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James McNeill Whistler and France A Dialogue in Paint Poetry and Music

James McNeill Whistler and France A Dialogue in Paint Poetry and Music

James McNeill Whistler and France: A Dialogue in Paint Poetry and Music is the first full-length and in-depth study to position this painter within the overall trajectory of French modernism during the second half of the nineteenth century and to view the artist as integral to the aesthetic projects of its most original contributors. Suzanne M. Singletary maintains that Whistler was in a unique situation as an insider within the emerging French avant-garde thereby in an enviable position to both absorb and transform the innovations of others – and that until now his widespread influence as a catalyst among his colleagues has been neither investigated nor appreciated. Singletary contends that Whistler’s importance rivals that of Manet whose multi-layered (and often unexpected) interconnections with Whistler are the focus of one chapter. In addition Whistler’s pivotal role in linking the legacies of Baudelaire Delacroix Gautier Wagner and other mid-century innovators to the later French Symbolists has previously been largely ignored. Courbet Degas Monet and Seurat complete the roster of French artists whose dialogue with Whistler is highlighted. | James McNeill Whistler and France A Dialogue in Paint Poetry and Music

GBP 39.99
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Alfred Gilbert's Aestheticism Gilbert Amongst Whistler Wilde Leighton Pater and Burne-Jones

Alfred Gilbert's Aestheticism Gilbert Amongst Whistler Wilde Leighton Pater and Burne-Jones

Alfred Gilbert's Aestheticism presents the first sustained re-evaluation of the life and work of one of the most acclaimed sculptors of the late-Victorian period. Drawing on important new archival sources this ground-breaking study challenges the customary assumption that Aestheticism was primarily a literary painterly or architectural phenomena. Jason Edwards reveals both the diverse ways in which Gilbert's sculptures operated within the context of Aestheticism and also how these works provided a unique and provocative commentary on the history of masculine friendship and eroticism in the period leading up to and beyond the Wilde trials in 1895. Detailed readings are offered of the relationship of Gilbert's work to essays by Pater and Swinburne poems plays and novels by Wilde and W. S. Gilbert and paintings by Burne-Jones Leighton Rossetti Solomon Whistler and Watts. With over 90 illustrations including key contemporary photographs showing Gilbert's works in their original contexts this book makes a major contribution to the field of Victorian sculpture studies. | Alfred Gilbert's Aestheticism Gilbert Amongst Whistler Wilde Leighton Pater and Burne-Jones

GBP 39.99
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An Indolent and Blundering Art? The Etching Revival and the Redefinition of Etching in England

An Indolent and Blundering Art? The Etching Revival and the Redefinition of Etching in England

First published in 1999 Chambers explores English etching changed that radically during the nineteenth century. This book looks into the freedom and directness of the etching process became a key plank in a sustained attempt to raise the status of etching in Britain spearheaded by artists such as Francis Seymour Haden and James McNeill Whistler and members of the Etching Club. An Indolent and Blundering Art? Opens with a description of the use of language and art criticism to redefine etching | An Indolent and Blundering Art? The Etching Revival and the Redefinition of Etching in England

GBP 31.99
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Critical Voices Women and Art Criticism in Britain 1880-1905

Critical Voices Women and Art Criticism in Britain 1880-1905

Critical Voices is a fascinating account of women writing about art in Britain at the turn of the twentieth century. Meaghan Clarke employs extensive original research in order to demonstrate the significant contribution made by women to the art world and draws on a diversity of sources including diaries letters and periodicals to highlight the many different forms their criticism took. Focusing in particular on the work of three women - Alice Meynell Florence Fenwick-Miller and Elizabeth Robins Pennell - Clarke argues that in order to understand fully art debates of the time it is essential we broaden our understanding of the role of women in the construction of art history. John Singer Sargent James MacNeill Whistler Edgar Degas Mary Cassatt Elizabeth Butler William Holman Hunt Frederic Leighton Walter Sickert Henrietta Rae and Rosa Bonheur are among the artists considered. | Critical Voices Women and Art Criticism in Britain 1880-1905

GBP 38.99
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Elizabeth Robins Pennell Nineteenth-Century Pioneer of Modern Art Criticism

Elizabeth Robins Pennell Nineteenth-Century Pioneer of Modern Art Criticism

Mining various archives and newspaper repositories Elizabeth Robins Pennell Nineteenth-Century Pioneer of Modern Art Criticism provides the first full-length study of a remarkable woman and heretofore neglected art critic. Pennell a prolific 'New Art Critic' helped formulate and develop formalist methodology in Britain at the end of the nineteenth century which she applied to her mostly anonymous or pseudonymous reviews published in numerous American and British newspapers and periodicals between 1883 and 1923. A bibliography of her art criticism is included as an appendix. In addition to advocating an advanced way in which to view art Pennell used her platform to promote the work of ’new’ artists including Édouard Manet and Edgar Degas which had only recently been introduced to British audiences. In particular Pennell championed the work of James McNeill Whistler for whom she along with her husband the artist Joseph Pennell wrote a biography. Examination of her contributions to the late Victorian art world also highlights the pivotal role of criticism in the production and consumption of art in general a point which is often ignored.

GBP 44.99
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