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The Routledge Companion to Latina/o Popular Culture

The Routledge Companion to Latina/o Popular Culture

Latina/o popular culture has experienced major growth and change with the expanding demographic of Latina/os in mainstream media. In The Routledge Companion to Latina/o Pop Culture contributors pay serious critical attention to all facets of Latina/o popular culture including TV films performance art food lowrider culture theatre photography dance pulp fiction music comic books video games news web and digital media healing rituals quinceñeras and much more. Features include:consideration of differences between pop culture made by and about Latina/os;comprehensive and critical analyses of various pop cultural forms;concrete and detailed treatments of major primary works from children’s television to representations of dia de los muertos;new perspectives on the political social and historical dynamic of Latina/o pop culture;Chapters select summarize explain contextualize and assess key critical interpretations perspectives developments and debates in Latina/o popular cultural studies. A vitally engaging and informative volume this compliation of wide-ranging case studies in Latina/o pop culture phenomena encourages scholars and students to view Latina/o pop culture within the broader study of global popular culture. Contributors: Stacey Alex Cecilia Aragon Mary Beltrán William A. Calvo-Quirós Melissa Castillo-Garsow Nicholas Centino Ben Chappell Fabio Chee Osvaldo Cleger David A. Colón Marivel T. Danielson Laura Fernández Camilla Fojas Kathryn M. Frank Enrique García Christopher González Rachel González-Martin Matthew David Goodwin Ellie D. Hernandez Jorge Iber Guisela Latorre Stephanie Lewthwaite Richard Alexander Lou Stacy I. Macías Desirée Martin Paloma Martínez-Cruz Pancho McFarland Cruz Medina Isabel Millán Amelia | The Routledge Companion to Latina/o Popular Culture

GBP 44.99
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Hollywood Musicals

Hollywood Musicals

Hollywood Musicals offers an insightful account of a genre that was once a mainstay of twentieth-century film production and continues to draw audiences today. What is a film musical? How do musicals work formally and culturally? Why have they endured since the introduction of sound in the late 1920s? What makes them more than glittery surfaces or escapist fare? In answering such questions this guidebook by Steven Cohan takes new and familiar viewers on a tour of Hollywood musicals. Chapters discuss definitions of the genre its long history different modes of analyzing it the great stars of the classic era and auteur directors. Highlights include extended discussions of such celebrated musicals from the studio era as The Love Parade Top Hat Holiday Inn Stormy Weather The Gang’s All Here Meet Me in St. Louis Cover Girl Mother Wore Tights Singin’ in the Rain Gentlemen Prefer Blondes The Band Wagon Seven Brides for Seven Brothers and Jailhouse Rock as well as later films such as Cabaret All that Jazz Beauty and the Beast and La La Land. Cohan brings in numerous other examples that amplify and extend to the present day his claims about the musical its generic coherence and flexibility its long and distinguished history its special appeal and its cultural significance. Clear and accessible this guide provides students of film and culture with a succinct but substantial overview that provides both analysis and intersectional context to one of Hollywood’s most beloved genres.

GBP 24.99
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