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Grammar of the Shot

Grammar of the Shot

The First Print Era The Rise of Print Culture in China’s Northern Song Dynasty

The First Print Era The Rise of Print Culture in China’s Northern Song Dynasty

The First Print Era examines the rise of print culture during China’s Northern Song Dynasty (960–1127). Bringing together often-overlooked primary sources from the period and scholarship on many individual topics in Song print history the book offers the first extended narrative in English of how print became entrenched as a sustained mode of textual dissemination in China. While discussing technical innovations and the growth of the print industry the book focuses on how the rise of print affected several indispensable elements of Song intellectual culture: the expansion of the exam system the canonization of Tang and earlier models the rise of antiquarianism and connoisseurship the birth of Neo-Confucianism as a new intellectual force the growth of a new literati culture and new forms of literary production and critique and the development of calligraphy as an art form that could be taught critiqued and divided into schools. Overall the book describes a process by which print publication moved from a highly centralized state enterprise back to expanded elite use and eventually towards the popular print markets that would create new forms of expression during the Southern Song and Yuan dynasties. This book will be an essential read for students and scholars of Asian studies Medieval studies and those with a focus on print history and Chinese studies. | The First Print Era The Rise of Print Culture in China’s Northern Song Dynasty

GBP 130.00
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Conservation and Restoration of Glass

Free Print and Non-commercial Publishing Since 1700

GBP 31.99
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Disability Representation in Film TV and Print Media

Plague Print and the Reformation The German Reform of Healing 1473 1573

Print and the Celtic Languages Publishing and Reading in Irish Welsh Gaelic and Breton 1700–1900

Transatlantic Literature and Transitivity 1780-1850 Subjects Texts and Print Culture

Transatlantic Literature and Transitivity 1780-1850 Subjects Texts and Print Culture

This book makes an important contribution to transatlantic literary studies and an emerging body of work on identity formation and print culture in the Atlantic world. The collection identifies the ways in which historically-situated but malleable subjectivities engage with popular and pressing debates about class slavery natural knowledge democracy and religion. In addition the book also considers the ways in which material texts and genres including for example the essay the guidebook the travel narrative the periodical the novel and the poem can be scrutinized in relation to historically-situated transatlantic transitions transformations and border crossings. The volume is underpinned by a thorough examination of historical and conceptual frameworks and prioritizes notions of circulation and exchange as opposed to transfer and continuance in its analysis of authors texts and ideas. The collection is concerned with the movement of people texts and ideas in the currents of transatlantic markets and politics taking a fresh look at a range of canonical and popular writers of the period including Austen Poe Crèvecoeur Brockden Brown Sedgwick Hemans Bulwer-Lytton Dickens and Melville. In different ways the essays gathered together here are concerned with the potentially empowering realities of the transitive circulatory and contingent experiences of transatlantic literary and cultural production as they are manifest in the long nineteenth century. | Transatlantic Literature and Transitivity 1780-1850 Subjects Texts and Print Culture

GBP 39.99
1

Art Therapy Dreams and Healing Beyond the Looking Glass

The Handmade Silver Gelatin Emulsion Print Creating Your Own Liquid Emulsions for Black & White Paper

The Handmade Silver Gelatin Emulsion Print Creating Your Own Liquid Emulsions for Black & White Paper

The Handmade Silver Gelatin Emulsion Print is a cookbook of simple basic recipes for making black and white printing paper and paper negatives along with creative options for printing toning and coloring. Author Denise Ross draws from photographic literature from the last 135 years adapting old recipes to fit modern tools materials and work spaces and modern twists have been applied to traditional techniques. The book is divided into three sections: Section One lays the groundwork for this unique alternative process; Section Two provides the recipes; Section Three highlights contemporary silver gelatin artists. The book features over 200 full-color images and covers key topics including: Vocabulary: a list of terms used by traditional photographers and emulsion makers Creating work spaces with the right tools and materials Basic emulsion chemistry and paper coating techniques Working with various negative options analog and digital Gaslight chloride contact printing paper Kodabromide-type chlorobromide all-purpose paper Bromide enlarging paper Warm tone paper and developers Making and toning your own printing-out paper (POP) Matte surface and baryta coating surface paper Paper negatives and making hand-drawn and digital masks Toning handmade paper Gum printing over handmade paper Troubleshooting handmade paper Artists working with handmade paper The Handmade Silver Gelatin Emulsion Print is for photographers who love the look and creative potential of black and white traditional photography but who want more control over the process and the end product. It is written for the beginner to experienced photographer with processes initially explained in such a way that anyone will feel comfortable getting started as well as information in increasing levels of complexity so that experienced photographers who enjoy a challenge will also find one. | The Handmade Silver Gelatin Emulsion Print Creating Your Own Liquid Emulsions for Black & White Paper

GBP 48.99
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Smashing Glass Ceilings: Empowering Women in Education

Textual Communication A Print-Based Theory of the Novel

Color Management & Quality Output: Working with Color from Camera to Display to Print (The Digital Imaging Masters Series)

Color Management & Quality Output: Working with Color from Camera to Display to Print (The Digital Imaging Masters Series)

We have all felt the frustration of wasting time paper and effort when our prints or web images don’t match the images we see on our monitors. Fortunately you’re holding the resource that will help solve these problems. This book guides you through the hardware settings and software steps you’ll need to post professional images and make stunning prints that showcase your artistic vision. In Color Management & Quality Output Tom P. Ashe a color expert and gifted teacher shows you how to color manage your files from input all the way through output by clearly explaining how color works in our minds on our monitors and computers and through our printers. You’ll learn to: properly calibrate your monitor understand Adobe Photoshop color settings build and evaluate color profiles for all your devices navigate the print menu in both Photoshop and Lightroom appreciate the differences between inkjet prints and C-prints optimize sharpening for a variety of print media understand how and why to use RIPs communicate with creative professionals clients and output service providers to ensure the highest quality results. This book is part of The Digital Imaging Masters Series which features cutting-edge information from the most sought-after and qualified professionals and instructors in the photography field. Based on the progressive curriculum of the Masters of Professional Studies in Digital Photography created by Katrin Eismann at the School of Visual Arts in New York City these books are the next best thing to being in the classroom with the Digital Photography Masters themselves. | Color Management & Quality Output: Working with Color from Camera to Display to Print (The Digital Imaging Masters Series)

GBP 130.00
1

Samuel Beckett and the Arts Music Visual Arts and Non-Print Media

Hans Folz and Print Culture in Late Medieval Germany The Creation of Popular Discourse

Art And Architecture In Medieval France Medieval Architecture Sculpture Stained Glass Manuscripts The Art Of The Church Treasuries

A Director's Method for Film and Television

Gender Equality and Work-Life Balance Glass Handcuffs and Working Men in the U

Gender Equality and Work-Life Balance Glass Handcuffs and Working Men in the U

Pressure to achieve work-life balance has recently become a significant part of the cultural fabric of working life in United States. A very few privileged employees tout their ability to find balance between their careers and the rest of their lives but most employees face considerable organizational and economic constraints which hamper their ability to maintain a reasonable balance between paid work and other life aspects—and it is not only women who struggle. Increasingly men find it difficult to do it all. Women have long noted the near impossibility of balancing multiple roles but it is only recently that men have been encouraged to see themselves beyond their breadwinner selves. Gender Equality and Work-Life Balance describes the work-life practices of men in the United States. The purpose is to increase gender equality at work for all employees. With a focus on leave policy inequalities this book argues that men experience a phenomenon called the glass handcuffs which prevents them from leaving work to participate fully in their families homes and other life events highlighting the cultural institutional organizational and occupational conditions which make gender equality in work-life policy usage difficult. This social justice book ultimately draws conclusions about how to minimize inequalities at work. Gender Equality and Work-Life Balance is unique as it laces together some theoretical concepts which have little previous association including entrepreneurialism; leave policy occupational identity and the economic necessities of families. This book will therefore be of particular interest to researches and academics alike in the disciplines of Gender studies Human Resource Management Employment Relations Sociology and Cultural Studies. | Gender Equality and Work-Life Balance Glass Handcuffs and Working Men in the U

GBP 42.99
1

Part-Architecture The Maison de Verre Duchamp Domesticity and Desire in 1930s Paris

Part-Architecture The Maison de Verre Duchamp Domesticity and Desire in 1930s Paris

Part-Architecture presents a detailed and original study of Pierre Chareau’s Maison de Verre through another seminal modernist artwork Marcel Duchamp’s Large Glass. Aligning the two works materially historically and conceptually the book challenges the accepted architectural descriptions of the Maison de Verre makes original spatial and social accounts of its inhabitation in 1930s Paris and presents new architectural readings of the Large Glass. Through a rich analysis which incorporates creative projects into history and theory research the book establishes new ways of writing about architecture. Designed for politically progressive gynaecologist Dr Jean Dalsace and his avant-garde wife Annie Dalsace the Maison de Verre combines a family home with a gynaecology clinic into a ‘free-plan’ layout. Screened only by glass walls the presence of the clinic in the home suggests an untold dialogue on 1930s sexuality. The text explores the Maison de Verre through another radical glass construction the Large Glass where Duchamp’s complex depiction of unconsummated sexual relations across the glass planes reveals his resistance to the marital conventions of 1920s Paris. This and other analyses of the Large Glass are used as a framework to examine the Maison de Verre as a register of the changing history of women’s domestic and maternal choices reclaiming the building as a piece of female social architectural history. The process used to uncover and write the accounts in the book is termed ‘part-architecture’. Derived from psychoanalytic theory part-architecture fuses analytical descriptive and creative processes to produce a unique social and architectural critique. Identifying three essential materials to the Large Glass the book has three main chapters: ‘Glass’ ‘Dust’ and ‘Air’. Combining theory text creative writing and drawing each traces the history and meaning of the material and its contribution to the spaces and sexuality of the Large Glass and the Maison de Verre. As a whole the book contributes important and unique spatial readings to existing scholarship and expands definitions of architectural design and history. | Part-Architecture The Maison de Verre Duchamp Domesticity and Desire in 1930s Paris

GBP 46.99
1

Anthology for Hearing Rhythm and Meter

Grammar of the Edit

The ADD Hyperactivity Handbook For Schools

The Insiders' Guide to Factual Filmmaking

The Insiders' Guide to Factual Filmmaking

The Insiders’ Guide to Factual Filmmaking is an accessible and comprehensive ‘how to’ guide about the craft of making documentaries for TV online or social media. Filmmaker Tony Stark distils a long career at the BBC and as an independent producer to explain the conceptual visual editorial and organisational skills needed to make impactful and stylish factual films. Interviews with top industry professionals in the UK and US - commissioners executive producers filmmakers strand editors and media lawyers – add valuable insight and authority to this book. For more experienced filmmakers The Insiders’ Guide tells you how to get the green light for undercover investigations how to tell film stories online and on social media and how to budget a factual film. This is a key text for anyone who wants to succeed in the rapidly changing competitive freelance markets in Britain and America. It provides expert guidance to students on filmmaking courses journalists wanting to move from print to video and non-professionals with an interest in film-making. Whatever the final destination of your film – and whatever the budget - The Insiders’ Guide provides a vital roadmap. The book’s accompanying website is a ‘show-me’ resource for new directors: with 24 specially-shot film clips illustrating the key rules of filmic grammar and sequence shooting – together with downloadable versions of essential production forms. | The Insiders' Guide to Factual Filmmaking

GBP 35.99
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Grammar of the Edit

Grammar of the Edit

This newly revised and updated fifth edition of Grammar of the Edit will teach anyone who needs to use video as a communication tool how to show more effective visual stories. This accessible resource presents both traditional and cutting-edge methodologies that address the all-important questions of when to cut and why and teaches readers the principles behind selecting the best shots cutting for continuity pacing editing sound color correction and more. Designed as an easy-to-use guide this book covers each topic succinctly with clear photographs and diagrams illustrating key concepts complete with fun and practical exercises and quiz questions as well as from-the-field examples resulting in a staple text for any filmmaker’s library. New to the fifth edition: Instructional and student resources offer downloadable and editable raw footage so that students can practice the techniques described in the book and instructional videos showcasing examples of different editing choices and types of shot transitions. Thorough chapter content reviews and refreshed exercises and quizzes help test readers on their knowledge using real-world scenarios. New section Principles in Practice concludes each chapter by presenting unique scenarios that a video maker may encounter in their own video-editing work and offers creative solutions and advice on how one might handle them. Together with its companion volume Grammar of the Shot the core concepts discussed in these books offer concise and practical resources for both experienced and aspiring filmmakers who wish to master their craft.

GBP 34.99
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