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Introduction to the Design and Behavior of Bolted Joints Non-Gasketed Joints

The Common Law

The Common Law

The Common Law is Oliver Wendell Holmes' most sustained work of jurisprudence. In it the careful reader will discern traces of his later thought as found in both his legal opinions and other writings. At the outset of The Common Law Holmes posits that he is concerned with establishing that the common law can meet the changing needs of society while preserving continuity with the past. A common law judge must be creative both in determining the society's current needs and in discerning how best to address these needs in a way that is continuous with past judicial decisions. In this way the law evolves by moving out of its past adapting to the needs of the present and establishing a direction for the future. To Holmes' way of thinking this approach is superior to imposing order in accordance with a philosophical position or theory because the law would thereby lose the flexibility it requires in responding to the needs and demands of disputing parties as well as society as a whole. According to Holmes the social environment-the economic moral and political milieu-alters over time. Therefore in order to remain responsive to this social environment the law must change as well. But the law is also part of this environment and impacts it. There is then a continual reciprocity between the law and the social arrangements in which it is contextualized. And as with the evolution of species there is no starting over. Rather in most cases a judge takes existing legal concepts and principles as these have been memorialized in legal precedent and adapts them often unconsciously to fit the requirements of a particular case and present social conditions. Oliver Wendell Holmes Jr. (1841-1935) served as chief justice of the Massachusetts Supreme Court and as an associate justice of the U. S. Supreme Court. He was nicknamed the Great Dissenter because of his many dissenting opinions. Holmes is also the author of Kent's Commentaries on the Law (1873) and The Path of the Law (1897). Tim Griffin has advanced degrees in philosophy and law and has taught philosophy and legal theory courses at a number of universities. He is currently a seminarian pursuing ordination to the priesthood in the Episcopal Church.

GBP 110.00
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Love Bombing Reset Your Child's Emotional Thermostat

Foreignness and Selfhood Sino-British Encounters in English Literature of the Eighteenth Century

Radical Orthodoxy? - A Catholic Enquiry

Radical Orthodoxy? - A Catholic Enquiry

Radical Orthodoxy? A Catholic Enquiry is essential reading for anyone seeking to understand 'Radical Orthodoxy' or be in critical dialogue with it. John Milbank Catherine Pickstock and Graham Ward the three principal exponents of Radical Orthodoxy each enter into dialogue with theologians from the Catholic tradition - a tradition with whose sources and current researches Radical Orthodoxy claims to have much in common. The Introduction explores the issues and tensions involved in Radical Orthodoxy's dialogue with Catholic theology and David Burrell offers an important evaluation of Radical Orthodoxy in the context of North America. In the first dialogue John Milbank presents one of the clearest expositions of the Radical Orthodoxy programme to date; Fergus Kerr's reply discusses this programme in the wider context of post-war Catholic debate. Catherine Pickstock explores the work of Aquinas to show how Radical Orthodoxy is appropriating the work of past theological giants and in reply Laurence Hemming asks what questions remain in that process. Graham Ward Oliver Davies and Lucy Gardner debate the challenges facing contemporary theology both from the past and the postmodern present. James Hanvey's provocative conclusion opens the way to future debate. Challenging yet accessibly written this book represents an important milestone in the critical reception of Radical Orthodoxy. Shedding new light on contemporary issues and current theological enquiry this book offers important insights to students of theology and those training for ministry clergy and informed lay people and everyone who wants to make sense of one of the most demanding yet important debates currently taking place. | Radical Orthodoxy? - A Catholic Enquiry

GBP 175.00
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British Nautical Melodramas 1820–1850 Volume II

British Nautical Melodramas 1820–1850 Volume II

During the 1820s and 30s nautical melodramas reigned supreme on London stages entertaining the mariners and maritime workers who comprised a large part of the audience for small theatres with the same sentimental moments and comic interludes of domestic melodrama mixed with patriotic images that communicated and reinforced imperial themes. However generally the study of British theatre history moves from medieval and renaissance plays directly to the realism and naturalism of late Victorian and modern drama. Readers typically encounter a gap between Restoration and eighteenth-century plays like those of Oliver Goldsmith and Richard Brinsley Sheridan and late-nineteenth plays by Henrik Ibsen and Oscar Wilde. Nineteenth-century drama with the possible exception of plays by Byron Shelley and Wordsworth remains all but invisible. Until recently melodramatic plays written and performed during this gap received little scholarly attention but their value as reflections of Britain’s promulgation of imperial ideology — and its role in constructing and maintaining class gender and racial identities — have given discussions of melodrama force and momentum. The plays in included in these three volumes have never appeared in a critical anthology and most have not been republished since their original nineteenth-century editions. Each play is transcribed from the original documents and includes an author biography a headnote about the play itself full annotations with brief definitions of unfamiliar vocabulary and explanatory notes. Comprehensive editorial apparatus details the nineteenth-century imperial naval political and social history relevant to the plays’ nautical themes as well as discussing nineteenth-century theatre history melodrama generally and the nautical melodrama in particular. Contemporary theatre practices — acting audiences staging lighting special effects — are also examined. An extensive bibliography of primary and secondary texts; a complete index; and contemporary images of the actors theatres stage sets playbills costumes and locales have been compiled to aid study further. The appendices include maps of Britain Europe and the East and West Indies. | British Nautical Melodramas 1820–1850 Volume II

GBP 115.00
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