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The First Print Era The Rise of Print Culture in China’s Northern Song Dynasty

The First Print Era The Rise of Print Culture in China’s Northern Song Dynasty

The First Print Era examines the rise of print culture during China’s Northern Song Dynasty (960–1127). Bringing together often-overlooked primary sources from the period and scholarship on many individual topics in Song print history the book offers the first extended narrative in English of how print became entrenched as a sustained mode of textual dissemination in China. While discussing technical innovations and the growth of the print industry the book focuses on how the rise of print affected several indispensable elements of Song intellectual culture: the expansion of the exam system the canonization of Tang and earlier models the rise of antiquarianism and connoisseurship the birth of Neo-Confucianism as a new intellectual force the growth of a new literati culture and new forms of literary production and critique and the development of calligraphy as an art form that could be taught critiqued and divided into schools. Overall the book describes a process by which print publication moved from a highly centralized state enterprise back to expanded elite use and eventually towards the popular print markets that would create new forms of expression during the Southern Song and Yuan dynasties. This book will be an essential read for students and scholars of Asian studies Medieval studies and those with a focus on print history and Chinese studies. | The First Print Era The Rise of Print Culture in China’s Northern Song Dynasty

GBP 130.00
1

Free Print and Non-commercial Publishing Since 1700

GBP 31.99
1

Disability Representation in Film TV and Print Media

Plague Print and the Reformation The German Reform of Healing 1473 1573

Print and the Celtic Languages Publishing and Reading in Irish Welsh Gaelic and Breton 1700–1900

Transatlantic Literature and Transitivity 1780-1850 Subjects Texts and Print Culture

Transatlantic Literature and Transitivity 1780-1850 Subjects Texts and Print Culture

This book makes an important contribution to transatlantic literary studies and an emerging body of work on identity formation and print culture in the Atlantic world. The collection identifies the ways in which historically-situated but malleable subjectivities engage with popular and pressing debates about class slavery natural knowledge democracy and religion. In addition the book also considers the ways in which material texts and genres including for example the essay the guidebook the travel narrative the periodical the novel and the poem can be scrutinized in relation to historically-situated transatlantic transitions transformations and border crossings. The volume is underpinned by a thorough examination of historical and conceptual frameworks and prioritizes notions of circulation and exchange as opposed to transfer and continuance in its analysis of authors texts and ideas. The collection is concerned with the movement of people texts and ideas in the currents of transatlantic markets and politics taking a fresh look at a range of canonical and popular writers of the period including Austen Poe Crèvecoeur Brockden Brown Sedgwick Hemans Bulwer-Lytton Dickens and Melville. In different ways the essays gathered together here are concerned with the potentially empowering realities of the transitive circulatory and contingent experiences of transatlantic literary and cultural production as they are manifest in the long nineteenth century. | Transatlantic Literature and Transitivity 1780-1850 Subjects Texts and Print Culture

GBP 39.99
1

The Handmade Silver Gelatin Emulsion Print Creating Your Own Liquid Emulsions for Black & White Paper

The Handmade Silver Gelatin Emulsion Print Creating Your Own Liquid Emulsions for Black & White Paper

The Handmade Silver Gelatin Emulsion Print is a cookbook of simple basic recipes for making black and white printing paper and paper negatives along with creative options for printing toning and coloring. Author Denise Ross draws from photographic literature from the last 135 years adapting old recipes to fit modern tools materials and work spaces and modern twists have been applied to traditional techniques. The book is divided into three sections: Section One lays the groundwork for this unique alternative process; Section Two provides the recipes; Section Three highlights contemporary silver gelatin artists. The book features over 200 full-color images and covers key topics including: Vocabulary: a list of terms used by traditional photographers and emulsion makers Creating work spaces with the right tools and materials Basic emulsion chemistry and paper coating techniques Working with various negative options analog and digital Gaslight chloride contact printing paper Kodabromide-type chlorobromide all-purpose paper Bromide enlarging paper Warm tone paper and developers Making and toning your own printing-out paper (POP) Matte surface and baryta coating surface paper Paper negatives and making hand-drawn and digital masks Toning handmade paper Gum printing over handmade paper Troubleshooting handmade paper Artists working with handmade paper The Handmade Silver Gelatin Emulsion Print is for photographers who love the look and creative potential of black and white traditional photography but who want more control over the process and the end product. It is written for the beginner to experienced photographer with processes initially explained in such a way that anyone will feel comfortable getting started as well as information in increasing levels of complexity so that experienced photographers who enjoy a challenge will also find one. | The Handmade Silver Gelatin Emulsion Print Creating Your Own Liquid Emulsions for Black & White Paper

GBP 48.99
1

Textual Communication A Print-Based Theory of the Novel

Color Management & Quality Output: Working with Color from Camera to Display to Print (The Digital Imaging Masters Series)

Color Management & Quality Output: Working with Color from Camera to Display to Print (The Digital Imaging Masters Series)

We have all felt the frustration of wasting time paper and effort when our prints or web images don’t match the images we see on our monitors. Fortunately you’re holding the resource that will help solve these problems. This book guides you through the hardware settings and software steps you’ll need to post professional images and make stunning prints that showcase your artistic vision. In Color Management & Quality Output Tom P. Ashe a color expert and gifted teacher shows you how to color manage your files from input all the way through output by clearly explaining how color works in our minds on our monitors and computers and through our printers. You’ll learn to: properly calibrate your monitor understand Adobe Photoshop color settings build and evaluate color profiles for all your devices navigate the print menu in both Photoshop and Lightroom appreciate the differences between inkjet prints and C-prints optimize sharpening for a variety of print media understand how and why to use RIPs communicate with creative professionals clients and output service providers to ensure the highest quality results. This book is part of The Digital Imaging Masters Series which features cutting-edge information from the most sought-after and qualified professionals and instructors in the photography field. Based on the progressive curriculum of the Masters of Professional Studies in Digital Photography created by Katrin Eismann at the School of Visual Arts in New York City these books are the next best thing to being in the classroom with the Digital Photography Masters themselves. | Color Management & Quality Output: Working with Color from Camera to Display to Print (The Digital Imaging Masters Series)

GBP 130.00
1

Samuel Beckett and the Arts Music Visual Arts and Non-Print Media

Hans Folz and Print Culture in Late Medieval Germany The Creation of Popular Discourse

Anthology for Hearing Rhythm and Meter

Engraved on Steel History of Picture Production Using Steel Plates

Visual Propaganda Exhibitions and the Spanish Civil War

The Colonial Periodical Press in the Indian and Pacific Ocean Regions

Being Australian Narratives of national identity

Coaching College Students with Executive Function Problems

Routledge Library Editions: Chinese Literature and Arts

The Moving Body and the English Romantic Imaginary

Revolutionary Lives in South Asia Acts and Afterlives of Anticolonial Political Action

The Experimental Darkroom Contemporary Uses of Traditional Black & White Photographic Materials

The Experimental Darkroom Contemporary Uses of Traditional Black & White Photographic Materials

The Experimental Darkroom is a book focused on traditional black & white photographic materials—darkroom chemistry and silver gelatin paper—now used in many non-traditional ways. The book starts with a comprehensive digital negatives chapter. Topics are divided into five sections: cameraless experimentation camera experimentation printing experimentation finished print experimentation and a section highlighting contemporary photographers who use these approaches today. Each process under discussion is accompanied by photographic examples and a step-by-step method written in a “Just the facts ma’am” style. Topics included are: Photograms and clichés verre Lumen prints Chemigrams Pinhole and zoneplate Holgas Chromo Liquid emulsion and modern tintype Lith printing Sabattier Mordançage Bleaching and bleachout Toning traditional to experimental Applied color and abrasion tone Encaustic photomontage and collage Bromoil The Experimental Darkroom encourages taking risks and having fun. Over 400 images and 71 artists are included in its 276 pages. The outcome will be an expansion of creative options for the silver gelatin print. The options are engaging and now more accessible with digital negatives. Images are no longer solely captured in camera or on analog film. The darkroom is no longer always dark. The print is no longer a pristine and accurate rendition of what the camera sees. Photographers are pushing the boundaries of black & white photographic practice. It is an exciting time to get into the darkroom and play! | The Experimental Darkroom Contemporary Uses of Traditional Black & White Photographic Materials

GBP 44.99
1

Jazz Theory Workbook From Basic to Advanced Study

Jazz Theory Workbook From Basic to Advanced Study

Jazz Theory Workbook accompanies the second edition of the successful Jazz Theory—From Basic to Advanced Study textbook designed for undergraduate and graduate students studying jazz. The overall pedagogy bridges theory and practice combining theory aural skills keyboard skills and improvisation into a comprehensive whole. While the Companion Website for the textbook features aural and play-along exercises along with some written exercises and the answer key this workbook contains brand-new written exercises as well as as well as four appendices: (1) Rhythmic Exercises (2) Common-Practice Harmony at the Keyboard (3) Jazz Harmony at the Keyboard and (4) Patterns for Jazz Improvisaton. Jazz Theory Workbook works in tandem with its associated textbook in the same format as the 27-chapter book yet is also designed to be used on its own providing students and readers with quick access to all relevant exercises without the need to download or print pages that inevitably must be written out. The workbook is sold both on its own as well as discounted in a package with the textbook. Jazz Theory Workbook particularly serves the ever-increasing population of classical students interested in jazz theory or improvisation. This WORKBOOK is available for individual sale in various formats: Print Paperback: 9781138334250 Print Hardback: 9781138334243 eBook: 9780429445477 The paperback WORKBOOK is also paired with the corresponding paperback TEXTBOOK in a discounted PACKAGE (9780367321963). | Jazz Theory Workbook From Basic to Advanced Study

GBP 39.99
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Breaking Through the Language Arts Block Organizing and Managing the Exemplary Literacy Day