Vores kunder ligger øverst på Google

Google Ads Specialister fra Vestjylland

Vi er 100% dedikerede til Google Annoncering – Vi har mange års erfaring med Google Ads og den bruger vi på at opsætte, optimere & vedligeholde vores fantastiske kunders konti.

100% Specialiseret i Google Ads
Vi har mange års erfaring fra +300 konti
Ingen lange bindinger & evighedskontrakter
Jævnlig opfølgning med hver enkelt kunde
Vi tager din virksomhed seriøst
KONTAKT OS
LÆS UDTALELSER & SUCCESHISTORIER

3 results (0,12927 seconds)

Show all filters

Brand

Merchant

Price (EUR)

Reset filter

Products
From
Shops

Horror Film and Affect Towards a Corporeal Model of Viewership

Horror Film and Affect Towards a Corporeal Model of Viewership

This book brings together various theoretical approaches to Horror that have received consistent academic attention since the 1990s – abjection disgust cognition phenomenology pain studies – to make a significant contribution to the study of fictional moving images of mutilation and the ways in which human bodies are affected by those on the screen on three levels: representationally emotionally and somatically. Aldana Reyes reads Horror viewership as eminently carnal and seeks to articulate the need for an alternative model that understands the experience of feeling under corporeal threat as the genre’s main descriptor. Using recent post-millennial examples throughout the book also offers case studies of key films such as Hostel [REC] Martyrs or Ginger Snaps and considers contemporary Horror strands such as found footage or 3D Horror. | Horror Film and Affect Towards a Corporeal Model of Viewership

GBP 42.99
1

Deconstructing the Talmud The Absolute Book

Deconstructing the Talmud The Absolute Book

This monograph uses deconstruction—a philosophical movement originated by Jacques Derrida—to read the most authoritative book in Judaism: the Talmud. Examining deconstruction in comparison with Kant’s and Hegel’s philosophies the volume argues that the movement opens an innovative debate on Jewish Law. First the monograph interprets deconstruction within the major streams of continental philosophy; then it criticizes many aspects of Foucault’s and Agamben’s philosophy rejecting their notion of law. On these premises the research delivers a close examination of many fundamental aspects of the Talmud. Consequently it provides a short history of Rabbinic literature a history of the dissemination of the Talmud from Babylon to Northern France and an analysis of Talmudic vocabulary from a deconstructive perspective. Each key concept of the Talmud is analysed according to the deconstructive dialectics between orality and writing. Closing with a comparison between the Talmud and Derrida’s most enigmatic text Glas the study argues that deconstruction dismantles the traditional notion of the Talmud to outline a new approach to Jewish Law. Reading the Talmud through deconstruction this new angle makes the volume an essential resource for students and scholars interested in Jewish studies continental philosophy and the Middle East. | Deconstructing the Talmud The Absolute Book

GBP 39.99
1

The Monstrous-Feminine Film Feminism Psychoanalysis

The Monstrous-Feminine Film Feminism Psychoanalysis

This is a timely update of a seminal text which re-interprets key films of the horror genre including Carrie The Exorcist The Brood and Psycho. In the first edition Creed draws on Julia Kristeva’s theory of abjection to challenge the popular view that women in horror are almost always victims and argues that patriarchal ideology constructs women as monstrous in relation to her sexuality and reproductive body to justify her subjugation. Although a projection of male fears and paranoid fantasies the monstrous-feminine is nonetheless a terrifying figure. Creed’s argument contests Freudian and Lacanian theories of sexual difference to offer a provocative rereading of classical and contemporary horror. This updated edition includes a new section examining contemporary feminist horror films in relation to nonhuman theory. Creed proposes a new concept of radical abjection to reinterpret the monstrous-feminine as a figure who embraces abjection by reclaiming her body and re-defining her otherness as nonhuman – while questioning patriarchy anthropocentrism misogyny and the meaning of the human. Films discussed include Ginger Snaps Teeth Atlantics The Girl with All the Gifts Border and Titane. Barbara Creed’s classic remains as relevant as ever and this edition will be of interest to academics and students of feminist theory nonhuman theory critical animal studies race and queer theory. | The Monstrous-Feminine Film Feminism Psychoanalysis

GBP 35.99
1