Vores kunder ligger øverst på Google

Google Ads Specialister fra Vestjylland

Vi er 100% dedikerede til Google Annoncering – Vi har mange års erfaring med Google Ads og den bruger vi på at opsætte, optimere & vedligeholde vores fantastiske kunders konti.

100% Specialiseret i Google Ads
Vi har mange års erfaring fra +300 konti
Ingen lange bindinger & evighedskontrakter
Jævnlig opfølgning med hver enkelt kunde
Vi tager din virksomhed seriøst

31 results (0,17604 seconds)

Brand

Colour

Merchant

Price (EUR)

Reset filter

Products
From
Shops

Hübsch Ecto Dining Chair Gray

Hübsch Ecto Dining Chair Green

Muubs Chamfer Dining Chair Desert/ Black

Vitra Hang It All Coat Rack White Multitone/White

Vitra Hang It All Coat Rack White Multitone/White

Design: Charles & Ray Eames, 1953 Concept: The Hang It All coat rack was designed by Charles and Ray Eames in 1965 and was originally intended for children's clothing, but due to its colorful palette and playful design, it appealed just as much to adults. The 14 wooden balls can hold a large amount of clothes, towels or accessories and give the coat rack a lively charm for the hallway or the children's room. The Hang It All knuckle row is available in different colors and material contexts, so there is something for every decor. About the designers: The couple Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, born Kaiser, (1912-1988) were American designers. With each their background within resp. industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional molded plywood, with the goal of producing affordable and comfortable chairs. Due to World War II, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. Then it picked up speed. They entered into an agreement with The Herman Miller Company, which began producing their furniture. In 1957, Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames' designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple has had a large influence on Vitra as a design company and their values and goals permeate even Vitra to this day.

GBP 306.00
1

Vitra Hang It All Coat Rack Green Multitone/Black

Vitra Hang It All Coat Rack Green Multitone/Black

Design: Charles & Ray Eames, 1953 Concept: The Hang It All coat rack was designed by Charles and Ray Eames in 1965 and was originally intended for children's clothing, but due to its colorful palette and playful design, it appealed just as much to adults. The 14 wooden balls can hold a large amount of clothes, towels or accessories and give the coat rack a lively charm for the hallway or the children's room. The Hang It All knuckle row is available in different colors and material contexts, so there is something for every decor. About the designers: The couple Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, born Kaiser, (1912-1988) were American designers. With each their background within resp. industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional molded plywood, with the goal of producing affordable and comfortable chairs. Due to World War II, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. Then it picked up speed. They entered into an agreement with The Herman Miller Company, which began producing their furniture. In 1957, Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames' designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple has had a large influence on Vitra as a design company and their values and goals permeate even Vitra to this day.

GBP 306.00
1

Vitra Hang It All Coat Rack Black Ash/Black

Vitra Hang It All Coat Rack Black Ash/Black

Design: Charles & Ray Eames, 1953 Concept: The Hang It All coat rack was designed by Charles and Ray Eames in 1965 and was originally intended for children's clothing, but due to its colorful palette and playful design, it appealed just as much to adults. The 14 wooden balls can hold a large amount of clothes, towels or accessories and give the coat rack a lively charm for the hallway or the children's room. The Hang It All knuckle row is available in different colors and material contexts, so there is something for every decor. About the designers: The couple Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, born Kaiser, (1912-1988) were American designers. With each their background within resp. industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional molded plywood, with the goal of producing affordable and comfortable chairs. Due to World War II, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. Then it picked up speed. They entered into an agreement with The Herman Miller Company, which began producing their furniture. In 1957, Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames' designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple has had a large influence on Vitra as a design company and their values and goals permeate even Vitra to this day.

GBP 306.00
1

Vitra Eames Wool Rug Black

Vitra Eames Wool Rug Black

Design: Charles & Ray Eames, 1947 Concept: The Eames wool rug is designed in jacquard merino lambswool, which makes the rug extremely light, fine and soft, while maintaining the wool's natural thermal advantage. This makes the rug extremely comfortable, while its timeless dot pattern brings life to the home and is perfect to hang over the armrest of the sofa, clear for a cool evening or to store in a wicker basket so that it can be taken out easily. About the designers: Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, née Kaiser, (1912-1988) were American designers. Each with their own background within the respective industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional form-stressed plywood, with the goal of producing affordable and comfortable chairs. Due to the Second World War, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. After that it took off. They entered into an agreement with The Herman Miller Company, who began producing their furniture. In 1957 , Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple have had a large influence on Vitra as a design company, and their values ​​and objectives permeate Vitra even to this day.

GBP 431.00
1

Vitra Eames Wool Rug Light Blue

Vitra Eames Wool Rug Light Blue

Design: Charles & Ray Eames, 1947 Concept: The Eames wool rug is designed in jacquard merino lambswool, which makes the rug extremely light, fine and soft, while maintaining the wool's natural thermal advantage. This makes the rug extremely comfortable, while its timeless dot pattern brings life to the home and is perfect to hang over the armrest of the sofa, clear for a cool evening or to store in a wicker basket so that it can be taken out easily. About the designers: Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, née Kaiser, (1912-1988) were American designers. Each with their own background within the respective industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional form-stressed plywood, with the goal of producing affordable and comfortable chairs. Due to the Second World War, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. After that it took off. They entered into an agreement with The Herman Miller Company, who began producing their furniture. In 1957 , Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple have had a large influence on Vitra as a design company, and their values ​​and objectives permeate Vitra even to this day.

GBP 431.00
1

Vitra Hang It All Coat Rack Walnut/ Chocolate

Vitra Hang It All Coat Rack Walnut/ Chocolate

Design: Charles & Ray Eames, 1953 Concept: The Hang It All coat rack was designed by Charles and Ray Eames in 1965 and was originally intended for children's clothing, but due to its colorful palette and playful design, it appealed just as much to adults. The 14 wooden balls can hold a large amount of clothes, towels or accessories and give the coat rack a lively charm for the hallway or the children's room. The Hang It All knuckle row is available in different colors and material contexts, so there is something for every decor. About the designers: The couple Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, born Kaiser, (1912-1988) were American designers. With each their background within resp. industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional molded plywood, with the goal of producing affordable and comfortable chairs. Due to World War II, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. Then it picked up speed. They entered into an agreement with The Herman Miller Company, which began producing their furniture. In 1957, Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames' designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple has had a large influence on Vitra as a design company and their values and goals permeate even Vitra to this day.

GBP 306.00
1

Vitra Eames Wool Rug Mustard Yellow

Vitra Eames Wool Rug Mustard Yellow

Design: Charles & Ray Eames, 1947 Concept: The Eames wool rug is designed in jacquard merino lambswool, which makes the rug extremely light, fine and soft, while maintaining the wool's natural thermal advantage. This makes the rug extremely comfortable, while its timeless dot pattern brings life to the home and is perfect to hang over the armrest of the sofa, clear for a cool evening or to store in a wicker basket so that it can be taken out easily. About the designers: Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, née Kaiser, (1912-1988) were American designers. Each with their own background within the respective industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional form-stressed plywood, with the goal of producing affordable and comfortable chairs. Due to the Second World War, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. After that it took off. They entered into an agreement with The Herman Miller Company, who began producing their furniture. In 1957 , Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple have had a large influence on Vitra as a design company, and their values ​​and objectives permeate Vitra even to this day.

GBP 431.00
1

Vitra Eames Wool Rug Taupe

Vitra Eames Wool Rug Taupe

Design: Charles & Ray Eames, 1947 Concept: The Eames wool rug is designed in jacquard merino lambswool, which makes the rug extremely light, fine and soft, while maintaining the wool's natural thermal advantage. This makes the rug extremely comfortable, while its timeless dot pattern brings life to the home and is perfect to hang over the armrest of the sofa, clear for a cool evening or to store in a wicker basket so that it can be taken out easily. About the designers: Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, née Kaiser, (1912-1988) were American designers. Each with their own background within the respective industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional form-stressed plywood, with the goal of producing affordable and comfortable chairs. Due to the Second World War, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. After that it took off. They entered into an agreement with The Herman Miller Company, who began producing their furniture. In 1957 , Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple have had a large influence on Vitra as a design company, and their values ​​and objectives permeate Vitra even to this day.

GBP 431.00
1

Vitra Hang It All Coat Rack Pine/White

Vitra Hang It All Coat Rack Pine/White

Design: Charles & Ray Eames, 1953 Concept: The Hang It All coat rack was designed by Charles and Ray Eames in 1965 and was originally intended for children's clothing, but due to its colorful palette and playful design, it appealed just as much to adults. The 14 wooden balls can hold a large amount of clothes, towels or accessories and give the coat rack a lively charm for the hallway or the children's room. The Hang It All knuckle row is available in different colors and material contexts, so there is something for every decor. About the designers: The couple Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, born Kaiser, (1912-1988) were American designers. With each their background within resp. industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional molded plywood, with the goal of producing affordable and comfortable chairs. Due to World War II, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. Then it picked up speed. They entered into an agreement with The Herman Miller Company, which began producing their furniture. In 1957, Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames' designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple has had a large influence on Vitra as a design company and their values and goals permeate even Vitra to this day.

GBP 306.00
1

Vitra Hang It All Coat Multicolored/ White

Vitra Hang It All Coat Multicolored/ White

Design: Charles & Ray Eames, 1953 Concept: The Hang It All coat rack was designed by Charles and Ray Eames in 1965 and was originally intended for children's clothing, but due to its colorful palette and playful design, it appealed just as much to adults. The 14 wooden balls can hold a large amount of clothes, towels or accessories and give the coat rack a lively charm for the hallway or the children's room. The Hang It All knuckle row is available in different colors and material contexts, so there is something for every decor. About the designers: The couple Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, born Kaiser, (1912-1988) were American designers. With each their background within resp. industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional molded plywood, with the goal of producing affordable and comfortable chairs. Due to World War II, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. Then it picked up speed. They entered into an agreement with The Herman Miller Company, which began producing their furniture. In 1957, Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames' designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple has had a large influence on Vitra as a design company and their values and goals permeate even Vitra to this day.

GBP 306.00
1

Vitra Hang It All Coat Rack Red Multitone/Red

Vitra Hang It All Coat Rack Red Multitone/Red

Design: Charles & Ray Eames, 1953 Concept: The Hang It All coat rack was designed by Charles and Ray Eames in 1965 and was originally intended for children's clothing, but due to its colorful palette and playful design, it appealed just as much to adults. The 14 wooden balls can hold a large amount of clothes, towels or accessories and give the coat rack a lively charm for the hallway or the children's room. The Hang It All knuckle row is available in different colors and material contexts, so there is something for every decor. About the designers: The couple Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, born Kaiser, (1912-1988) were American designers. With each their background within resp. industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional molded plywood, with the goal of producing affordable and comfortable chairs. Due to World War II, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. Then it picked up speed. They entered into an agreement with The Herman Miller Company, which began producing their furniture. In 1957, Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames' designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple has had a large influence on Vitra as a design company and their values and goals permeate even Vitra to this day.

GBP 306.00
1

Vitra Occasional LTR Bedside Table White/ Black

Vitra Occasional LTR Bedside Table White/ Black

Design: Charles & Ray Eames, 1950 Concept: Vitras Occasional LTR bedside table is a small, elegant and versatile table designed by Charles and Ray Eames in 1950. The name LTR comes from the words Low Table Rod, which sums up its structure and size well. Occasional LTR can be used as a small side table or bedside table, and with its small size will bring finesse and level of detail to the room. The bedside table can be used on its own or put together in a group of several tables and is available with chromed or black powder-coated steel wire as a frame and with many different table tops that differ in both colors and materials. About the designers: The couple Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, born Kaiser, (1912-1988) were American designers. With each their background within resp. industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional molded plywood, with the goal of producing affordable and comfortable chairs. Due to World War II, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. Then it picked up speed. They entered into an agreement with The Herman Miller Company, which began producing their furniture. In 1957, Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames' designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple has had a large influence on Vitra as a design company and their values and goals permeate even Vitra to this day.

GBP 330.00
1

Vitra Eames House Bird Black

Vitra Eames House Bird Black

Design: Charles and Ray Eames Concept: One of the most beloved decorative figures in the house of designers Charles and Ray Eames was a black wooden bird, known as the Eames House Bird. It exudes elegance and is designed with large finesse and precision and clothes any window sill, resting on its legs of steel wire. The Eames couple found inspiration for the wooden bird, on one of their excursions to the Appalachians, where there was a piece of folk art shaped like a bird made of wood. Today, Eames House Bird is produced by Vitra and is available in the original black-painted color in lacquered alder wood and a warmer variant in lacquered walnut wood. About the designers: The couple Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, born Kaiser, (1912-1988) were American designers. With each their background within resp. industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional molded plywood, with the goal of producing affordable and comfortable chairs. Due to World War II, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. Then it picked up speed. They entered into an agreement with The Herman Miller Company, which began producing their furniture. In 1957, Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames' designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple has had a large influence on Vitra as a design company and their values and goals permeate even Vitra to this day.

GBP 227.00
1

Vitra Occasional LTR Bedside Table Oak/Black

Vitra Occasional LTR Bedside Table Oak/Black

Design: Charles & Ray Eames, 1950 Concept: Vitras Occasional LTR bedside table is a small, elegant and versatile table designed by Charles and Ray Eames in 1950. The name LTR comes from the words Low Table Rod, which sums up its structure and size well. Occasional LTR can be used as a small side table or bedside table, and with its small size will bring finesse and level of detail to the room. The bedside table can be used on its own or put together in a group of several tables and is available with chromed or black powder-coated steel wire as a frame and with many different table tops that differ in both colors and materials. About the designers: The couple Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, born Kaiser, (1912-1988) were American designers. With each their background within resp. industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional molded plywood, with the goal of producing affordable and comfortable chairs. Due to World War II, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. Then it picked up speed. They entered into an agreement with The Herman Miller Company, which began producing their furniture. In 1957, Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames' designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple has had a large influence on Vitra as a design company and their values and goals permeate even Vitra to this day.

GBP 419.00
1

Vitra Occasional LTR Bedside Table Oak/Chrome

Vitra Occasional LTR Bedside Table Oak/Chrome

Design: Charles & Ray Eames, 1950 Concept: Vitras Occasional LTR bedside table is a small, elegant and versatile table designed by Charles and Ray Eames in 1950. The name LTR comes from the words Low Table Rod, which sums up its structure and size well. Occasional LTR can be used as a small side table or bedside table, and with its small size will bring finesse and level of detail to the room. The bedside table can be used on its own or put together in a group of several tables and is available with chromed or black powder-coated steel wire as a frame and with many different table tops that differ in both colors and materials. About the designers: The couple Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, born Kaiser, (1912-1988) were American designers. With each their background within resp. industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional molded plywood, with the goal of producing affordable and comfortable chairs. Due to World War II, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. Then it picked up speed. They entered into an agreement with The Herman Miller Company, which began producing their furniture. In 1957, Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames' designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple has had a large influence on Vitra as a design company and their values and goals permeate even Vitra to this day.

GBP 419.00
1

Vitra Occasional LTR Bedside Table Smoked Oak/ Chrome

Vitra Occasional LTR Bedside Table Smoked Oak/ Chrome

Design: Charles & Ray Eames, 1950 Concept: Vitra's Occasional LTR bedside table is a small, elegant and versatile table designed by Charles and Ray Eames in 1950. The name LTR comes from the words Low Table Rod, which sums up its structure and size well. Occasional LTR can be used as a small side table or a bedside table, and with its small size will bring finesse and degree of detail to the room. The bedside table can be used by itself or put together in a group of several tables and is available with chrome-plated or black powder-coated steel wire as a frame and with many different table tops that differ in both colors and materials. About the designers: Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, née Kaiser, (1912-1988) were American designers. Each with their own background within the respective industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional form-stressed plywood, with the goal of producing affordable and comfortable chairs. Due to the Second World War, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. After that it took off. They entered into an agreement with The Herman Miller Company, who began producing their furniture. In 1957, Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple have had a large influence on Vitra as a design company, and their values ​​and objectives permeate Vitra even to this day.

GBP 402.00
1

Vitra Occasional LTR Bedside Table White/ Chrome

Vitra Occasional LTR Bedside Table White/ Chrome

Design: Charles & Ray Eames, 1950 Concept: Vitras Occasional LTR bedside table is a small, elegant and versatile table designed by Charles and Ray Eames in 1950. The name LTR comes from the words Low Table Rod, which sums up its structure and size well. Occasional LTR can be used as a small side table or bedside table, and with its small size will bring finesse and level of detail to the room. The bedside table can be used on its own or put together in a group of several tables and is available with chromed or black powder-coated steel wire as a frame and with many different table tops that differ in both colors and materials. About the designers: The couple Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, born Kaiser, (1912-1988) were American designers. With each their background within resp. industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional molded plywood, with the goal of producing affordable and comfortable chairs. Due to World War II, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. Then it picked up speed. They entered into an agreement with The Herman Miller Company, which began producing their furniture. In 1957, Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames' designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple has had a large influence on Vitra as a design company and their values and goals permeate even Vitra to this day.

GBP 330.00
1

Vitra Eames House Bird Walnut

Vitra Eames House Bird Walnut

Design: Charles and Ray Eames Concept: One of the most beloved decorative figures in the house of designers Charles and Ray Eames was a black wooden bird, known as the Eames House Bird. It exudes elegance and is designed with large finesse and precision and clothes any window sill, resting on its legs of steel wire. The Eames couple found inspiration for the wooden bird, on one of their excursions to the Appalachians, where there was a piece of folk art shaped like a bird made of wood. Today, Eames House Bird is produced by Vitra and is available in the original black-painted color in lacquered alder wood and a warmer variant in lacquered walnut wood. About the designers: The couple Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, born Kaiser, (1912-1988) were American designers. With each their background within resp. industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional molded plywood, with the goal of producing affordable and comfortable chairs. Due to World War II, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. Then it picked up speed. They entered into an agreement with The Herman Miller Company, which began producing their furniture. In 1957, Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames' designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple has had a large influence on Vitra as a design company and their values and goals permeate even Vitra to this day.

GBP 359.00
1

Vitra Occasional LTR Bedside Table Black

Vitra Occasional LTR Bedside Table Black

Design: Charles & Ray Eames, 1950 Concept: Vitras Occasional LTR bedside table is a small, elegant and versatile table designed by Charles and Ray Eames in 1950. The name LTR comes from the words Low Table Rod, which sums up its structure and size well. Occasional LTR can be used as a small side table or bedside table, and with its small size will bring finesse and level of detail to the room. The bedside table can be used on its own or put together in a group of several tables and is available with chromed or black powder-coated steel wire as a frame and with many different table tops that differ in both colors and materials. About the designers: The couple Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, born Kaiser, (1912-1988) were American designers. With each their background within resp. industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional molded plywood, with the goal of producing affordable and comfortable chairs. Due to World War II, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. Then it picked up speed. They entered into an agreement with The Herman Miller Company, which began producing their furniture. In 1957, Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames' designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple has had a large influence on Vitra as a design company and their values and goals permeate even Vitra to this day.

GBP 330.00
1

Vitra Occasional LTR Bedside Table Black/ Chrome

Vitra Occasional LTR Bedside Table Black/ Chrome

Design: Charles & Ray Eames, 1950 Concept: Vitras Occasional LTR bedside table is a small, elegant and versatile table designed by Charles and Ray Eames in 1950. The name LTR comes from the words Low Table Rod, which sums up its structure and size well. Occasional LTR can be used as a small side table or bedside table, and with its small size will bring finesse and level of detail to the room. The bedside table can be used on its own or put together in a group of several tables and is available with chromed or black powder-coated steel wire as a frame and with many different table tops that differ in both colors and materials. About the designers: The couple Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, born Kaiser, (1912-1988) were American designers. With each their background within resp. industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional molded plywood, with the goal of producing affordable and comfortable chairs. Due to World War II, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. Then it picked up speed. They entered into an agreement with The Herman Miller Company, which began producing their furniture. In 1957, Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames' designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple has had a large influence on Vitra as a design company and their values and goals permeate even Vitra to this day.

GBP 330.00
1

Vitra Eames Elephant Stool Large White

Vitra Eames Elephant Stool Large White

Design: Charles and Ray Eames, 1945 Concept: This legendary design from 1945 was originally designed in plywood. Only two prototypes were produced and exhibited at the Museum of Modern Art in New York. Only one of the original elephants is left today and it is found in the family. The iconic elephant was originally designed as a decoration for the home, but is today also produced in polypropylene and is available in both a large original version and a small version for children, where it can be used as a chair. Whether the elephant is used as art or in the children's room, in exactly the color that suits the home, its shapes and designs will have an unspeakable charm. Eames Elephant is approved according to the GS and CE safety standards. About the designers: The couple Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, born Kaiser, (1912-1988) were American designers. With each their background within resp. industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional molded plywood, with the goal of producing affordable and comfortable chairs. Due to World War II, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. Then it picked up speed. They entered into an agreement with The Herman Miller Company, which began producing their furniture. In 1957, Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames' designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple has had a large influence on Vitra as a design company and their values and goals permeate even Vitra to this day.

GBP 294.00
1