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The First Print Era The Rise of Print Culture in China’s Northern Song Dynasty

The First Print Era The Rise of Print Culture in China’s Northern Song Dynasty

The First Print Era examines the rise of print culture during China’s Northern Song Dynasty (960–1127). Bringing together often-overlooked primary sources from the period and scholarship on many individual topics in Song print history the book offers the first extended narrative in English of how print became entrenched as a sustained mode of textual dissemination in China. While discussing technical innovations and the growth of the print industry the book focuses on how the rise of print affected several indispensable elements of Song intellectual culture: the expansion of the exam system the canonization of Tang and earlier models the rise of antiquarianism and connoisseurship the birth of Neo-Confucianism as a new intellectual force the growth of a new literati culture and new forms of literary production and critique and the development of calligraphy as an art form that could be taught critiqued and divided into schools. Overall the book describes a process by which print publication moved from a highly centralized state enterprise back to expanded elite use and eventually towards the popular print markets that would create new forms of expression during the Southern Song and Yuan dynasties. This book will be an essential read for students and scholars of Asian studies Medieval studies and those with a focus on print history and Chinese studies. | The First Print Era The Rise of Print Culture in China’s Northern Song Dynasty

GBP 130.00
1

Print and the Celtic Languages Publishing and Reading in Irish Welsh Gaelic and Breton 1700–1900

Color Management & Quality Output: Working with Color from Camera to Display to Print (The Digital Imaging Masters Series)

Color Management & Quality Output: Working with Color from Camera to Display to Print (The Digital Imaging Masters Series)

We have all felt the frustration of wasting time paper and effort when our prints or web images don’t match the images we see on our monitors. Fortunately you’re holding the resource that will help solve these problems. This book guides you through the hardware settings and software steps you’ll need to post professional images and make stunning prints that showcase your artistic vision. In Color Management & Quality Output Tom P. Ashe a color expert and gifted teacher shows you how to color manage your files from input all the way through output by clearly explaining how color works in our minds on our monitors and computers and through our printers. You’ll learn to: properly calibrate your monitor understand Adobe Photoshop color settings build and evaluate color profiles for all your devices navigate the print menu in both Photoshop and Lightroom appreciate the differences between inkjet prints and C-prints optimize sharpening for a variety of print media understand how and why to use RIPs communicate with creative professionals clients and output service providers to ensure the highest quality results. This book is part of The Digital Imaging Masters Series which features cutting-edge information from the most sought-after and qualified professionals and instructors in the photography field. Based on the progressive curriculum of the Masters of Professional Studies in Digital Photography created by Katrin Eismann at the School of Visual Arts in New York City these books are the next best thing to being in the classroom with the Digital Photography Masters themselves. | Color Management & Quality Output: Working with Color from Camera to Display to Print (The Digital Imaging Masters Series)

GBP 130.00
1

The Colonial Periodical Press in the Indian and Pacific Ocean Regions

A World History of Railway Cultures 1830-1930 Volume I

A World History of Railway Cultures 1830-1930 Volume IV

Uterine Fibroids

A World History of Railway Cultures 1830-1930 Volume II

Management in Action An HR Perspective

Winsor McCay His Life and Art

Watts Pocket Handbook

Parkes' Occupational Lung Disorders

Sustainable Development in India and South-East Asia

Early Buddhist Artisans and Their Architectural Vocabulary

The Subaltern Subject in Structured Historical Process Towards an Epistemological Approach

Italy in Transition Conflict and Consensus

State and Capitalist Development in India A Political Economy Perspective

Classical and Quantum Information Theory for the Physicist

Quantum Chemistry

What is Thinking? And Other Philosophical Reflections

Textbook of Cosmetic Dermatology

Algal Biofuel Sustainable Solution

Literary Sentiments in the Vernacular Gender and Genre in Modern South Asia

Literary Sentiments in the Vernacular Gender and Genre in Modern South Asia

This collection brings together nine essays accompanied by nine short translations that expand the assumptions that have typically framed literary histories and creatively re-draws their boundaries both temporally and spatially. The essays rooted in the humanities and informed by interdisciplinary area studies explore multiple linkages between forms of print culture linguistic identities and diverse vernacular literary spaces in colonial and post-colonial South Asia. The accompanying translations—from Bengali Hindi Marathi Tamil and Urdu—not only round out these scholarly explorations and comparisons but invite readers to recognise the assiduous intimate and critical labour of expanding access to the vernacular archive while also engaging with the challenges—linguistic cultural and political—of rendering vernacular articulations of gendered experience and embodiment in English. Collectively the essays and translations foreground complex and politicised expressions of gender and genre in fictional and non-fictional print materials and thus draw meaningful connections between the vernacular and literature the everyday and the marginals and gender and sentiment. They expand vernacular literary archives canons and genealogies and push us to theorise the nature of writing in South Asia. Literary Sentiments in the Vernacular is a significant new contribution to South Asian literary history and gender studies and will be a great resource for academics researchers and advanced students of History Literature Cultural Studies Politics and Sociology. The chapters in this book were originally published as a special issue of South Asia: Journal of South Asian Studies. | Literary Sentiments in the Vernacular Gender and Genre in Modern South Asia

GBP 130.00
1

Indian Modernity Contradictions Paradoxes and Possibilities