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Research Progress in Nano and Intelligent Materials

Color Management & Quality Output: Working with Color from Camera to Display to Print (The Digital Imaging Masters Series)

Color Management & Quality Output: Working with Color from Camera to Display to Print (The Digital Imaging Masters Series)

We have all felt the frustration of wasting time paper and effort when our prints or web images don’t match the images we see on our monitors. Fortunately you’re holding the resource that will help solve these problems. This book guides you through the hardware settings and software steps you’ll need to post professional images and make stunning prints that showcase your artistic vision. In Color Management & Quality Output Tom P. Ashe a color expert and gifted teacher shows you how to color manage your files from input all the way through output by clearly explaining how color works in our minds on our monitors and computers and through our printers. You’ll learn to: properly calibrate your monitor understand Adobe Photoshop color settings build and evaluate color profiles for all your devices navigate the print menu in both Photoshop and Lightroom appreciate the differences between inkjet prints and C-prints optimize sharpening for a variety of print media understand how and why to use RIPs communicate with creative professionals clients and output service providers to ensure the highest quality results. This book is part of The Digital Imaging Masters Series which features cutting-edge information from the most sought-after and qualified professionals and instructors in the photography field. Based on the progressive curriculum of the Masters of Professional Studies in Digital Photography created by Katrin Eismann at the School of Visual Arts in New York City these books are the next best thing to being in the classroom with the Digital Photography Masters themselves. | Color Management & Quality Output: Working with Color from Camera to Display to Print (The Digital Imaging Masters Series)

GBP 130.00
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Polymer Photogravure A Step-by-Step Manual Highlighting Artists and Their Creative Practice

Polymer Photogravure A Step-by-Step Manual Highlighting Artists and Their Creative Practice

Polymer Photogravure: A Step-by-Step Manual Highlighting Artists and Their Creative Practice is a three-part book on the non-toxic process of making ink-on-paper intaglio prints from continuous-tone photographs using water-etched photopolymer plates. Author Clay Harmon provides clear and easy to understand instructions that will enable anyone to successfully make a photogravure print. By quantifying the sensitometric behavior of polymer plates Harmon has developed a methodical approach which will enable a new printmaker to produce plates in their own studio with a minimum of time and wasted materials. Section One provides a straightforward guide to setting up the polymer photogravure studio. Section Two covers a step-by-step method of making the print from start to finish. Section Three showcases contemporary artists’ works illustrating the variety and artistic breadth of contemporary polymer intaglio printmaking. The works in these pages range from monochrome to full color and represent a variety of genres including still lifes portraits nudes landscapes urban-scapes and more. Featuring over 30 artists and 200 full-color images Polymer Photogravure is a most comprehensive overview of this printmaking process in print. Key topics covered include: Studio safety Equipment and supplies evaluated from both a cost and utility point of view A brief discussion of the types of ink-based printing Aquatint screen considerations Image preparation and positive printing on inkjet printers Paper preparation A simple and efficient polymer plate calibration process that minimizes wasted time and materials A straightforward inking wiping and printing method Advanced printing techniques such as chine collé à la poupée and printing on wood Troubleshooting guide to platemaking and printing problems Tips on editioning and portfolios A visual survey of the range of artistic expression practiced by contemporary artists Sources for supplies and recommended reading Polymer photogravure plates enable an artist to use an almost-infinite range of image color and papers to make a print. The finished prints are extremely archival consisting of only ink and paper. With Harmon’s instructions continuous tone intaglio prints are within the reach of all. | Polymer Photogravure A Step-by-Step Manual Highlighting Artists and Their Creative Practice

GBP 51.99
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Scientific Examination of Documents Methods and Techniques Fourth Edition

Scientific Examination of Documents Methods and Techniques Fourth Edition

Revised and expanded to reflect the most recent innovations in the field The Scientific Examination of Documents Fourth Edition is a handy accessible volume detailing current best-practices for forensic document examination. Since the first edition published in 1989 there have been drastic changes in the field of forensic document examination—both from the use of the analytic techniques available to the professional examiner—and the changes to technology in office and printing equipment and inks. The purpose of analyzing any material used in the production of a questioned document such as an ink or a piece of paper is to compare it with another material elsewhere in the questioned document itself—or on another document—to determine whether or not they share a common origin. There may also be a need to provide information for the investigator about the possible origins of the document. This latest edition reflects the myriad changes and advances that have occurred in the last 10 to 15 years. Topics covered include: current thinking on handwriting interpretation; accidental and deliberate modification of handwriting; the proper collection of samples; a discussion of shredded documents; professional accreditation standards qualifications and training; and modern digital imaging and analysis of documents and handwriting utilizing software and imaging including reconstruction of an image from erasures obliteration and other document altering methods. A new section addresses cognitive bias and Chapter 8 is completely updated to cover the advances in print and photocopied documents based on current technology and analytical developments in the comparison of such documents. Key features:Discusses issues regarding handwritten photocopied and printed documents—including inkjet versus digital printingPresents the advances and capabilities modern office fax photocopy and printing technologies—and implications for document examinationDetails and reinforces the importance of ensuring proper scientific methods during an examination Addresses current Raman spectroscopy UV-VIS mass spectroscopy and SEM analysis techniquesHighlights the importance and implications of biological and fingerprint evidence from documents that can be collected examined and utilized in a caseThe Scientific Examination of Documents Fourth Edition serves as an invaluable resource to established professionals those just entering the field and legal and investigative professionals outside the discipline who have a professional interest dealing with questioned documents in the course of their work. | Scientific Examination of Documents Methods and Techniques Fourth Edition

GBP 69.99
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