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Schürch: Was denkt die Maus am Donnerstag

Schürch: Was denkt die Maus am Donnerstag

Cyrill Schürch's attractive settings of three popular children's poems by the eminent author Josef Guggenmos will have your audience smile. Any of the pieces, from the funny "Was denkt die Maus am Donnerstag?" to the thoughtful "So ein Tag" and the catchy "Die Schatzkiste" will be a thrilling addition to your program. You can pick and choose or perform them as a set [fast-slow-fast]. Who knows, maybe the mouse will find a treasure chest on such a Thursday...?

SEK 186.00
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Miserere In C Minor

Miserere In C Minor

It was not only the musicians of the 16th and 17th centuries who – for liturgical reasons – regularly presented settings of the penitential psalm 50 (51). Even in later times, composers occasionally cultivated this tradition, for example, the "Bückeburger" Johann Christoph Friedrich Bach with his 12-movement composition dated around 1770 which was only discovered in 1975. Bach’s Miserere, held almost exclusively in flat keys, consists of a balanced alternation of choral and solo sections. One common stylistic feature of all the sections is, in particular, the lavishly used "empfindsam" suspensions and small ornamental notes. As an example of the pre-Classical era, thecomposition is well suited for programmes featuring fast and penance compositions from several epochs.

SEK 296.00
1

Telemannisches Gesangbuch

Telemannisches Gesangbuch

“Nun danket alle Gott”, “Befiehl du deine Wege” und “Ein feste Burg” Georg Philipp Teleman collected these and other well-known chorales in his Fast allgemeinen Evangelisch-Musicalischen Lieder-Buch from 1730. This “Telemannische Gesangbuch,“ as it was later also known, contains about 2,000 hymns, with over 500 melodies. Telemann’s declared goal was to create a practical hymnbook for use all of the German speaking regions. That was the starting point of the unique success story of a Protestant hymnbook. This, to date, buried musical treasure has now been produced as a CD by Klaus Mertens, Thomas Fritzsch, Stefan Maass and Michael Schönheit, as well the boysoprano, Vincent Frisch as a world premiere recording. Concept and instrumentation: Thomas Fritzsch

SEK 249.00
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