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The Handmade Silver Gelatin Emulsion Print Creating Your Own Liquid Emulsions for Black & White Paper

The Handmade Silver Gelatin Emulsion Print Creating Your Own Liquid Emulsions for Black & White Paper

The Handmade Silver Gelatin Emulsion Print is a cookbook of simple basic recipes for making black and white printing paper and paper negatives along with creative options for printing toning and coloring. Author Denise Ross draws from photographic literature from the last 135 years adapting old recipes to fit modern tools materials and work spaces and modern twists have been applied to traditional techniques. The book is divided into three sections: Section One lays the groundwork for this unique alternative process; Section Two provides the recipes; Section Three highlights contemporary silver gelatin artists. The book features over 200 full-color images and covers key topics including: Vocabulary: a list of terms used by traditional photographers and emulsion makers Creating work spaces with the right tools and materials Basic emulsion chemistry and paper coating techniques Working with various negative options analog and digital Gaslight chloride contact printing paper Kodabromide-type chlorobromide all-purpose paper Bromide enlarging paper Warm tone paper and developers Making and toning your own printing-out paper (POP) Matte surface and baryta coating surface paper Paper negatives and making hand-drawn and digital masks Toning handmade paper Gum printing over handmade paper Troubleshooting handmade paper Artists working with handmade paper The Handmade Silver Gelatin Emulsion Print is for photographers who love the look and creative potential of black and white traditional photography but who want more control over the process and the end product. It is written for the beginner to experienced photographer with processes initially explained in such a way that anyone will feel comfortable getting started as well as information in increasing levels of complexity so that experienced photographers who enjoy a challenge will also find one. | The Handmade Silver Gelatin Emulsion Print Creating Your Own Liquid Emulsions for Black & White Paper

GBP 48.99
1

Anthology for Hearing Rhythm and Meter

Visual Propaganda Exhibitions and the Spanish Civil War

The Experimental Darkroom Contemporary Uses of Traditional Black & White Photographic Materials

The Experimental Darkroom Contemporary Uses of Traditional Black & White Photographic Materials

The Experimental Darkroom is a book focused on traditional black & white photographic materials—darkroom chemistry and silver gelatin paper—now used in many non-traditional ways. The book starts with a comprehensive digital negatives chapter. Topics are divided into five sections: cameraless experimentation camera experimentation printing experimentation finished print experimentation and a section highlighting contemporary photographers who use these approaches today. Each process under discussion is accompanied by photographic examples and a step-by-step method written in a “Just the facts ma’am” style. Topics included are: Photograms and clichés verre Lumen prints Chemigrams Pinhole and zoneplate Holgas Chromo Liquid emulsion and modern tintype Lith printing Sabattier Mordançage Bleaching and bleachout Toning traditional to experimental Applied color and abrasion tone Encaustic photomontage and collage Bromoil The Experimental Darkroom encourages taking risks and having fun. Over 400 images and 71 artists are included in its 276 pages. The outcome will be an expansion of creative options for the silver gelatin print. The options are engaging and now more accessible with digital negatives. Images are no longer solely captured in camera or on analog film. The darkroom is no longer always dark. The print is no longer a pristine and accurate rendition of what the camera sees. Photographers are pushing the boundaries of black & white photographic practice. It is an exciting time to get into the darkroom and play! | The Experimental Darkroom Contemporary Uses of Traditional Black & White Photographic Materials

GBP 44.99
1

Revolutionary Lives in South Asia Acts and Afterlives of Anticolonial Political Action

Polymer Photogravure A Step-by-Step Manual Highlighting Artists and Their Creative Practice

Polymer Photogravure A Step-by-Step Manual Highlighting Artists and Their Creative Practice

Polymer Photogravure: A Step-by-Step Manual Highlighting Artists and Their Creative Practice is a three-part book on the non-toxic process of making ink-on-paper intaglio prints from continuous-tone photographs using water-etched photopolymer plates. Author Clay Harmon provides clear and easy to understand instructions that will enable anyone to successfully make a photogravure print. By quantifying the sensitometric behavior of polymer plates Harmon has developed a methodical approach which will enable a new printmaker to produce plates in their own studio with a minimum of time and wasted materials. Section One provides a straightforward guide to setting up the polymer photogravure studio. Section Two covers a step-by-step method of making the print from start to finish. Section Three showcases contemporary artists’ works illustrating the variety and artistic breadth of contemporary polymer intaglio printmaking. The works in these pages range from monochrome to full color and represent a variety of genres including still lifes portraits nudes landscapes urban-scapes and more. Featuring over 30 artists and 200 full-color images Polymer Photogravure is a most comprehensive overview of this printmaking process in print. Key topics covered include: Studio safety Equipment and supplies evaluated from both a cost and utility point of view A brief discussion of the types of ink-based printing Aquatint screen considerations Image preparation and positive printing on inkjet printers Paper preparation A simple and efficient polymer plate calibration process that minimizes wasted time and materials A straightforward inking wiping and printing method Advanced printing techniques such as chine collé à la poupée and printing on wood Troubleshooting guide to platemaking and printing problems Tips on editioning and portfolios A visual survey of the range of artistic expression practiced by contemporary artists Sources for supplies and recommended reading Polymer photogravure plates enable an artist to use an almost-infinite range of image color and papers to make a print. The finished prints are extremely archival consisting of only ink and paper. With Harmon’s instructions continuous tone intaglio prints are within the reach of all. | Polymer Photogravure A Step-by-Step Manual Highlighting Artists and Their Creative Practice

GBP 51.99
1

Digital Negatives with QuadToneRIP Demystifying QTR for Photographers and Printmakers

Digital Negatives with QuadToneRIP Demystifying QTR for Photographers and Printmakers

Digital Negatives with QuadToneRIP is a text that fully explores how the QuadToneRIP printer driver can be used to make expert digital negatives. The book takes a comprehensive Òunder-the-hoodÓ look at how Roy Harrington’s QTR printer driver can be adapted for use by artists in several different creative practice areas. The text is written from the Mac/Photoshop point of view. The book is divided into three parts. Part One is a step-by-step how-to section that will appeal to both beginning and more advanced practitioners. Part One includes quickstart guides­ or summary sheets for beginning students who want to jump into using QTR before understanding all of its functional components. Part Two addresses dimroom darkroom and printmaking practices walking the reader through brief workflows from negative to print for lithium palladium gum bichromate cyanotype salted paper kallitype silver gelatin and polymer photogravure with a sample profile for each. It also includes an introduction to a new software iteration of QTR: QuickCurve-DN (QCDN). Part Three is devoted to contemporary practitioners who explain how they use QTR in their creative practice. The book includes: A list of supplies and software needed A summary QTR glossary with a simple explanation of how each function works A sample walk-through to create a QTR profile from start to finish How to linearize profiles with simple to more exacting tools A visual guide to modifying functions Quickstart guides for many of the workflows Instructions for crafting monochrome duotone tricolor and quadcolor negatives Instructions for using QTR to print silver gelatin in the darkroom Instructions for using QTR to print alternative processes in the dimroom Instructions for using QTR to print polymer photogravure in the printmaking room Introductory chapter to QuickCurve-DN software Troubleshooting common QTR problems Generic starter profiles for processes discussed Contemporary artists: their work and QTR process. Learning how to craft expert digital negatives can be a bit overwhelming at the outset. Digital Negatives with QuadToneRIP makes the process as user-friendly as possible. Like other books in the series Digital Negatives with QuadToneRIP is thoroughly comprehensive accessible to different levels of learner and illustrative of the contemporary arts. | Digital Negatives with QuadToneRIP Demystifying QTR for Photographers and Printmakers

GBP 46.99
1

Effective School Interventions Third Edition Evidence-Based Strategies for Improving Student Outcomes

Fibroids and Reproduction

Ultrasound in Assisted Reproduction and Early Pregnancy

The Routledge Companion to Latina/o Media

Multivariate Calculus

Topics in Graph Theory Graphs and Their Cartesian Product

Gender in Urban Europe Sites of Political Activity and Citizenship 1750-1900

Applied Entomology Insect Ecology and Integrated Pest Management

The Routledge Anthology of Restoration and Eighteenth-Century Drama

LatinX Voices Hispanics in Media in the U.S

Tracking the Media Interpretations of Mass Media Discourses in India and Pakistan

Electrical Power Generation Methods and Plants

Way Beyond Monochrome 2e Advanced Techniques for Traditional Black & White Photography including digital negatives and hybrid printing

Way Beyond Monochrome 2e Advanced Techniques for Traditional Black & White Photography including digital negatives and hybrid printing

Photo Techniques Magazine stated: All our readers need to know about this very useful book. Indeed there is no other compendium that is as in-depth as this for the beauty and magic of fine-art black-and-white photography. With 560 pages and over 1 000 illustrations Way Beyond Monochrome starts with conceptual lessons of composition and takes you through image capture exposure controlling tonality variable-contrast paper archival printing mounting framing and presentation with simple concepts to an advanced level. This new edition has been completely revised and heavily expanded adding over 250 pages to the original edition with new chapters on print mounting spotting framing digital negatives utilizing digital technologies for alternative processes and fabulous do-it-yourself projects. Overall the authors have created a thoroughly researched technologically sound yet aesthetically pleasing inspirational bible for monochrome photography. New to this edition: almost double the content a new section discussing the path from visualization to print illustrating the interaction between eye and brain explaining the rules of composition and when to break them to produce photographs with impact a new section on presentation including hands-on mounting matting spotting and framing image capture has a more in-depth focus now covering pinhole photography and digital capture now includes making and printing with digital negatives a new section discussing the pros and cons of typical image-taking and image-making equipment plus new do-it-yourself projects including many darkroom tools and an electronic shutter tester a useful collection of templates to copy cut-out and take with you in your camera bag or use in the darkroom an appendix with all the recipes to make your own darkroom chemicals from scratch all illustrations improved and updated improved index with 1 400 references | Way Beyond Monochrome 2e Advanced Techniques for Traditional Black & White Photography including digital negatives and hybrid printing

GBP 66.99
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The JASPER Model for Children with Autism Promoting Joint Attention Symbolic Play Engagement and Regulation

Mediated Football Representations and Audience Receptions of Race/Ethnicity Nation and Gender

Mechanical Engineering Practices in Industry A Beginner’s Guide

Agroecology Sustainable Ecosystem

A Practical Guide to Event Promotion