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Demon Entrepreneurs: Refashioning the ‘Greek Genius’ in Modern Times

Demon Entrepreneurs: Refashioning the ‘Greek Genius’ in Modern Times

The ‘Greek genius’ appears as the combination of two stereotypes with a long pedigree: Homer’s ingenious Odysseus triumphing with tricks over his foes and Virgil’s ‘deceitful Odysseus’ the impostor Greek. Adamantios Korais the leading scholar who almost single-handedly refashioned the Greek nation fully appreciated the importance of Greek shipping and commerce and the wealth they generated for the spread of Enlightenment ideas and the quest for political emancipation in the Greek lands. In this context the ‘genius’ and the consequent economic success have long been considered the essential prerequisites for the spreading of Greek education and ultimately national revival. Reversely Greek education and consciousness-building via economic success are taken as proof of the immanent ‘Greek genius’. As a popular myth of redemption this stereotype persists in a country of rather limited resources and uncertain prospects. This volume seeks to identify both the content and the ways that the ‘Greek genius’ has long worked at the political social and economic level. Based on a collective research project it offers an original contribution to the broader discussion generated by the current Greek national bicentenary. This book will appeal to all those interested in the idea of the Greek 'national character’ as well as international perceptions of Greek culture education and society during the modern era. | Demon Entrepreneurs: Refashioning the ‘Greek Genius’ in Modern Times

GBP 130.00
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The Novelist in the Novel Gender and Genius in Fictional Representations of Authorship 1850–1949

The Novelist in the Novel Gender and Genius in Fictional Representations of Authorship 1850–1949

Why do writers so often write about writers? This book offers the first comprehensive account of the phenomenon of the fictional novelist as a character in literature arguing that our notions of literary genius – and what it means to be an author – are implicitly shaped by and explicitly challenged in novels about novelists a genre that has been critically underexamined. Employing both close and distant reading techniques to analyse a large corpus of author-stories The Novelist in the Novel explores the forms and functions of author-stories and the characters within them offering a new theory that frames these works as textual sites at which questions of literary value and the cultural conceptions around authorship are constantly being negotiated and revised in a form of covert criticism aimed directly at readers. While nineteenth-century novels about novelists reveal a pervasive frustration with the market – a starving artist vs. commercial sell-out dichotomy – modernist examples of the genre focus on the development of the individual author-as-artist entirely aloof from the marketplace and from the literary sphere at large. Yet each of these dynamics is gendered with women denigrated to commercial producers and men elevated to artists and while the canon has largely supported the male view of authorship a closer look at the work of women writers from this period reveals concerted attempts to counteract it. Silly Lady Novelists are pitted against serious male modernists in a battle to define what it means to be a literary genius. | The Novelist in the Novel Gender and Genius in Fictional Representations of Authorship 1850–1949

GBP 130.00
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Crimes and Mathdemeanors

The Name of the Mother Writing Illegitimacy

Winsor McCay His Life and Art

Character and Conflict in Jane Austen's Novels A Psychological Approach

Robert Frost An Adventure in Poetry 1900-1918

The Paradoxical Structure of Existence

From Policy to Administration Essays in Honour of William A. Robson

From Policy to Administration Essays in Honour of William A. Robson

First published in 1976 From Policy to Administration is not the conventional Festschrift written by many hands on many unrelated subjects- rather it is a tight collection of essays conceived and written around a unified theme. From one point of view policy and administration are at two opposite ends of the governmental spectrum; but at the same time both are aspects of almost every single government activity and the essays in this book set out to reflect this apparent paradox. Dr Jones finds symptoms of it at the administrative heart of the policy making machine while Professor Friedrich looks at the nature of that machine and its relation to democratic forms. Four central essays by Professors Bernard Crick Peter Self John Mackintosh and Mr Sharpe link policy making and administration to the controversies about participation decentralisation and devolution. Mr Foster considers the public corporation as a dynamic instrument concerned with the problem of efficiency. The book concludes with essays by Professors Mitchell and Griffith on the involvement of legal processes in the structure and functioning of policy and administration. The book does not attempt to cover all of William Robson’s interests. It is a mark of the versatility of his genius that no book could do that and remain unified. This book will be of interest to scholars and researchers of public administration and political studies. | From Policy to Administration Essays in Honour of William A. Robson

GBP 99.99
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The Mongol Empire Its Rise and Legacy

Inside MTV

Inside MTV

MTV is the third major breakthrough in music broadcasting and the first since the late 1960s. Top Forty radio was initiated in the 1950s and along with free form or progressive rock molded rock music exposure for nearly twenty years. Many observers credit MTV with resurrecting the music industry from the throes of the Great Depression of 1979. Few would dispute its impact on contemporary film fashion and radio. Inside MTV examines the world of cablecasting the evolution of WASEC MTV VH-1 and some of their competitors. The strategies personalities promotions and the contents that placed MTV on the road to its dominant position are described. The many controversies surrounding the channel are thoroughly detailed and a good deal of the misinformation on the subject is corrected. It is a mere five years since MTV began as the third of four Warner-Amex Satellite Entertainment Company (WASEC) channels created by two of America's largest conglomerates. Since then it has become a major force. Before MTV was conceived the relationship between television and rock music was weak at best. As the new partnership . developed a story of genius luck and discrimination began to unfold and a corporate innovation of major proportions and psychodemographic success emerged. MTV is now the most profitable 24-hour cable outlet beamed from a satellite. It reaches 30. 8 million households. How all this happened is chronicled in this major new book from a leading authority on the American music business.

GBP 130.00
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Moral Rights Creativity and Copyright Law The Death of the Transformative Author

Moral Rights Creativity and Copyright Law The Death of the Transformative Author

This book argues that moral rights provisions in copyright law rest on a misunderstanding or romanticisation of the role of the author. The Romantic conception of authorship as a lone genius creating from nothing sensitive and vulnerable has helped publishers push for strong copyright reform. But is this conception borne out in practice – especially in a world of meme culture of artificial intelligence generated art and poetry and of open source and fan fiction? This book probes the romantic vignette of the author through its legal adoption. Moral rights are rights that attach to the non-economic – for example intellectual or emotional – interests of an author in their work. Much like defamation moral rights see the right of reputation as superior to the right of freedom of expression. However unlike defamation moral rights are not protecting against defamatory actions against a person. In most jurisdictions they are provisions set within copyright regimes; regimes whose purpose is to incentivise innovation. Challenging the way we think about authorship and how it should be protected by law the book draws on a wide range of historical and contemporary examples to demonstrate how moral rights can constitute a barrier to transformative creativity. While authors and artists require strong rights to protect their ability to earn an income and incentivise creativity moral rights the book argues may in turn actually harm their ability to do so. This timely criticism of moral rights will appeal to researchers students policy makers and lawyers working in the area of intellectual property law as well as legal theorists sociolegal scholars and legal historians with relevant interests. | Moral Rights Creativity and Copyright Law The Death of the Transformative Author

GBP 130.00
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Public Persons

Public Persons

This set of brief pieces examines the relation of power to knowledge. Lippmann paid little homage to the innate wisdom of the people. While he had no wish to disenfranchise citizens he believed elites drove the engines of power. His point was that liberty and democracy require government that will when necessary swim against the tides of private feelings. Because the public is too divided poorly informed and too self-regarding authority has to be delegated perhaps to intelligence bureaus or at least to those who are wiser than the many that have the power to decide vexing questions on their own merits. Lippmann knew that in the real world we cannot expect to be ruled by philosopher-kings. While ready to settle for less he was not ready to settle for politicians who get ahead only as they placate appease bribe seduce bamboozle and otherwise manage to manipulate demanding and threatening elements in their constituencies. The seducers and bamboozlers were generally in charge and because they were in an age rich with varied and generous passions they had become disorderly and deranged. Public Persons is the informal side of The Public Philosophy. Lippmann tries to account for the decline of Western democracies and prescribe for their revival. He concludes that it is not possible to discover by rational inquiry the conditions that must be met if there is to be a good society. Lippmann saw tension between private impulses and transcendent truth as the inexhaustible theme of human discourse. The occasional harmonies in the lives of saints and the deeds of heroes and the excellence of genius are glorious. But glory was the exception wretchedness the rule. In this casual volume both are given a human face.

GBP 130.00
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Selected Letters of Vernon Lee 1856–1935 1890-1896

Selected Letters of Vernon Lee 1856–1935 1890-1896

Vernon Lee was the chosen name of Violet Paget (1856–1935) a prolific author best known for her supernatural fiction and her radical polemics. She was also an active letter writer whose correspondents include many well-known figures in fin de siècle intellectual circles across Europe. This multi-volume scholarly edition presents a comprehensive selection of her English French Italian and German correspondence — compiled from more than 30 archives worldwide — that reflect her wide variety of interests and occupations as a Woman of Letters philosopher psychologist and political activist. Letters written in a language other than English have been expertly translated by scholars Sophie Geoffroy (from the French) Crystal Hall (from the Italian) and Christa Zorn (from the German). Full transcriptions of some 2000 letters are arranged in chronological order along with introductions biographical notes and detailed footnotes that explain their context and identify the recipients friends and colleagues mentioned. In this third volume covering the years 1890-1896 the 429 assembled letters follow Violet Paget-Vernon Lee from the age of thirty-four when she lives with her parents and half-brother the poet and invalid Eugene Lee-Hamilton at Villa Il Palmerino (Florence) to the ripe age of forty when both her parents died and her brother recovered from his illness and decided to leave home. As Lee copes with Eugene’s invalidism and her own physical and psychological ailments we get a view of the practice and teaching of medicine and nursing in Europe in the late 1890s. Lee sponsors her friend’s Amy Turton’s convalescent home and nurses’ training. Mental sciences are at the forefront from experimental psychology psychiatry and neurology to neurophysiology; and in August 1892 Vernon Lee and Clementina Anstruther-Thomson attend the Psychological Congress in Paris with speakers Hermann von Helmholtz James Sully Alexander Bain Francis Galton G. Stanley Hall and Amboise-Auguste Liebeault. Lee came to consider herself as a psychologist as much as a philosopher of art and delved more deeply into experimental psychology; and with her partner Clementina Anstruther-Thomson she refined a theory of aesthetic empathy and inner mimicry. According to this theory a viewer’s response to a work of art can be measured through his or her physiognomy breathing heartbeats and eye and muscular movements thus providing a scientific basis for an innate appreciation of aesthetic value. They published a synthesis of their work: “Beauty and Ugliness” (The Contemporary Review October-November 1897). While travelling Lee continues to write her travel essays (e. g. Genius Loci: Notes on Places 1899) and her popular supernatural tales. She starts lecturing emulating Eugénie Sellers’s British Museum lectures and her method for attribution and connoisseurship. Her interest in socialism and political economy intensify as her circle widens beyond an aristocratic and society milieux to working-class districts and her collection Althea (1894) shows her interest in ethics moral duties and free-thinking. She indicts the proponents of art for art’s sake. Her discussions about contracts copyright and royalties pirated editions and money matters are intertwined with educational ethics and a concern for the fair recognition of women’s higher education and careers. She becomes involved in the university extension program by giving her first lectures on ancient art and aesthetics in the East End and at Toynbee Hall and her experience of lecturing in London Cambridge Oxford and Rome allows her to meet other intellectuals: Eugénie Sellers Mrs Arthur Strong etc. and new audiences. In 1894 the Affaire Dreyfus (1894–1906) begins revealing the rise of anti-Semitism targeting many of Lee’s close friends also defenders of Dreyfus such as James Darmesteter. After he died Darmesteter’s wife Mary (Robinson) and Lee once again became close to one another. By the time she turned forty Vernon Lee experienced several emotional blows: her friend and mentor Walter Pater died on 30 July 1894. That same year four months later on 14 November 1894 her father died from complications related to asthma Eugene Lee-Hamilton started to recover from chronic illness soon after his stepfather’s death. Eighteen months | Selected Letters of Vernon Lee 1856–1935 1890-1896

GBP 110.00
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