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GOLDEN - Light Moulding Paste (237ml)

GOLDEN - Light Moulding Paste (237ml)

Acrylic painting medium Over 50% lighter than Golden Moulding Paste Create large artworks and thick layers of material Dries to an opaque, matte finish with good flexibility Designed to hold stiff peaks for highly textured surfaces Made in the USA Video: Golden Artist Colours - Using Moulding Paste For Drawing & Painting Golden Light Moulding Paste is over 50% lighter than Golden Moulding Paste. This dramatic weight reduction is beneficial in creating large artworks and thick layers of material. Light Moulding Paste dries to an opaque, matte finish with good flexibility. It is designed to hold stiff peaks for highly textured surfaces and it blends easily with colours. Pastes can be used to achieve a variety of effects and expressions. When used in conjunction with acrylic colours they broaden working properties and expand creative possibilities. Unlike gels, pastes are opaque because they contain Marble Dust or other fillers that create a white or clay-tone finish with a variety of textures and properties. Moulding Paste can also be used to create foundations for painting either to create texture over a smoother surface, or to smooth out a textured surface. The absorbent qualities of Moulding Paste make it suitable as a ground for nearly every painting and drawing media. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.99
1

GOLDEN - Absorbent Ground (237ml)

GOLDEN - Absorbent Ground (237ml)

Acrylic painting medium Creates a porous, paper-like surface High level of absorbency when dry Creates wash and staining effects Made in the USA Video: Golden Artist Colours - Gessoes & Grounds Golden Absorbent Ground can be used to create a porous, paper-like surface on many different substrates. It is uniquely formulated for a high level of absorbency when dry. Applied over gessoed canvas, Absorbent Ground allows for wash and staining effects on a stable acrylic film as an alternative to staining raw canvas. Watercolours may also be used, although they will retain their water sensitivity. Absorbent Ground, designed for stain and watercolour-type applications, is light stable, permanent and flexible. While it has a gesso-like consistency, it is not intended as a gesso alternative. It must be applied over a porous and "toothy" surface, such as Golden Gesso, to ensure adequate adhesion due to the type and level of solids in the product. Once properly sealed, it is a permanent acrylic film that does not need to be kept under glass. However, the surface is quite delicate and additional protection is recommended. A properly applied isolation coat and Golden Varnishes (Polymer & MSA) will protect the artwork from environmental factors such as sunlight and dust. Painting in an impasto style over Golden Absorbent Ground is not recommended, unless the surface is properly sealed. Apply onto gessoed canvas, hardboard, wood or other surfaces. It can be applied with a brush, roller or squeegee. No thinning is necessary, although for increased levelling or ease of application, up to 25% water may be added. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 19.99
1

GOLDEN - Black Gesso (237ml)

GOLDEN - Black Gesso (237ml)

Acrylic painting medium Seals, protects and gives tooth to substrates Promotes paint adhesion Can be used on a wide variety of surfaces Made in the USA Video: Golden Artist Colours - Gessoes & Grounds Golden Black Gesso is a flexible liquid ground that seals, protects, and gives "tooth" to substrates, which promotes paint adhesion. It is formulated to accept a wide variety of media on many commonly used painting surfaces. It comes ready-to-use, but can be mixed with water for thinner applications. It is flexible and can be applied in thin layers to conform to a variety of textured surfaces without cracking. For oil painting over acrylic gesso, it is recommended that at least three layers of gesso be applied. Golden Black Gesso can be mixed with Golden Acrylics to produce a range of coloured grounds. Modify Golden Black Gesso by mixing it with a variety of mediums. Spray it, or apply it with brush, roller, or trowel. At least three layers of gesso are needed for oil painting over acrylic gesso. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 19.99
1

GOLDEN - White Gesso (237ml)

GOLDEN - White Gesso (237ml)

Acrylic painting medium Seals, protects and gives tooth to substrates Promotes paint adhesion Can be used on a wide variety of surfaces Made in the USA Video: Golden Artist Colours - Gessoes & Grounds Golden Gesso is a flexible liquid ground that seals, protects, and gives "tooth" to substrates, which promotes paint adhesion. It is formulated to accept a wide variety of media on many commonly used painting surfaces. It comes ready-to-use, but can be mixed with water for thinner applications. It is flexible and can be applied in thin layers to conform to a variety of textured surfaces without cracking. For oil painting over acrylic gesso, it is recommended that at least three layers of gesso be applied. Golden Gesso can be mixed with Golden Acrylics to produce a range of coloured grounds. Modify Golden Gesso by mixing it with a variety of mediums. Spray it, or apply it with brush, roller, or trowel. At least three layers of gesso are needed for oil painting over acrylic gesso. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.99
1

GOLDEN - Matte Medium (237ml)

GOLDEN - Matte Medium (237ml)

Acrylic painting medium Increases transparency and decreases gloss Useful as a translucent ground Can also be use as a decoupage glue or temporary varnish Made in the USA Golden Matte Medium is a viscous, pourable acrylic medium useful for extending colours, increasing translucency and decreasing gloss. It is also useful as a translucent ground. To lower the sheen of a paint colour or another medium, begin by adding Matte Medium in increments of about 10% of the total volume. It is helpful to brush out each mixture, and let dry on a piece of paper to note the difference in sheen. With some experimenting, it will become easier to know how much of the matte medium is required to achieve the desired gloss. Matte Medium can be used as a translucent ground, sometimes referred to as a "clear" gesso. It is thin enough to penetrate canvas and other porous substrates easily, and the matting solids provide an adequate "tooth" for additional paint layers. In thin applications it can appear quite translucent, while darkening the canvas to a small degree. The darkening effect, similar to a "wet look", is somewhat more pronounced with Matte Medium. Apply Matte Medium in much the same manner as recommended for the application of a gesso layer. Apply one or more coats, keeping in mind that additional layers will gradually make a more opaque overall film. Please note: Applying a matte product over an absorbent surface may cause a "frosted" appearance. As the acrylic medium penetrates, the matting solids are left behind on the surface. Over highly absorbent dark passages, such as on top of canvas coated with Golden Black Gesso, severe whitening may occur. This can be corrected by applying a coat of Golden GAC 100 or Gloss Medium over the frosted area, which will once again encapsulate the matting solids, returning the transparent look. The frosting can be avoided by applying a coat of GAC 100 or Gloss Medium before a matte medium is applied. Liquid and low viscosity Matte Mediums should be gently stirred or shaken before use, as settling of matting solids can occur. Use as a Decoupage Glue Golden Matte Medium has been used successfully as a decoupage glue by many collage artists. The fact that it has a very low sheen makes it ideal, as it does not impart a "plastic" gloss to the work. If the whiteness of multiple coats does become troublesome, blend in Polymer Medium (Gloss) to decrease the matting solid level. Multiple Layers of Matte Mediums The application of several layers of a matte medium will become increasingly opaque and begin to lighten the colours underneath. Multiple layers can also impart a greyish cast due to the natural colour of the matting solids if built up to an extreme. If an artist is using a matte medium as a glazing base for multiple glazes, they should consider using Polymer Medium (Gloss) instead for the best clarity. After the artwork is completed, a matte varnish can be applied to give a flat finish to the work. This will result in better film clarity because there is only one layer of matting solids to look through. Use as a Temporary Varnish Golden does not recommend using any insoluble acrylic as a final varnish. Polymer Medium (Gloss) or Soft Gel (Gloss) thinned 2:1 with water works well to establish an even coat, or a temporary varnish. Instead of applying a matte medium over the piece, the artist can use a sheet of matte Mylar to apply it over to allow them to temporarily view it in the matte state, or create a test piece. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.99
1

GOLDEN - Fluid Matte Medium (237ml)

GOLDEN - Fluid Matte Medium (237ml)

Acrylic painting medium Liquid and pourable Extends your colours Increases transparency and decreases gloss Made in the USA Video: Golden Artist Colours - Painting With Fluid Acrylic Mediums Golden Fluid Matte Medium is a liquid, pourable acrylic medium useful for extending colours, increasing translucency and decreasing gloss. It is also useful as a translucent ground. To lower the sheen of a paint colour or another medium, begin by adding Fluid Matte Medium in increments of about 10% of the total volume. It is helpful to brush out each mixture, and let dry on a piece of paper to note the difference in sheen. With some experimenting, it will become easier to know how much of the matte medium is required to achieve the desired gloss. Fluid Matte Medium can be used as a translucent ground, sometimes referred to as a "clear" gesso. It is thin enough to penetrate canvas and other porous substrates easily, and the matting solids provide an adequate "tooth" for additional paint layers. In thin applications it can appear quite translucent, while darkening the canvas to a small degree. The darkening effect, similar to a "wet look", is somewhat more pronounced with Fluid Matte Medium. Apply Fluid Matte Medium in much the same manner as recommended for the application of a gesso layer. Apply one or more coats, keeping in mind that additional layers will gradually make a more opaque overall film. Please note: Applying a matte product over an absorbent surface may cause a "frosted" appearance. As the acrylic medium penetrates, the matting solids are left behind on the surface. Over highly absorbent dark passages, such as on top of canvas coated with Golden Black Gesso, severe whitening may occur. This can be corrected by applying a coat of Golden GAC 100 or Gloss Medium over the frosted area, which will once again encapsulate the matting solids, returning the transparent look. The frosting can be avoided by applying a coat of GAC 100 or Gloss Medium before a matte medium is applied. Liquid and low viscosity Matte Mediums should be gently stirred or shaken before use, as settling of matting solids can occur. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.99
1

GOLDEN - Pastel Ground (237ml)

GOLDEN - Pastel Ground (237ml)

Acrylic painting medium Prepares surfaces for pastels and charcoals Very thick consistency Can be applied to any primed surface Made in the USA Video: Golden Artist Colours - Gessoes & Grounds Golden Pastel Ground is a 100% acrylic medium designed to prepare surfaces for the application of pastels, charcoal and other art media where a coarse tooth is desired. It contains finely ground sand (silica) in a pure acrylic emulsion. Pastel Ground can be applied to paper, canvas, wood or any primed support. This allows almost limitless applications for media typically confined to standard papers. Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. To use, thin 20-40% with water to achieve your desired consistency. Apply with a brush, paint-roller, spray equipment, squeegee or palette knife. Mix up only as much as is needed for one day's work as the solids will settle rapidly and be extremely difficult to mix back into suspension. For best surface adhesion, apply Golden Pastel Ground over Golden Gesso. It may also be applied over other acrylic mediums, gels, and paints for multi-media work. When used in conjunction with oil-based media, prepare your support (canvas, linen, masonite, etc.) with GAC 100 to block the oil from penetrating into the support, which can weaken or rot natural fibres. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 19.99
1

GOLDEN - Glass Bead Gel (237ml)

GOLDEN - Soft Gloss Gel (237ml)

GOLDEN - Clear Tar Gel (237ml)

GOLDEN - Extra Heavy Moulding Paste (237ml)

GOLDEN - Extra Heavy Moulding Paste (237ml)

Acrylic painting medium Excellent for creating textures Dries to a satin, semi-opaque finish Excellent for increasing viscosity and building surfaces Made in the USA Video: Golden Artist Colours - Using Moulding Paste For Drawing & Painting Extra Heavy Moulding Paste is a blend of Extra Heavy Gel Gloss and Moulding Paste. It dries to a satin, semi-opaque finish. Excellent for increasing viscosity and building surfaces. Pastes can be used to achieve a variety of effects and expressions. When used in conjunction with acrylic colours they broaden working properties and expand creative possibilities. Unlike gels, pastes are opaque because they contain Marble Dust or other fillers that create a white or clay-tone finish with a variety of textures and properties. Moulding Paste can also be used to create foundations for painting either to create texture over a smoother surface, or to smooth out a textured surface. The absorbent qualities of Moulding Paste make it suitable as a ground for nearly every painting and drawing media. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 17.99
1

GOLDEN - Moulding Paste (237ml)

GOLDEN - Moulding Paste (237ml)

Acrylic painting medium Excellent for creating textures Dries to a hard yet flexible film Can be blended with colours to tint and extend paint Made in the USA Video: Golden Artist Colours - Using Moulding Paste For Drawing & Painting Golden Moulding Paste is excellent for building surfaces and creating textures. It dries to a hard, yet flexible, opaque film and can be blended with colours to tint and extend paint. Pastes can be used to achieve a variety of effects and expressions. When used in conjunction with acrylic colours they broaden working properties and expand creative possibilities. Unlike gels, pastes are opaque because they contain Marble Dust or other fillers that create a white or clay-tone finish with a variety of textures and properties. Moulding Paste can also be used to create foundations for painting either to create texture over a smoother surface, or to smooth out a textured surface. The absorbent qualities of Moulding Paste make it suitable as a ground for nearly every painting and drawing media. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.99
1

GOLDEN - Hard Moulding Paste (237ml)

GOLDEN - Hard Moulding Paste (237ml)

Acrylic painting medium Excellent for creating textures Dries to an extremely hard, opaque film Useful for creating tough, durable finishes Made in the USA Video: Golden Artist Colours - Using Moulding Paste For Drawing & Painting Golden Hard Moulding Paste dries to an extremely hard, opaque film. It is useful for creating tough, durable finishes for smooth or textured surfaces. Once dry, it can be carved with hand or power tools. It blends easily with acrylic colours. Pastes can be used to achieve a variety of effects and expressions. When used in conjunction with acrylic colours they broaden working properties and expand creative possibilities. Unlike gels, pastes are opaque because they contain Marble Dust or other fillers that create a white or clay-tone finish with a variety of textures and properties. Moulding Paste can also be used to create foundations for painting either to create texture over a smoother surface, or to smooth out a textured surface. The absorbent qualities of Moulding Paste make it suitable as a ground for nearly every painting and drawing media. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.99
1

GOLDEN - Coarse Moulding Paste (237ml)

GOLDEN - Coarse Moulding Paste (237ml)

Acrylic painting medium Thick, warm and white-coloured Dries to a hard, stiff but flexible film Has a tooth like fine sandpaper Made in the USA Video: Golden Artist Colours - Using Moulding Paste For Drawing & Painting Golden Coarse Moulding Paste is a thick, warm white-coloured medium, translucent up to about 1/8 inch of thickness. It dries to a hard, stiff but flexible film with a tooth like fine sandpaper. This medium accepts wet and dry media very well. Mix with Fluid or Heavy Body Acrylics to create dense paint that holds good peaks and dries matte to satin with a finely pebbled surface. Pastes can be used to achieve a variety of effects and expressions. When used in conjunction with acrylic colours they broaden working properties and expand creative possibilities. Unlike gels, pastes are opaque because they contain Marble Dust or other fillers that create a white or clay-tone finish with a variety of textures and properties. Moulding Paste can also be used to create foundations for painting either to create texture over a smoother surface, or to smooth out a textured surface. The absorbent qualities of Moulding Paste make it suitable as a ground for nearly every painting and drawing media. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.99
1

GOLDEN - Silkscreen Medium (237ml)

GOLDEN - Silkscreen Medium (237ml)

Acrylic painting medium For silk-screen applications Increases working time Prevents paint from drying too quickly Made in the USA Video: Golden Artist Colours - Spraying With Heavy Body Acrylics Golden Silkscreen Medium is a water-borne system designed to blend with acrylic paints for silk-screen application onto paper, wood and other suitable fine art materials. This product is designed to increase working time and prevent paint from drying in the screen too quickly. It is not intended for use on fabrics to be laundered. Although any addition of Golden Silkscreen Medium will increase the open time of a paint, a good starting point is to blend even parts of paint and medium. Higher levels of the medium will increasingly affect the transparency, but also will increase the open time. Lower levels of Silkscreen Medium produce mixes with the greatest opacity, but these are more likely to clog in the screen. Silkscreen Medium can be blended with any of the Golden Acrylic paint lines, Gels and Mediums to lengthen the working (open) time for silk-screening. It is a pourable blend of acrylic, retarder & water that, unlike retarder alone, will form a film, thereby increasing durability and thinning the paint while retarding the drying time. Silkscreen Medium is not designed to impart opacity. The opacity of the mixture will be determined by the nature of the colour being used and the ratio of paint to medium used. Higher levels of the Silkscreen Medium will be increasingly more transparent. Adding Titanium White to a mixture will increase opacity. Any addition of white will lower a colour's chroma and value. Additionally, transparent colours, including Iridescent and Interference Colours, can be made to appear more opaque when a "base coat" is screened first. For example, Golden Iridescent Gold will appear to have greater opacity over a buff-coloured base coat. Refer to screen-printer's books and other reference material for further suggestions. General Product Information Do not mix with oils. Paint on any non-oily surface. Abrade non-absorbent surfaces for increased adhesion. Minimum film formation temperature is 49oF/9oC. Avoid freezing. Clean screens/tools with soap and water. Safe to use with minimal odour. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 13.50
1

GOLDEN - GAC 500 Gloss Extender for Fluid Acrylic Colours (237ml)

GOLDEN - GAC 500 Gloss Extender for Fluid Acrylic Colours (237ml)

Acrylic painting medium Fast-drying isolation coat Increases mar resistance Decreases dry film tack Made in the USA GAC 500: Gloss Extender For Fluid Acrylic Colours provides a unique balance of film hardness and flexibility. Mix 2 parts GAC 500 to 1 part High Flow Medium to produce a good spraying, fast-drying isolation coat. It is beneficial as an additive for acrylic paints for increasing mar resistance and decreasing dry film tack, without disturbing the balance between hardness and flexibility. Its also useful when working on flexible or rigid supports and offers a self-levelling working quality. GAC 500 dries to a high gloss film with good clarity and transparency. It's useful to hard-edge painters to seal masking tape for cleaner edges. Apply over masking tape. Let dry before applying an additional paint layer. About GAC Acrylic Polymers GACs can be blended with Golden Acrylic Paints to extend the paint, regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other Golden Mediums and Gels, GAC Acrylic Polymers have only a minimum amount of thickeners, levellers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymers is very fluid, and thinner than other Golden Mediums. Each GAC product represents a unique polymer that offers certain specific attributes. Therefore, each GAC will have its own unique benefits and applications. Mixing GAC polymers should be gently stirred or rocked back and forth prior to use, but should never be shaken, as this will incorporate significant amounts of foam which will be very difficult to eliminate. Foam can severely affect the transparency of the film causing an apparent foggy or hazy quality. When applying with a brush, use minimal agitation and force, and do not overwork, as this too will result in foaming. Spraying If spray application is desired, blend with Golden Airbrush Medium. Start at 2 parts GAC Medium to 1 part Airbrush Medium. When faster drying is required, replace the Airbrush Medium with Golden High Flow Medium. Varnishing The GAC polymers are intended for use as binders, modifiers or additives for acrylic paints. They are not intended for use as a final varnish. Golden Artist Colours manufactures two different varnish systems, Polymer Varnish and Mineral Spirit Acrylic (MSA) Varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 15.60
1