbie Hancock tune for the young player. This chart is ideal for this level with only three chords, a repetitive groove and catchy melody. This chart includes written solos for tenor sax and trumpet and lead trumpet range goes up to written top line F with optional G on top of the staff. A superb chart from the first note to the last.Instrumentation.1st Eb Alto Saxophone2nd Eb Alto Saxophone1st Bb Tenor Saxophone2nd Bb Tenor SaxophoneEb Baritone Saxophone (Optional)1st Bb Trumpet2nd Bb Trumpet3rd Bb Trumpet4th Bb Trumpet (Optional)1st Trombone2nd Trombone3rd Trombone (Optional)4th Trombone (Optional)Guitar ChordsGuitar (Optional)PianoBassDrumsOptional Alternate Parts.C FluteTubaHorn in F (Doubles 1st Trombone)1st Baritone T.C. (Doubles 1st Trombone)2nd Baritone T.C. (Doubles 2nd Trombone)