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Brian Elias: Concerto For Cello And Orchestra (Score)

Brian Elias: Concerto For Cello And Orchestra (Score)

The Cello Concerto is in four main sections that are played without a break. As with most of my work, the music throughout is generated from the ideas presented in the fi rst few bars, and these ideas and their variants appear freely in the different sections. Recurring material and references to earlier sections are used deliberately to create not only a sense of unity but also an impression of familiarity that aspires to induce a dream-like perception of the passing music, a kind of spiral. The piece opens with a slow introduction that gradually quickens into the first main section, an allegro. The form of the second section, which is in a lighter mood, is based on an early 13th century verse form, the Sestina, which consists of six stanzas of six lines each, followed by an envoi. The words that end each line in the first stanza are rotated in a strictly prescribed pattern* to give the line-endings of the remaining stanzas; in this adaptation, each “line” consists of four bars, and the repetitions ensue according to the plan. The intricate repetition inherent in this form can also be seen as a form of spiral. The third section is an extended slow movement interrupted by a quicker episode that refers to the fi rst section. Generally lighter and in a similar vein to the second section, the final section includes a reference to the slow movement before returning to the lighter music that ends the piece. This work is dedicated to Natalie Clein.

SEK 608.00
1

John Luther Adams: Everything That Rises

John Luther Adams: Everything That Rises

John Luther Adams' Everything That Rises for String Quartet. Composers note: I never imagined I would write a string quartet. Then I heard the JACK Quartet, and I understood how I might be able to make the medium my own. The result was  The Wind in High Places  -  a twenty-minute work composed entirely on natural harmonics and open strings. Over the next few years, two more quartets followed. The second quartet,  untouched,  is a further exploration of the aeolian sound world of the first. Then, in Canticles of the Sky, the musicians finally touch the fingerboards of their instruments. And now comes Everything That Rises . This fourth quartet is more expansive, both in time and in space. It grows out of  Sila: The Breath of the World  - a performance-length choral/orchestral work composed on a rising series of sixteen harmonic clouds. Everything That Rises traverses this same territory, but in a much more melodic way. Each musician is a soloist, playing throughout. They surround the audience. Time floats. Over the course of an hour, the lines spin out - always rising - in acoustically perfect intervals that grow progressively smaller as they spiral upward... until the music dissolves into the soft noise of the bows, sighing. Duration: 60 minutes

SEK 385.00
1

James Whitbourn: Agnus Dei From Missa Carolae

James Whitbourn: Agnus Dei From Missa Carolae

James Whitbourn 's Agnus Dei From Missa Carolae . Missa Carolae was commissioned by Rochester Cathedral, the second oldest cathedral in England, to mark the 1400th anniversary of its foundation. It was first performed there on 24 December 2004 by the Rochester Cathedral Choirs, Andy Findon (Fife), the Locke Brass Consort, Edmund Aldhouse (Organ), Joby Burgess and Catherine Ring (Percussion), directed by Roger Sayer. The work is intended to invoke a dance-like spirit, which is true to the origin of the carol as a simple dance form. The choir parts should be very well-known, so that the singers can sing with the whole of their bodies and not just their voices. This version is a reduced scoring for SATB (unchanged) with Organ and optional Piccolo and also acts as the vocal score to the full version. In this scoring, the Piccolo adds to the effectiveness of the piece. In either scoring, the Piccolo may be replaced with a Flute, Fife, or even a more rustic Pipe, as was used at the first performance. The original scoring for SATB with Piccolo, Brass (3 Trumpets and 3 Trombones), Percussion (2 players) and Organ accompaniment is the preferred version. Full score and parts are available on hire from the publisher, or full score on sale (CH71621). The Piccolo part (CH79893-01) is common to both scorings and is available on sale or hire with the full version. The Organ accompaniment in this score is for performance of the version for SATB, Piccolo and Organ only. An A4 spiral-bound version of this score may be preferable for the organist (CH79893-02). The separate Organ part - available on hire - must be used for the version with instruments. An ad lib. part for the congregation (CH70961, pack of 50) is incorporated into the full scoring of Missa Carolae. Reference to the entries of the congregation is made in the vocal score for occasions when it is used in conjunction with the full instrumentation.

SEK 87.00
1