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Sonata - Brahms, Johannes

for Violoncello and Piano With an Urtext solo part by Clive Brown and a solo part with bowing and fingering by Kate Bennett Wadsworth; Fingering in the Piano part by Neal Peres Da Costa; Performance Practice Commentary by C. Brown, N. P. Da Costa and K. B. Wadsworth score, part(s), Urtext edition Vc/piano Hæftet udgave E minor

Sonata - Brahms, Johannes

for Violoncello and Piano With an Urtext solo part by Clive Brown and a solo part with bowing and fingering by Kate Bennet Wadsworth; Fingering in the Piano part by Neal Peres Da Costa; Performance Practice Commentary by C. Brown, N. P. Da Costa und K. B. Wadsworth Performance score, part(s), Urtext edition Vc/piano Hæftet udgave F major

Musik & Kirche, Heft 2/2014 : Thema: C. P. E. Bach - viel mehr als nur der Sohn

Neue Ausgabe Sämtlicher Orgelwerke IV

The publication of the fourth volume concludes the New Edition of the Complete Organ Works by Hugo Distler. The organ partita “Jesus Christus, unser Heiland“ is already available in a shorter version (Choral – Bicinium – Ricercare und Satz, (Distler: Organ Works II (BA 9232), p.7). Here it is published for the first time in its original, larger form containing a chorale, eight variations and the older ricercar.This scholarly-critical edition includes a comprehensive Foreword on Distler’s organ works, a detailed Critical Commentary (Ger/Eng) as well as a complete facsimile of the source material and registration examples from Distler’s favorite organ atLübeck’s St Jakobi Church.

Concerto For Harpsichord No.5 In F Minor : for Harpsichord and Strings

In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor, BWV 1056, is the fifth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model isnowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228), two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Concerto For Harpsichord No.5 In F Minor

In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor, BWV 1056, is the fifth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model isnowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228), two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Concerto For Harpsichord No.5 In F Minor

In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor, BWV 1056, is the fifth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model isnowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228), two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Concerto For Harpsichord No.5 In F Minor

In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor, BWV 1056, is the fifth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model isnowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228), two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Concerto For Harpsichord No.5 In F Minor

In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor, BWV 1056, is the fifth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model isnowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228), two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Three Sonates For Pianoforte : WoO 47 Kurfürsten Sonatas

These pieces, known as the Kurfürsten Sonatas, were composed in 1783 with a dedication to the Archbishop and Elector (Kurfürst) of Cologne, Maximilian Friedrich, while Beethoven was still studying with Christian Gottlob Neefein Bonn. “He will certainly become a second Wolfgang Amadeus Mozart, if he progresses as he started off“, Neefe wrote enthusiastically in the same year.Announced as an “excellent composition by a young genius of elevenyears”, these three impressive and technically challenging sonatas are still fully beholden to the style of C. P. E. Bach and the Mannheim School. For students, they offer an ideal introduction to the early classicalsonatarepertoire and train brilliance in piano technique.Scholarly-critical Urtext edition at the cutting edge of scholarshipSpacious engraving with practical page turnsIdeal introduction to thesonata repertoireInformative Introduction (Eng/Ger)Valuable notes on period performance practice (Eng/Ger)

Harpsichord Concerto No.1 in D minor : BWV 1052

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The D-minor Concerto, BWV 1052, forms the opening item in Bach’s autograph score of hissix harpsichord concertos, BWV 1051 to BWV 1057 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). Bach scholars are unanimously in agreement that the piece was transcribed from a violin concerto in the same key. Theoriginalconcerto, although no longer extant today, can be reconstructed with some degree of certainty from its various transcriptions.Urtext of the New Bach EditionFull score & parts (BA5224), two-keyboardreduction (BA5224-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Harpsichord Concerto No.2 in E major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bachprepared in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument, although opinions differ on the original key and instrument. Bach hadalreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169), at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas,for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225), two-keyboard reduction (BA5225-90) andstudy score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Harpsichord Concerto No.2 in E major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bachprepared in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument, although opinions differ on the original key and instrument. Bach hadalreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169), at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas,for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225), two-keyboard reduction (BA5225-90) andstudy score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Harpsichord Concerto No.2 in E major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bachprepared in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument, although opinions differ on the original key and instrument. Bach hadalreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169), at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas,for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225), two-keyboard reduction (BA5225-90) andstudy score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Zehn Choralvorspiele

The Ten Choral Preludes for Organ are intended for both liturgical purposes and concert performance. For this reason the notation is written in two staves, which is not usual for the Organ. The former of thetwo purposes forced the composer to respect certain limitations of technical complexity, so that even an untrained organist could perform the pieces. The themes to each overture are taken from Bohemian Brethren chorales, whichappear in their original form as brief “intonations” in the first few bars preceding each overture. The piece was composed in 1971.Contents:O, svetlo, Trojice svatá / Es geht daher des Tages Schein / Oh, Light, theHolyTrinity.Ej, nuz lacn , z zniv / Wohlauf, die ihr hungrig seid / Ye Who Are Hungry and Trinity.D ky vzdávám / Ich Dank dir schon durch deinen Sohn / I giv Thank.In Natali Domino.Jiz zasla slunce záre / Hinunterist der Sonne Schein / The Sunshine Has Departed.Umucen N. P. Jezu Krista / Jesu Kreuz, Leiden und Pein / The Suffering of Our Lord Jesus Christ.O, clovece, povstaniz / Sonne der Gerechtigkeit / Oh, Man, Arise.Hr chusvych oplakej / Es sind doch selig alle / Bewail Thy Sins.Nastala noc / Die Nacht ist gekommen / Night Has Fallen.Jat jsem v tom rozveselen / Lob Gott getrost mit Singen / I Rejoice In It

Harpsichord Concerto No.2 in E major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bachprepared in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument, although opinions differ on the original key and instrument. Bach hadalreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169), at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas,for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225), two-keyboard reduction (BA5225-90) andstudy score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Harpsichord Concerto No.2 in E major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bachprepared in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument, although opinions differ on the original key and instrument. Bach hadalreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169), at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas,for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225), two-keyboard reduction (BA5225-90) andstudy score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Harpsichord Concerto No.3 in D major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The D-major Concerto, BWV 1054, originated as a transcription of Bach’s Violin Concertoin E major, BWV 1042. The principal source for our edition is the autograph score of Bach’s harpsichord concertos preserved in the Berlin Staatsbibliothek (Mus. ms. Bach P 234), where BWV 1054 forms the third item. Toaccommodatethe upper limit of the harpsichord keyboard, Bach decided to transpose the piece down a whole tone, which allowed him to retain the frequently occurring peak pitch e3 without altering the melodic line.The D-major Concertoowes its popularity to the clear and straightforward formal design of its movements no less than its overall mood of relaxed merriment. This mood also finds expression in Bach’s choice of the rondo form for the final movement, aform otherwise seldom encountered in his concertos.Urtext of the New Bach EditionFull score & parts (BA5226), two-keyboard reduction (BA5226-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos)available for sale

Concerto For Harpsichord No.6 In F Major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major, BWV 1052 is the sixth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). The initials at the end of the piece, SDGl ('Soli Deo Gloria'), form a pendant to the J.J. ('Jesus Juva') found attheopening of the D-minor Concerto, BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus, the only authentic and self-contained collection of concertos we have from Bach apart from his presentationcopy of the Brandenburg Concertos (1721). Like all the other concertos in this series, BWV 1057 is an arrangement of an earlier work, in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the NewBach EditionFull score & parts (BA5229), two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Concerto For Harpsichord No.6 In F Major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major, BWV 1052 is the sixth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). The initials at the end of the piece, SDGl ('Soli Deo Gloria'), form a pendant to the J.J. ('Jesus Juva') found attheopening of the D-minor Concerto, BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus, the only authentic and self-contained collection of concertos we have from Bach apart from his presentationcopy of the Brandenburg Concertos (1721). Like all the other concertos in this series, BWV 1057 is an arrangement of an earlier work, in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the NewBach EditionFull score & parts (BA5229), two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Concerto For Harpsichord No.6 In F Major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major, BWV 1052 is the sixth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). The initials at the end of the piece, SDGl ('Soli Deo Gloria'), form a pendant to the J.J. ('Jesus Juva') found attheopening of the D-minor Concerto, BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus, the only authentic and self-contained collection of concertos we have from Bach apart from his presentationcopy of the Brandenburg Concertos (1721). Like all the other concertos in this series, BWV 1057 is an arrangement of an earlier work, in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the NewBach EditionFull score & parts (BA5229), two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Concerto For Harpsichord No.6 In F Major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major, BWV 1052 is the sixth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). The initials at the end of the piece, SDGl ('Soli Deo Gloria'), form a pendant to the J.J. ('Jesus Juva') found attheopening of the D-minor Concerto, BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus, the only authentic and self-contained collection of concertos we have from Bach apart from his presentationcopy of the Brandenburg Concertos (1721). Like all the other concertos in this series, BWV 1057 is an arrangement of an earlier work, in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the NewBach EditionFull score & parts (BA5229), two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Concerto For Harpsichord No.6 In F Major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major, BWV 1052 is the sixth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). The initials at the end of the piece, SDGl ('Soli Deo Gloria'), form a pendant to the J.J. ('Jesus Juva') found attheopening of the D-minor Concerto, BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus, the only authentic and self-contained collection of concertos we have from Bach apart from his presentationcopy of the Brandenburg Concertos (1721). Like all the other concertos in this series, BWV 1057 is an arrangement of an earlier work, in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the NewBach EditionFull score & parts (BA5229), two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Harpsichord Concerto No.3 in D major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The D-major Concerto, BWV 1054, originated as a transcription of Bach’s Violin Concertoin E major, BWV 1042. The principal source for our edition is the autograph score of Bach’s harpsichord concertos preserved in the Berlin Staatsbibliothek (Mus. ms. Bach P 234), where BWV 1054 forms the third item. Toaccommodatethe upper limit of the harpsichord keyboard, Bach decided to transpose the piece down a whole tone, which allowed him to retain the frequently occurring peak pitch e3 without altering the melodic line.The D-major Concertoowes its popularity to the clear and straightforward formal design of its movements no less than its overall mood of relaxed merriment. This mood also finds expression in Bach’s choice of the rondo form for the final movement, aform otherwise seldom encountered in his concertos.Urtext of the New Bach EditionFull score & parts (BA5226), two-keyboard reduction (BA5226-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos)available for sale

Concerto For Harpsichord No.6 In F Major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major, BWV 1052 is the sixth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). The initials at the end of the piece, SDGl ('Soli Deo Gloria'), form a pendant to the J.J. ('Jesus Juva') found attheopening of the D-minor Concerto, BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus, the only authentic and self-contained collection of concertos we have from Bach apart from his presentationcopy of the Brandenburg Concertos (1721). Like all the other concertos in this series, BWV 1057 is an arrangement of an earlier work, in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the NewBach EditionFull score & parts (BA5229), two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale