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Free Print and Non-commercial Publishing Since 1700

GBP 31.99
1

Disability Representation in Film TV and Print Media

Plague Print and the Reformation The German Reform of Healing 1473 1573

Transatlantic Literature and Transitivity 1780-1850 Subjects Texts and Print Culture

Transatlantic Literature and Transitivity 1780-1850 Subjects Texts and Print Culture

This book makes an important contribution to transatlantic literary studies and an emerging body of work on identity formation and print culture in the Atlantic world. The collection identifies the ways in which historically-situated but malleable subjectivities engage with popular and pressing debates about class slavery natural knowledge democracy and religion. In addition the book also considers the ways in which material texts and genres including for example the essay the guidebook the travel narrative the periodical the novel and the poem can be scrutinized in relation to historically-situated transatlantic transitions transformations and border crossings. The volume is underpinned by a thorough examination of historical and conceptual frameworks and prioritizes notions of circulation and exchange as opposed to transfer and continuance in its analysis of authors texts and ideas. The collection is concerned with the movement of people texts and ideas in the currents of transatlantic markets and politics taking a fresh look at a range of canonical and popular writers of the period including Austen Poe Crèvecoeur Brockden Brown Sedgwick Hemans Bulwer-Lytton Dickens and Melville. In different ways the essays gathered together here are concerned with the potentially empowering realities of the transitive circulatory and contingent experiences of transatlantic literary and cultural production as they are manifest in the long nineteenth century. | Transatlantic Literature and Transitivity 1780-1850 Subjects Texts and Print Culture

GBP 39.99
1

Textual Communication A Print-Based Theory of the Novel

Samuel Beckett and the Arts Music Visual Arts and Non-Print Media

Hans Folz and Print Culture in Late Medieval Germany The Creation of Popular Discourse

Engraved on Steel History of Picture Production Using Steel Plates

Coaching College Students with Executive Function Problems

The Moving Body and the English Romantic Imaginary

Jazz Theory Workbook From Basic to Advanced Study

Jazz Theory Workbook From Basic to Advanced Study

Jazz Theory Workbook accompanies the second edition of the successful Jazz Theory—From Basic to Advanced Study textbook designed for undergraduate and graduate students studying jazz. The overall pedagogy bridges theory and practice combining theory aural skills keyboard skills and improvisation into a comprehensive whole. While the Companion Website for the textbook features aural and play-along exercises along with some written exercises and the answer key this workbook contains brand-new written exercises as well as as well as four appendices: (1) Rhythmic Exercises (2) Common-Practice Harmony at the Keyboard (3) Jazz Harmony at the Keyboard and (4) Patterns for Jazz Improvisaton. Jazz Theory Workbook works in tandem with its associated textbook in the same format as the 27-chapter book yet is also designed to be used on its own providing students and readers with quick access to all relevant exercises without the need to download or print pages that inevitably must be written out. The workbook is sold both on its own as well as discounted in a package with the textbook. Jazz Theory Workbook particularly serves the ever-increasing population of classical students interested in jazz theory or improvisation. This WORKBOOK is available for individual sale in various formats: Print Paperback: 9781138334250 Print Hardback: 9781138334243 eBook: 9780429445477 The paperback WORKBOOK is also paired with the corresponding paperback TEXTBOOK in a discounted PACKAGE (9780367321963). | Jazz Theory Workbook From Basic to Advanced Study

GBP 39.99
1

Breaking Through the Language Arts Block Organizing and Managing the Exemplary Literacy Day

The Child Clinician's Report-Writing Handbook

Russian War 1854 Baltic and Black Sea Official Correspondence

Group Interventions in Schools A Guide for Practitioners

Sport Branding Insights

How to Plan Differentiated Reading Instruction Second Edition Resources for Grades K-3

Alphabetics for Emerging Learners Building Strong Reading Foundations in PreK

The Joy of Children's Literature

The Art-Journal and Fine Art Publishing in Victorian England 1850–1880

The Routledge Handbook of Social Epistemology

Science Time and Space in the Late Nineteenth-Century Periodical Press Movable Types

Science Time and Space in the Late Nineteenth-Century Periodical Press Movable Types

James Mussell reads nineteenth-century scientific debates in light of recent theoretical discussions of scientific writing to propose a new methodology for understanding the periodical press in terms of its movements in time and space. That there is no disjunction between text and object is already recognized in science studies Mussell argues; however this principle should also be extended to our understanding of print culture within its cultural context. He provides historical accounts of scientific controversy documents references to time and space in the periodical press and follows magazines and journals as they circulate through society to shed new light on the dissemination and distribution of periodicals authorship and textual authority and the role of mediation in material culture. Well-known writers like H. G. Wells and Arthur Conan Doyle are discovered in new contexts while other authors publishers editors and scientists are discussed for the first time. Mussell is persuasive in showing how his methodology increases our understanding of the process of transformation and translation that underpins the production of print and informs current debates about the status of digital publication and the preservation of archival material in electronic forms. Adding to the book's usefulness are an extended bibliography and a discussion of recent debates regarding digital publication. | Science Time and Space in the Late Nineteenth-Century Periodical Press Movable Types

GBP 26.99
1

The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries Multiplied and Modified

The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries Multiplied and Modified

This book examines the early development of the graphic arts from the perspectives of material things human actors and immaterial representations while broadening the geographic field of inquiry to Central Europe and the British Isles and considering the reception of the prints on other continents. The role of human actors proves particularly prominent i. e. the circumstances that informed creators’ producers’ owners’ and beholders’ motivations and responses. Certainly such a complex relationship between things people and images is not an exclusive feature of the pre-modern period’s print cultures. However the rise of printmaking challenged some established rules in the arts and visual realms and thus provides a fruitful point of departure for further study of the development of the various functions and responses to printed images in the sixteenth century. The book will be of interest to scholars working in art history print history book history and European studies. The introduction of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4. 0 license at https://www. taylorfrancis. com/chapters/oa-edit/10. 4324/9781003029199-1/introduction-gra%C5%BCyna-jurkowlaniec-magdalena-herman?context=ubx&refId=b6a86646-c9f3-490d-8a06-2946acd75fda | The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries Multiplied and Modified

GBP 36.99
1

Malay Peasant Society in Jelebu

Basics of Child Neuropsychology A Primer for Educators and Clinicians