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Olivier Messiaen: Lecture At Notre-Dame

A address presented at Notre-Dame Cathedral, Paris, on 4th December 1977 by Olivier Messiaen. English and German text.

Georges Migot: 2 Mélodies de Maurice Henrion (sop/ten) (Voice & Piano)

1.Notre-Dame de bonne Humeur; 2.Le Grand Envoi

Jean-Louis Martinet: 3 Mélodies (med) (Voice & Piano)

1.La Ville heureuse; 2.Ballade pour prier Nôtre-Dame (text F.Villon); 3.La Chapelle

Jean Sichler: La Dame de coeur (Piano solo)

Messiaen Olivier Conference De Notre Dame La Musique Sacree Book

Thierry Carré-Chesneau: Danse & La Dame de la Tour (Piano solo)

Bariller Petit Zoo No 4 Dame Gerboise 3 Part A Cappella Choral

Corboz Per Cantare E Sonare Pj340 Cantate A Notre Dame 4 Part

Corboz Per Cantare E Sonare Pj340 Cantate A Notre Dame Inst Parts

Bariller Jeux De Cartes No 3 Dame De Coeur 2 Part A Cappella

Bariller Jeux De Cartes No 1 Dame De Pique 2 Part A Cappella

Bariller Jeux De Cartes No.4 Dame De Carreau 2 Part Voices Book

Willaert Duos Trios Renaissance Pj193 La Jeune Dame S'en Va Au 3 Part

Bariller Jeux De Cartes No 2 Dame De Trefle 2 Part A Cappella

Maurice Jaubert: 2 Poèmes No.1: Dessein de quitter une Dame (high) (Voice & Piano)

Messe solennelle en ut# mineur pour chant et deux orgues

Écrite tout d’abord pour chœur à quatre voix mixtes et grand orchestre, la Messe solennelle en ut dièse mineur de Louis Vierne (1870-1937) fut arrangée par le compositeur sur les conseils de Widor, qui trouvait l’emploi d’un grand effectif instrumental déplacé à l’intérieur d’une église. Cette version pour chœur et deux orgues (le grand orgue et un orgue de chœur), qui s’est imposée, fut créée à Saint-Sulpice par les deux musiciens-organistes en décembre 1901. La Messe solennelle, qui, selon une pratique courante à l’époque, ne comprend pas de Credo, est portée par un souffle tellement puissant que sa monumentalité n’indispose pas l’auditeur. Comme l’indique Bernard Gavoty, « La Messe de Vierne est, dans l’ordre du triomphal, la digne réplique du Requiem de Fauré ». L’œuvre a été enregistrée avec bonheur par l’un des successeurs du compositeur à la tribune de Notre-Dame de Paris, Pierre Cochereau.

Daniel Lavialle: Méthode de Guitare (Guitar solo)

Guitar Method – Year 1 by Daniel Lavialle is a method for beginners (including children). This really educational and melodic method requires a basic knowledge of theory and rhythms which could be taught by a teacher. It can also be chosen for a tailored-learning method, the professor deciding which parts fit the player the best. Daniel Lavialle also edited a set of fifteen studies for Guitar, initially by Mauro Giuliani, Fernando Sor and Matteo Carcassi.

Odette Gartenlaub: Three Faces (Piano)

Trois Visages  is a set of three pieces for Piano written by Odette Gartenlaub . These pieces are considered challenging and difficult and would fit advanced players. Very melodic, each of these three pieces covers 2 pages and they can be played separately. Winner of the Prix de Rome in 1948, Odette Gartenlaub (1922-2014) has written various works for orchestra, chamber ensemble and solo instruments such as 'For the Horn', 'Seven Little studies' or 'Five easy pieces for Flute and Piano' among others.

Giuseppe Gariboldi: 20 Etudes chantantes Op.88 (Flute solo)

20 Melodic Studies, Op. 88 by Giuseppe Gariboldi is a series of 20 pleasant studies arranged for Flute. Quite challenging and with many nuances, 20 Melodic Studies, Op. 88 would fit intermediate/advanced players and fill them with enjoyment while developing their learning and techniques. Giuseppe Gariboldi (1833-1905) is an Italian flautist and composer who wrote numerous pieces for Flute. Most of his study books are still used to teach the Flute, including also 'Dainty studies, Op. 131' or 'Daily exercises, Op. 89'.

Jeanine Rueff: Concertino Op.17 (Saxophone-Alto & Piano)

Composed by Jeanine Rueff , Concertino is dedicated to Marcel Mule. Initially for Alto Saxophone and Chamber Orchestra, these scores are arranged for Alto Saxophone and Piano, and would fit players with advanced skills and ability. Written in three distinctive parts: Allegro Molto (tempo 144), Lento (tempo 54) and Vivo (tempo 132). Well composed, quite challenging but very lyrical, this piece is really enjoyable and would be perfect for recitals. Jeanine Rueff composed numerous pieces for Saxophone which are often used in contests, as well as many pieces for Saxhorn, Clarinet, Horn and Cornet.

Eugene Bourdeau: Solo No.1 (Bassoon/Piano)

Composed by Eugène Bourdeau ,  Premier Solo (1894) is a fabulous piece for Bassoon and Piano written for the Paris Conservatoire contest. This edition was edited by G. Dhérin , a professor at the Paris Conservatoire. Really rich but also challenging, this piece is a standard of the Bassoon repertoire and would fit the skills of upper-intermediate players. It lasts for around 5 minutes. Eugène Bourdeau (1850-1925) was a professor at the Paris Conservatoire. He composed other pieces for Bassoon such as the 'Second solo' or the '30 Exercises'.

Wolfgang Amadeus Mozart: Menuet de Duport (Classiques No.80) (Flute & Piano)

Number 80 of the collection "Classics for Flute" by Marcel Moyse, Minuet Of Mr. Duport is a piece initially composed by Mozart and arranged for Flute and Piano accompaniment. The main theme starts with a Tempo di Minuetto, which is then followed by four variations and a final part Allegro ending up with a Cadenza. Quite amazing, this piece is difficult to play and will fit upper intermediate players. It is a great piece to listen to that would definitely work well in a concert or in a recital.

Auguste Périer: 331 Exercices journaliers de Mécanisme (Clarinet solo)

Written by Auguste Périer ,  331 Exercices Journaliers De Mécanisme  is a must-have set of daily exercises that will help to develop a better technique. With exercises that fit intermediate to advanced players, this volume will definitely help the Clarinet players to gain agility and dexterity. Each exercise is very short, and a guide on how to use the book is written at the beginning. Auguste Périer (1883-1947) is a French clarinettist who obtained the First Prize of the Paris Conservatoire. He was later solo Clarinet at the Opéra-Comique and professor at the Conservatoire.

Paul Jeanjean: Etudes modernes (Flute solo)

Études Modernes  for the Flute is a set of sixteen studies by Paul Jeanjean (1874-1928). Composed in 1868, and initially composed for Clarinet, these studies would fit advanced players. Each one of these  Études Modernes  is 3 or 4 pages long and extremely technically challenging. They all require strong attention, good endurance and they could be used to prepare the player for combinations of chords and rhythmic figures of contemporary music. Paul Jeanjean (1874-1928) is a French composer known for his clarinet compositions. He also composed '"Vade-Mecum" of the Clarinet Player', 'Arabesques' and 'Clair Matin'.

Marcel Tournier: Féérie (Prélude et Danse) (Harp solo)

Written by Marcel Tournier ,  Féerie – Prelude Et Dance is a piece for Harp dedicated to Alphonse Hasselmans and to be played on the Pedal Harps. This piece would fit the skills and abilities of advanced Harp players and the technical difficulties encountered are numerous: hand-crossings, numerous arpeggios, natural harmonies, many accidental alterations as well as some pedal changes. Marcel Tournier (1879-1951) was a French harpist and teacher. He studied with Alphonse Hasselmans at the Paris Conservatoire and composed numerous pieces for Solo Harp: ' Russian Lullabies', 'Six Christmas', 'Four Preludes' and 'Three images, suite 1, Op. 29' among many others.