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GOLDEN - Soft Gloss Gel (237ml)

GOLDEN - Soft Matte Gel (237ml)

GOLDEN - Soft Semi-Gloss Gel (237ml)

GOLDEN - GAC 900 Heat-Set Fabric Medium (237ml)

GOLDEN - GAC 900 Heat-Set Fabric Medium (237ml)

Acrylic painting medium Modifies acrylics for painting on fabric Soft, pliable feel Excellent laundering stability Made in the USA GAC 900: Heat-Set Fabric Painting Medium is designed to be used as a modifier for acrylic paints for painting on clothing. It offers a soft, pliable feel and when properly heat-set, providing excellent laundering stability. Blend with Golden Heavy Body Acrylics for brush or screen applications.The heat-setting process will release low levels of formaldehyde; therefore it is recommended that adequate ventilation be provided when using this medium. About GAC Acrylic Polymers GACs can be blended with Golden Acrylic Paints to extend the paint, regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other Golden Mediums and Gels, GAC Acrylic Polymers have only a minimum amount of thickeners, levellers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymers is very fluid, and thinner than other Golden Mediums. Each GAC product represents a unique polymer that offers certain specific attributes. Therefore, each GAC will have its own unique benefits and applications. Mixing GAC polymers should be gently stirred or rocked back and forth prior to use, but should never be shaken, as this will incorporate significant amounts of foam which will be very difficult to eliminate. Foam can severely affect the transparency of the film causing an apparent foggy or hazy quality. When applying with a brush, use minimal agitation and force, and do not overwork, as this too will result in foaming. Spraying If spray application is desired, blend with Golden Airbrush Medium. Start at 2 parts GAC Medium to 1 part Airbrush Medium. When faster drying is required, replace the Airbrush Medium with Golden High Flow Medium. Varnishing The GAC polymers are intended for use as binders, modifiers or additives for acrylic paints. They are not intended for use as a final varnish. Golden Artist Colours manufactures two different varnish systems, Polymer Varnish and Mineral Spirit Acrylic (MSA) Varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 17.99
1

GOLDEN - Heavy Gloss Gel (237ml)

GOLDEN - Heavy Gloss Gel (237ml)

Acrylic painting medium Increases body Thicker than Heavy Body Acrylics Glossy translucent finish Made in the USA Video: Golden Artist Colours - Painting With Acrylic Gel Golden Heavy Gel is a thick, flexible medium for use with acrylic colours. Heavy Gel has a thicker consistency than Golden Heavy Body Acrylic colours and is the thickest of Golden gels, along with the Extra Heavy and High Solid Gels. Blend with colours to increase body. Excellent for holding peaks and impasto techniques. This Heavy Gel dries to a translucent gloss finish. Gel Mediums offer many ways to build texture. Golden offers five consistencies from the most viscous Extra Heavy Gel to Soft Gel. Each gel is available in Gloss, Semi-Gloss and Matte finishes. They can be used to create glazes, extend paint and change finishes. Gels are essentially colourless paint, as they utilise the same 100% acrylic polymers as acrylic paint. Gels are also excellent adhesives for collage and mixed media, they dry with excellent flexibility with chemical, water and UV resistance. All Golden gels are opaque when wet but dry clear. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 17.99
1

GOLDEN - Extra Heavy Semi-Gloss Gel (237ml)

GOLDEN - Extra Heavy Semi-Gloss Gel (237ml)

Acrylic painting medium Increases body Thicker than Heavy Body Acrylics Semi-glossy translucent finish Made in the USA Video: Golden Artist Colours - Painting With Acrylic Gel Golden Extra Heavy Gel is a thick, flexible medium for use with acrylic colours. Heavy Gel has a thicker consistency than Golden Heavy Body Acrylic colours and is the thickest of Golden gels, along with the Heavy and High Solid Gels. Blend with colours to increase body. Excellent for holding peaks and impasto techniques. This Heavy Gel dries to a translucent semi-gloss finish. Gel Mediums offer many ways to build texture. Golden offers five consistencies from the most viscous Extra Heavy Gel to Soft Gel. Each gel is available in Gloss, Semi-Gloss and Matte finishes. They can be used to create glazes, extend paint and change finishes. Gels are essentially colourless paint, as they utilise the same 100% acrylic polymers as acrylic paint. Gels are also excellent adhesives for collage and mixed media, they dry with excellent flexibility with chemical, water and UV resistance. All Golden gels are opaque when wet but dry clear. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 17.99
1

GOLDEN - Heavy Semi-Gloss Gel (237ml)

GOLDEN - Heavy Semi-Gloss Gel (237ml)

Acrylic painting medium Increases body Thicker than Heavy Body Acrylics Semi-glossy translucent finish Made in the USA Video: Golden Artist Colours - Painting With Acrylic Gel Golden Heavy Gel is a thick, flexible medium for use with acrylic colours. Heavy Gel has a thicker consistency than Golden Heavy Body Acrylic colours and is the thickest of Golden gels, along with the Extra Heavy and High Solid Gels. Blend with colours to increase body. Excellent for holding peaks and impasto techniques. This Heavy Gel dries to a translucent semi-gloss finish. Gel Mediums offer many ways to build texture. Golden offers five consistencies from the most viscous Extra Heavy Gel to Soft Gel. Each gel is available in Gloss, Semi-Gloss and Matte finishes. They can be used to create glazes, extend paint and change finishes. Gels are essentially colourless paint, as they utilise the same 100% acrylic polymers as acrylic paint. Gels are also excellent adhesives for collage and mixed media, they dry with excellent flexibility with chemical, water and UV resistance. All Golden gels are opaque when wet but dry clear. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 17.99
1

GOLDEN - Extra Heavy Matte Gel (237ml)

GOLDEN - Extra Heavy Matte Gel (237ml)

Acrylic painting medium Increases body Thicker than Heavy Body Acrylics Matte translucent finish Made in the USA Video: Golden Artist Colours - Painting With Acrylic Gel Golden Extra Heavy Gel is a thick, flexible medium for use with acrylic colours. Heavy Gel has a thicker consistency than Golden Heavy Body Acrylic colours and is the thickest of Golden gels, along with the Heavy and High Solid Gels. Blend with colours to increase body. Excellent for holding peaks and impasto techniques. This Heavy Gel dries to a translucent matte finish. Gel Mediums offer many ways to build texture. Golden offers five consistencies from the most viscous Extra Heavy Gel to Soft Gel. Each gel is available in Gloss, Semi-Gloss and Matte finishes. They can be used to create glazes, extend paint and change finishes. Gels are essentially colourless paint, as they utilise the same 100% acrylic polymers as acrylic paint. Gels are also excellent adhesives for collage and mixed media, they dry with excellent flexibility with chemical, water and UV resistance. All Golden gels are opaque when wet but dry clear. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 17.99
1

GOLDEN - Heavy Matte Gel (237ml)

GOLDEN - Heavy Matte Gel (237ml)

Acrylic painting medium Increases body Thicker than Heavy Body Acrylics Matte translucent finish Made in the USA Video: Golden Artist Colours - Painting With Acrylic Gel Golden Heavy Gel is a thick, flexible medium for use with acrylic colours. Heavy Gel has a thicker consistency than Golden Heavy Body Acrylic colours and is the thickest of Golden gels, along with the Extra Heavy and High Solid Gels. Blend with colours to increase body. Excellent for holding peaks and impasto techniques. This Heavy Gel dries to a translucent matte finish. Gel Mediums offer many ways to build texture. Golden offers five consistencies from the most viscous Extra Heavy Gel to Soft Gel. Each gel is available in Gloss, Semi-Gloss and Matte finishes. They can be used to create glazes, extend paint and change finishes. Gels are essentially colourless paint, as they utilise the same 100% acrylic polymers as acrylic paint. Gels are also excellent adhesives for collage and mixed media, they dry with excellent flexibility with chemical, water and UV resistance. All Golden gels are opaque when wet but dry clear. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 17.99
1

GOLDEN - Isolation Coat (237ml)

GOLDEN - Isolation Coat (237ml)

Acrylic painting medium Physically separates the paint surface from removable varnish Seals in absorbent areas Creates an even surface for varnishing Made in the USA Video: Golden Artist Colours - Isolation Coat Application For Small Paintings An isolation coat is a clear, non-removable coating that serves to physically separate the paint surface from the removable varnish. The isolation coat serves two purposes:to protect the painting if/or when the varnish is removed by separating the pigmented area of the painting from the solvents used in removal; and to seal any absorbent areas in order to create an even surface on which to apply the varnish. An isolation coat can be very beneficial to the preservation of a piece of artwork but it is not for every painting. The decision of applying an isolation coat is first an aesthetic decision: Will this serve the purpose of the work? Secondly, are the changes created by the application of an isolation coat and subsequent varnish understood and anticipated? These are important questions to consider as the isolation coat will become a permanent part of the painting. Some ways that an isolation coat may negatively affect the underlying painting are: Foam and bubbles resulting from mixing Soft Gel (Gloss) and water too vigorously. Brushstroke texture Change and/or loss of texture Change or shift of colour Testing and practice should always be done before application to insure that the isolation coat will not change or damage the piece in any way that is undesirable. Here are a couple of examples of pieces that should not receive an isolation coat: Oil paintings Any painting done with water soluble media A piece with intentional varying sheens and surface qualities Work with metallic leaf (imitation gold leaf can tarnish with exposure to gels and paints) Sealing absorbent surfaces of the painting with an isolation coat will assist in the varnish application. This will prevent the varnish from being absorbed within the surface and allow the varnish to function as an easily removable topcoat. This is especially important when using a Satin or Matte varnish because the liquid of the varnish can be absorbed into non-sealed areas leaving the matting solids exposed at the surface and creating a dusty or cloudy appearance. To determine if you have a substantial isolation coat, once the first isolation coat is dry, look at the painting at an angle and the presence of an even sheen should indicate an even surface ready for varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 13.50
1

GOLDEN - Sandable Hard Gesso (237ml)

GOLDEN - Sandable Hard Gesso (237ml)

Acrylic painting medium Produces surfaces that are smoother and more even For use on inflexible substrates Apply in multiple thin layers Made in the USA Video: Golden Artist Colours - Gessoes & Grounds Golden Sandable Hard Gesso is formulated with 100% acrylic dispersion polymer and can be sanded to provide surfaces that are smoother and more even than those created using regular gesso. It contains high levels of titanium dioxide, calcium carbonate, and other inert solids to produce an easily sanded surface. Only use on inflexible substrates such as hardboard, wood or metal panels. Potential for cracking may occur if used on highly absorbent surfaces, like canvas, even when adhered to a rigid surface beforehand. Apply in multiple thin layers, gradually building up to the desired thickness. Single thick layers could crack upon drying. When sanding, follow these general guidelines: Allow Sandable Hard Gesso to dry completely before sanding. Cured acrylic films are easier to sand. Start with coarser grit sandpapers, followed by subsequently finer grits until desired smoothness is achieved. Both wet and dry sandpapers may be used. Wet sanding generates less airborne dust and tends to produce a smoother surface than dry sanding. Sanding to a glossy (polished) surface can reduce mechanical adhesion of paint films. As always, test for your application. Upon completion of sanding, use a damp, soft cloth to remove sanding dust particles from the surface. Failure to do so can cause poor adhesion. Brushing: This product may be diluted with up to 20% water for ease of brush application. Spraying: Dilute Sandable Hard Gesso with Golden Airbrush Medium. Begin at a 2:1 ratio (Gesso:Medium) and test spray quality, as various spray equipment may require additional thinning. Further reduce viscosity by adding up to 20% water. Acrylic Painting: To reduce yellowing caused by Support Induced Discoloration (S.I.D.) when painting on supports that contain water soluble impurities, such as canvas and wood panels, first apply two coats of Gloss Medium and allow to dry thoroughly. Then apply the desired number of coats of Sandable Hard Gesso. Oil Painting: Apply oil paints to 2 or more coats of Sandable Hard Gesso.To protect natural substrates from linseed oil acids, apply 2-3 coats of GAC 100 or Gloss directly on the raw canvas first. Allow the acrylic products sufficient time to cure before applying oil paints in order to maximise mechanical adhesion Please note: This product is designed for rigid substrates only and is NOT to be used on flexible materials, as cracking may occur. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 19.99
1

GOLDEN - Matte Medium (237ml)

GOLDEN - Matte Medium (237ml)

Acrylic painting medium Increases transparency and decreases gloss Useful as a translucent ground Can also be use as a decoupage glue or temporary varnish Made in the USA Golden Matte Medium is a viscous, pourable acrylic medium useful for extending colours, increasing translucency and decreasing gloss. It is also useful as a translucent ground. To lower the sheen of a paint colour or another medium, begin by adding Matte Medium in increments of about 10% of the total volume. It is helpful to brush out each mixture, and let dry on a piece of paper to note the difference in sheen. With some experimenting, it will become easier to know how much of the matte medium is required to achieve the desired gloss. Matte Medium can be used as a translucent ground, sometimes referred to as a "clear" gesso. It is thin enough to penetrate canvas and other porous substrates easily, and the matting solids provide an adequate "tooth" for additional paint layers. In thin applications it can appear quite translucent, while darkening the canvas to a small degree. The darkening effect, similar to a "wet look", is somewhat more pronounced with Matte Medium. Apply Matte Medium in much the same manner as recommended for the application of a gesso layer. Apply one or more coats, keeping in mind that additional layers will gradually make a more opaque overall film. Please note: Applying a matte product over an absorbent surface may cause a "frosted" appearance. As the acrylic medium penetrates, the matting solids are left behind on the surface. Over highly absorbent dark passages, such as on top of canvas coated with Golden Black Gesso, severe whitening may occur. This can be corrected by applying a coat of Golden GAC 100 or Gloss Medium over the frosted area, which will once again encapsulate the matting solids, returning the transparent look. The frosting can be avoided by applying a coat of GAC 100 or Gloss Medium before a matte medium is applied. Liquid and low viscosity Matte Mediums should be gently stirred or shaken before use, as settling of matting solids can occur. Use as a Decoupage Glue Golden Matte Medium has been used successfully as a decoupage glue by many collage artists. The fact that it has a very low sheen makes it ideal, as it does not impart a "plastic" gloss to the work. If the whiteness of multiple coats does become troublesome, blend in Polymer Medium (Gloss) to decrease the matting solid level. Multiple Layers of Matte Mediums The application of several layers of a matte medium will become increasingly opaque and begin to lighten the colours underneath. Multiple layers can also impart a greyish cast due to the natural colour of the matting solids if built up to an extreme. If an artist is using a matte medium as a glazing base for multiple glazes, they should consider using Polymer Medium (Gloss) instead for the best clarity. After the artwork is completed, a matte varnish can be applied to give a flat finish to the work. This will result in better film clarity because there is only one layer of matting solids to look through. Use as a Temporary Varnish Golden does not recommend using any insoluble acrylic as a final varnish. Polymer Medium (Gloss) or Soft Gel (Gloss) thinned 2:1 with water works well to establish an even coat, or a temporary varnish. Instead of applying a matte medium over the piece, the artist can use a sheet of matte Mylar to apply it over to allow them to temporarily view it in the matte state, or create a test piece. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.99
1