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Symphony No.36 In C K.425 Linz : Linz Symphony

Mozart composed the Symphony In C Major K.425, known as the “Linz Symphony”, within a few days in October/early November 1783 in the palace of Count Johann Joseph Anton von Thun-Hohenstein (1711 1798)in Linz where, together with Constanze, he stayed for three weeks on the way back from a trip to Salzburg. “On Tuesday, the fourth of November”, wrote Mozart to his father on 31 October (the day after his arrival inLinz), “I will be giving a concert in the theatre and since I have no symphony with me, I am writing one as fast as I can, for it must be ready by then”. Accordingly, this work was performed for the first time in the theaterinLinz on 4 November 1783.Urtext of the New Mozart EditionFull score and parts (BA4704) and study score format 22.5 x 16.5cm (TP16) available for sale

SEK 123.00

1

Symphony No.36 In C K.425 Linz : Linz Symphony

Mozart composed the Symphony In C Major K.425, known as the “Linz Symphony”, within a few days in October/early November 1783 in the palace of Count Johann Joseph Anton von Thun-Hohenstein (1711 1798)in Linz where, together with Constanze, he stayed for three weeks on the way back from a trip to Salzburg. “On Tuesday, the fourth of November”, wrote Mozart to his father on 31 October (the day after his arrival inLinz), “I will be giving a concert in the theatre and since I have no symphony with me, I am writing one as fast as I can, for it must be ready by then”. Accordingly, this work was performed for the first time in the theaterinLinz on 4 November 1783.Urtext of the New Mozart EditionFull score and parts (BA4704) and study score format 22.5 x 16.5cm (TP16) available for sale

SEK 123.00

1

Symphony in E-flat major Hob. I:76

Haydn composed his Symphony no. 76 at the same time as his Symphonies nos. 77 and 78 for a planned trip to England that never took place. Nonetheless, H. C. Robbins Landon calls these works the “English symphonies” as they arestylistically closely linked to the “London Bach”, Johann Christian Bach. Haydn himself, in a letter of 1783 to his Parisian publisher Charles-Georges Boyer, described the symphonies as ‘Leicht und nicht vil Concertirend”, meaningthat they were light in spirit and did not contain extensive solo passages but rather a clear sense of classical form.Continuing the cooperation between Bärenreiter and the G. Henle publisher regarding Haydn’s large-scalechoral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the “Works of Joseph Haydn”. The Bärenreiter catalogue now includes the complete performance material for several “Sturm und Drang”symphonies as well as all the London and Paris symphonies.

SEK 543.00

1

Symphony No.36 In C K.425 Linz : Linz Symphony

Mozart composed the Symphony In C Major K.425, known as the “Linz Symphony”, within a few days in October/early November 1783 in the palace of Count Johann Joseph Anton von Thun-Hohenstein (1711 1798)in Linz where, together with Constanze, he stayed for three weeks on the way back from a trip to Salzburg. “On Tuesday, the fourth of November”, wrote Mozart to his father on 31 October (the day after his arrival inLinz), “I will be giving a concert in the theatre and since I have no symphony with me, I am writing one as fast as I can, for it must be ready by then”. Accordingly, this work was performed for the first time in the theaterinLinz on 4 November 1783.Urtext of the New Mozart EditionFull score and parts (BA4704) and study score format 22.5 x 16.5cm (TP16) available for sale

SEK 123.00

1

Symphony No.36 In C K.425 Linz : Linz Symphony

Mozart composed the Symphony In C Major K.425, known as the “Linz Symphony”, within a few days in October/early November 1783 in the palace of Count Johann Joseph Anton von Thun-Hohenstein (1711 1798)in Linz where, together with Constanze, he stayed for three weeks on the way back from a trip to Salzburg. “On Tuesday, the fourth of November”, wrote Mozart to his father on 31 October (the day after his arrival inLinz), “I will be giving a concert in the theatre and since I have no symphony with me, I am writing one as fast as I can, for it must be ready by then”. Accordingly, this work was performed for the first time in the theaterinLinz on 4 November 1783.Urtext of the New Mozart EditionFull score and parts (BA4704) and study score format 22.5 x 16.5cm (TP16) available for sale

SEK 559.00

1

Symphony No.36 In C K.425 Linz : Linz Symphony

Mozart composed the Symphony In C Major K.425, known as the “Linz Symphony”, within a few days in October/early November 1783 in the palace of Count Johann Joseph Anton von Thun-Hohenstein (1711 1798)in Linz where, together with Constanze, he stayed for three weeks on the way back from a trip to Salzburg. “On Tuesday, the fourth of November”, wrote Mozart to his father on 31 October (the day after his arrival inLinz), “I will be giving a concert in the theatre and since I have no symphony with me, I am writing one as fast as I can, for it must be ready by then”. Accordingly, this work was performed for the first time in the theaterinLinz on 4 November 1783.Urtext of the New Mozart EditionFull score and parts (BA4704) and study score format 22.5 x 16.5cm (TP16) available for sale

SEK 123.00

1

Symphony No.36 In C K.425 Linz : Linz Symphony

Mozart composed the Symphony In C Major K.425, known as the “Linz Symphony”, within a few days in October/early November 1783 in the palace of Count Johann Joseph Anton von Thun-Hohenstein (1711 1798)in Linz where, together with Constanze, he stayed for three weeks on the way back from a trip to Salzburg. “On Tuesday, the fourth of November”, wrote Mozart to his father on 31 October (the day after his arrival inLinz), “I will be giving a concert in the theatre and since I have no symphony with me, I am writing one as fast as I can, for it must be ready by then”. Accordingly, this work was performed for the first time in the theaterinLinz on 4 November 1783.Urtext of the New Mozart EditionFull score and parts (BA4704) and study score format 22.5 x 16.5cm (TP16) available for sale

SEK 123.00

1

Violin Concerto No.2 in D major K.211

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for Violin and orchestra as well as several single movements for the same scoring.The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied thepost of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimentingwith all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.New, straightforward Piano reduction (BA4863-90) with:- Violinsolo part with the Urtext of the New Mozart Edition- Additional violin solo part with fingerings, bowings and performance comments- Additional booklet with cadenzas and transitions by L. Auer, J. Joachim, S. Franko ,E. Ysaÿe , M. WulfhorstThis collection offers players a spectrum of styles available in no other publication.

SEK 116.00

1

Violin Concerto No.2 in D major K.211 : for Violin and Orchestra

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for Violin and orchestra as well as several single movements for the same scoring.The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied thepost of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimentingwith all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.New, straightforward Piano reduction (BA4863-90) with:- Violinsolo part with the Urtext of the New Mozart Edition- Additional violin solo part with fingerings, bowings and performance comments- Additional booklet with cadenzas and transitions by L. Auer, J. Joachim, S. Franko ,E. Ysaÿe , M. WulfhorstThis collection offers players a spectrum of styles available in no other publication.

SEK 252.00

1

Violin Concerto No.2 in D major K.211

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for Violin and orchestra as well as several single movements for the same scoring.The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied thepost of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimentingwith all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.New, straightforward Piano reduction (BA4863-90) with:- Violinsolo part with the Urtext of the New Mozart Edition- Additional violin solo part with fingerings, bowings and performance comments- Additional booklet with cadenzas and transitions by L. Auer, J. Joachim, S. Franko ,E. Ysaÿe , M. WulfhorstThis collection offers players a spectrum of styles available in no other publication.

SEK 105.00

1

Violin Concerto No.2 in D major K.211

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for Violin and orchestra as well as several single movements for the same scoring.The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied thepost of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimentingwith all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.New, straightforward Piano reduction (BA4863-90) with:- Violinsolo part with the Urtext of the New Mozart Edition- Additional violin solo part with fingerings, bowings and performance comments- Additional booklet with cadenzas and transitions by L. Auer, J. Joachim, S. Franko ,E. Ysaÿe , M. WulfhorstThis collection offers players a spectrum of styles available in no other publication.

SEK 116.00

1

Violin Concerto No.2 in D major K.211

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for Violin and orchestra as well as several single movements for the same scoring.The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied thepost of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimentingwith all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.New, straightforward Piano reduction (BA4863-90) with:- Violinsolo part with the Urtext of the New Mozart Edition- Additional violin solo part with fingerings, bowings and performance comments- Additional booklet with cadenzas and transitions by L. Auer, J. Joachim, S. Franko ,E. Ysaÿe , M. WulfhorstThis collection offers players a spectrum of styles available in no other publication.

SEK 220.00

1

Violin Concerto No.2 in D major K.211

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for Violin and orchestra as well as several single movements for the same scoring.The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied thepost of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimentingwith all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.New, straightforward Piano reduction (BA4863-90) with:- Violinsolo part with the Urtext of the New Mozart Edition- Additional violin solo part with fingerings, bowings and performance comments- Additional booklet with cadenzas and transitions by L. Auer, J. Joachim, S. Franko ,E. Ysaÿe , M. WulfhorstThis collection offers players a spectrum of styles available in no other publication.

SEK 105.00

1

Violin Concerto No.1 in B-flat major K.207

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for Violin and orchestra as well as several single movements for the same scoring.The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied thepost of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimentingwith all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.New, straightforward Piano reduction (BA4863-90) with:- Violinsolo part with the Urtext of the New Mozart Edition- Additional violin solo part with fingerings, bowings and performance comments- Additional booklet with cadenzas and transitions by L. Auer, J. Joachim, S. Franko ,E. Ysaÿe , M. WulfhorstThis collection offers players a spectrum of styles available in no other publication.

SEK 116.00

1

Violin Concerto No.1 in B-flat major K.207

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for Violin and orchestra as well as several single movements for the same scoring.The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied thepost of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimentingwith all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.New, straightforward Piano reduction (BA4863-90) with:- Violinsolo part with the Urtext of the New Mozart Edition- Additional violin solo part with fingerings, bowings and performance comments- Additional booklet with cadenzas and transitions by L. Auer, J. Joachim, S. Franko ,E. Ysaÿe , M. WulfhorstThis collection offers players a spectrum of styles available in no other publication.

SEK 242.00

1

Violin Concerto No.1 in B-flat major K.207

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for Violin and orchestra as well as several single movements for the same scoring.The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied thepost of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimentingwith all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.New, straightforward Piano reduction (BA4863-90) with:- Violinsolo part with the Urtext of the New Mozart Edition- Additional violin solo part with fingerings, bowings and performance comments- Additional booklet with cadenzas and transitions by L. Auer, J. Joachim, S. Franko ,E. Ysaÿe , M. WulfhorstThis collection offers players a spectrum of styles available in no other publication.

SEK 116.00

1

Violin Concerto No.1 in B-flat major K.207

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for Violin and orchestra as well as several single movements for the same scoring.The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied thepost of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimentingwith all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.New, straightforward Piano reduction (BA4863-90) with:- Violinsolo part with the Urtext of the New Mozart Edition- Additional violin solo part with fingerings, bowings and performance comments- Additional booklet with cadenzas and transitions by L. Auer, J. Joachim, S. Franko ,E. Ysaÿe , M. WulfhorstThis collection offers players a spectrum of styles available in no other publication.

SEK 248.00

1

Violin Concerto No.1 in B-flat major K.207

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for Violin and orchestra as well as several single movements for the same scoring.The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied thepost of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimentingwith all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.New, straightforward Piano reduction (BA4863-90) with:- Violinsolo part with the Urtext of the New Mozart Edition- Additional violin solo part with fingerings, bowings and performance comments- Additional booklet with cadenzas and transitions by L. Auer, J. Joachim, S. Franko ,E. Ysaÿe , M. WulfhorstThis collection offers players a spectrum of styles available in no other publication.

SEK 116.00

1

Violin Concerto No.1 in B-flat major K.207

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for Violin and orchestra as well as several single movements for the same scoring.The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied thepost of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimentingwith all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.New, straightforward Piano reduction (BA4863-90) with:- Violinsolo part with the Urtext of the New Mozart Edition- Additional violin solo part with fingerings, bowings and performance comments- Additional booklet with cadenzas and transitions by L. Auer, J. Joachim, S. Franko ,E. Ysaÿe , M. WulfhorstThis collection offers players a spectrum of styles available in no other publication.

SEK 116.00

1

Lucio Silla K.135

Lucio Silla K. 135Dramma per musica in three actsOn 13 December 1769 Leopold Mozart and his son Wolfgang set out on their first tour of Italy. It was not until 28 March 1771 that they finally returned to Salzburg.The trip brought the young composer two commissions for opere serie. In March 1770 he was commissioned to write Mitridate, K.87 (74a), for the 1770–71 Carneval season at the Regio Ducal Teatro in Milan. Mozart started workon the opera in Bologna on 29 September 1770, and the première duly took place on the Feast of St. Stephen (26 December) in 1770. The second, Lucio Silla (K. 135), again commissioned for the 1771–72 Carneval seasoninMilan, doubtless resulted from the success of Mitridate. News of the commission reached the Mozarts in March 1771 in Verona, where they had stopped on their return to Salzburg. (At roughly the same time Wolfgang received aninvitation from Vienna to supply a serenata teatrale for the wedding of Archduke Ferdinand, the third son of Maria Theresia, scheduled to take place in Milan in October 1771. This invitation ultimately resulted in Ascanio in Alba,K. 111.)- Urtext of the New Mozart Edition- Full score (BA4590-01) and vocal score (BA4590-90) available for sale- Performance material (BA4590-72) available for hire

SEK 963.00

1

Violin Concerto No.5 In A K.219 : for Violin and Orchestra

Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 1779. Especially important are the years 1773 and 1775, which witnessed the creation of the five concertos forViolin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity are partly that Mozart, who still occupied the post of concertmaster to the Prince-Archbishop, waseither obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting with all the new compositional techniquesacquiredduring his third trip to Italy and his stay of several months in Vienna from July to September 1773.Urtext of the New Mozart EditionFull score and performance material (BA4712), Violin and Pianoreduction (BA4712-90) and study score format 22.5 x 16.5cm (TP20) available for sale.The new Urtext performing editions to Mozart’s Violin concertos nos. 1-5 contain new easy to play Piano reductions. They offer in addition to the Urtext solo Violin part, an extra Violin part prepared with bowings and fingerings by M. Wulfhorst.A brochure with cadenzas, lead-ins and fermata embellishments by Joseph Joachim, Sam Franko,Leopold Auer, Eugène Ysaye and Martin Wulfhorst is also included.

SEK 269.00

1

Violin Concerto No.4 in D major K.218

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied the post ofconcertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimentingwithall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart’s D major violin concerto is easierto play, uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part isalso included with bowings, fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas, 'Eingänge' and fermata embellishments.This collection offers players aspectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866), violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273)available for sale

SEK 104.00

1

Violin Concerto No.4 in D major K.218

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied the post ofconcertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimentingwithall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart’s D major violin concerto is easierto play, uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part isalso included with bowings, fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas, 'Eingänge' and fermata embellishments.This collection offers players aspectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866), violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273)available for sale

SEK 104.00

1

Violin Concerto No.4 in D major K.218 : Piano Reduction

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied the post ofconcertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimentingwithall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart’s D major violin concerto is easierto play, uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part isalso included with bowings, fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas, 'Eingänge' and fermata embellishments.This collection offers players aspectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866), violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273)available for sale

SEK 248.00

1

Violin Concerto No.4 in D major K.218

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied the post ofconcertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimentingwithall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart’s D major violin concerto is easierto play, uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part isalso included with bowings, fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas, 'Eingänge' and fermata embellishments.This collection offers players aspectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866), violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273)available for sale

SEK 104.00

1

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Symphony No.36 In C K.425 Linz : Linz Symphony

Symphony No.36 In C K.425 Linz : Linz Symphony

Symphony in E-flat major Hob. I:76

Symphony No.36 In C K.425 Linz : Linz Symphony

Symphony No.36 In C K.425 Linz : Linz Symphony

Symphony No.36 In C K.425 Linz : Linz Symphony

Symphony No.36 In C K.425 Linz : Linz Symphony

Violin Concerto No.2 in D major K.211

Violin Concerto No.2 in D major K.211 : for Violin and Orchestra

Violin Concerto No.2 in D major K.211

Violin Concerto No.2 in D major K.211

Violin Concerto No.2 in D major K.211

Violin Concerto No.2 in D major K.211

Violin Concerto No.1 in B-flat major K.207

Violin Concerto No.1 in B-flat major K.207

Violin Concerto No.1 in B-flat major K.207

Violin Concerto No.1 in B-flat major K.207

Violin Concerto No.1 in B-flat major K.207

Violin Concerto No.1 in B-flat major K.207

Lucio Silla K.135

Violin Concerto No.5 In A K.219 : for Violin and Orchestra

Violin Concerto No.4 in D major K.218

Violin Concerto No.4 in D major K.218

Violin Concerto No.4 in D major K.218 : Piano Reduction

Violin Concerto No.4 in D major K.218

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