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Latin Jazz Piano Volume One

The definitive book on Latin Jazz Piano for both accompaniment and soloing featuring Salsa, Mambo, Nanigo, Cha Cha, Bolero, Songo, Merengue and Baiao styles, complete with CD! The book contains eight full songs for you to learn, with extensive performance notes and guidance to help you capture the true spirit of the style. Each song includes two CD tracks - a full band demonstration and an accompaniment backing track - as well as a chord sheet and substantial example solo.

Music For Native American Flute - Volume One

Andrew Gordon: 100 Ultimate Jazz Riffs - Flute

A host of Jazz styles and sounds are featured in this compendium of riffs and licks for flute, complete with a CD of jam tracks. One hundred riffs and tune ideas are divided into Jazz-Funk, Swing, Latin, Ballad and other styles. Each riff is accompanied by a choice of two CD tracks, one as a full demonstration and the second as a backing track only. There is a host of stylistic detail to help you capture the right grooves - before you know it you'll be jamming and improvising your own Jazz solos!

The Blues Scale Trumpet

The Blues Scale for Trumpet by Andrew D. Gordon is he feels, one of his most important books because of the nature of the blues scale and how it is used to improvise in many styles of contemporary music. The book consists of 20 grooves: Pop 2 Grooves

The Blues Scale Trombone

The Blues Scale for Trombone by Andrew D. Gordon is he feels, one of his most important books because of the nature of the blues scale and how it is used to improvise in many styles of contemporary music. The book consists of 20 grooves: Pop 2 Groove

Outstanding Blues and Jazz Flute Solos

Outstanding Blues and Jazz Flute Solos by Andrew Gordon is designed to show how to play solos or improvise over common chord progressions used in the Jazz idiom. There are 12 examples, each one being at least 32 measures in length and consists of different jazz styles including: Jazz-Blues, Uptempo, Mid Tempo & Slow Tempo-Jazz, Jazz-Ballad, Jazz-Funk, Modal-Jazz, Latin-Jazz, Acid-Jazz.

Ben Tompsett: Ultimate Funk Grooves For E Flat Saxophone

Funk and its infectious style remains a popular part of today?s music. This book contains ninety-two riffs that showcase the different ways you can create a distinct Funk sound to your playing. The included audio CD contains thirty-one different grooves to accompany each of the riffs, influenced by the greatest Funk artists, and covers a wide range of different Funk styles from the mid-sixties to the present day. The book will help you develop your Funk playing style and improvisation technique.

Graff, F: African Guitar Styles + Cd

African Guitar Styles is the first practical guide to some of the most beautiful Guitar music on earth. For this pioneering tour of some of the great musical styles, Sierra Leonean bandleader and composer Folo Graff draws on nearly twenty years' experience of teaching African Guitar all over the world. In one volume, he brings together a huge selection of classic styles old and new from all over the continent, ranging from the desert blues of Mali through West African highlife and Afrobeat to Congolese rumba and soukous and South African township jive.

Ultimate Latin Riffs For Piano/Keyboards

A host of Latin styles and sounds are featured in this compendium of riffs and licks for keyboard instruments, complete with a CD of jam tracks. Fifty riffs and tune ideas are divided into Salsa, Mambo, Cha Cha, Merengue and other rhythm styles. Each riff is accompanied by a choice of two CD tracks, one as a full demonstration and the second as a backing track only. There is a host of stylistic detail to help you capture the right grooves - before you know it you'll be jamming and improvising your own Latin solos!

Celtic Music For Violin (Book and CD)

This collection of Celtic Music for Violin by Jessica Walsh contains 40 pieces ranging from lovely portraits to lively jigs. They come from traditions including Irish, Scottish, Welsh and Manx and span several hundred years. They are all complemented by the unique personality and sound of the violin. All have that inexplicable but necessary magic, the quality that draws the player to begin the tune again, just one more time... Whether a lilt, a love song, or lament, each melody in this collection is a gem; many are sure to become your cherished favourites. The accompanying CD includes demonstrations of all the tunes in the book and also, Allan Alexander artfully renders the chords on guitar, providing a harmonic tapestry over which the melodies float.

Mark Vega: Jazz Solo Series (E Flat)

Mark Vega?s Jazz Solo Series for Eb instruments, including Alto Saxophone, is a great instructional tool for musicians and music students to learn or improve their improvisational abilities in the jazz-swing idiom. There are sixty-six examples in the book, starting at a somewhat easy level and gradually increasing in difficulty throughout the book. Sections include: Exercises in all twelve keys using II-V-I and II-V-III-VI-II-V-I chord progressions. Exercises in all twelve keys using I-VI-II-V-III-bIII-II-V-I chord progressions. Complete worked-out solos over chord changes to the popular Jazz standards Stella By Starlight, Take The A Train, and There Will Never Be Another You. Includes an easy version of the solo followed by a more difficult one. A selected discography of Mark?s favourite Jazz albums featuring great Jazz soloists.

Ultra Smooth Jazz Play-A-Long Songbook for Bb & Eb Instruments

Ultra Smooth Jazz Play-A-Long Songbook for Bb & Eb Instruments is a play-a-long book of full length songs from two albums from The Super Groovers, Supergroovin? and Mainline Connection. The songs selected for this play-a-long are designed to give the music student a variety of styles to choose from, ranging from the pop/jazz style of You Are The Only One In My Life, minor blues of To The T and A Cry For Peace, funky/blues of Super Groover, latin style of Groovin? With The In Crowd and Villefranche Sur Mer, gospel style of To Our Loved Ones, reggae style of Right Track Wrong train To Jamaica, funky/jazz of Mainline Connection, Keeping The Past Alive and the bonus track Destinasian and lastly the funky jazz/swing feel of Spritual Seeker.The enclosed CD features full rhythm backing tracks.

Mark Vega: Jazz Solo Series (B Flat)

Mark Vega?s Jazz Solo Series for Eb instruments, including Tenor Saxophone, is a great instructional tool for musicians and music students to learn or improve their improvisational abilities in the jazz-swing idiom. There are sixty-six examples in the book, starting at a somewhat easy level and gradually increasing in difficulty throughout the book. Sections include: Exercises in all twelve keys using II-V-I and II-V-III-VI-II-V-I chord progressions. Exercises in all twelve keys using I-VI-II-V-III-bIII-II-V-I chord progressions. Complete worked-out solos over chord changes to the popular Jazz standards Stella By Starlight, Take The A Train, and There Will Never Be Another You. Includes an easy version of the solo followed by a more difficult one. A selected discography of Mark?s favourite Jazz albums featuring great Jazz soloists.

100 Ultimate Blues Riffs Vol. 2

It has been over 20 years since I released the first volume of “100 Ultimate Blues Riffs for Piano/Keyboards” in 1996, my most popular selling book. One of the constants has been the continued popularity of my Blues music instructional books for not on It has been over 20 years since I released the first volume of “100 Ultimate Blues Riffs for Piano/Keyboards” in 1996, my most popular selling book. One of the constants has been the continued popularity of my Blues music instructional books for not only piano/keyboards but also Saxophone, Flute and Guitar. With developments in music software, faster internet download speeds for downloading mp3 audio files, (over 5 hours of downloadable audio backing tracks for this book) I felt it was time to author a 2nd. volume that uses newer software for improved sound quality.Also, it is the 50th. anniversary since I started to learn to play Blues piano in 1968. I rememberthe wonderful feeling I had when I started to learn from the first two Blues piano books I bought from a music shop along the Charing Cross Road in London, I still have both books “Just Blues” a compilation of Blues, Jazz and Boogie-Woogie songs and “How To Play Blues Piano” by Junior Mance. I have again created 100 Blues riffs with many of them having elements of Rock, Funk, Country, Jazz, Boogie-Woogie, Gospel and Latin styles. The riffs are in the order that I composed them, giving you the learner an element of surprise as to what the next riff is going to sound like.Each of the 100 riffs have been recorded twice, the 1st. time, the piano part with a rhythm backing track and the 2nd. time a rhythm backing track to practice playing along with. I have also created a separate play-a-long track that consists of 10 choruses of the 12 Bar Blues progression. I would hope that you will use each riff to build your own Blues “song” through the 12 Bar Blues progression.

Mark Vega: Jazz Solo Series (Flute)

Mark Vega?s Jazz Solo Series for Flute is a great instructional tool for musicians and music students to learn or improve their improvisational abilities in the jazz-swing idiom. There are sixty-six examples in the book, starting at a somewhat easy level and gradually increasing in difficulty throughout the book. Sections include: Exercises in all twelve keys using II-V-I and II-V-III-VI-II-V-I chord progressions. Exercises in all twelve keys using I-VI-II-V-III-bIII-II-V-I chord progressions. Complete worked-out solos over chord changes to the popular Jazz standards Stella By Starlight, Take The A Train, and There Will Never Be Another You. Includes an easy version of the solo followed by a more difficult one. Recordings of the choruses of the above pieces, repeated for convenient practicing. A selected discography of Mark?s favourite Jazz albums featuring great Jazz soloists.

Mark Vega: Jazz Solo Series (Trumpet)

Mark Vega?s Jazz Solo Series for Trumpet is a great instructional tool for musicians and music students to learn or improve their improvisational abilities in the jazz-swing idiom. There are sixty-six examples in the book, starting at a somewhat easy level and gradually increasing in difficulty throughout the book. Sections include: Exercises in all twelve keys using II-V-I and II-V-III-VI-II-V-I chord progressions. Exercises in all twelve keys using I-VI-II-V-III-bIII-II-V-I chord progressions. Complete worked-out solos over chord changes to the popular Jazz standards Stella By Starlight, Take The A Train, and There Will Never Be Another You. Includes an easy version of the solo followed by a more difficult one. Recordings of the choruses of the above pieces, repeated for convenient practicing. A selected discography of Mark?s favourite Jazz albums featuring great Jazz soloists.

Ultra Smooth Jazz Play-A-Long Songbook For C Instruments (Book/CD)

Following the worldwide success of their instructional music series Ultra Smooth Jazz Grooves', the Super Groovers decided to create a play-a-long book of full length songs from their two albums Supergroovin’ and Mainline Connection. They picked songs that would provide music students with a varied repertoire, ranging from the pop/jazz style of You Are The Only One In My Life and minor blues of To The T to the latin sound of Groovin’ With The In Crowd and the gospel style of To Our Loved Ones . The Ultra Smooth Jazz Play-A-Long Songbook For C Instruments contains 13 songs and is accompanied by a CD containing full rhythm backing tracks. All of the songs from the book can also be purchased separately in an in MP3 file format that includes the Sax melody parts. Watch a preview of the Ultra Smooth Jazz Play-A-Long Songbook For C Instruments :

Mark Vega: Jazz Solo Series (Guitar)

Mark Vega?s Jazz Solo Series for Guitar is a great instructional tool for musicians and music students to learn or improve their improvisational abilities in the jazz-swing idiom. There are sixty-six examples in the book, starting at a somewhat easy level and gradually increasing in difficulty throughout the book. Sections include: Exercises in all twelve keys using II-V-I and II-V-III-VI-II-V-I chord progressions. Exercises in all twelve keys using I-VI-II-V-III-bIII-II-V-I chord progressions. Complete worked-out solos over chord changes to the popular Jazz standards Stella By Starlight, Take The A Train, and There Will Never Be Another You. Includes an easy version of the solo followed by a more difficult one. Recordings of the choruses of the above pieces, repeated for convenient practicing. A selected discography of Mark?s favourite Jazz albums featuring great Jazz soloists.

Merengue Piano Styles

This book is the latest addition to Carlos Campos? series of Afro-Latin books for keyboard. Mr. Campos? previous books in this genre are Salsa: Afro-Cuban Montunos for Piano, Salsa: Further Adventures in Afro-Cuban Music, Latin Jazz Piano Vol. 1, Ultimate Latin Riffs and Salsa: Afro-Cuban Montunos for Guitar.In Merengue Piano Styles, Mr. Campos delves into an aspect of the music of the Dominican Republic called merengue, known for its intricate rhythms and ultra fast tempos. Mr. Campos divides most of the examples in this book into ?Derecho? and ?Pambiche? styles. Selected examples are included in the accompanying CD, recorded at different tempos. Tracks containing bass and percussion only are also included.The complete set of recordings containing every example in this book are also available in high quality mp3 files (over 300 megabytes of mp3 files) and/or midi files, see below.While living in Boston, Carlos Campos spent many years studying and performing this particular genre with many merengue bands in the New England area. He later arranged, produced and recorded for several merengue artists. In the past, the only way to learn how to play the different styles of Afro-Latin music was to live in an area where that music genre was already very popular, so that one might connect with as many authentic musicians as possible, learning one pattern here, another there, via a very slow learning process that could take years if not decades to accomplish.Even though the process of immersing oneself fully and experientially into the musical style of our choosing is absolutely necessary for our musical growth, the need for concise, well-written and organized materials, written by someone who knows and lives this type of music is also essential.We at ADG believe that Mr. Campos? books have done a great service to the musical community by making Afro-Latin musical styles more accessible to students worldwide. We hope that this book and the rest of Mr. Campos? books find a special place in your musical world and that they become an integral part of your daily musical practice.

Latin Solo Series for Trumpet

The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues. The 24 grooves totalling over 200 riffs/phrases and play-a-long tracks consists of a variety of tempos and keys. Each groove has a variety of riffs to learn that are generally 4 or 8 measures in length. It would be beneficial if you could memorize these riffs so that you can experiment using different permutations of the riffs as well as being used as a starting offpoint for one's own improvisations. Each riff has been recorded with a rhythm track with each style having an extended play-a-long track, around 3 minutes in length, recorded without the solo part so you can practice the riffs that you have learned. Also, these musical phrases or riffs may be interchanged from one groove to another and should be learned in as many keys as possible.

Latin Solo Series for Tenor Sax

The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues. The 24 grooves totalling over 200 riffs/phrases and play-a-long tracks consists of a variety of tempos and keys. Each groove has a variety of riffs to learn that are generally 4 or 8 measures in length. It would be beneficial if you could memorize these riffs so that you can experiment using different permutations of the riffs as well as being used as a starting offpoint for one's own improvisations. Each riff has been recorded with a rhythm track with each style having an extended play-a-long track, around 3 minutes in length, recorded without the solo part so you can practice the riffs that you have learned. Also, these musical phrases or riffs may be interchanged from one groove to another and should be learned in as many keys as possible.

Latin Solo Series for Accordion

The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues. The 24 grooves totalling over 200 riffs/phrases and play-a-long tracks consists of a variety of tempos and keys. Each groove has a variety of riffs to learn that are generally 4 or 8 measures in length. It would be beneficial if you could memorize these riffs so that you can experiment using different permutations of the riffs as well as being used as a starting offpoint for one's own improvisations. Each riff has been recorded with a rhythm track with each style having an extended play-a-long track, around 3 minutes in length, recorded without the solo part so you can practice the riffs that you have learned. Also, these musical phrases or riffs may be interchanged from one groove to another and should be learned in as many keys as possible.

Celtic Music For Flute Volume 2

Following on from Jessica's hugely successful book Celtic Music for Flute, she has produced a Volume 2 which contains 46 pieces ranging from lovely portraits to lively jigs. They come from traditions including Irish, Scottish, Welsh, and Manx, and were gathered from various sources: among others, manuscripts written for Bagpipe, Lute, Mandora, Fiddle, and Voice. The unique personality and sound of the Flute complements them all. A few of the tunes are more than 400 years old; some are new. All have that inexplicable but necessary magic, the quality which draws the flutist to begin the tune again, just one more time...Whether a march, lilt, love song, or lament, each melody in this collection is a gem; many are sure to become cherished favorites. The accompanying Play-Along CD includes all the tunes in the same order in which they appear in the book. This CD features separate channels for Flute and Guitar so that the flutist can play along with the Guitar accompaniment. Allan Alexander artfully renders the chords on Guitar, providing a harmonic tapestry over which the melodies float.

Latin Solo Series for Alto Sax

The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues. The 24 grooves totalling over 200 riffs/phrases and play-a-long tracks consists of a variety of tempos and keys. Each groove has a variety of riffs to learn that are generally 4 or 8 measures in length. It would be beneficial if you could memorize these riffs so that you can experiment using different permutations of the riffs as well as being used as a starting offpoint for one's own improvisations. Each riff has been recorded with a rhythm track with each style having an extended play-a-long track, around 3 minutes in length, recorded without the solo part so you can practice the riffs that you have learned. Also, these musical phrases or riffs may be interchanged from one groove to another and should be learned in as many keys as possible.

Latin Solo Series for Organ

The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues. The 24 grooves totalling over 200 riffs/phrases and play-a-long tracks consists of a variety of tempos and keys. Each groove has a variety of riffs to learn that are generally 4 or 8 measures in length. It would be beneficial if you could memorize these riffs so that you can experiment using different permutations of the riffs as well as being used as a starting offpoint for one's own improvisations. Each riff has been recorded with a rhythm track with each style having an extended play-a-long track, around 3 minutes in length, recorded without the solo part so you can practice the riffs that you have learned. Also, these musical phrases or riffs may be interchanged from one groove to another and should be learned in as many keys as possible.