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Digital Technologies and Change in Education The Arena Framework

Harrison Birtwistle: The Mask of Orpheus

Harrison Birtwistle: The Mask of Orpheus

Hailed at its premiere at the London Coliseum in 1986 as the most important musical and theatrical event of the decade The Mask of Orpheus is undoubtedly a key work in Harrison Birtwistle's output. His subsequent stage and concert pieces demand to be evaluated in its light. Increasingly it is also viewed as a key work in the development of opera since the Second World War a work that pushed at the boundaries of what was possible in lyrical theatre. In its imaginative fusion of music song drama myth mime and electronics it has become a beacon for many younger composers and the object of wide critical attention. Jonathan Cross begins his detailed study of this 'lyric tragedy' by placing it in the wider context of the reception of the Orpheus myth. In particular the significance of Orpheus for the twentieth century is discussed and this provides the backdrop for an examination of Birtwistle's preoccupation with the story in a variety of works across his creative life. The sources and genesis of The Mask of Orpheus are explored. This is followed by a close reading of the work's three acts analysing their structure and meaning investigating the relationship between music text and drama drawing on Zinovieff's textual drafts and Birtwistle's compositional sketches. The book concludes by suggesting a range of contexts within which The Mask of Orpheus might be understood. Its central themes of time memory and identity loss mourning and melancholy touch a deep sensibility in late-modern society and culture. Interviews with the librettist and composer round off this important study. | Harrison Birtwistle: The Mask of Orpheus

GBP 34.99
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Democratic Transformation and the Vernacular Public Arena in India

Democratic Transformation and the Vernacular Public Arena in India

Since the structural change in Indian society that began in the 1990s - the result of the liberalisation of the economy devolution of power and decentralisation of the government–an unprecedented democratic transformation has been taking place. This has caused the emergence of unexpected coalitions and alliances across diverse castes classes and religious groups according to the issues involved. In this volume we intend to understand this deepening of democracy by employing a new analytical framework of the 'vernacular public arena' where negotiations dialogues debates and contestations occur among 'vernacular publics'. This reflects the profound changes in Indian democracy as diverse social groups including dalits adivasis and Other Backward Classes; minorities women; individuals from rural areas towns and cities; the poor and the new middle classes–the 'vernacular publics'–participate in new ways in India’s public life. This participation is not confined to electoral politics but has extended to the public arenas in which these groups have begun to raise their voice publicly and to negotiate and engage in dialogue with each other and the wider world. Contributors demonstrate that the participation of vernacular publics has resulted in the broadening of Indian democracy itself which focuses on the ways of governance improving people’s lives life chances and living environments. An original comprehensive study that furthers our understanding of the unfolding political dynamism and the complex reshuffling and reassembling taking place in Indian society and politics this book will be relevant to academics with an interest in South Asian Studies from a variety of disciplines including Political Science Sociology Anthropology and Media Studies. | Democratic Transformation and the Vernacular Public Arena in India

GBP 39.99
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On Comics and Legal Aesthetics Multimodality and the Haunted Mask of Knowing

The Mask of Normalcy Social Conformity and its Ambiguities

The Mask of Normalcy Social Conformity and its Ambiguities

Psychologists view well-adjusted behaviour as conformity the ability to navigate relationships and events within a framework of societal rules and regulations. George Serban argues that a better test is how well an individual is able to navigate adverse situations by handling conformity's ambiguities and incongruities. He uses clinical findings and content analysis to explore the interface between social conformity and nonconformist behaviours. The definition of the normal is itself problematic since society's expectations are sometimes controversial arbitrary or equivocal. As a result people who have problems coping with social conformity choose between degrees of nonconformity or hiding under what Serban calls a mask of normalcy. Further complicating matters is that some nonconformist attitudes are now seen as normal supported by governmental policies tacitly favouring moral relativism. A multicultural society is crisscrossed by shades of controversial values and mores. New social codes of correct conduct blur the distinction between true and false right and wrong; and social conflict simmers as a result. What society perceives as well adjusted may even change within a society over time depending on prevailing social values. Some noticeable variations have been within male-female relationships and sexual morality. Serban ultimately concludes that those who have learned how to manipulate social situations are viewed as well adjusted. Those who have not are seen as struggling or maladjusted. | The Mask of Normalcy Social Conformity and its Ambiguities

GBP 42.99
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China's Presence in the Middle East The Implications of the One Belt One Road Initiative

Open to the Public Evaluation in the Public Sector

Open to the Public Evaluation in the Public Sector

Open to the Public grows out of concern with evaluation in the public arena and the struggle to understand how best to use the information it generates. Many concepts and models of evaluation how to undertake it and how to make it more useful were developed before government performance became of so much interest to the public. In fact it is arguable that recent changes in the forms shapes structures and media through which the information developed in the process of evaluation becomes public require new ways of thinking about its role in society. What is the role of evaluative information in the public arena today? How when and under what circumstances does the actual use of evaluative information take place and what are the forces at play? By compiling and comparing international case studies this book considers forces that make the information produced in evaluations increasing open to the public. They provide insights into the many factors that influence evaluation and its use in the public arena. Their case studies include such current topics as: spin doctoring of information by the media and this practice's relationship to evaluation studies the hotly debated issue of school performance and information about it aired in the public arena and the controversial link between budget processing and government performance. This book will be invaluable to those conducting evaluations public employees and commissioners and those studying public administration. | Open to the Public Evaluation in the Public Sector

GBP 42.99
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Mask Making Techniques Creating 3-D Characters from 2-D Designs for Theatre Cosplay Film and TV

The Miners: One Union One Industry A History of the National Union of Mineworkers 1939-46

Doing The Needful The Dilemma Of India's Population Policy

Behind the Mask Regulating Health and Safety in Britain's Offshore Oil and Gas Industry

Acting for the Camera: Back to One

One-Track Mind Capitalism Technology and the Art of the Pop Song

One-Track Mind Capitalism Technology and the Art of the Pop Song

The song remains the most basic unit of modern pop music. Shaped into being by historical forces—cultural aesthetic and technical—the song provides both performer and audience with a world marked off by a short discrete and temporally demarcated experience. One-Track Mind: Capitalism Technology and the Art of the Pop Song brings together 16 writers to weigh in on 16 iconic tracks from the history of modern popular music. Arranged chronologically in order of release of the tracks and spanning nearly five decades these essays zigzag across the cultural landscape to present one possible history of pop music. There are detours through psychedelic rock Afro-pop Latin pop glam rock heavy metal punk postpunk adult contemporary rock techno hip-hop and electro-pop here. More than just deep histories of individual songs these essays all expand far beyond the track itself to offer exciting and often counterintuitive histories of transformative moments in popular culture. Collectively they show the undiminished power of the individual pop song both as distillations of important flashpoints and in their afterlives as ghostly echoes that persist undiminished but transform for succeeding generations. Capitalism and its principal good capital help us frame these stories a fact that should surprise no one given the inextricable relationship between art and capitalism established in the twentieth century. At the root readers will find here a history of pop with unexpected plot twists colorful protagonists and fitting denouements. | One-Track Mind Capitalism Technology and the Art of the Pop Song

GBP 130.00
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The Poems of John Donne: Volume One

The Origins Of The Great Leap Forward The Case Of One Chinese Province

The Soviet Union in World Politics

More-than-One Health Humans Animals and the Environment Post-COVID

More-than-One Health Humans Animals and the Environment Post-COVID

This edited volume examines the complex entanglements of human animal and environmental health. It assembles leading scholars from the humanities social sciences natural sciences and medicine to explore existing One Health approaches and to envision a mode of health that is both more-than-human and also more sensitive to and explicit about colonial and neocolonial legacies—urging the decolonization of One Health. While acknowledging the importance of One Health the volume at the same time critically examines its roots highlighting the structural biases and power dynamics still at play in this global health regime. The volume is distinctive in its geographic breadth. It travels from Inuit sled dogs in the Arctic to rock hyraxes in Jerusalem from black-faced spoonbills in Taiwan to street dogs in India from spittle-bugs on Mallorca’s almond trees to jellyfish management at sea and from rabies in sub-Saharan Africa to massive culling practices in South Korea. Together the contributors call for One Health to move toward a more transparent plural and just perception of health that takes seriously the role of more-than-humans and of nonscientific knowledges pointing to ways in which One Health can—and should—be decolonized. This volume will appeal to researchers and practitioners in the medical humanities posthumanities environmental humanities science and technology studies animal studies multispecies ethnography anthrozoology and critical public health. The Open Access version of chapter 1 available at http://www. taylorfrancis. com/books/e/9781003294085 has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4. 0 license. Funded by the Wellcome Trust. | More-than-One Health Humans Animals and the Environment Post-COVID

GBP 120.00
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The Routledge Companion to Commedia dell'Arte

The Routledge Companion to Commedia dell'Arte

From Commedia dell’Arte came archetypal characters that are still with us today such as Harlequin and Pantalone and the rediscovered craft of writing comic dramas and masked theatre. From it came the forces that helped create and influence Opera Ballet Pantomime Shakespeare Moliere Lopes de Vega Goldoni Meyerhold and even the glove puppet Mr Punch. The Routledge Companion to Commedia dell’Arte is a wide-ranging volume written by over 50 experts that traces the history characteristics and development of this fascinating yet elusive theatre form. In synthesising the elements of Commedia this book introduces the history of the Sartori mask studio; presents a comparison between Gozzi and Goldoni’s complicated and adversarial approaches to theatre; invites discussions on Commedia’s relevance to Shakespeare and illuminates re-interpretations of Commedia in modern times. The authors are drawn from actors mask-makers pedagogues directors trainers and academics all of whom add unique insights into this fundamental pillar of western theatre. Notable contributions include: • Donato Sartori on the twentieth century Sartori mask • Rob Henke on the Form and Freedom in Commedia Improvisation • Anna Cottis on Carlo Boso • Didi Hopkins on One Man Two Guv’nors • Kenneth Richards on acting companies • Antonio Fava on Commedia dell’Arte • Joan Schirle on Carlo Mazzone-Clementi and women in Commedia • M. A. Katritzky on Commedia Iconography. | The Routledge Companion to Commedia dell'Arte

GBP 44.99
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The Frankenstein Notebooks Part One Draft Notebook A

One-to-One Psychodrama Psychotherapy Applications and Technique

The Cultural One or the Racial Many Religion Culture and the Interethnic Experience

Widow to Widow How the Bereaved Help One Another