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Writing for Film The Basics of Screenwriting

Disney Theme Parks and America’s National Narratives Mirror Mirror for Us All

Disney Theme Parks and America’s National Narratives Mirror Mirror for Us All

Disney Theme Parks and America’s National Narratives takes a public history approach to situating the physical spaces of the Disney brand within memory and identity studies. For over 65 years Disney’s theme parks have been important locations for the formation and negotiation of the collective memory of the American narrative. Disney’s success as one of America’s most prolific storytellers its rise as a symbol of America itself and its creation of theme parks that immerse visitors in three-dimensional versions of certain American values and historic myths have both echoed and shaped the way the American people see themselves. Like all versions of the American narrative Disney’s vision serves to reassure us affirm our shared values and unite a diverse group of people under a distinctly American identity—or at least it did. The book shows how the status Disney obtained led the public to use them both as touchstones of identity and as spaces to influence the American identity writ large. This volume also examines the following: • how Disney’s original cartoons and live-action entertainment offerings drew from American folk history and ideals • how their work during World War II cemented them as an American symbol at home and abroad • how the materialization of the American themes already espoused by the brand at their theme parks created a place where collective memory lives • how legitimization by presidents and other national figures gave the theme parks standing no other entertainment space has • how Disney has changed alongside the American people and continues to do so today. This book will be of interest to students and scholars of history media cultural studies American studies and tourism. | Disney Theme Parks and America’s National Narratives Mirror Mirror for Us All

GBP 34.99
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Mirror for Man The Relation of Anthropology to Modern Life

Mirror for Man The Relation of Anthropology to Modern Life

While the world has undoubtedly been shrinking at the same time it has grown more complex. The likelihood of culture clashes leading to outright conflict is high perhaps higher than ever. As Andrea L. Smith convincingly argues in her new introduction to this classic work certain questions are as valid today as in 1949 when Mirror for Man was first published. Can anthropology break down prejudices that exist between peoples and nations? Can knowledge of past human behavior help solve the world’s modern problems? What effect will American attitudes likely have on the future of the world? In Mirror for Man Clyde Kluckhohn scrutinizes anthropology showing how the discipline can contribute to the reconciliation of conflicting cultures. He questions age-old race theories shows how people came to be as they are and examines limitations in how human beings can be molded. Taking up one of the most vital questions in the post-World War II world whether international order can be achieved by domination Kluckhohn demonstrates that cultural clashes drive much of the world’s conflict and shows how we can help resolve it if only we are willing to work for joint understanding. By interpreting human behavior Kluckhohn reveals that anthropology can make a practical contribution through its predictive power in the realm of politics social attitudes and group psychology. Andrea L. Smith’s new introduction provides convincing evidence for the continuing importance of one of the earliest “public intellectuals. ” | Mirror for Man The Relation of Anthropology to Modern Life

GBP 36.99
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A Director's Method for Film and Television

Wig Making and Styling A Complete Guide for Theatre & Film

Pro Tools for Film and Video

Experiments in Film and Philosophy

Film and Religion

On Film Editing An Introduction to the Art of Film Construction

Teaching History with Film Strategies for Secondary Social Studies

Teaching History with Film Strategies for Secondary Social Studies

Teaching History with Film provides a fresh engaging and clear overview of teaching with film to effectively enhance social studies instruction. Using cases of experienced teachers to illustrate accomplished history teaching through movies this text provides pre- and in-service teachers with ideas for implementing film-based lessons in their own classrooms and offers a deeper understanding of the thorny issues involved in using film to teach history. The second edition is completely revised and updated including: two entirely new case studies; a new chapter focusing on using international film and incorporating a more global view in the classroom; and additional material on using film to tackle difficult and controversial issues; as well as updates to all of the cases. Each section of the book focuses on how teachers can effectively support the development of students’ historical film literacy through topics such as using film to develop interpretive skills to explore controversial issues and to develop historical empathy. By developing the skills students need to think critically about the past or what they think they know about history the lessons in this book illustrate how to harness the pedagogical power of film to provide the tools necessary for rigorous inquiry and democratic citizenship. Special features include: Reflection on the Case following each chapter analyzing and discussing the strengths and limitations of the teacher’s approach as well as providing strategies for using and choosing films specific to the educational outcome Sample unit outlines descriptions of class texts and films worksheets essay questions viewer guides and exercises for the classroom throughout Discussion of the practical considerations facing classroom teachers including juggling time restraints issues of parental permission and meeting standards | Teaching History with Film Strategies for Secondary Social Studies

GBP 44.99
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Film Marketing

Drawing the Line: Technical Hand Drafting for Film and Television

Acting for the Camera: Back to One

Film and Television Distribution and the Internet A Legal Guide for the Media Industry

Film and Television Distribution and the Internet A Legal Guide for the Media Industry

There is no area of business that is more dramatically affected by the explosion of web-based services delivered to computers PDAs and mobile phones than the film and television industries. The web is creating radical new ways of marketing and delivering television and film content; one that draws in not simply traditional broadcasters and producers but a whole new range of organizations such as news organizations web companies and mobile phone service providers. This companion volume to Andrew Sparrow's Music Distribution and the Internet: A Legal Guide for the Music Business focuses on the practical application of UK and EU law as it applies to the distribution of television and film through the internet. This includes terms of contract and copyright as they affect studios broadcasters sales agents distributors internet service providers film financiers and online film retailers; as well as areas such as the licensing of rights. It also covers the commercial aspects of delivering film and television services to a customer base including engaging with new content platforms strategic agreements with content aggregators protecting and exploiting intellectual property rights data and consumer protection and payment online marketing and advertising. The opportunities for companies operating in this area are extraordinary (as are the legal implications) and Andrew Sparrow's highly practical guide provides an excellent starting point for navigating through what is a complex area of regulation contract copyright and consumer law. | Film and Television Distribution and the Internet A Legal Guide for the Media Industry

GBP 48.99
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Film Theory: The Basics

History on Film/Film on History

History on Film/Film on History

Making Movies Without Losing Money Practical Lessons in Film Finance

Drawing the Line Technical Hand Drafting for Film and Television

Inclusive Screenwriting for Film and Television

Inclusive Screenwriting for Film and Television

Breaking down the traditional structures of screenplays in an innovative and progressive way while also investigating the ways in which screenplays have been traditionally told this book interrogates how screenplays can be written to reflect the diverse life experiences of real people. Author Jess King explores how existing paradigms of screenplays often exclude the very people watching films and TV today. Taking aspects such as characterization screenplay structure and world-building King offers ways to ensure your screenplays are inclusive and allow for every person’s story to be heard. In addition to examples ranging from Sorry to Bother You to Portrait of a Lady on Fire four case studies on Killing Eve Sense8 I May Destroy You and Vida ground the theoretical work in practical application. The book highlights the ways in which screenplays can authentically represent and uplift the lived experiences of those so often left out of the narrative such as the LGBTQIA+ community women and people of color. The book addresses a current demand for more inclusive and progressive representation in film and TV and equips screenwriters with the tools to ensure their screenplays tell authentic stories offering innovative ways to reimagine current screenwriting practice towards radical equity and inclusion. This is a timely and necessary book that brings the critical lenses of gender studies queer theory and critical race studies to bear on the practice of screenwriting ideal for students of screenwriting aspiring screenwriters and industry professionals alike. | Inclusive Screenwriting for Film and Television

GBP 28.99
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The Breakfast Club John Hughes Hollywood and the Golden Age of the Teen Film

Double Lives: Film Composers in the Concert Hall

Production Pipeline Fundamentals for Film and Games

The New Woman's Film Femme-centric Movies for Smart Chicks

Scriptwriting for Film Television and New Media

Scriptwriting for Film Television and New Media

What are the foundations of scriptwriting? Why do some scripts gain more prestige than others? How do you write a script and get it noticed? Scriptwriting for Film Television and New Media answers these questions and more offering a comprehensive introduction to writing scripts for film television the Internet and interactive multimedia. Author Alan C. Hueth explains not just how to write but how to think and apply the fundamental principles of screenwriting to multiple platforms and genres. This includes chapters on numerous script formats including drama and comedy in film and TV short films commercials and PSAs news and sports interview shows documentaries reality shows and corporate and educational media including interactive multimedia. This book also addresses legal and ethical issues how to become a professional scriptwriter and a section on production language that provides helpful explanations of how camera locations visual and audio effects combine on screen to engage and sustain viewer attention and consequently how to improve scriptwriting technique. The book features numerous case studies and detailed examples including chapter by chapter exercises plot diagrams quick-look and learn tables that assist readers to quickly understand genre related script elements and in-depth script close-ups to examine precisely how writers utilize the principles and elements of drama to create a successful script. It is also supported by a comprehensive companion website with further case studies assignments video clips and examples of films and programs discussed in the book. Scriptwriting for Film Television and New Media is ideal for aspiring scriptwriters and anyone wanting to broaden their understanding of how successful scripts are created.

GBP 31.99
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