Vores kunder ligger øverst på Google

Paul Arma: Le Tour du Monde en 20 Minutes (Piano solo)

Thierry Carré-Chesneau: Danse & La Dame de la Tour (Piano solo)

La Tour La De Piece Tiree Du 3eme Livre Lp1 Harpsichord Book

Brasseur Am Stram Gram Pj344 La Tour Prends Garde Eh Aye Vce & Inst Bk

Eugène Bozza: Aria (Book/Download Card)

Composer and conductor Eugène Bozza (1905-1991) was a pupil of Henri Büsser and Henri Rabaud at the Conservatoire de Paris, and received the first Prix de Rome in 1934. It was during his stay the Villa Medici that he wrote his Aria Pour Saxophone Alto Et Piano – an adaptation of the third movement of Johan Sebastian Bach’s Organ Pastorale in F Major BWV 590, which was to tour the world. This nostalgia-imbued melody, which expands over a regular meter, has, in turn, been the subject of numerous transcriptions, first for clarinet, then for Violin (or Flute) and Piano. Éditions Leduc have chosen to republish this last version, with the added bonus of an audio version that should be of valuable assistance to all musicians!

Orphée aux enfers (version 1874 chant et piano)

Créé au Théâtre des Bouffes-Parisiens le 21 octobre 1858, l’opéra bouffon en 2 actes Orphée aux enfers de Jacques Offenbach (1819-1880), sur un livret d’Henri Crémieux et de Ludovic Halévy, constitua le premier succès lyrique de l’éditeur Heugel puisque l’œuvre réussit à s’imposer rapidement sur les scènes du monde entier (1860 à Vienne, l’année suivante à New-York...). Cette parodie mythologique, qui choqua nombre de bien-pensants, ne cherchait nullement à profaner la légende originelle ou même l’opéra de Gluck, mais plutôt à railler l’utilisation abusive qu’en faisait une certaine élite académique : pour échapper à la momification, rien de tel qu’une salve de rires ! La musique de celui que l’on surnommera bientôt « le roi du Second Empire » réussit le tour de force d’allier la plus grande légèreté au raffinement. Il s’agit ici de l’édition piano-chant de la seconde version d’Orphée aux enfers, repris triomphalement en 1874 au Théâtre de la Gaîté avec le sous-titre : opéra-féérie en 4 actes et 12 tableaux.

Giovanni Gabrieli: Sonata pian'e forte, Sacred Symphony, for Eight-Part Brass Choir

Transcribed by popular brass arranger, Robert King , this edition of Giovanni Gabrieli's  Sonata pian'e forte provides an exciting performance piece for a large Brass Ensemble. Being one of the most influential musicians during the shift from the Renaissance to the Baroque era, it is no secret that the composer leaned himself primarily to vocal and sacred works. Sonata pian'e forte means an instrumental piece using soft and loud dynamics. Composed in 1597, this piece is composed in the Venetian polychoral style, and would have been written to be played in Catholic services at St. Mark's in Venice. King 's arrangement of this historical work is indispensable for Brass Ensembles.

M. Nagatomi: 3 Esquisses (Piano solo)

Trois Esquisses  is a series of three pieces for Piano named after the elements. Composed by Masayuki Nagatomi , it is quite a difficult series to play and it requires some advanced skills and abilities. The total duration of the set is 5'30 minutes. The pieces are:  1. Wind - which main theme represents a soft and quiet breeze, 1'30 2. Fire - fast and violent, which can destroy everything, and which depicts the flames sometimes big and sometimes smaller, 1'30 3. Water and Earth - really slow to start with, this part sounds like a river flowing quietly, with some part of acceleration The most difficult aspect of this series will probably be to give the correct execution for the audience to recognise each element.

Gabriel & André Fauré G.& Messager A.: Messe des Pêcheurs de Villerville (Choral-Female accompanied)

Composed by Gabriel Fauré and André Messager during their holidays in Villerville in 1881,  Messe Des Pécheurs De Villerville  is a mass dedicated to the fishermen of this city located in Normandy. Initially for Female choir, Harmonium and solo Violin, it was arranged by the authors in 1882 for Female choir and Chamber Orchestra. These scores, based on the two manuscripts, are the arranged version for Female choir and Piano by Odette Gartenlaub. Written in Latin, this mass features five parts which had been distributed in-between the two composers: 1. Kyrie - Messager 2. Gloria – Fauré 3. Sanctus – Fauré 4. O Salutaris (motet) - Messager 5. Agnus Dei - Fauré This mass is really soft, melodious and delicate, occasionally reminiscent of the motets by Gounod.

Patrick Burgan: Songe À La Douceur (Cello)

The composer Patrick Burgan and the giant of French music Henri Dutilleux formed real elective affinities with each other. Dutilleux never missed an oppor­tunity to mention the high esteem in which he held the younger musician’s work. Dedicated to the memory of Henri Dutilleux, Songe À La Douceur takes its title from the 2nd verse of 'L’Invitation au Voyage', from the 'Fleurs du mal' by Baudelaire – a poet who was a constant source of inspiration for Dutilleux.  Burgan invites listeners to explore the musical universe of the French master: the numerous quotations of his work, duly flagged in the score, form a superb constellation that stretches from the Mystère de l’Instant to the Deuxième Symphonie via the quartet Ainsi la nuit, Métaboles and the concerto for cello Tout un monde lointain. Reflecting L’Invitation au Voyage, the composer follows the principle of verse and refrain, and the hypnotic return of the soft chords in pizzicato echoes the famous lines: “Là, tout n’est qu’ordre et beauté, / Luxe, calme et volupté”. This tribute, in the form of a delicate alchemy, combines sparkle, sweetness and spirit.