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The First Print Era The Rise of Print Culture in China’s Northern Song Dynasty

The First Print Era The Rise of Print Culture in China’s Northern Song Dynasty

The First Print Era examines the rise of print culture during China’s Northern Song Dynasty (960–1127). Bringing together often-overlooked primary sources from the period and scholarship on many individual topics in Song print history the book offers the first extended narrative in English of how print became entrenched as a sustained mode of textual dissemination in China. While discussing technical innovations and the growth of the print industry the book focuses on how the rise of print affected several indispensable elements of Song intellectual culture: the expansion of the exam system the canonization of Tang and earlier models the rise of antiquarianism and connoisseurship the birth of Neo-Confucianism as a new intellectual force the growth of a new literati culture and new forms of literary production and critique and the development of calligraphy as an art form that could be taught critiqued and divided into schools. Overall the book describes a process by which print publication moved from a highly centralized state enterprise back to expanded elite use and eventually towards the popular print markets that would create new forms of expression during the Southern Song and Yuan dynasties. This book will be an essential read for students and scholars of Asian studies Medieval studies and those with a focus on print history and Chinese studies. | The First Print Era The Rise of Print Culture in China’s Northern Song Dynasty

GBP 130.00
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Free Print and Non-commercial Publishing Since 1700

GBP 31.99
1

Masonry Wall Construction

Disability Representation in Film TV and Print Media

Plague Print and the Reformation The German Reform of Healing 1473 1573

Jeff Wall and the Concept of the Picture

Print and the Celtic Languages Publishing and Reading in Irish Welsh Gaelic and Breton 1700–1900

Transatlantic Literature and Transitivity 1780-1850 Subjects Texts and Print Culture

Transatlantic Literature and Transitivity 1780-1850 Subjects Texts and Print Culture

This book makes an important contribution to transatlantic literary studies and an emerging body of work on identity formation and print culture in the Atlantic world. The collection identifies the ways in which historically-situated but malleable subjectivities engage with popular and pressing debates about class slavery natural knowledge democracy and religion. In addition the book also considers the ways in which material texts and genres including for example the essay the guidebook the travel narrative the periodical the novel and the poem can be scrutinized in relation to historically-situated transatlantic transitions transformations and border crossings. The volume is underpinned by a thorough examination of historical and conceptual frameworks and prioritizes notions of circulation and exchange as opposed to transfer and continuance in its analysis of authors texts and ideas. The collection is concerned with the movement of people texts and ideas in the currents of transatlantic markets and politics taking a fresh look at a range of canonical and popular writers of the period including Austen Poe Crèvecoeur Brockden Brown Sedgwick Hemans Bulwer-Lytton Dickens and Melville. In different ways the essays gathered together here are concerned with the potentially empowering realities of the transitive circulatory and contingent experiences of transatlantic literary and cultural production as they are manifest in the long nineteenth century. | Transatlantic Literature and Transitivity 1780-1850 Subjects Texts and Print Culture

GBP 39.99
1

The Handmade Silver Gelatin Emulsion Print Creating Your Own Liquid Emulsions for Black & White Paper

The Handmade Silver Gelatin Emulsion Print Creating Your Own Liquid Emulsions for Black & White Paper

The Handmade Silver Gelatin Emulsion Print is a cookbook of simple basic recipes for making black and white printing paper and paper negatives along with creative options for printing toning and coloring. Author Denise Ross draws from photographic literature from the last 135 years adapting old recipes to fit modern tools materials and work spaces and modern twists have been applied to traditional techniques. The book is divided into three sections: Section One lays the groundwork for this unique alternative process; Section Two provides the recipes; Section Three highlights contemporary silver gelatin artists. The book features over 200 full-color images and covers key topics including: Vocabulary: a list of terms used by traditional photographers and emulsion makers Creating work spaces with the right tools and materials Basic emulsion chemistry and paper coating techniques Working with various negative options analog and digital Gaslight chloride contact printing paper Kodabromide-type chlorobromide all-purpose paper Bromide enlarging paper Warm tone paper and developers Making and toning your own printing-out paper (POP) Matte surface and baryta coating surface paper Paper negatives and making hand-drawn and digital masks Toning handmade paper Gum printing over handmade paper Troubleshooting handmade paper Artists working with handmade paper The Handmade Silver Gelatin Emulsion Print is for photographers who love the look and creative potential of black and white traditional photography but who want more control over the process and the end product. It is written for the beginner to experienced photographer with processes initially explained in such a way that anyone will feel comfortable getting started as well as information in increasing levels of complexity so that experienced photographers who enjoy a challenge will also find one. | The Handmade Silver Gelatin Emulsion Print Creating Your Own Liquid Emulsions for Black & White Paper

GBP 48.99
1

Textual Communication A Print-Based Theory of the Novel

Color Management & Quality Output: Working with Color from Camera to Display to Print (The Digital Imaging Masters Series)

Color Management & Quality Output: Working with Color from Camera to Display to Print (The Digital Imaging Masters Series)

We have all felt the frustration of wasting time paper and effort when our prints or web images don’t match the images we see on our monitors. Fortunately you’re holding the resource that will help solve these problems. This book guides you through the hardware settings and software steps you’ll need to post professional images and make stunning prints that showcase your artistic vision. In Color Management & Quality Output Tom P. Ashe a color expert and gifted teacher shows you how to color manage your files from input all the way through output by clearly explaining how color works in our minds on our monitors and computers and through our printers. You’ll learn to: properly calibrate your monitor understand Adobe Photoshop color settings build and evaluate color profiles for all your devices navigate the print menu in both Photoshop and Lightroom appreciate the differences between inkjet prints and C-prints optimize sharpening for a variety of print media understand how and why to use RIPs communicate with creative professionals clients and output service providers to ensure the highest quality results. This book is part of The Digital Imaging Masters Series which features cutting-edge information from the most sought-after and qualified professionals and instructors in the photography field. Based on the progressive curriculum of the Masters of Professional Studies in Digital Photography created by Katrin Eismann at the School of Visual Arts in New York City these books are the next best thing to being in the classroom with the Digital Photography Masters themselves. | Color Management & Quality Output: Working with Color from Camera to Display to Print (The Digital Imaging Masters Series)

GBP 130.00
1

Samuel Beckett and the Arts Music Visual Arts and Non-Print Media

An Analysis of Burton G. Malkiel's A Random Walk Down Wall Street

An Analysis of Burton G. Malkiel's A Random Walk Down Wall Street

Burton Malkiel’s 1973 A Random Walk Down Wall Street was an explosive contribution to debates about how to reap a good return on investing in stocks and shares. Reissued and updated many times since Malkiel’s text remains an indispensable contribution to the world of investment strategy – one that continues to cause controversy among investment professionals today. At the book’s heart lies a simple question of evaluation: just how successful are investment experts? The financial world was and is full of people who claim to have the knowledge and expertise to outperform the markets and produce larger gains for investors as a result of their knowledge. But how successful Malkiel asked are they really? Via careful evaluations of performance – looking at those who invested via ‘technical analysis’ and ‘fundamental analysis’ – he was able to challenge the adequacy of many of the claims made for analysts’ success. Malkiel found the major active investment strategies to be significantly flawed. Where actively managed funds posted big gains one year they seemingly inevitably posted below average gains in succeeding years. By evaluating the figures over the medium and long term indeed Malkiel discovered that actively-managed funds did far worse on average than those that passively followed the general market index. Though many investment professionals still argue against Malkiel’s influential findings his exploration of the strengths and weaknesses of the argument for believing investors’ claims provides strong evidence that his own passive strategy wins out overall. | An Analysis of Burton G. Malkiel's A Random Walk Down Wall Street

GBP 6.50
1

Marketing Graffiti The Writing on the Wall

Marketing Graffiti The Writing on the Wall

Radical and unique in its approach and presentation Marketing Graffiti turns the traditional marketing introduction on its head by helping students to understand the part they already play as ‘consumers’ in the marketing process. Most marketing textbooks tackle the subject as a business function – i. e. how to do marketing in companies and other organizations. Marketing Graffiti shows how marketing is not just a business function but a part of our culture and one in which we are all active as part-time marketers. By rejecting managerially-driven structures in this way Saren's approach makes marketing immediate and instantly recognizable as a process and a phenomenon in which we are already complicit. It helps readers to become aware of what they already know. Critically examining a wide range of products businesses technologies information services ads packaging and branding Saren utilizes everyday images and phenomena to draw out the conceptual foundations of marketing from a social science and cultural studies perspective as something that we all experience in everyday life. This new edition of the first critical marketing textbook discusses the role new technologies (such as social media) play in marketing culture and how this can potentially place more power in the clicks of the consumer. It includes new updated or expanded sections on market exclusion the role of the consumer in innovation space and place pricing consumer communities collaborative consumption and social media marketing. Leading experts in these fields of research and marketing practice also contribute additional sections on these topics. This essential marketing guide is supported by a range of teaching support materials including the latest journal and online references guides to further reading teaching slides and test bank questions | Marketing Graffiti The Writing on the Wall

GBP 38.99
1

Hans Folz and Print Culture in Late Medieval Germany The Creation of Popular Discourse

Bricks in the Wall The Politics of Housing in Europe

Bricks in the Wall The Politics of Housing in Europe

This volume provides a comprehensive analysis of how politics shape housing markets and vice-versa. It demonstrates how housing impacts a variety of social and political phenomenon including populist politics generational divides wealth inequality monetary policy and the welfare state. Housing and housing markets have important implications for economic stability public policy domestic politics and wealth inequality in Europe and beyond. Yet despite its importance housing has received relatively little attention in comparative politics scholarship. The contributions within this volume push the scholarship of housing into fresh innovative directions. The chapters focus on housing’s contribution to wealth inequality how housing constrains governments’ policy choices in welfare state reform and how it can strengthen governments’ hands in financial regulation. Other contributions reveal the impact of housing on central bankers’ motivations for implementing monetary expansion highlight the generational divide in gaining access to home-ownership demonstrate how housing-driven wealth inequality steers voters political preferences towards right-wing populism and explain how housing gradually shifted from being a social right to an object of investment in Europe even within its most egalitarian states. These contributions cover a diversity of cases in Western and Eastern Europe and theoretical paradigms that will appeal to scholars and policy makers alike. The chapters in this book were originally published as a special issue of West European Politics. | Bricks in the Wall The Politics of Housing in Europe

GBP 38.99
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Critical Perspectives on Teaching in Prison Students and Instructors on Pedagogy Behind the Wall

Prestige Television and Prison in the Age of Mass Incarceration A Wall Rise Up

Anthology for Hearing Rhythm and Meter

Engraved on Steel History of Picture Production Using Steel Plates

Looking Through Freud's Photos

The Colonial Periodical Press in the Indian and Pacific Ocean Regions

Visual Propaganda Exhibitions and the Spanish Civil War

Plant Cell Walls Research Milestones and Conceptual Insights