Vores kunder ligger øverst på Google

Cantata BWV 80 Ein feste Burg ist unser Gott

Ein feste Burg ist unser Gott BWV 80 (A Mighty Fortress is our God)Cantata for the Feast of ReformationThere are practically no surviving original sources for Bach's great Reformation Cantata 'Ein feste Burgist unser Gott'. It is possible that the original form of the Cantata was written in Weimar in 1715 to which Bach later made various additions and alterations to transform it into a Reformation Cantata for Leipzig. Although scholarly opinion as to the sources is divided there is no doubt that the opening chorus, based on Martin Luther's chorale melody 'Ein feste Burg' is one of Bach's greatest achievements.Urtext oftheNew Bach EditionPerformance material (BA10080), vocal score (BA10080-90) & study score format 22.5 x 16.5cm (TP1080) available for sale

33 Variations on a Waltz op. 120 and Variations : on a Given Theme Most Excellent Composers and Virtuosos Diabelli Variations

Beethoven’s “Diabelli Variations”, written between 1819 and 1823, mark the pinnacle of his oeuvre for variations and next to Bach’s “Goldberg Variations” form one of the most important contributions to this genre. In addition to Beethoven, 50 other composers from Austria, mainly Vienna, followed Diabelli’s call to create variations for his famous waltz, among them Czerny, Moscheles, Fr. X. Mozart, Schubert, the 11-year-old Liszt and J. N. Hummel. The variations first printed by Diabelli fictively as “Fatherlandish Union of Artists Part I” (Beethoven’s op. 120) and “Part II” (the 50 variations of Vienna’s “most excellent composers and virtuosos”) are presented here by Mario Aschauer for the first time in one edition. Furthermore the variations of Part II appear in an Urtext edition for the first time. The musical text is based on a meticulous study of the sources and for the first time relevant discrepancies between the main sources are presented in light grey print. A detailed Critical Commentary (Eng) and notes regarding Viennese piano performance practice during Beethoven’s day complete this special Urtext edition based on the most current research.

Cantata BWV 80 Ein feste Burg ist unser Gott : Cantata for the Feast of Reformation

Ein feste Burg ist unser Gott BWV 80 (A Mighty Fortress is our God)Cantata for the Feast of ReformationThere are practically no surviving original sources for Bach's great Reformation Cantata 'Ein feste Burgist unser Gott'. It is possible that the original form of the Cantata was written in Weimar in 1715 to which Bach later made various additions and alterations to transform it into a Reformation Cantata for Leipzig. Although scholarly opinion as to the sources is divided there is no doubt that the opening chorus, based on Martin Luther's chorale melody 'Ein feste Burg' is one of Bach's greatest achievements.Urtext oftheNew Bach EditionPerformance material (BA10080), vocal score (BA10080-90) & study score format 22.5 x 16.5cm (TP1080) available for sale

Cantata BWV 80 Ein feste Burg ist unser Gott : Cantata for the Feast of Reformation

Ein feste Burg ist unser Gott BWV 80 (A Mighty Fortress is our God)Cantata for the Feast of ReformationThere are practically no surviving original sources for Bach's great Reformation Cantata 'Ein feste Burgist unser Gott'. It is possible that the original form of the Cantata was written in Weimar in 1715 to which Bach later made various additions and alterations to transform it into a Reformation Cantata for Leipzig. Although scholarly opinion as to the sources is divided there is no doubt that the opening chorus, based on Martin Luther's chorale melody 'Ein feste Burg' is one of Bach's greatest achievements.Urtext oftheNew Bach EditionPerformance material (BA10080), vocal score (BA10080-90) & study score format 22.5 x 16.5cm (TP1080) available for sale

Chorgesänge des 20. Jahrhunderts -

120 geistliche und weltliche Chorlieder, Motetten, Kanons, Choral- und Volksliedsätze choral score, Anthology mixed choir-SATB Paperback

Pelléas et Mélisande op. 80 : Suite for Orchestra

Incidental music with the famous 'Sicilienne'Fauré wrote “Pelléas et Mélisande” in 1898 originally as incidental music to Maurice Maeterlinck’s like-named play. After the premiere and subsequent performances, heset about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard.In December 1912, the four-movementversion of “Pelléas et Mélisande” was finally premiered. The additional movement, the Sicilienne, was taken from the third interlude of the incidental music. This delightful piece would later become one of Fauré’smostpopular compositions and now exists in countless arrangements.Bärenreiter’s new scholarly-critical edition of the four-movement orchestral suite “Pelléas et Mélisande” Op.80 is based on “Gabriel Fauré TheComplete Works”, Volume IV/2 which appeared in 2016.First Urtext edition Based on “Gabriel Fauré The Complete Works”Score and orchestral parts available for sale (BA7895)

Pelléas et Mélisande op. 80 : Suite for Orchestra

Incidental music with the famous 'Sicilienne'Fauré wrote “Pelléas et Mélisande” in 1898 originally as incidental music to Maurice Maeterlinck’s like-named play. After the premiere and subsequent performances, heset about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard.In December 1912, the four-movementversion of “Pelléas et Mélisande” was finally premiered. The additional movement, the Sicilienne, was taken from the third interlude of the incidental music. This delightful piece would later become one of Fauré’smostpopular compositions and now exists in countless arrangements.Bärenreiter’s new scholarly-critical edition of the four-movement orchestral suite “Pelléas et Mélisande” Op.80 is based on “Gabriel Fauré TheComplete Works”, Volume IV/2 which appeared in 2016.First Urtext edition Based on “Gabriel Fauré The Complete Works”Score and orchestral parts available for sale (BA7895)

Pelléas et Mélisande op. 80 : Suite for Orchestra

Incidental music with the famous 'Sicilienne'Fauré wrote “Pelléas et Mélisande” in 1898 originally as incidental music to Maurice Maeterlinck’s like-named play. After the premiere and subsequent performances, heset about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard.In December 1912, the four-movementversion of “Pelléas et Mélisande” was finally premiered. The additional movement, the Sicilienne, was taken from the third interlude of the incidental music. This delightful piece would later become one of Fauré’smostpopular compositions and now exists in countless arrangements.Bärenreiter’s new scholarly-critical edition of the four-movement orchestral suite “Pelléas et Mélisande” Op.80 is based on “Gabriel Fauré TheComplete Works”, Volume IV/2 which appeared in 2016.First Urtext edition Based on “Gabriel Fauré The Complete Works”Score and orchestral parts available for sale (BA7895)

Pelléas et Mélisande op. 80 : Suite for Orchestra

Incidental music with the famous 'Sicilienne'Fauré wrote “Pelléas et Mélisande” in 1898 originally as incidental music to Maurice Maeterlinck’s like-named play. After the premiere and subsequent performances, heset about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard.In December 1912, the four-movementversion of “Pelléas et Mélisande” was finally premiered. The additional movement, the Sicilienne, was taken from the third interlude of the incidental music. This delightful piece would later become one of Fauré’smostpopular compositions and now exists in countless arrangements.Bärenreiter’s new scholarly-critical edition of the four-movement orchestral suite “Pelléas et Mélisande” Op.80 is based on “Gabriel Fauré TheComplete Works”, Volume IV/2 which appeared in 2016.First Urtext edition Based on “Gabriel Fauré The Complete Works”Score and orchestral parts available for sale (BA7895)

Pelléas et Mélisande op. 80 : Suite for Orchestra

Incidental music with the famous 'Sicilienne'Fauré wrote “Pelléas et Mélisande” in 1898 originally as incidental music to Maurice Maeterlinck’s like-named play. After the premiere and subsequent performances, heset about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard.In December 1912, the four-movementversion of “Pelléas et Mélisande” was finally premiered. The additional movement, the Sicilienne, was taken from the third interlude of the incidental music. This delightful piece would later become one of Fauré’smostpopular compositions and now exists in countless arrangements.Bärenreiter’s new scholarly-critical edition of the four-movement orchestral suite “Pelléas et Mélisande” Op.80 is based on “Gabriel Fauré TheComplete Works”, Volume IV/2 which appeared in 2016.First Urtext edition Based on “Gabriel Fauré The Complete Works”Score and orchestral parts available for sale (BA7895)

33 Variations on a Waltz op. 120 : Diabelli Variations

Symphony - Mozart, Wolfgang Amadeus

1st and 2nd movements (Overture and No.1 from "Ascanio in Alba" K. 111). Final movement K. 120 score, Urtext edition 2Fl/2Ob/2Hn/2Trp/Str Hæftet udgave D major

Alleluja-Psalm (Psalm 80)

Trio d-Moll op. 120 / Quartet e-Moll op. 121 - Fauré, Gabriel

for Piano, Violin and Violoncello / for String Quartet complete edition, score, Anthology, Urtext edition piano/V/Vc/2V/Va/Vc Indbundet udgave

Thirteen Early String Quartets

In his youth, Mozart produced two authentic cycles of six string quartets: K.155 160 (Nos.2 7) and K.168 173 (Nos.8 13). Together with their forerunner, the so-called “Lodi” Quartet, K.80 (No.1), this adds up to atotal of thirteen juvenile quartets, all of which may be regarded as early prototypes of their genre.- Urtext of the New Mozart Edition- Parts Books 1-4 BA4847-BA4850 & study score format 16.5 x 22.5cm TP318available for sale

Sinfonie in D minor : Hob. I:80

Sinfonie in D minor : Hob. I:80

Sinfonie in D minor : Hob. I:80

Sinfonie in D minor : Hob. I:80

Sinfonie in D minor : Hob. I:80

Sinfonie in D minor : Hob. I:80

Sonatas in F minor and E-flat major - Brahms, Johannes

after op. 120 for Violin and Piano With an Urtext solo part and a solo part with bowing and fingering by Clive Brown; Fingering in the Piano part by Neal Peres Da Costa; Performance Practice Commentary by Clive Brown and Neal Peres Da Costa Performance score, part(s), Urtext edition V/piano Paperback

Radamisto Wwv 12 B

OpEra comique in three acts. By Christoph Willibald von Gluck. Edited by Harald Heckmann. Arranged by Elisabeth Heckmann. Text: Louis H Dancourt. For Soprano Solo (4), Tenor Solo (3), Bass Solo (3), Speaker (2), Orchestra. PianoReduction/Vocal Score; Urtext Edition (paperbound). Duration 120'. Published by Baerenreiter-Ausgaben (German import). (BA2280 90) ISBN M006419524.

La Rencontre imprevue : Opéra comique in 3 Akten

OpEra comique in three acts. By Christoph Willibald von Gluck. Edited by Harald Heckmann. Arranged by Elisabeth Heckmann. Text: Louis H Dancourt. For Soprano Solo (4), Tenor Solo (3), Bass Solo (3), Speaker (2), Orchestra. PianoReduction/Vocal Score; Urtext Edition (paperbound). Duration 120'. Published by Baerenreiter-Ausgaben (German import). (BA2280 90) ISBN M006419524.

Das Glogauer Liederbuch III und IV : Dritter Teil: Nr. 1-120, vierter Teil: Nr. 121-294