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Katherine Philips: Form Reception and Literary Contexts

Katherine Philips (1632–1664) is widely regarded as a pioneering figure within English-language women’s literary history. Best known as a poet she was also a skilled translator letter writer and literary critic whose subjects ranged from friendship and retirement to politics and public life. Her poetry achieved a high reputation among coterie networks in London Wales and Ireland during her lifetime and was published to great acclaim after her death. The present volume drawing on important recent research into her early manuscripts and printed texts represents a new and innovative phase in Philips's scholarship. Emphasizing her literary responses to other writers as well as the ambition and sophistication of her work it includes groundbreaking studies of her use of form and genre her practices as a translator her engagement with philosophy and political theory and her experiences in Restoration Dublin. It also examines the posthumous reception of Philips’s poetry and model theoretical and digital humanities approaches to her work. This book was originally published as two special issues of Women’s Writing. | Katherine Philips: Form Reception and Literary Contexts

GBP 38.99

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Russia Forty Years On An account of a visit to Russia and Germany in the autumn of 1959

First Published in 1961 Russia Forty Years On presents a comparative overview of Russian history from the Tsarist days to the Stalin Era. Morgan Philips Price looks back on Russia over a period of fifty years - the Tsarist time the First World War the October Revolution and the time of Stalin; and describes his last visit there in the autumn of 1959. Though the book is mainly about Russia there are two chapters at the end about Germany and especially about that part which was under Russian influence. Having seen Russian Communism in its homeland author compares it with what can be seen of it in Central Europe. This book will be an interesting read for scholars and researchers of Russian history Communist history and European history. | Russia Forty Years On An account of a visit to Russia and Germany in the autumn of 1959

GBP 27.99

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Giovanni Gabrieli and His Contemporaries Music Sources and Collections

For more than three decades Richard Charteris has researched European music sources and collections focusing particularly on late Renaissance England Germany and Italy. This group of essays many concerning previously unknown or unexplored works and materials covers the 16th and early to mid 17th centuries. The studies involve variously 'new' compositions music manuscripts and editions and documents that relate to figures such as the Italians Giovanni Gabrieli Claudio Monteverdi and Alfonso Ferrabosco the Elder the Germans Hans Leo Hassler and Adam Gumpelzhaimer as well as the Englishmen John Coprario John Dowland John Jenkins Henry Lawes William Lawes Peter Philips and the French composer Marin Marais. In addition Charteris elucidates contemporary performance practice in relation to works by Gabrieli investigates printed music editions that originated from the Church of St Anna Augsburg and evaluates materials in collections inlcuding ones in Berlin Hamburg Krak³w London Regensburg and Warsaw. | Giovanni Gabrieli and His Contemporaries Music Sources and Collections

GBP 42.99

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The Economic Problems of Europe Pre-War and After

First Published in 1928 The Economic Problems of Europe presents a comprehensive overview of the economic and political transformation of Europe since the First World War. European and world problems often tend to be looked upon from the political diplomatic naval or military aspect. Morgan Philips Price attempted to add the economic background and to show the connection between the political rearrangements since the First World War and the material needs of society markets of the industrialist the wages of the workman and the loans of the bankers. He argued that with the growing internationalization of the world economy the old map of the world is obsolete and the new one if it is based on frontiers of finance and industry will be something very different. This book is an essential read for scholars and researchers of economic history war history political economy British economic history and European history. | The Economic Problems of Europe Pre-War and After

GBP 27.99

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Material Matters Developing Business for a Circular Economy

Our planet is a closed system with limited material resources yet our current economic model is designed in a one-way direction from resource extraction to disposal leading to resource depletion. This book proposes a new economic model offering an alternative to this linear ‘take-make-waste’ economy. Material Matters shows a way of creating a circular economy by using the unlimited resources we have: renewable energy data and intelligence. It describes a system based on circular business models centred on selling performance rather than ownership designing products and buildings as resource banks and equipping products with a ‘material passport’ to ensure their usability for future generations. Businesses thereby become custodians of materials rather than consumers of materials and sellers of products. The book evokes the vision of a radically new economic model based on a compelling narrative supported with cases that have been developed in conjunction with major companies for example convincing Philips to sell light instead of lamps saving energy and materials by creating a whole new business model a case which has become iconic for the circular economy. Material Matters is not a somber analysis of the state of the planet but a concrete and comprehensive agenda for change offering perspectives for taking action for business and individual consumers alike. | Material Matters Developing Business for a Circular Economy

GBP 24.99

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Women and Dramatic Production 1550 - 1700

There is a traditional view that women were absent from the field of dramatic production in the early modern period because of their exclusion from professional theatre. Women and Dramatic Production 1550-1700 challenges this view and breaks new ground in arguing that far from writing in closeted retreat a select number of women took an active part in directing and controlling dramatic self-representations. Examining texts from the mid-sixteenth century through to the end of the seventeenth the chapters trace the development of a women-centred aesthetic in a variety of dramatic forms. Plays by noblewomen such as Mary Sidney Elizabeth Cary Mary Wroth Rachel Fane and the women of the Cavendish family form an alternative dramatic tradition centred on the household. The powerful directorial and performative roles played by queens in royal progresses and masques are explored as examples of women's dramatic production in the royal court. The book also highlights women's performances in alternative venues such as the courtroom and the pulpit arguing that the practices of martyrs like Margaret Clitherow or visionaries like Anna Trapnel call into question traditional definitions of theatre. The challenges faced by women who were admitted to the professional theatre companies after 1660 are explored in two chapters which deal with the plays of Katherine Philips Elizabeth Polwhele Aphra Behn and Mary Pix among others. By considering the theatrical dimensions of a wide range of early modern women's writing this book reveals the breathtaking panorama of women's dramatic production and will be essential reading for students of women's writing and renaissance drama. | Women and Dramatic Production 1550 - 1700

GBP 130.00

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