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On Film Editing An Introduction to the Art of Film Construction

On Film Editing An Introduction to the Art of Film Construction

In On Film Editing director Edward Dmytryk explains in clear and engaging terms the principles of film editing. Using examples and anecdotes from almost five decades in the film industry Dmytryk offers a masterclass in film and video editing. Written in an informal how-to-do-it style Dmytryk shares his expertise and experience in film editing in a precise and philosophical way contending that all parties on the film crew—from the camera assistant to the producer and director—must understand film editing to produce a truly polished work. Originally published in 1984 this reissue of Dmytryk’s classic editing book includes a new critical introduction by Andrew Lund as well as chapter lessons discussion questions and exercises. | On Film Editing An Introduction to the Art of Film Construction

GBP 36.99
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Philosophy and Film Bridging Divides

Philosophy and Film Bridging Divides

This volume collects twenty original essays on the philosophy of film. It uniquely brings together scholars working across a range of philosophical traditions and academic disciplines to broaden and advance debates on film and philosophy. The book includes contributions from a number of prominent philosophers of film including Noël Carroll Chris Falzon Deborah Knight Paisley Livingston Robert Sinnerbrink Malcolm Turvey and Thomas Wartenberg. While the topics explored by the contributors are diverse there are a number of thematic threads that connect them. Overall the book seeks to bridge analytic and continental approaches to philosophy of film in fruitful ways. Moving to the individual essays the first two sections offer novel takes on the philosophical value and the nature of film. The next section focuses on the film-as-philosophy debate. Section IV covers cinematic experience while Section V includes interpretations of individual films that touch on questions of artificial intelligence race and film and cinema’s biopolitical potential. Finally the last section proposes new avenues for future research on the moving image beyond film. This book will appeal to a broad range of scholars working in film studies theory and philosophy. | Philosophy and Film Bridging Divides

GBP 38.99
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Film Genre The Basics

Film Genre The Basics

Offering an accessible introduction to the study of film genres and genre films this book examines the use of genre in cinema from its beginnings to the present day. This book explains the various elements of genre the importance of genre in popular culture problems of definition Hollywood and the studio system ideology and genre national cinema and genre authorship and genre and debates about representation. The book also provides an in-depth examination of four key genres: the Western the horror film the film musical and the documentary film. Each chapter provides a historical overview of the genre and a summary of important critical debates and concludes with a case study that builds on the historical and theoretical aspects already introduced and provides a model for subsequent analyses. Featured boxes throughout the text highlight specific cycles filmmakers and trends and each chapter concludes with a list of suggestions for further reading. Film Genre: The Basics is an invaluable resource for those new to studying film and for anyone interested in the history and ongoing significance of film genres and genre films. | Film Genre The Basics

GBP 18.99
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Bible and Film: The Basics

Bible and Film: The Basics

Bible and Film: The Basics is a concise accessible and illuminating introduction to the study of Bible and Film. The book introduces non-specialists to the essential content in Bible and Film and to some of the most common and important methods Bible and Film scholars use. Questions asked throughout the book include: How do films (re)interpret and illuminate biblical texts? How do films appropriate reconfigure and transform biblical texts? How does a film's treatment of biblical texts help interpret and illuminate the film? This book examines various types of interplay between film and the Bible. The theme of ‘Bible on film’ is explored through Hebrew Bible epics including The Prince of Egypt and Noah and Jesus films such as The Last Temptation of Christ and Son of Man. The theme ‘Bible in film’ is analyzed through films including Mary Magdalene Magnolia Pulp Fiction and The Book of Eli. Films that ‘reimagine the Bible’ include Ex Machina mother! and The Tree of Life; unusual Jesus figures in Pan’s Labyrinth Dogville and Donnie Darko are also explored. ‘Film as Bible’ considers films such as To the Wonder Silence and Parasite. A conclusion examines television shows such as Dekalog The West Wing The Handmaid’s Tale and God on Trial. With a glossary of key terms and suggestions for further reading throughout this book is an ideal starting point for anyone seeking a full introduction to religion and film bible and film bible and popular culture and theology and film.

GBP 18.99
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Film on Video A Practical Guide to Making Video Look like Film

Film on Video A Practical Guide to Making Video Look like Film

Film on Video: A Practical Guide to Making Video Look like Film is an accessible guide to making video captured on a camcorder DSLR camera smartphone action camera or cinema camera look like it was shot on motion-picture celluloid film. Chapter by chapter Jonathan Kemp introduces the reader to a key characteristic of celluloid film explains the historical and practical reasons why it exists before providing a simplified method for best replicating that characteristic on a digital camera. The book includes various practical exercises throughout that are designed to underline the takeaway principles of each chapter and features case studies on specific cameras including the Sony NX5 Camcorder Canon 5D Mk IV Canon 4000D iPhone X GoPro Hero 6 Blackmagic URSA Mini Pro 4. 6K and Canon C200. Ideal for students studying film and media production and filmmaking newcomers who want to get up to speed quickly this is an indispensable guide to how the numerous settings on a digital camera can be used to create footage that more closely resembles the film ‘look’. | Film on Video A Practical Guide to Making Video Look like Film

GBP 24.99
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Film Criticism as a Cultural Institution

Film Criticism as a Cultural Institution

At the beginning of the 21st century film criticism was described as in crisis. The decline of print journalism a series of lay-offs of prominent critics and the rise of amateur reviewing online spurred a conversation about the decline even death of film criticism. This discourse flourished in part because film criticism has been little examined in scholarship to date. This book takes a deeper look at film criticism by focusing on its institutional contours. This is achieved through a combination of archival research and interviews with prominent film critics and stakeholders including Adrian Martin (LOLA) Stephanie Zacharek (Time) Peter Bart (Variety) and Andrew Sarris (The Village Voice). Film Criticism as a Cultural Institution first examines the contemporary crisis conversation surrounding film criticism comparing this to historical precedents. It then provides what today’s crisis conversation does not: an account of film criticism’s institutional formations. Using primarily U. S. and Australian case studies based on interviews observation and archival research—as well as accounts from other national schools—the book maps contemporary film criticism. Across various sites such as publications or online spaces and organisations such as film critics circles it elucidates film criticism’s institutional practices tasks comportments and personae. Looking at the history of conversations about film criticism shows us that crisis has always been a leitmotif. While acknowledging the considerable changes and challenges that film criticism faces today this book situates these within an historical context and proposes an institutional framework that allows us to move beyond crisis discourse. Looking at film criticism in this way allows us to see that the very question of what counts as film criticism is continually contested within an institutional ecology made up of distinctive critica

GBP 39.99
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Film Music Cognition to Interpretation

Film Music Cognition to Interpretation

Film Music: Cognition to Interpretation explores the dynamic counterpoint between a film’s soundtrack its visuals and narrative and the audience’s perception and construction of meaning. Adopting a holistic approach covering both the humanities and the sciences—blending cognitive psychology musical analysis behavioral neuroscience semiotics linguistics and other related fields—the author examines the perceptual and cognitive processes that elicit musical meaning in film and breathe life into our cinematic experiences. A clear and engaging writing style distills complex concepts theories and analytical methodologies into explanations accessible to readers from diverse disciplinary backgrounds making it an indispensable companion for scholars and students of music film studies and cognition. Across ten chapters extensive appendices and hundreds of film references Film Music: Cognition to Interpretation offers a new mode of analysis inviting readers to unlock a deeper understanding of the expressive power of film music. | Film Music Cognition to Interpretation

GBP 36.99
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Film Production Management How to Budget Organize and Successfully Shoot your Film

Film Production Management How to Budget Organize and Successfully Shoot your Film

This new and updated fourth edition of Film Production Management provides a step-by-step guide on how to budget organize and successfully shoot a film and get it onto the big screen. Whether you are a film student or film production professional just getting started in the industry this book is an indispensable resource for day-to-day business on the set. Written by veteran filmmaker Bastian Clevé this book will teach you how to: Break down a screenplay Organize a shooting schedule Create a realistic budget Find and secure locations Network with agents to find actors Hire a crew and communicate effectively with unions The new edition features updated information on contracts permits and insurance; special tips for low-budget filmmaking; new information on digital workflows and production software; advice on green production practices; and expanded coverage of the role of the line producer. | Film Production Management How to Budget Organize and Successfully Shoot your Film

GBP 38.99
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Screening American Independent Film

Screening American Independent Film

This indispensable collection offers 51 chapters each focused on a distinct American independent film. Screening American Independent Film presents these films chronologically addressing works from across more than a century (1915−2020) emphasizing the breadth and long duration of American independent cinema. The collection includes canonical examples as well as films that push against and expand the definitions of independence. The titles run from micro-budget films through marketing-friendly Indiewood projects from auteur-driven films and festival darlings to B-movies genre pics and exploitation films. The chapters also introduce students to different approaches within film studies including historical and contextual framing industrial and institutional analysis politics and ideology genre and authorship representation film analysis exhibition and reception and technology. Written by leading international scholars and emerging talents in film studies this volume is the first of its kind. Paying particular attention to issues of diversity and inclusion for both the participating scholars and the content and themes within the selected films Screening American Independent Film is an essential resource for anyone teaching or studying American cinema.

GBP 34.99
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The Film Developing Cookbook

The Film Developing Cookbook

The Film Developing Cookbook 2nd edition is an up-to-date manual for photographic film development techniques. This book concentrates on films their characteristics and the developers each requires for maximum control of the resulting image. For two decades The Film Developing Cookbook has helped photographers acquire a working knowledge of photographic chemistry—what photo chemicals do and why—for black and white film developing. Now reissued in a revised and fully updated edition this must-have manual for photographic film development techniques covers films their characteristics and the developers each require for maximum control of the resulting image. Readers will learn how to mix and use photographic solutions from scratch and even how to create new ones. Includes invaluable information about films developer ingredients formulas speed increasing mixing and storing stock solutions stop baths fixers washing and chemical safety. A must-have for analog photography enthusiasts and any photography students using the darkroom. For in-depth discussion and questions on all things film or darkroom join the Darkroom Cookbook Forum www. darkroomcookbook. com

GBP 36.99
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Investor Financing of Independent Film A Guide for Producers Attorneys and Film School Lecturers

Investor Financing of Independent Film A Guide for Producers Attorneys and Film School Lecturers

This book explains how to comply with the federal and states securities regulations when seeking to raise money from private investors for the development production and/or distribution of a feature or documentary film. Drawing from the experience and expertise of a securities and entertainment attorney who has worked with independent filmmakers for 30 plus years this resource explores securities law compliance in order to help readers comply with the law and avoid criminal and civil liability while successfully raising investor funds for their film projects. Readers will gain an understanding of why the securities laws apply to most investor financing transactions what choices need to be made by the filmmaker what information needs to be disclosed to prospective investors how to comply with the SEC’s policy regarding financial projections what is the appropriate investment vehicle for various forms of investor financing what limitations are imposed on the use of finders and how to handle the required federal and state notice filings. It is an essential resource for any film student taking a film finance course (or a production course with a film finance component) as well as any independent film producers entertainment/securities attorneys and film school instructors who want to be informed about the legal and practical aspects of investor financing of independent films. | Investor Financing of Independent Film A Guide for Producers Attorneys and Film School Lecturers

GBP 32.99
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Making Movies Without Losing Money Practical Lessons in Film Finance

Making Movies Without Losing Money Practical Lessons in Film Finance

This book is about the practical realities of the film market today and how to make a film while minimizing financial risk. Film is a risky investment and securing that investment is a huge challenge. The best way to get investors is to do everything possible to make the film without losing money. Featuring interviews with film industry veterans - sales agents producers distributors directors film investors film authors and accountants - Daniel Harlow explores some of the biggest obstacles to making a commercially successful film and offers best practice advice on making a good film that will also be a commercial success. The book explores key topics such as smart financing casting to add value understanding the film supply chain the importance of genre picking the right producer negotiating pre-sales and much more. By learning how to break even this book provides invaluable insight into the film industry that will help filmmakers build a real continuing career. A vital resource for filmmakers serious about sustaining a career in the 21st century film industry. | Making Movies Without Losing Money Practical Lessons in Film Finance

GBP 18.99
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Film Architecture and Spatial Imagination

Film Architecture and Spatial Imagination

Films use architecture as visual shorthand to tell viewers everything they need to know about the characters in a short amount of time. Illustrated by a diverse range of films from different eras and cultures this book investigates the reciprocity between film and architecture. Using a phenomenological approach it describes how we the viewers can learn how to read architecture and design in film in order to see the many inherent messages. Architecture’s representational capacity contributes to the plausibility or 'reality' possible in film. The book provides an ontological understanding that clarifies and stabilizes the reciprocity of the actual world and a filmic world of illusion and human imagination thereby shedding light on both film and architecture. | Film Architecture and Spatial Imagination

GBP 42.99
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History on Film/Film on History

History on Film/Film on History

History on Film/Film on History has established itself as a classic treatise on the historical film and its role in bringing the past to life. In the fourth edition of this widely acclaimed text Robert A. Rosenstone argues that to leave history films out of the discussion of the meaning of the past is to ignore a major means of understanding historical events. This book examines what history films convey about the past and how they convey it demonstrating the need to learn how to read and understand this new visual world and integrating detailed analysis of films such as Schindler’s List Glory October and Reds. Advocating for the dramatic feature as a legitimate way of doing history this edition includes a new Preface and a new chapter that focuses on films produced in Latin America Africa the Middle East India and East Asia. Examining the codes and conventions of how these films tell us about the past and providing guidance on how to effectively analyse films as historical interpretations this book is an essential introduction to the field for students of history and film.

GBP 32.99
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History on Film/Film on History

History on Film/Film on History

History on Film/Film on History has established itself as a classic treatise on the historical film and its role in bringing the past to life. In the third edition of this widely acclaimed text Robert A. Rosenstone argues that to leave history films out of the discussion of the meaning of the past is to ignore a major means of understanding historical events. This book examines what history films convey about the past and how they convey it demonstrating the need to learn how to read and understand this new visual world and integrating detailed analysis of films such as Schindler’s List Glory October and Reds. Advocating for the dramatic feature as a legitimate way of doing history this edition includes a new introduction a revised final chapter a new epilogue that discusses recent history films such as Selma and The Imitation Game and an extensive and updated guide to further reading. Examining the codes and conventions of how these films tell us about the past and providing guidance on how to effectively analyse films as historical interpretations this book is an essential introduction to the field for students of history and film.

GBP 38.99
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Film Theory: The Basics

Film Theory: The Basics

Fully updated and expanded throughout this second edition of Film Theory: The Basics provides an accessible introduction to the key theorists concepts and debates that have shaped the study of moving images. The book examines film theory from its emergence in the early twentieth century to its study in the present day and explores why film has drawn special attention as a medium as a form of representation and as a focal point in the rise of modern visual culture. It also emphasizes how film theory has developed as a historically contingent discourse one that has evolved and changed in conjunction with different social political and intellectual factors. This second edition offers a detailed account of new theoretical directions at the forefront of film studies in the twenty-first century and draws additional attention to how theory engages with today’s most pressing questions about digital technologies the environment and racial justice. Complete with questions for discussion and a glossary of both key terms and key theorists this book in an invaluable resource for those new to film theory and for anyone else interested in the history and significance of critical thinking in relation to the moving image.

GBP 19.99
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The British Labour Movement and Film 1918-1939

The British Labour Movement and Film 1918-1939

First published in 1987. Using a wealth of primary sources Stephen Jones investigates the role played in cinema affairs by the Labour Movement stressing the important contributions made by the Labour Party Communist Party and trade unions in the production and presentation of film. He gives us a rare and important insight into the British film industry examining the cinema in its wider economic political and cultural context. He explores the ideological influence of film the nature of film work state intervention and Sunday entertainment as reflected in the policies and attitudes of organized labour. Also discussed are the growth and impact of independent working class film organization. | The British Labour Movement and Film 1918-1939

GBP 31.99
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Flashbacks in Film A Cognitive and Multimodal Analysis

Flashbacks in Film A Cognitive and Multimodal Analysis

Flashbacks in Film examines film flashback as a rich multimodal narrative device analyzing the cognitive underpinnings of film flashbacks and the mechanisms that lead viewers to successfully comprehend them. Combining a cognitive film theory approach with the theoretical framework proposed by blending theory which claims that human beings’ general ability for conceptual integration underlies most of our daily activities this book argues that flashbacks make sense to the viewer as they are specifically designed for the viewer’s cognitive understanding. Through a mixture of analysis and dozens of case studies this book demonstrates that successful film flashbacks appeal to the spectator’s natural perceptual and cognitive abilities which spectators exercise daily. This book will serve as a valuable resource for scholars interested in film studies media studies and cognitive linguistics. | Flashbacks in Film A Cognitive and Multimodal Analysis

GBP 38.99
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The Film Business A History of British Cinema 1896-1972

The Film Business A History of British Cinema 1896-1972

First published in 1973 The Film Business makes a factual survey of British films from their beginnings in 1896 to 1972. Ernest Betts offers character studies of men who have built the film industry and made it what it is. He examines the financial and political background and shows how while intending to encourage film production it has often had exactly the opposite effect and inhibited its free development. Betts also attacks the manner in which the American film industry has taken over the British film industry and points to the failure of successive governments to save it from repeated crises and losses. Through these fluctuations the author keeps a firm eye on the film itself and brings the judgement of film critics past and present to bear on British cinema as it moves uncertainly and not without its triumphs into the 1970s. This is an interesting read for students and scholars of film studies British film history and British cinema. | The Film Business A History of British Cinema 1896-1972

GBP 29.99
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Film Feminisms A Global Introduction

Film Feminisms A Global Introduction

Film Feminisms offers a global and updated overview of the history present-day concerns and future of feminist film and theory. It introduces frameworks from phenomenology affect theory and psychoanalysis to reception studies new media theories and critical historiography as well as engaging with key issues in documentary ethics genre theory and star studies. This new textbook situates feminist film theory within the larger framework of transnational scholarly approaches as well as decolonial queer disability studies and critical race theories. It offers a much-needed update on pedagogical approaches to feminist film studies providing discussions of filmmakers and films that have been overlooked in the field or that are overdue for further analysis. Each chapter is supported by a variety of pedagogical features including activities key terms and case studies. Many of the activities draw on contemporary digital media such as social media and streaming platforms to update the field to today's changing media landscape. | Film Feminisms A Global Introduction

GBP 35.99
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Sport Film and National Culture

Sport Film and National Culture

Sport and film have historically been key components of national cultures and societies. This is the first collection dedicated to examining the intersection of these popular cultural forces within specific national contexts. Covering films of all types from Hollywood blockbusters to regional documentaries and newsreels the book considers how filmic depictions of sport have configured and informed distinctive national cultures societies and identities. Featuring case studies from 11 national contexts across 6 continents – including North and South America Europe Africa Asia and Oceania – it reveals the common and contrasting approaches that have emerged within sport cinema in differing national contexts. This is fascinating and important reading for all students and researchers working in film media cultural studies or sport and for broader enthusiasts of both sport and film. | Sport Film and National Culture

GBP 38.99
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Reconceptualising Film Policies

Reconceptualising Film Policies

This volume explores and interrogates the shifts and changes in both government and industry-based screen policies over the past 30 years. It covers a diverse range of film industries from different parts of the world along with the interrelationship between different localities policy regimes and technologies/media. Featuring in-depth case studies and interviews with practitioners and policy-makers this book provides a timely overview of government and industry’s responses to the changing landscape of the production distribution and consumption of screen media. | Reconceptualising Film Policies

GBP 42.99
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The Concise Routledge Encyclopedia of the Documentary Film

The Concise Routledge Encyclopedia of the Documentary Film

The Concise Routledge Encyclopedia of the Documentary Film is a fully international reference work on the history of the documentary film from the Lumière brothers' Workers Leaving the Lumière Factory (1885) to Michael Moore's Fahrenheit 911 (2004). Previously published in three volumes entries have been edited and updated for the new concise edition and three new entries have been added on: India China and Africa. The Concise Routledge Encyclopedia of the Documentary Film: Discusses individual films and filmmakers including little-known filmmakers from countries such as India Bosnia China and others Examines the documentary filmmaking traditions within nations and regions or within historical periods in places such as Iran Brazil Portugal and Japan Explores themes issues and representations in documentary film including human rights modernism homosexuality and World War I as well as types of documentary film such as newsreels and educational films Elaborates on production companies organizations festivals and institutions such as the American Film Institute Ceylon Tea Propaganda Board Hot Docs (Toronto) and the World Union of Documentary Describes styles techniques and technical issues such as animation computer imaging editing techniques IMAX music and spoken commentary Bringing together all aspects of documentary film this accessible concise edition provides an invaluable resource for both scholars and students. With film stills from key films this resource provides the decisive entry point into the history of an art form.

GBP 42.99
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Precious Identity Adaptation and the African-American Youth Film

Precious Identity Adaptation and the African-American Youth Film

Examining how the discourses of youth race poverty and identity take shape when Push is adapted to the big screen this book brings together valuable research to delve into representations of African-American girlhood. The book draws attention to how Black girlhood takes shape in the film under the dominant White discourses that racialise non-White bodies and examines how these discourses inform a critical reception of the film and Precious as a Black girl. Through a consideration of Black culture and heritage it questions what narratives of girlhood growth and development are afforded to the main character in a film that is informed by neoliberal and colour-blind discourses. Highlighting the social context in which Precious was received the book draws attention to how a discussion of Precious in the critical press gives insight into the racial politics that were dominant at the time of the film’s release. It considers whether race impacts how the film engages with reflects and moves beyond conventions within the genre of youth film. Concise and engaging this vital book sheds light on underrepresented areas of film studies that make it an invaluable resource for students and scholars of film race and youth cultures. | Precious Identity Adaptation and the African-American Youth Film

GBP 18.99
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Critical Approaches to TV and Film Set Design

Critical Approaches to TV and Film Set Design

The analysis of scenic design in film and television is often neglected with visual design elements relegated to part of the mise-en-scène in cinema or simply as wallpaper in television. Critical Approaches to TV and Film Set Design positions itself from the audience perspective to explore how we watch TV and film and how set design enhances and influences the viewing experience. By using semiotics history and narratology and adding concepts drawn from art architecture and theatre Geraint D’Arcy reworks the key concepts of set design. Looking at the impact of production design on how the viewer reads film and television these updated theories can be applied more flexibly and extensively in academic criticism. D’Arcy creates a new theoretical approach representing a significant expansion of the field and filling the remaining gaps. This book is ideal for anyone interested in understanding how we can read and interpret design in film and television and should be the primary point of reference for those studying TV and film set design.

GBP 36.99
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