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Marc Carles: Anaphores (Flute solo)

for flute, piccolo and alto flute (one player)

Olivier Messiaen: The Technique of my musical Language (French Text) (Book)

New Edition, combining Text and Musical Examples in one Book

D. E. Inghelbrecht: Trois Cents Soldats Revenant De La Guerre

D. E. Inghelbrecht Trois Cents Soldats Revenant De La Guerre for one or two voices.

François Dupin: One excitan' Dance (Percussion solo)

Jean-Baptiste Loeillet de Gand: Sonates - Volume 1 (Recorder and Continuo)

For Recorder and Basso Continuo. Volume one contains Sonate Op.1, No.1 in A minor and Sonate Op.1, No.12 in E minor.

Monodie

Olivier Messiaen's Monodie For Organ . Olivier Eugène Charles Prosper Messiaen was a French composer, Organist, and ornithologist, one of the major composers of the 20th century.

Purcell Concert Instrumental Pj477 Fantasia Upon One Note Inst Parts

Garcin X One 52 Flugel Horn & Jazz Orchestra Score/Parts

Eugène Gigout: Ten Pieces For Organ

Composed in 1980,  Ten Pieces For Organ  by Eugène Gigout is a piece that is widely enjoyed. Featuring the renowned Toccata in B minor which is often played in recitals, a Scherzo in E major can also be found among these pieces. Well-known as an organist, Eugène Gigout was also a composer and one of the main organists in one of Paris' main churches: Saint Augustin. Really good for interpretations, he was also skilled in an improvisational context.

Michel Mériot: 25 études faciles, progressives et variées (Saxophone)

25 easy and progressive studies by Michel Mériot is a set of 25 one-page studies for all Saxophone beginners. With an increasing difficulty, each piece focuses on developing one aspect of the technique such as “Maintaining air pressure” (Study 1), “Slurs” (Study 3) and “Ease and Precision” (Study 13) among others. These studies will definitely help Saxophone beginners to gain in technique and in clear sonority. The author, Michel Mériot is a French Saxophonist who learnt under the influence of Marcel Mule.

Robert Nicholas Charles Bochsa: Quarante Etudes Faciles Op.318 Volume One

Australian born Nicolas-Charles Bochsa (1789-1856) studied at the Paris Conservatoire before embarking upon a career as a harpist and composer. His Celebrated Studies for Harp is well-informed and essential to progression on the instrument. The first volume comprises exercises which focus on fingering, countermelodies, rhythms, intervals, chords, articulation, phrasing, chromaticism, dynamics and performance directions, among other musical aspects. Celebrated Studies for Harp by Nicolas-Charles Bochsa is essential to accompany all Harp studies.

Federico Mompou: Préludes No.1 - No.4 (Piano solo)

Composed by Federico Mompou ,  Préludes Pour Piano  is a set of four pieces with two hands for upper intermediate players. It covers the Preludes n°1 to 4 written in 1928. Each of these preludes is written on one to four pages and can be played separately. The first one is short, to be played like a romance, with chords only. The second one lasts longer and features distinctive parts, starting with an energetic section followed by a sudden musical burst, the rest of it being slower until the animated close. The third prelude is quite slow and very expressive while the last piece of this book is quite short and simple. Federico Mompou was a Spanish pianist and composer. He composed numerous pieces for Piano and some songs.

Claude Pichaureau: 21 Etudes (Trombone solo)

Written by Gérard Pichaureau , Twenty-one studies is a set of difficult studies for Trombone. Of one page each, these studies are written in the keys of C and F, and should help improve general techniques already acquired. It would work very well being followed by the Twenty studies . Gérard Pichaureau is a French Trombonist and composer. As a professor at the Paris Conservatoire, he wrote a number of sets of studies such as 'Twenty studies', 'Thirty studies in all keys' and 'Special Legato'.

Olivier Messiaen: The Technique Of My Musical Language (English Version)

New English Edition of The Technique Of My Musical Language by Olivier Messiaen, combining Text and Musical Examples in one Book. Part of the the Alphonse Leduc catalogue, this work has been produced to the highest editorial and printing standards.

Segoviana op. 366 : a cura di Frédéric Zigante

The vast musical production by Darius Milhaud (Marseille, 4 September 1892–Geneva, 22 June 1974) is made up of more than 450 titles, including theatrical works, ballets, stage and choral music, vocal and instrumental compositions, as well as chamber and piano music. The guitar, on the other hand, occupies only a marginal place, with one short composition, written in 1957, entitled Segoviana. The Andalusian guitarist Andrés Segovia (1893–1987) was not only its dedicatee but its protagonist, seeing that the piece was conceived in his image. The present edition, edited by Frédéric Zigante, differs from the first one of 1959 for a layout that makes reading easier and the addition of fingering indications.

Jacques Ibert: Aria In D Flat - Alto Saxophone And Piano

Aria , written in 1930 by Jacques Ibert (1890-1962), is a small study initially for Voice and Piano but arranged in this edition for Alto Saxophone and Piano. This version and the one for Flute and Piano are the ones most commonly used. The Alto Saxophone score is one-page long and contains technical difficulties that would make it ideal for an upper intermediate player. Its author, Jacques Ibert (1890-1962) was a neoclassical composer who won the Prix de Rome in 1919. He composed many symphonic suites, operas and seven orchestras, including 'Angelique' (1926) and 'Entertainment' (1930). He also was in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera.

H.R. Benoît: Méthode élémentaire Vol.1 (Viola solo)

Viola Method After Maurice Hauchard is a method by Henri and Renée Benoit for beginners. Written in C key, this pedagogic method starts with the positioning, including how to use the bow and how to go from one string to another. It contains a total 157 exercises and small studies on rhythm, scales, double strings, among many other topics. Written after the 'Complete Violin method' by Maurice Hauchard, this method is really complete with explanations and advice to guide players. Viola Method After Maurice Hauchard is one of the best book to start acquiring the techniques necessary for Viola players Henri and Renée Benoit are both Viola professors, either at the Paris Conservatory or at the Normale School of music of Paris.

Jacques Castérède: Sonatine d'Avril (Flute & Guitar)

After hearing Castèréde 's Sonatine D'Avril for Flute and Guitar, the realisation that his music remains in the shadows of his French contemporaries is one that is hard to fathom. Should you be a fan of Messiaen, then Castèréde 's Sonatine D'Avril is one for you. Having won prizes in Piano, chamber music, harmony, composition, analysis and aesthetics in music whilst studying at Paris Conservatoire, it is not surprising that the composer's Sonatine D'Avril is full of musically appealing features. Elements include exquisite use of Flute technique, exploiting tonality, and clever accompaniment features in the Guitar. From allegro semiquaver passages to luscious melodies, Sonatine D'Avril provides an enjoyable listen and fun piece to learn for all advanced flautists and guitarists.

Jacques Ibert: Aria (Flute and Piano)

Aria , written in 1930 by Jacques Ibert (1890-1962), is a small study initially for Voice and Piano but arranged in this edition for Flute and Piano. This version and the one for Alto Saxophone and Piano are the ones the most commonly used. The Flute score is one-page long and contains technical difficulties that would make it ideal for an upper intermediate player. Its author, Jacques Ibert (1890-1962) is a neoclassical composer who won the Prix de Rome in 1919. He composed many symphonic suites, operas and seven orchestras, including 'Angelique' (1926) and 'Entertainment' (1930). He also was in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera.

Eugène Goossens: Vieille Chanson à Boire (Bassoon & Piano)

Sir Eugene Goossens was one of the most prominent of the younger British composers who emerged in the years following World War I. At first regarded as part of modern music, his works are now firmly set in the romantic tradition which audiences today find attractive and which accounts for the increasing number of recordings.

Jean-Marie Leclair: Sonate En Fa Pour Deux Saxophones De Meme Tonalite

Sonata In F  is a piece for Saxophone duet by Jean-Marie Leclair . Arranged and adapted by Jean-Marie Londeix , this sonata is perfect for intermediate players and is a great piece to play in a recital. It lasts 11’30 minutes and is divided in four parts: Andante, Allegro, Largo and Allegro ma non troppo. More lyrical than the first one, the second part contains two repeat signs and the third one is surely the shortest. The piece is very cheerful and really nice to listen to. The book features score and parts. Jean-Marie Londeix is a musician who studied the Saxophone and the Piano. He also had some strong knowledge of chamber music, harmonies and of music history and obtained a First Prize and a Prize of Honour at the Paris Conservatoire.

Wolfgang Amadeus Mozart: Concerto No.23, KV488 in A major (PH29) (Piano & Orchestra)

This is the miniature study score of his Concerto for Piano No.23 in A major KV488 , one of Mozart's most popular and successful concertos, not least for the wistful but loaded mood and sublime melody. Completesd in 1946 and likely performed in Vienna shortly after, it is calm and then vivacious and see Mozart again impressing his mastery of orchestration and compostion.

A. Chavanne: 25 Etudes caractéristiques (Trumpet solo)

Twenty-Five Characteristic Studies  is a set of studies for Trumpet/Cornet/G Saxhorn written by André Chavanne . These twenty-five studies can be considered for upper-intermediate / advanced level players. This edition is the one which has been reviewed and annotated by André Chavanne adding advice and suggestions on how to properly perform the study and achieve great results.

Jacques Castérède: Sonatine (Trumpet & Piano)

After hearing Castérède 's Sonatina for Trumpet and Piano, the realisation that his music remains in the shadows of his French contemporaries is one that is hard to fathom. Should you be a fan of Messiaen, then Castérède 's Sonatina is one for you. Having won prizes in Piano, chamber music, harmony, composition, analysis and aesthetics in music whilst studying at Paris Conservatoire, it is not surprising that the composer's Sonatina for B flat or C Trumpet and Piano is full of musically appealing features. Elements include exquisite use of ornamentation, exploiting Trumpet technique to its full potential, and clever uses of shared melody between the Trumpet and Piano. From the lively, harmonically rich first movement to the luscious melodies of the second, this Sonatina provides an enjoyable listen and fun piece to learn for all trumpeters.

Marcel Mule: Exercices journaliers d'après Terschack (Saxophone solo)

Daily Exercises after Terschack for all Saxophones by Marcel Mule (1901-2001) is a set of twenty six exercises, each one lasting a page and a half. Initially composed by the flautist Adolph Terschak, these Daily Exercises after Terschack would fit the skills of advanced-intermediate and advanced players, with keys from 5 flats to 7 sharps. Marcel Mule (1901-2001) is one of the greatest French Saxophonists, renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure, the emission, the mastery of vibrato and thus of breathing. He wrote different methods that focus on technique, articulation and tone productions such as '18 Exercises or Studies', 'Varied Studies in all keys' or '30 Great Exercises or Studies after Soussmann' (in two books), among others.