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Ocean as Method Thinking with the Maritime

Ocean as Method Thinking with the Maritime

Ocean as Method presents a new way of thinking about the humanities and the social sciences. It explores maritime connections in social and humanistic research and puts forward an alternative to national histories and area studies. As global warming and rising sea levels ring alarm bells across the world the chapters in the volume argue that it is time to think through oceans to realign discourses which better understand our future. The volume: • Engages with the paradigms of oceanic narratives to identify connections between continents through trade migration and economic processes thinking beyond the artificial distinctions between the Pacific Atlantic and Indian Oceans; • Discusses oceanic travel accounts by Muslim travellers to counter the idea that the colonial era was marked by European travel to Asia and Africa without a counterflow of “native travel”; •Examines the connections between South Africa South Asia and South East Asia through histories of Indian indenture and the slave trade and engages with the idea of the ocean and enforced movement; •Compares and connects recent scholarship in the social sciences and the humanities centring the ocean to break away from inherited paradigms which have shaped world history so far. As a unique transdisciplinary collaboration this volume will be of much interest to scholars and researchers of history especially oceanic history historiography critical theory literature geography and Global South studies. | Ocean as Method Thinking with the Maritime

GBP 35.99
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Jain Paintings and Material Culture of Medieval Western India 1100–1650

Jain Paintings and Material Culture of Medieval Western India 1100–1650

Through a curated collection of key Jain paintings this volume offers a glimpse into the way people lived in western India during the medieval times: What they wore how they ornamented themselves what they amused themselves with what furniture they sat on which modes of transport they used. It includes Jain paintings from various collections in India and abroad to underscore the value of pictorial evidence in piecing together the past. The book takes the reader on a breath-taking visual journey through the varied costumes exquisite textiles handcrafted ornaments curiously shaped vessels and containers musical instruments arms and armour conveyances and many such articles of everyday use. These articles of everyday use are corroborated with the descriptions left by foreign travellers passing through western India at that time. It explores contemporary lexicons and vernacular literature from this period for possible names in vogue for the articles of Material Culture. The work is richly illustrated with line drawings by the author to highlight the objects being referred to. What comes across clearly through this book is that art is the mirror of the times and as such paintings reflect the society in which they are created. A magnificent read this book will be essential for scholars and researchers of Indian painting art history Indian art arts and aesthetics Jainism visual arts South Asian history Indian history heritage studies and cultural history. It will also be a must-have for history and visual arts enthusiasts all over the world. | Jain Paintings and Material Culture of Medieval Western India 1100–1650

GBP 130.00
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