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Disney Theme Parks and America’s National Narratives Mirror Mirror for Us All

Disney Theme Parks and America’s National Narratives takes a public history approach to situating the physical spaces of the Disney brand within memory and identity studies. For over 65 years Disney’s theme parks have been important locations for the formation and negotiation of the collective memory of the American narrative. Disney’s success as one of America’s most prolific storytellers its rise as a symbol of America itself and its creation of theme parks that immerse visitors in three-dimensional versions of certain American values and historic myths have both echoed and shaped the way the American people see themselves. Like all versions of the American narrative Disney’s vision serves to reassure us affirm our shared values and unite a diverse group of people under a distinctly American identity—or at least it did. The book shows how the status Disney obtained led the public to use them both as touchstones of identity and as spaces to influence the American identity writ large. This volume also examines the following: • how Disney’s original cartoons and live-action entertainment offerings drew from American folk history and ideals • how their work during World War II cemented them as an American symbol at home and abroad • how the materialization of the American themes already espoused by the brand at their theme parks created a place where collective memory lives • how legitimization by presidents and other national figures gave the theme parks standing no other entertainment space has • how Disney has changed alongside the American people and continues to do so today. This book will be of interest to students and scholars of history media cultural studies American studies and tourism. | Disney Theme Parks and America’s National Narratives Mirror Mirror for Us All

GBP 34.99

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Mirror for Man The Relation of Anthropology to Modern Life

While the world has undoubtedly been shrinking at the same time it has grown more complex. The likelihood of culture clashes leading to outright conflict is high perhaps higher than ever. As Andrea L. Smith convincingly argues in her new introduction to this classic work certain questions are as valid today as in 1949 when Mirror for Man was first published. Can anthropology break down prejudices that exist between peoples and nations? Can knowledge of past human behavior help solve the world’s modern problems? What effect will American attitudes likely have on the future of the world? In Mirror for Man Clyde Kluckhohn scrutinizes anthropology showing how the discipline can contribute to the reconciliation of conflicting cultures. He questions age-old race theories shows how people came to be as they are and examines limitations in how human beings can be molded. Taking up one of the most vital questions in the post-World War II world whether international order can be achieved by domination Kluckhohn demonstrates that cultural clashes drive much of the world’s conflict and shows how we can help resolve it if only we are willing to work for joint understanding. By interpreting human behavior Kluckhohn reveals that anthropology can make a practical contribution through its predictive power in the realm of politics social attitudes and group psychology. Andrea L. Smith’s new introduction provides convincing evidence for the continuing importance of one of the earliest “public intellectuals. ” | Mirror for Man The Relation of Anthropology to Modern Life

GBP 36.99

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Wig Making and Styling A Complete Guide for Theatre & Film

Wig Making and Styling: A Complete Guide for Theatre and Film Second Edition is the one-stop shop for the knowledge and skills you need to create and style wigs. Covering the basics from styling tools to creating beards it ramps up to advanced techniques for making measuring coloring and cutting wigs from any time period. Whether you’re a student or a professional you‘ll find yourself prepared for a career as a skilled wig designer with tips on altering existing wigs multiple approaches to solving wig-making problems and industry best practices. | Wig Making and Styling A Complete Guide for Theatre & Film

GBP 31.99

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On Film Editing An Introduction to the Art of Film Construction

In On Film Editing director Edward Dmytryk explains in clear and engaging terms the principles of film editing. Using examples and anecdotes from almost five decades in the film industry Dmytryk offers a masterclass in film and video editing. Written in an informal how-to-do-it style Dmytryk shares his expertise and experience in film editing in a precise and philosophical way contending that all parties on the film crew—from the camera assistant to the producer and director—must understand film editing to produce a truly polished work. Originally published in 1984 this reissue of Dmytryk’s classic editing book includes a new critical introduction by Andrew Lund as well as chapter lessons discussion questions and exercises. | On Film Editing An Introduction to the Art of Film Construction

GBP 36.99

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Drawing the Line: Technical Hand Drafting for Film and Television

Drawing the Line: Technical Hand Drafting for Film and Television is the essential resource for students and aspiring professionals studying and working in film and television design. The book covers all aspects of scenic drafting by hand – a technique still used in film and television because of its unparalleled emotive and aesthetic qualities. Discover how to draw the iconic scroll of a classical column or learn the difference between Flemish bond and English bond brickwork – it is all here! Other key features include the following: Beautifully illustrated approachable step-by-step instructions for every aspect of scenic drafting – specific to film and television; Illustrated explanations of camera lenses including calculating aspect ratios and projections; Coverage of the four types of drafting projection: isometric oblique orthographic and axonometric; A comprehensive glossary of terms including an illustration of each entry. This beautiful book is clear accessible and a must-have for any student aspiring to work in film and television design.

GBP 42.99

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Acting for the Camera: Back to One

Acting for the Camera: Back to One is a how to book with practical steps to achieve a professional performance on camera. The book focuses on four distinct areas: how to prepare the character how to execute the technical responsibilities that will assist the editor in creating the on-camera performance in post-production tips from industry professionals and how to create effective self-tape auditions. Part One: The Character’s World is packed with tools to analyze the script and fully prepare the character before arriving on set. Part Two: The Actor’s World focuses on developing technical acting skills for the camera that assist the pre- and post-production teams to create a dynamic on-screen performance. In Part Three: The Professional World industry professionals provide tips from inside the film/TV audition room and how to navigate a career in the acting business. The final section Part Four: Self-Tape Like a Pro outlines how to build a self-tape studio in the privacy of your own home and submit high-quality self-tape auditions that will help you stand out from the competition. Written for students enrolled in Acting for the Camera courses Acting for the Camera: Back to One explores techniques that can be practiced and mastered by actors of all levels from the moment they audition for the part through to when they hear that director call cut!

GBP 31.99

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Film Theory: The Basics

Fully updated and expanded throughout this second edition of Film Theory: The Basics provides an accessible introduction to the key theorists concepts and debates that have shaped the study of moving images. The book examines film theory from its emergence in the early twentieth century to its study in the present day and explores why film has drawn special attention as a medium as a form of representation and as a focal point in the rise of modern visual culture. It also emphasizes how film theory has developed as a historically contingent discourse one that has evolved and changed in conjunction with different social political and intellectual factors. This second edition offers a detailed account of new theoretical directions at the forefront of film studies in the twenty-first century and draws additional attention to how theory engages with today’s most pressing questions about digital technologies the environment and racial justice. Complete with questions for discussion and a glossary of both key terms and key theorists this book in an invaluable resource for those new to film theory and for anyone else interested in the history and significance of critical thinking in relation to the moving image.

GBP 19.99

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History on Film/Film on History

History on Film/Film on History has established itself as a classic treatise on the historical film and its role in bringing the past to life. In the fourth edition of this widely acclaimed text Robert A. Rosenstone argues that to leave history films out of the discussion of the meaning of the past is to ignore a major means of understanding historical events. This book examines what history films convey about the past and how they convey it demonstrating the need to learn how to read and understand this new visual world and integrating detailed analysis of films such as Schindler’s List Glory October and Reds. Advocating for the dramatic feature as a legitimate way of doing history this edition includes a new Preface and a new chapter that focuses on films produced in Latin America Africa the Middle East India and East Asia. Examining the codes and conventions of how these films tell us about the past and providing guidance on how to effectively analyse films as historical interpretations this book is an essential introduction to the field for students of history and film.

GBP 32.99

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History on Film/Film on History

History on Film/Film on History has established itself as a classic treatise on the historical film and its role in bringing the past to life. In the third edition of this widely acclaimed text Robert A. Rosenstone argues that to leave history films out of the discussion of the meaning of the past is to ignore a major means of understanding historical events. This book examines what history films convey about the past and how they convey it demonstrating the need to learn how to read and understand this new visual world and integrating detailed analysis of films such as Schindler’s List Glory October and Reds. Advocating for the dramatic feature as a legitimate way of doing history this edition includes a new introduction a revised final chapter a new epilogue that discusses recent history films such as Selma and The Imitation Game and an extensive and updated guide to further reading. Examining the codes and conventions of how these films tell us about the past and providing guidance on how to effectively analyse films as historical interpretations this book is an essential introduction to the field for students of history and film.

GBP 38.99

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Making Movies Without Losing Money Practical Lessons in Film Finance

This book is about the practical realities of the film market today and how to make a film while minimizing financial risk. Film is a risky investment and securing that investment is a huge challenge. The best way to get investors is to do everything possible to make the film without losing money. Featuring interviews with film industry veterans - sales agents producers distributors directors film investors film authors and accountants - Daniel Harlow explores some of the biggest obstacles to making a commercially successful film and offers best practice advice on making a good film that will also be a commercial success. The book explores key topics such as smart financing casting to add value understanding the film supply chain the importance of genre picking the right producer negotiating pre-sales and much more. By learning how to break even this book provides invaluable insight into the film industry that will help filmmakers build a real continuing career. A vital resource for filmmakers serious about sustaining a career in the 21st century film industry. | Making Movies Without Losing Money Practical Lessons in Film Finance

GBP 18.99

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Drawing the Line Technical Hand Drafting for Film and Television

This is the definitive guide for all aspects of scenic hand drafting for film and television now comprehensively updated and revised for its second edition. Author David McHenry utilizes 45 years of experience as a Designer Art Director Storyboard Artist and Draftsman to provide readers with an accessible step-by-step guide of professional techniques tools and workflows. Readers will discover how to draw the iconic scroll of a classical column or learn the difference between Flemish and English bond brickwork as well as all four types of drafting projection in detail: isometric oblique orthographic and axonometric. Also included is hard-to-find information on lens angles and their calculation for different screen aspect ratios how to create a lens projection image of a set with a given lens height and aspect ratio and how to create forced perspective. Beautifully illustrated with carefully crafted hand-drawn illustrations on every page this thoroughly revised text has been updated to include new examples and exercises and a revised glossary making it the ideal step-by-step guide to hand drafting for film and television. This is an essential resource for students of drafting for film and television scenic design and art direction courses. It will also hugely benefit professionals studying or working in film and television design. | Drawing the Line Technical Hand Drafting for Film and Television

GBP 39.99

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Inclusive Screenwriting for Film and Television

Breaking down the traditional structures of screenplays in an innovative and progressive way while also investigating the ways in which screenplays have been traditionally told this book interrogates how screenplays can be written to reflect the diverse life experiences of real people. Author Jess King explores how existing paradigms of screenplays often exclude the very people watching films and TV today. Taking aspects such as characterization screenplay structure and world-building King offers ways to ensure your screenplays are inclusive and allow for every person’s story to be heard. In addition to examples ranging from Sorry to Bother You to Portrait of a Lady on Fire four case studies on Killing Eve Sense8 I May Destroy You and Vida ground the theoretical work in practical application. The book highlights the ways in which screenplays can authentically represent and uplift the lived experiences of those so often left out of the narrative such as the LGBTQIA+ community women and people of color. The book addresses a current demand for more inclusive and progressive representation in film and TV and equips screenwriters with the tools to ensure their screenplays tell authentic stories oﬀering innovative ways to reimagine current screenwriting practice towards radical equity and inclusion. This is a timely and necessary book that brings the critical lenses of gender studies queer theory and critical race studies to bear on the practice of screenwriting ideal for students of screenwriting aspiring screenwriters and industry professionals alike. | Inclusive Screenwriting for Film and Television

GBP 28.99

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The Breakfast Club John Hughes Hollywood and the Golden Age of the Teen Film

The Breakfast Club is a quintessential teen film. This book analyzes how multiple factors coalesced to solidify the status of The Breakfast Club as one of the most emblematic films of the 1980s and one of the most definitive teen films of the genre. The film brings together genre-defining elements – the conflicts between generations and peer pressure archetypical characters and breaking down stereotypes the celebration and survival of adolescence and the importance of this time in life on the coming-of-age process – and became a significant moment for John Hughes as an auteur and for teen films in the 1980s. More than just embodying these elements of the genre filmmaker Hughes and the Brat Pack stars helped introduce and popularize multiple generic features that would come to be expected with the teen film formula. The content of the film combined with its context of production in the middle of a boom in teen filmmaking in Hollywood. Meanwhile the marketing that focused on contemporary music peer group dynamics and oppositions between Generation X and baby boomers merged with an enthusiastic reception by youth audiences. Its endurance speaks to the way the film’s level of importance as a critical commercial and influential film with tremendous impact has grown since its initial debut. | The Breakfast Club John Hughes Hollywood and the Golden Age of the Teen Film

GBP 18.99

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Double Lives: Film Composers in the Concert Hall

Double Lives: Film Composers in the Concert Hall is a collection of fifteen essays dealing with ‘iconic’ film composers who perhaps to the surprise of many fans of film music nevertheless maintained lifelong careers as composers for the concert hall. Featured composers include Erich Wolfgang Korngold Franz Waxman Miklós Rózsa Bernard Herrmann Nino Rota Leonard Rosenman and Ennio Morricone. Progressing in chronological order the chapters offer accounts of the various composers’ concert-hall careers and descriptions of their concert-hall styles. Each chapter compares the composer’s music for films with his or her music for the concert hall and speculates as to how music in one arena might have affected music in the other. For each composer discussed in the book complete filmographies and complete works lists are included as appendices. Double Lives: Film Composers in the Concert Hall is accessible for scholars researchers and general readers with an interest in film music and concert music.

GBP 32.99

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The New Woman's Film Femme-centric Movies for Smart Chicks

With the chick flick arguably in decline film scholars may well ask: what has become of the woman’s film? Little attention has been paid to the proliferation of films often from the independent sector that do not sit comfortably in either the category of popular culture or that of high art––films that are perhaps the corollary of the middle-brow novel or smart-chick flicks. This book seeks to fill this void by focusing on the steady stream of films about and for women that emerge out of independent American and European cinema and that are designed to address an international female audience. The new woman's film as a genre includes narratives with strong ties to the woman’s film of classical Hollywood while constituting a new distinctive cycle of female-centered films that in many ways continue the project of second-wave feminism albeit in a modified form. Topics addressed include: The Bridges of Madison County (Clint Eastwood 1995); the feature-length films of Nicole Holofcener 1996-2013; the film roles of Tilda Swinton; Rachel Getting Married (Jonathan Demme 2008); Blue Jasmine (Woody Allen 2013); Frances Ha (Noah Baumbach 2012) Belle (Amma Asante 2013) Fifty Shades of Grey (Sam Taylor-Johnson 2015) and Jane Campion’s Top of the Lake (Sundance Channel 2013-). | The New Woman's Film Femme-centric Movies for Smart Chicks

GBP 42.99

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Scriptwriting for Film Television and New Media

What are the foundations of scriptwriting? Why do some scripts gain more prestige than others? How do you write a script and get it noticed? Scriptwriting for Film Television and New Media answers these questions and more offering a comprehensive introduction to writing scripts for film television the Internet and interactive multimedia. Author Alan C. Hueth explains not just how to write but how to think and apply the fundamental principles of screenwriting to multiple platforms and genres. This includes chapters on numerous script formats including drama and comedy in film and TV short films commercials and PSAs news and sports interview shows documentaries reality shows and corporate and educational media including interactive multimedia. This book also addresses legal and ethical issues how to become a professional scriptwriter and a section on production language that provides helpful explanations of how camera locations visual and audio effects combine on screen to engage and sustain viewer attention and consequently how to improve scriptwriting technique. The book features numerous case studies and detailed examples including chapter by chapter exercises plot diagrams quick-look and learn tables that assist readers to quickly understand genre related script elements and in-depth script close-ups to examine precisely how writers utilize the principles and elements of drama to create a successful script. It is also supported by a comprehensive companion website with further case studies assignments video clips and examples of films and programs discussed in the book. Scriptwriting for Film Television and New Media is ideal for aspiring scriptwriters and anyone wanting to broaden their understanding of how successful scripts are created.

GBP 31.99

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Russian through Film For Intermediate to Advanced Students

Russian through Film: For Intermediate to Advanced Students is a multi-level textbook for learners of Russian that targets contemporary films in Russian. These films will deepen learners’ understanding of today’s lifestyles in the post-Soviet space as well as add to their understanding of Soviet and Russian history and culture. They represent a variety of genres ranging from romantic comedy to art-house cinema. These films present standard Russian and are appropriate for various audiences. Russian through Film builds on students’ listening reading speaking and writing skills while also expanding their cultural literacy. The textbook aims at improving learners’ ability to analyze films by carefully investigating the films’ plot structure conflicts and main characters. Through task-based inquiry-based and project-based activities the textbook focuses on developing learners’ skills in various modes of discourse (narration description comparison explanation and summary). The textbook can serve as a primary text for a course on contemporary Russian films or a supplementary textbook in intermediate and advanced level classes. Separate chapters may be included in thematic classes on youth culture Soviet history sports geography folklore contemporary social issues and the arts. | Russian through Film For Intermediate to Advanced Students

GBP 32.99

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Production Design Visual Design for Film and Television

Production Design: Visual Design for Film and Television is a hands-on guide to the craft of Production Design and Art Direction. Author Peg McClellan gives an insider’s view of the experiences and challenges of working as a Production Designer in film and television. The book covers three major areas starting with an overview and the basics of job responsibilities the artistic approach and the background which every Production Designer needs to be familiar with and progressing to the mechanics of the role with a day-to-day breakdown of the job itself. McClellan takes you through script analysis team collaborations the hierarchy of a production hiring a team the business elements locations studio facilities handling change and everything in between. With case studies insights from successful Production Designers and inspiration in the form of over 200 colour photos and illustrations from storyboards to sets this is the ideal book for students seeking a career in production design and professionals looking to further their design knowledge. | Production Design Visual Design for Film and Television

GBP 35.99

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Film Genre The Basics

Offering an accessible introduction to the study of film genres and genre films this book examines the use of genre in cinema from its beginnings to the present day. This book explains the various elements of genre the importance of genre in popular culture problems of definition Hollywood and the studio system ideology and genre national cinema and genre authorship and genre and debates about representation. The book also provides an in-depth examination of four key genres: the Western the horror film the film musical and the documentary film. Each chapter provides a historical overview of the genre and a summary of important critical debates and concludes with a case study that builds on the historical and theoretical aspects already introduced and provides a model for subsequent analyses. Featured boxes throughout the text highlight specific cycles filmmakers and trends and each chapter concludes with a list of suggestions for further reading. Film Genre: The Basics is an invaluable resource for those new to studying film and for anyone interested in the history and ongoing significance of film genres and genre films. | Film Genre The Basics

GBP 18.99

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Film Criticism as a Cultural Institution

At the beginning of the 21st century film criticism was described as in crisis. The decline of print journalism a series of lay-offs of prominent critics and the rise of amateur reviewing online spurred a conversation about the decline even death of film criticism. This discourse flourished in part because film criticism has been little examined in scholarship to date. This book takes a deeper look at film criticism by focusing on its institutional contours. This is achieved through a combination of archival research and interviews with prominent film critics and stakeholders including Adrian Martin (LOLA) Stephanie Zacharek (Time) Peter Bart (Variety) and Andrew Sarris (The Village Voice). Film Criticism as a Cultural Institution first examines the contemporary crisis conversation surrounding film criticism comparing this to historical precedents. It then provides what today’s crisis conversation does not: an account of film criticism’s institutional formations. Using primarily U. S. and Australian case studies based on interviews observation and archival research—as well as accounts from other national schools—the book maps contemporary film criticism. Across various sites such as publications or online spaces and organisations such as film critics circles it elucidates film criticism’s institutional practices tasks comportments and personae. Looking at the history of conversations about film criticism shows us that crisis has always been a leitmotif. While acknowledging the considerable changes and challenges that film criticism faces today this book situates these within an historical context and proposes an institutional framework that allows us to move beyond crisis discourse. Looking at film criticism in this way allows us to see that the very question of what counts as film criticism is continually contested within an institutional ecology made up of distinctive critica

GBP 39.99

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The Film Developing Cookbook

The Film Developing Cookbook 2nd edition is an up-to-date manual for photographic film development techniques. This book concentrates on films their characteristics and the developers each requires for maximum control of the resulting image. For two decades The Film Developing Cookbook has helped photographers acquire a working knowledge of photographic chemistry—what photo chemicals do and why—for black and white film developing. Now reissued in a revised and fully updated edition this must-have manual for photographic film development techniques covers films their characteristics and the developers each require for maximum control of the resulting image. Readers will learn how to mix and use photographic solutions from scratch and even how to create new ones. Includes invaluable information about films developer ingredients formulas speed increasing mixing and storing stock solutions stop baths fixers washing and chemical safety. A must-have for analog photography enthusiasts and any photography students using the darkroom. For in-depth discussion and questions on all things film or darkroom join the Darkroom Cookbook Forum www. darkroomcookbook. com

GBP 36.99

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Digital Design for Custom Textiles Patterns as Narration for Stage and Film

Digital Design for Custom Textiles: Patterns as Narration for Stage and Film is a beginner's guide for creating custom textile patterns for performing arts production with an emphasis on storytelling through design using hand and digital design techniques. The book offers essential information for the beginning digital designer such as: methods of designing patterns appliqués and unique textures for custom textiles; custom textile examples including various styles of pattern repeats digital embroidery and cut and sew textiles; full-color step-by-step instructions and practice exercises; production timelines; a textiles and patterns glossary. Digital Design for Custom Textiles will allow students and design professionals to embrace digital media to enhance their work apply digital alternatives to find the perfect fabrics and embellishments and create more meaningful and personalized designs for the stage. | Digital Design for Custom Textiles Patterns as Narration for Stage and Film

GBP 34.99

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The Prop Building Guidebook For Theatre Film and TV

Now in its third edition The Prop Building Guidebook: For Theatre Film and TV walks readers through techniques used in historical and contemporary prop making and demonstrates how to apply them to a variety of materials. Experienced prop maker Eric Hart covers the tools and techniques used by professional prop makers throughout the entertainment industry. He outlines a construction process that gives readers the foundational knowledge to choose the best materials and methods for each prop and the background information to know the advantages of these choices. This new edition includes updated information and techniques throughout including: Over a hundred new images and diagrams Updated terminology products and brands used internationally Expanded sections on 3D printing vacuum forming foam patterning and more A new chapter on prop design New information on international safety standards cleaning and sanitation More recipes and step-by-step instruction for various finishes Illustrated by hundreds of full-color photographs this is the most comprehensive guide to prop construction available for professional and student prop makers in theatre film and tv. For additional how-to videos instructional documents and supplemental information visit www. propbuildingguidebook. com. | The Prop Building Guidebook For Theatre Film and TV

GBP 36.99

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A Film-Philosophy of Ecology and Enlightenment

Inspired by the philosophy of Wittgenstein and his idea that the purpose of real philosophical thinking is not to discover something new but to show in a strikingly different light what is already there this book provides philosophical readings of a number of ‘arthouse’ and Hollywood films. Each chapter contains a discussion of two films—one explored in greater detail and the other analyzed as a minor key which reveals the possibility for the book's ideas to be applied across different films registers and genres. The readings are not only interpretive but they offer a way of thinking and feeling about with and through films which is genuinely transformative. Rupert Read’s main contention is that certain films can bring about a change in how we see the world. He advocates an ecological approach to film-philosophy analysis arguing that film can re-shape the viewer’s relationship to the environment and other living beings. The transformative 'wake-up call' of these films is enlightenment in its true sense. The result is a book that ambitiously aims to change though film how we think of ourselves and our place in the world at a time when such change is more needed than ever before. | A Film-Philosophy of Ecology and Enlightenment

GBP 39.99

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Writing Compelling Dialogue for Film and TV The Art & Craft of Raising Your Voice on Screen

Writing Compelling Dialogue for Film and TV is a practical guide that provides you the screenwriter with a clear set of exercises tools and methods to raise your ability to hear and discern conversation at a more complex level in turn allowing you to create better more nuanced complex and compelling dialogue. The process of understanding dialogue writing begins with increasing writers’ awareness of what they hear. This book provides writers with an assortment of dialogue and language tools techniques and exercises and teaches them how to perceive and understand the function intent and thematic/psychological elements that dialogue can convey about character tone and story. Text subtext voice conflict exposition rhythm and style are among the many aspects covered. This book reminds us of the sheer joy of great dialogue and will change and enhance the way writers hear listen to and write dialogue and along the way aid the writers’ confidence in their own voice allowing them to become more proficient writers of dialogue. Written by veteran screenwriter playwright and screenwriting professor Loren-Paul Caplin Writing Compelling Dialogue is an invaluable writing tool for any aspiring screenwriter who wants to improve their ability to write dialogue for film and television as well as students professionals and educators. | Writing Compelling Dialogue for Film and TV The Art & Craft of Raising Your Voice on Screen

GBP 28.99

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Disney Theme Parks and America’s National Narratives Mirror Mirror for Us All

Mirror for Man The Relation of Anthropology to Modern Life

Wig Making and Styling A Complete Guide for Theatre & Film

On Film Editing An Introduction to the Art of Film Construction

Drawing the Line: Technical Hand Drafting for Film and Television

Acting for the Camera: Back to One

Film Theory: The Basics

History on Film/Film on History

History on Film/Film on History

Making Movies Without Losing Money Practical Lessons in Film Finance

Drawing the Line Technical Hand Drafting for Film and Television

Inclusive Screenwriting for Film and Television

The Breakfast Club John Hughes Hollywood and the Golden Age of the Teen Film

Double Lives: Film Composers in the Concert Hall

The New Woman's Film Femme-centric Movies for Smart Chicks

Scriptwriting for Film Television and New Media

Russian through Film For Intermediate to Advanced Students

Production Design Visual Design for Film and Television

Film Genre The Basics

Film Criticism as a Cultural Institution

The Film Developing Cookbook

Digital Design for Custom Textiles Patterns as Narration for Stage and Film

The Prop Building Guidebook For Theatre Film and TV

A Film-Philosophy of Ecology and Enlightenment

Writing Compelling Dialogue for Film and TV The Art & Craft of Raising Your Voice on Screen

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