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Simon Holt: All Fall Down (Study Score)

Simon Holt: All Fall Down (Study Score)

All Fall Down by British composer Simon Holt was commissioned by the Nash Ensemble in 1994 and revised in 2008. This is the study score and is arranged for Chamber Ensemble, lasting around 9 minutes. The title takes its name from the traditional plague rhyme Ring A Ring O'Roses , which struck Holt as he was writing the piece as entirely appropriate, although not altogether explicable. It was first performed on the 26th of February 1994 at the Purcell Room in London, and is scored for E Flat Clarinet, Horn in F, Piano, Violin, Viola and Cello. 

SEK 276.00
1

The Chester Book Of Nursery Rhymes And Children's Songs

The Chester Book Of Nursery Rhymes And Children's Songs

169 classic songs arranged for piano, voice and Guitar.A wealth of all-time favourite songs for children, including Nursery rhymes, campfire songs and folk tunes, plus traditional games and activities all gathered together in one great collection.Titles include Simple Simon, Now I Lay Me Down To Sleep, Blowing Bubbles, Ride A Cock Horse, Frere Jacques, Doctor Foster, Now The Day Is Over, Hush, Little Baby, What Are Little Boys Made Of?, All The Pretty Little Horses, There Was A Crooked Man & Three Little Kittens plus many more!

SEK 236.00
1

Judith Weir: The Sweet Primroses

Judith Weir: The Sweet Primroses

The Sweet Primroses is a work by Judith Weir for Mezzo-Soprano Voice and Viola. Commissioned by the University of Birmingham for the CrossCurrents Festival 2016, the first performance was in February 2016 at the University's Elgar Concert Hall. A full performance lasts around 3 minutes.     When composing this piece, Weir challenged herself to write down as much as she could remember of one of her favourite English folk songs. The Voice sings the resulting narrative, while the Viola part represents the limits of memory.

SEK 177.00
1

Judith Weir: Two Human Hymns

Judith Weir: Two Human Hymns

Two Human Hymns comprises of settings for six-part choir and organ of two poems by 17th century English poets who are almost exact contemporaries; George Herbert and Henry King.The music for the choir is mostly composed in simple songlike shapes, which are little hymns. The texts, though clearly relate to Christian beliefs, could be more widely applicable to all human experience, which is why they have called them 'Human Hymns'.Thus, Love Bade Me Welcome (G.Herbert), whilst obviously a Christian allegory, can be read as a gently hypnotic love song, and it is attempted to capture something of this atmosphere in the setting. Like to the Falling of a Star (H.King), although it mentions no God, could be a Calvinist sermon, capping its lovely account of the wonders of nature with an almost operatically sinister denouement. In the first half of the piece, the music bubbles upwards, fresh and optimistic; in the second half, like all those doomed sinners, it is going down, down, down.The first performance was given by University of Aberdeen Chapel Choir, on 22nd October 1995. Duration: c.7 minutes.

SEK 167.00
1

Anthony Payne: Phoenix Mass (Study Score)

Anthony Payne: Phoenix Mass (Study Score)

The Phoenix Mass was conceived in 1965, although the Sanctus and Angus Dei were not written down until 1969. As its name implies, it marks a resurgence of creative activity after a fallow period. In the words of the composer, 'It is a record of spiritual rather than denominationally religious experience'.This work (for SATB chorus, trumpets and trombones) was first performed by the BBC Chorus and the Philip Jones Brass Ensemble, conducted by John Poole, in a broadcast on BBC radio 3 on October 2, 1973.Score.

SEK 246.00
1

James Whitbourn: Luminosity (Viola/Tanpura/Tam-Tam Parts)

James Whitbourn: Luminosity (Viola/Tanpura/Tam-Tam Parts)

Luminosity was commissioned by the conductor James Jordan of Westminster Choir College for the Westminster Williamson Voices, the women of the Westminster Schola Cantorum, the Blair Academy Singers (conductor, William Hammer) and the black-light dance company Archedream, for performance in Philadelphia Cathedral during April 2008. The text, compiled and edited by the composer, centres on the transcendent beauty of creation expressed by luminaries down the ages. Texts are taken from the writings of St. John; St. Teresa of Avila; Ryonen; St. Augustine; Julian of Norwich and St. Isaac of Nineveh.

SEK 276.00
1

James Whitbourn: Luminosity (Score)

James Whitbourn: Luminosity (Score)

Luminosity is commissioned by the conductor James Jordan of Westminster Choir College for the Westminster Williamson Voices, the women of the Westminster Schola Cantorum, the Blair Academy Singers (conductor, William Hammer) and the black-light dance company Archedream, for performance in Philadelphia Cathedral during April 2008. The text, compiled and edited by the composer, centres on the transcendent beauty of creation expressed by luminaries down the ages. Texts are taken from the writings of St. John; St. Teresa of Avila; Ryonen; St. Augustine; Julian of Norwich and St. Isaac of Nineveh.

SEK 246.00
1

Michael Nyman: Anne De Lucy Songs

Michael Nyman: Anne De Lucy Songs

Commissioned by and written for Nicola Walker Smith in October 1992, this set of songs takes as its starting point material from The Upside-Down Violin at Expo ?92 in Seville by The Michael Nyman Band and the Orquestra Andalusi de Tetuoan. The Moroccan orchestra plays only monophonically and consequently I wrote a ?pure? melody line - that is, one not built on harmony. The harmonic content of Anne de Lucy Songs is thus derived from the melody for the first time in my work. The text is an ode to the great Renaissance theorist and musical speculator Salinas by Fray Luis de Leon.

SEK 266.00
1

Kaija Saariaho: NoaNoa for Flute and Electronics

Kaija Saariaho: NoaNoa for Flute and Electronics

Kaija Saariaho is the most successful of contemporary Finnish composers, having won a number of international compositions, and has become best known for her works which exploit electronics. The inspiration for writing NoaNoa came at the time of writing the music for the ballet Maa. "I wanted to write down, exaggerate, even abuse certain flute mannerisms that had been haunting me for some years, and thus force myself to move into something new." NoaNoa is the work of a team, and many details in the flute part were worked out with Camilla Hoitenga. The electronic part was developed under the supervision of Jean-Baptiste Barriere with Xavier Chabot as programmer.

SEK 236.00
1

Michael Nyman: MGV (Musique A Grande Vitesse) - Study Score

Michael Nyman: MGV (Musique A Grande Vitesse) - Study Score

? Musique A Grande Vitesse ? ( MGV ) translates as ?high speed music? and was commissioned by the Festival de Lille for the inauguration of the TGV North European Paris-Lille line in 1993. The piece runs continuously, but was conceived as an abstract, imaginary journey; or rather five inter-connected journeys, each ending with a slow, mainly stepwise melody which is only heard in its 'genuine' form when the piece reaches its destination. Thematic 'transformation' is a key to MGV as a whole. Throughout the piece ideas - rhythmic, melodic, harmonic, motivic, textural - constantly change their identity as they pass through different musical 'environments'. The opening bars establish both a recurrent rhythmic principle - 9, 11, or 13-beat rhythmic cycles heard against a regular 8 - and a harmonic process - chord sequences (mainly over C and E) which have the note E in common. (Coincidentally, MGV begins in C and ends in E). A later scalic, syncopated figure (again first heard over C, E and A) begins the second section, featuring Brass, in D flat. The topography of MGV should be experienced without reference to planning, description or timetables. The piece?s tempo changes and unpredictable slowings down bear no logical relation to the high speed of the Paris-Lille journey, while the temptation to treat MGV as a concerto grosso, with the Michael Nyman band as the ripeno, was resisted: more suitably the band (amplified in live performance) lays down the tracks on which MGV runs.

SEK 652.00
1

John Tavener: Innocence

John Tavener: Innocence

Written in memory of innocent victims, this dramatic piece is ideally performed within a church. It uses texts form the Gospels, St Ephrem the Syrian, the Old testament, Shakespeare and from Mathnawi of Jalal al-Din Rumi.The work begins in a musical wasteland, seemingly hopeless and without redemption. Words are turned upside down with apocalyptic screams from the organ. The work ends with an echo of this opening, but the suffering this time is inside redemption. All the various streams come from this and flow back into it in the pianissimo canon ?The son of man is come to save that which is lost.?Contains detailed performance suggestions; duration is 25 minutes.

SEK 196.00
1

James Whitbourn: Lux In Tenebris

James Whitbourn: Lux In Tenebris

Lux In Tenebris from Luminosity. For SATB choir, Viola, Tanpura, Tam-Tam, and dance theatre.Luminosity is a multi-media work, commissioned by the conductor James Jordan of Westminster Choir College for the Westminster Williamson Voices, the women of the Westminster Schola Cantorum, the Blair Academy Singers (conductor, William Hammer) and the black-light dance company Archedream, for performance in Phildephia Cathedral during April 2008.The text, compiled and edited by the composer, centres on the transcendent beauty of creation expressed by luminaries down the ages. Texts are taken from the writings of St John, St Teresa of Avila, Ryonen, St Augustine, Julian of Norwich, and St Isaac of Nineveh.ScoringSATB (with division)ViolaTanpuraTam-TamOrgan

SEK 137.00
1

Michael Nyman: MGV (Musique A Grande Vitesse)- Full Score

Michael Nyman: MGV (Musique A Grande Vitesse)- Full Score

The composer writes "MGV (Musique à Grand Vitesse - High-Speed Music) was commissioned by the Festival de Lille for the inauguration of the TGV North-European line and was first performed by the Michael Nyman Band and the Orchestre national de Lille under Jean-Claude Casadesus on 26 September 1993. MGV runs continuously but was conceived as an abstract, imaginary journey; or rather five inter-connected journeys, each ending with a slow, mainly stepwise melody which is only heard in its 'genuine' form when the piece reaches its destination. The thematic 'transformation' is a key to MGV as a whole, where musical ideas- rhythmic, melodic, harmonic, motivic, textural - constantly change their identity as they pass through different musical 'environments'. For instance the opening bars establish both a recurrent rhythmic principle - 9, 11, or 13-beat rhythmic cycles heard against a regular 8 - and a harmonic process - chord sequences (mainly over C and E) which have the note E in common. (Coincidentally, MGV begins in C and ends in E). A later scalic, syncopated figure (again first heard over C, E and A) begins the second section, featuring brass, in D flat. And so on: the topography of MGV should be experienced without reference to planning, description or timetables. Tempo changes, unpredictable slowings down, bear no logical relation to the high speed of the Paris-Lille journey, while the temptation to treat MGV as a concerto grosso, with the Michael Nyman band as the ripeno, was resisted: more suitably the Band (amplified in live performance) lays down the tracks on which MGV runs."

SEK 533.00
1

Album For The Young: 64 Piano Classics Written By The Masters

Album For The Young: 64 Piano Classics Written By The Masters

Album For The Young features 64 classic Piano pieces inspired by the spirit of childhood. From Johannes Brahms’ unashamedly lyrical Wiegenlied through the more cerebral approach of Schumann’s album Für die Jugend and the works of contemporary composers such as Lutoslawksi and Richard Rodney Bennett, the music contained in this collection offers many contrasting approaches to the idea of music for the young. Great composers down the ages have been consistently attracted to writing albums about or for the young. Some pieces are suitable for children to play and some are drawn from the nostalgic memory of childhood innocence. Here is a unique collection to treasure, reflecting the variety of both their emotional approaches and the richness of their creative responses.

SEK 315.00
1

Simon Holt: The Legend Of Melusine (Boy Treble/Organ)

Simon Holt: The Legend Of Melusine (Boy Treble/Organ)

Composer Simon Holt 's The Legend Of Melusine was commissioned in 2014 by the Southbank Centre to celebrate the return of the Royal Festival Hall Organ, and to celebrate the 150th anniversary of the Royal College of Organists. The work lasts around 12 minutes and is arranged for Boy Treble Voice and Organ. This unique work sees the Organ as an accompaniment and complement to both the narration and singing of the Boy Treble throughout. The words of The Legend Of Melusine , written by Holt  himself, portrays a version of the Melusine myth of European folklore, a feminine spirit of the water that turns into a serpent from the waist down. This wonderfully engaging tale is matched by the superb vocal melodies and accompanying Organ work. 

SEK 246.00
1

John Harle: City Solstice - A Song For London Bridge

John Harle: City Solstice - A Song For London Bridge

City Solstice was commissioned by The City of London Corporation for The City of London Festival 2009, and is dedicated, with thanks, to Ian Ritchie.Instrumentations - Choir, Organ, Soprano SaxophoneDuration - 18 minutesFirst performance - 22nd June 2009 at Southwark Cathedral.Performed by The Choir of King's College, Cambridgeconducted by Stephen Cleobury, with John Harle (Soprano Saxophone).Programme NoteCity Solstice celebrates the 800th anniversary of the construction of various bridges  on the site of the current London Bridge. The difficulty of erecting sturdy  constructions on this bend in the Thames, where the currents are particularly  strong, has led to a rich seam of stories about the bridges, passed on through  history, myth and folklore.What are thought to be the original words of 'London  Bridge is falling down' carry much of the references to materials used in building the original bridges - wood  and stone, gravel and stone, and then later, iron and steel. The lines my fair lady,  dance over my lady lea (or lee) and with a gay lady, are thought to refer to Matilda of  Scotland (c.1080- 1118), consort of Henry I, and who was responsible for  building the series of bridges that carried the London to Colchester road across the River Lea.King (Saint) Olaf II of Norway figures prominently in the destruction of the bridge  after its occupation by the Danes around 1013. Coming to the assistance of Aethelred, Olaf is thought to have pulled the bridge down into the Thames, along  with its occupying Danes, rather than fight on the bridge itself. There is a line in the  Norse saga The Heimskringla that refers to London Bridge being broken down.John Harle and Tom PickardJohn Harle and Tom Pickard have collaborated  previously on two projects. Their folkopera The Ballad of Jamie Allan was commissioned by The Sage, Gateshead for their opening season, and was  performed by Omar Ebrahim, Sarah-Jane Morris, Kathryn Tickell and the Northen Sinfonia, conducted by John Harle. Prior to that they met as musical and literary advisors to Sir Paul McCartney at the early compositional stages of McCartney's oratorio Standing Stone.

SEK 137.00
1

John Harle: City Solstice - A Song For London Bridge (Saxophone Part)

John Harle: City Solstice - A Song For London Bridge (Saxophone Part)

City Solstice was commissioned by The City of London Corporation for The City of London Festival 2009, and is dedicated, with thanks, to Ian Ritchie.Instrumentations - Choir, Organ, (available separatly) Soprano SaxophoneDuration - 18 minutesFirst performance - 22nd June 2009 at Southwark Cathedral.Performed by The Choir of King's College, Cambridgeconducted by Stephen Cleobury, with John Harle (Soprano Saxophone).Programme NoteCity Solstice celebrates the 800th anniversary of the construction of various bridges  on the site of the current London Bridge. The difficulty of erecting sturdy  constructions on this bend in the Thames, where the currents are particularly  strong, has led to a rich seam of stories about the bridges, passed on through  history, myth and folklore.What are thought to be the original words of 'London  Bridge is falling down' carry much of the references to materials used in building the original bridges - wood  and stone, gravel and stone, and then later, iron and steel. The lines my fair lady,  dance over my lady lea (or lee) and with a gay lady, are thought to refer to Matilda of  Scotland (c.1080- 1118), consort of Henry I, and who was responsible for  building the series of bridges that carried the London to Colchester road across the River Lea.King (Saint) Olaf II of Norway figures prominently in the destruction of the bridge  after its occupation by the Danes around 1013. Coming to the assistance of Aethelred, Olaf is thought to have pulled the bridge down into the Thames, along  with its occupying Danes, rather than fight on the bridge itself. There is a line in the  Norse saga The Heimskringla that refers to London Bridge being broken down.John Harle and Tom PickardJohn Harle and Tom Pickard have collaborated  previously on two projects. Their folkopera The Ballad of Jamie Allan was commissioned by The Sage, Gateshead for their opening season, and was  performed by Omar Ebrahim, Sarah-Jane Morris, Kathryn Tickell and the Northen Sinfonia, conducted by John Harle. Prior to that they met as musical and literary advisors to Sir Paul McCartney at the early compositional stages of McCartney's oratorio Standing Stone.

SEK 286.00
1

The Blitz! Key Signature Table

The Blitz! Key Signature Table

The Blitz! Key Signature Table is the absolutely foolproof way to memorise key signatures. There are many different key signature tables out there but The Blitz! Key Signature Table prides itself on being both simple to write down and easy to understand. Alongside the table itself, this book is filled with exercises that have been specially developed to help you memorise the table. An introductory note and quick quiz are also included. The Blitz! Key Signature Table works in conjunction with the blitzbooks.com website, where you can download all sorts of free resources to help you with your study, including games, manuscript, test papers and materials to help with practical exam preparation. Written by renowned educator and author Samantha Coates, the BlitzBooks series has brought fun and laughter to the areas of music theory, instrumental technique and sight reading. Coates' engaging approach to theory and sight reading has already made BlitzBooks the most popular range of theory and sight reading books in Australia and they are now finally available in the UK.

SEK 107.00
1

John Tavener: Agraphon

John Tavener: Agraphon

John Tavener 'Agraphon' arranged for soprano, timpani and strings. Commissioned by the Athens Concert Hall, first performed on 29th October 1995.The music contains two symbolic ideas - the first being the opening series of intervals which appear to be inexhaustible in their multifaceted symbolism, representing the music of the spheres. If the angel's song is indeed one of knowledge, they could not choose a better theme of harmony. And then there is the apparent evil of the endless series of spiralling sixths and sevenths, falling without apparent hope of redemption through an eternal geometric series, down into a hellish realm.Agraphon must be performed with great intensity, literally at the breaking point of intensity and petrification. For the voice the style alternates between European and classical Indian singing; for example, the passage beginning on page 12 is entirely semi-improvised. The singer must listen to many examples of classical Indian music, or else be trained by a master. The music ends fiercely at the incomprehensible clash and union between the Divine and the human.Duration 22 minutes. Instrumental parts are available on hire only.

SEK 236.00
1