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GOLDEN - Glass Bead Gel (237ml)

GOLDEN - GAC 200 Hard Acrylic Extender for Non-Porous Surfaces (237ml)

GOLDEN - GAC 200 Hard Acrylic Extender for Non-Porous Surfaces (237ml)

Acrylic painting medium Increases film hardness Reduces dry film tack Improves adhesion to non-porous surfaces Made in the USA GAC 200: Hard Acrylic Extender For Non-Porous Surfaces is ideal as an additive to acrylic paints to increase film hardness and reduce dry film tack. It improves adhesion to non-porous surfaces. However, some surfaces - such as glass and glazed tile - will not allow for a permanent bond. It dries with high gloss and excellent film clarity, and promotes cleaner edges of hard-edge techniques. The harder paint film has less "pull" as the masking tape is removed. This is the hardest and least flexible of any Golden Acrylic product. Caution is advised when using this product alone. Used in its pure form, it is limited to applications on rigid supports, as its lack of flexibility may lead to cracking when flexed. When used alone it needs to be applied and left to dry at a minimum temperature of 70F / 21°C. About GAC Acrylic Polymers GACs can be blended with Golden Acrylic Paints to extend the paint, regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other Golden Mediums and Gels, GAC Acrylic Polymers have only a minimum amount of thickeners, levellers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymers is very fluid, and thinner than other Golden Mediums. Each GAC product represents a unique polymer that offers certain specific attributes. Therefore, each GAC will have its own unique benefits and applications. Mixing GAC polymers should be gently stirred or rocked back and forth prior to use, but should never be shaken, as this will incorporate significant amounts of foam which will be very difficult to eliminate. Foam can severely affect the transparency of the film causing an apparent foggy or hazy quality. When applying with a brush, use minimal agitation and force, and do not overwork, as this too will result in foaming. Spraying If spray application is desired, blend with Golden Airbrush Medium. Start at 2 parts GAC Medium to 1 part Airbrush Medium. When faster drying is required, replace the Airbrush Medium with Golden High Flow Medium. Varnishing The GAC polymers are intended for use as binders, modifiers or additives for acrylic paints. They are not intended for use as a final varnish. Golden Artist Colours manufactures two different varnish systems, Polymer Varnish and Mineral Spirit Acrylic (MSA) Varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 15.60
1

Liquitex - Professional Acrylic Glass Beads (237ml)

Liquitex - Professional Acrylic Glass Beads (237ml)

Designed for use with acrylic paints Create dazzling effects Reflective, granular finish Medium body gel 237ml pot Formulated to enhance the creations of artists working with Liquitex Acrylic Paint, but equally effective when mixed with any Acrylic Colour, Liquitex Glass Beads is a suspension of small, spherical aggregate beads in a clear, medium body acrylic gel. Create dazzling effects by mixing with transparent colour, to mirror the radiant qualities of precious jewels. Video: Liquitex Glass Beads Medium What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Liquitex mediums are designed specifically for use with acrylic paints, and produce effects ranging from thin glaze to thick impasto, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Acrylic Mediums: Exploring The Possibilities gives further information on the Liquitex range of acrylic mediums, and how they can be used. Why choose Liquitex Glass Beads? A highly versatile medium, Liquitex Glass Beads can be mixed with transparent or translucent colours, to create dramatic reflective effects, or applied directly over dried paint. Suitable as a ground for both acrylic and oil paint, Liquitex Glass Beads can be added to Liquitex Gloss Medium & Varnish and small amounts of Liquitex Soft Body Artist Colour, to produce stunning, radiant textural glazes. Fully intermixable, all Liquitex Mediums are water resistant and ph neutral when dry, non-yellowing and permanent. How do I use Liquitex Glass Beads? Mix with any paint or medium within the Liquitex Range, or apply directly to support, and overpaint when dry, for a variety of possible textures and effects. The artist's options are further extended by the different tools that can be used to apply Liquitex Glass beads, including palette knife, trowel and brush. The following videos give further information on Liquitex Glass Beads Medium: Liquitex Texture Gels Insert video specifically relating to Liquitex Glass Beads medium Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Liquitex? Founded in 1933 by Henry Levison, Permanent Pigments, an oil colour producing company from Cincinnati, Ohio developed the first water-based artist acrylic paints. Their new formulation was launched in 1955, under the new company name Liquitex, an abbreviation of "Liquid texture", which Levison believed better captured the product's essence. Today, Liquitex offers a vast array of intermixable vibrant acrylic paints and mediums, enabling artists to continually explore new and innovative ways of working with Acrylic Colour.

GBP 16.99
1

Winsor & Newton - Galeria Glass Bead Texture Gel (250ml)

Winsor & Newton - Galeria Glass Bead Texture Gel (250ml)

Designed for use with acrylic paints Shiny, granular texture Create dazzling effects 250ml pot Flip-top lid Video: Winsor & Newton Galeria Mediums Winsor & Newton Galeria is a collection of mediums designed to enhance the creations of artists working with acrylic paint. Small, spherical glass beads are suspended in a thick, clear acrylic gel to create Galeria Glass Beads Texture Gel. Dazzling effects can be created by mixing with transparent colour, mirroring the radiant qualities of precious jewels. What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Winsor & Newton Galeria Acrylic Mediums are designed specifically for use with acrylic paints, and range from thin glaze to thick impasto mediums, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Winsor & Newton Mediums Finder provides an easy, interactive method of choosing the correct medium, for the artist to achieve the desired effect. Why choose Winsor & Newton Galeria Glass Beads Texture Gel?  All Winsor & Newton Galeria Mediums are fully intermixable, and can be layered or mixed on the palette, allowing the artist to fully explore both the textural and visual properties of Acrylic Colour. The shimmering, reflective properties of the small, glass spheres in Galeria Glass Beads Texture Gel ensure this medium is ideal for creating effects such as air bubbles in water. Drying to a clear, sparkling finish, Galeria Glass Beads Texture Gel may be used alone for colourless results, added to colour, or applied directly to canvas, and overpainted when dry. How do I use Winsor & Newton Galeria Glass Beads Texture Gel? Galeria Glass Beads Texture Gel can be applied with a brush or a knife, in the same manner as other texture mediums. The following videos further explain how to use texture mediums: 3 Tips For Using Acrylic Texture Mediums Creating Texture With Modelling Paste Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios.

GBP 11.95
1

Kenro - Clip Frames - Glass / Acrylic A4 Glass

GOLDEN - GAC 500 Gloss Extender for Fluid Acrylic Colours (237ml)

GOLDEN - GAC 500 Gloss Extender for Fluid Acrylic Colours (237ml)

Acrylic painting medium Fast-drying isolation coat Increases mar resistance Decreases dry film tack Made in the USA GAC 500: Gloss Extender For Fluid Acrylic Colours provides a unique balance of film hardness and flexibility. Mix 2 parts GAC 500 to 1 part High Flow Medium to produce a good spraying, fast-drying isolation coat. It is beneficial as an additive for acrylic paints for increasing mar resistance and decreasing dry film tack, without disturbing the balance between hardness and flexibility. Its also useful when working on flexible or rigid supports and offers a self-levelling working quality. GAC 500 dries to a high gloss film with good clarity and transparency. It's useful to hard-edge painters to seal masking tape for cleaner edges. Apply over masking tape. Let dry before applying an additional paint layer. About GAC Acrylic Polymers GACs can be blended with Golden Acrylic Paints to extend the paint, regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other Golden Mediums and Gels, GAC Acrylic Polymers have only a minimum amount of thickeners, levellers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymers is very fluid, and thinner than other Golden Mediums. Each GAC product represents a unique polymer that offers certain specific attributes. Therefore, each GAC will have its own unique benefits and applications. Mixing GAC polymers should be gently stirred or rocked back and forth prior to use, but should never be shaken, as this will incorporate significant amounts of foam which will be very difficult to eliminate. Foam can severely affect the transparency of the film causing an apparent foggy or hazy quality. When applying with a brush, use minimal agitation and force, and do not overwork, as this too will result in foaming. Spraying If spray application is desired, blend with Golden Airbrush Medium. Start at 2 parts GAC Medium to 1 part Airbrush Medium. When faster drying is required, replace the Airbrush Medium with Golden High Flow Medium. Varnishing The GAC polymers are intended for use as binders, modifiers or additives for acrylic paints. They are not intended for use as a final varnish. Golden Artist Colours manufactures two different varnish systems, Polymer Varnish and Mineral Spirit Acrylic (MSA) Varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 15.60
1

Kenro - Clip Frames - Glass / Acrylic 6 x 8" Glass

Kenro - Clip Frames - Glass / Acrylic 6 x 4" Glass

Kenro - Clip Frames - Glass / Acrylic A3 Acrylic

Kenro - Clip Frames - Glass / Acrylic A2 Acrylic

Kenro - Clip Frames - Glass / Acrylic A1 Acrylic

Pébéo - Vitrail Initiation Set (6 x 20ml)

Seawhite - Hi-Tac Mount Spray (400ml)

Schmincke - Aqua Watercolour Fine Ground Primer (250ml)

Schmincke - Aqua Watercolour Coarse Ground Primer (300ml)

Schmincke - Aqua Watercolour Transparent Ground Primer (250ml)

Pébéo - V160 Gloss Initiation Set (6 x 20ml)

Pentel - Wet Erase Chalk Marker Wallet (4pc)

Isomars - Large Wooden Kidney Palette

Isomars - Large Wooden Rectangular Palette

Sennelier - d'Artigny Oil Pastel Fixative (400ml)

GOLDEN - GAC 400 Acrylic Polymer Fabric Stiffener (237ml)

GOLDEN - GAC 400 Acrylic Polymer Fabric Stiffener (237ml)

Acrylic painting medium Dries to a very hard and stiff film Most useful for priming fabrics An alternative to rabbit skin glue Made in the USA GAC 400: Acrylic Polymer Fabric Stiffener dries to a very hard and stiff film. It is most useful for priming fabrics (cotton, linen, silk, etc.) when stiffness is desired. It can also be used as a rabbit skin glue alternative when applied directly to raw canvas or linen. GAC 400 also allows for the sculpting and shaping of draped fabrics. Optional heat setting will decrease water sensitivity but also releases low levels of formaldehyde; therefore if choosing to heat set GAC 400 it is recommended that adequate ventilation be provided. About GAC Acrylic Polymers GACs can be blended with Golden Acrylic Paints to extend the paint, regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other Golden Mediums and Gels, GAC Acrylic Polymers have only a minimum amount of thickeners, levellers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymers is very fluid, and thinner than other Golden Mediums. Each GAC product represents a unique polymer that offers certain specific attributes. Therefore, each GAC will have its own unique benefits and applications. Mixing GAC polymers should be gently stirred or rocked back and forth prior to use, but should never be shaken, as this will incorporate significant amounts of foam which will be very difficult to eliminate. Foam can severely affect the transparency of the film causing an apparent foggy or hazy quality. When applying with a brush, use minimal agitation and force, and do not overwork, as this too will result in foaming. Spraying If spray application is desired, blend with Golden Airbrush Medium. Start at 2 parts GAC Medium to 1 part Airbrush Medium. When faster drying is required, replace the Airbrush Medium with Golden High Flow Medium. Varnishing The GAC polymers are intended for use as binders, modifiers or additives for acrylic paints. They are not intended for use as a final varnish. Golden Artist Colours manufactures two different varnish systems, Polymer Varnish and Mineral Spirit Acrylic (MSA) Varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.35
1

Clairefontaine - Goldline Archival Sleeve Packs of 10 A3