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The Call for Recognition Naturalizing Political Norms

The Call for Recognition Naturalizing Political Norms

This book builds a case for how social norms are neither mere conventions nor are they merely anthropological phenomena which are relativistic. In other words it talks about how socio-political norms are built out of our natural social behaviour but at the same time also have objective normative validity. The volume puts forth an alternative model called the recognitional model which can help us address some of the socio-political concerns we face in today’s world. It addresses the problem with a purely legalistic framework of addressing social injustice in that law due its universalistic assumptions regarding human nature tends to glide over the particular differences that might exist between people. This book discusses how we know that in our daily lives we value people not only because that person is a legal human being but also because that person is our father mother our teacher etc. There is a whole network of acts of social respect that we engage in with the other in our social sphere which the legal framework can’t quite capture. This volume sheds light on the political consequence of legal reasoning in that it is formalistic in the sense that legal relations can’t successfully codify the immediate epistemic context from which social identities emerge. An introspective work this book will be of great interest to scholars and researchers of linguistics political philosophy law and human rights and social theory. | The Call for Recognition Naturalizing Political Norms

GBP 120.00
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The Pandemic in Central Europe A Case Study

Chakshudana or Opening the Eyes Seeing South Asian Art Anew

Chakshudana or Opening the Eyes Seeing South Asian Art Anew

Chakshudana or rituals of opening the eyes are practiced across multiple South Asian communities by artists sculptors and priests. The ritual offers gods access to the mortal world. This practice applied to the study of material and visual culture offers a distinctive perspective to interrogate the complex engagements with paintings sculptures found objects fragments built environments and ecologies. This volume takes the process of seeing as its focus—to look closely remaining true to the object but also to see widely—from multiple subjective stances and diverse bodily engagements such as walking to dreaming glancing to looking askance hypnotic stares and to see beyond the visible. It examines art history through nuanced considerations of materiality aesthetics and regional specificities. The essays emerge from current research that builds on the contributions of Michael W. Meister W. Norman Brown Distinguished Professor of History of Art and South Asia Studies at the University of Pennsylvania whose works laid the foundations for the study of South Asian visual and material culture. The essays in this book underscore methodological resonances rather than privileging conventional categories of media or chronology exploring artistic media including temples and paintings as well as Bengali-quilted textiles manuscript ‘lozenges ’ and metal repousse. This volume part of the Visual Media and Histories Series will be of interest to students and researchers of history of art religious studies and history as well as the allied disciplines of anthropology and folklore studies. Chapter 2 of this book is freely available as a downloadable Open Access PDF at http://www. taylorfrancis. com under a Creative Commons (CC-BY-NC-ND) 4. 0 license. | Chakshudana or Opening the Eyes Seeing South Asian Art Anew

GBP 130.00
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