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Knowing Not-Knowing and Sort-of-Knowing Psychoanalysis and the Experience of Uncertainty

Being Lived by My Life A Sort of Autobiography

Being Lived by My Life A Sort of Autobiography

Originally published in 1957 this book was a new departure in autobiographies. It is both enlightening and entertaining. There is a happy blending of narrative reflection and occasional extracts from case histories which gives it a delightfully human character. But it is more than this. It is a story of the profound inward adventure of an exceptionally inquiring mind. From childhood to professional maturity it proceeds through economic difficulties love and tribulation to science and general medical practice. It tells how Dr Berg became so convinced of the psychogenesis of human suffering that with great courage he gave up his practice and personal security to search for the causes in mental conflict. The story proceeds through specialisation in psychiatry to analytical training and analytic practice building up in the later chapters to a description of the troubled mind in all its manifestations and of the medical analyst’s daily work. There is a new explanation of the psychology of love with the inclusion of personal as well as professional experiences. Here as throughout conclusions have an astonishing difference from orthodox or familiar speculation and this is because they are based strictly on knowledge professional and personal. The style is natural lively and lucid. Here is an opportunity to combine learning with entertainment for Dr Berg has an extraordinary flair for presenting difficult things attractively without sacrifice of scientific essentials. This book is a re-issue originally published in 1957. The language used is a reflection of its era and no offence is meant by the Publishers to any reader by this re-publication. | Being Lived by My Life A Sort of Autobiography

GBP 27.99
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Not Light but Fire How to Lead Meaningful Race Conversations in the Classroom

Moral Development A Psychological Study of Moral Growth from Childhood to Adolescence

All for Naught The Rise and Fall of President Barry Blue: Two Novellas

Facts Words and Beliefs

Messerschmidt's Character Heads Maddening Sculpture and the Writing of Art History

Working Schemes? Active Labour Market Policy in Ireland

Sin and Forgiveness New Responses in a Changing World

Dependency Theory Revisited

Byron's Don Juan

The Good the Bad and the Data Shane the Lone Ethnographer’s Basic Guide to Qualitative Data Analysis

Indigenous Religion(s) in Sápmi Reclaiming Sacred Grounds

Thackeray The Novelist

The Development of Mathematical Logic

Red Magic The World’s Best Fairy Tales Collected and Arranged by Romer Wilson

Red Magic The World’s Best Fairy Tales Collected and Arranged by Romer Wilson

With a Preface and biographies from Jack Zipes as well as the original illustrations by Kay Nielsen this collection of fairy tales originally published by the award-winning Romer Wilson – Green Magic (1928) Silver Magic (1929) and Red Magic (1930) – offers a combination of classic fairy tales alongside lesser known global and diverse tales. Red Magic contains such classics as “Aladdin and the Wonderful Lamp” from the Arabian Nights “A Child’s Dream on a Star” by Dickens and “The Chimera” by Hawthorne. It also contains previously unpublished tales such as “Princess Silver Silk” and “The Enchanted Deer. ” It was Romer Wilson’s intention to combine the familiar with the unknown and to introduce authors and cultures from a variety of countries. As a researcher Wilson uncovered a remarkable amount of stories from other countries that remain unknown today. This collection gives voice to unique and intriguing tales that inspire children to have a better understanding of how people and their stories are alike despite major differences. Through his Preface and commentary Jack Zipes shows how all three books are a means to bring people together in the name of peace and justice. These books will therefore be of interest to anyone researching or studying fairy tales folklore and children’s literature as well as global or comparative literature and social justice. | Red Magic The World’s Best Fairy Tales Collected and Arranged by Romer Wilson

GBP 120.00
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Informal Alliance The Bilderberg Group and Transatlantic Relations during the Cold War 1952-1968

Religious Pluralism and Political Stability Obligations in Agreement

Ukraine in Crisis

The Routledge Handbook of the Philosophy of Evidence

Belarus - Alternative Visions Nation Memory and Cosmopolitanism

Restoration Stage Comedies and Hollywood Remarriage Films In conversation with Stanley Cavell

Suspending Modernity: The Architecture of Franco Albini

Suspending Modernity: The Architecture of Franco Albini

Franco Albini’s works of architecture and design produced between 1930 and 1977 have enjoyed a recent revival but to date have received only sporadic scholarly attention from historians and critics of the Modern Movement. A chorus of Italian voices has sung his praises none more eloquently than his protégé Renzo Piano. Kay Bea Jones’ illuminating study of selected works by Studio Albini will reintroduce his contributions to one of the most productive periods in Italian design. Albini emerged from the ideology of Rationalism to produce some of Italy’s most coherent and poetic examples of modern design. He collaborated for over 25 years with Franca Helg and at a time when professional male-female partnerships were virtually unknown. His museums and installation motifs changed the way Italians displayed historic artifacts. He composed novel suspension structures for dwellings shops galleries and his signature INA pavilions where levity and gravity became symbolic devices for connoting his subjects. Albini clarified the vital role of tradition in modern architecture as he experimented with domestic space. His cohort defied CIAM ideologies to re-socialize postwar housing and speculate on ways of reviving Italian cities. He explored new fabrication technologies from the scale of furniture to wide-span steel structures yet he never abandoned the rigors of craft and detail in favor of mass-production. Suspending Modernity follows the evolution of Albini’s most important buildings and projects even as they reveal his apprehensive attitudes about the modern condition. Jones argues here that Albini’s masterful use of materials and architectural expression mark an epic paradigm shift in the modern period. | Suspending Modernity: The Architecture of Franco Albini

GBP 38.99
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