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Russian Music for Piano - Book 3

Russian Music for Piano - Book 3 Moderately difficult pieces for piano by Russian composers edited by Annie T. Weston.

Musgrave, T Serenade Parts

Ornament and Crime

This work for solo violin was ommissioned by Muziekgebouw aan ‘t IJ, Amsterdam for Cross-Linx 2015. It was written for Pekka Kuusisto.

Musgrave, T Sinfonia Full Score

Widdicombe, T Five Pieces Violin Classes Score/Parts

Making The Grade: Grade Five (Piano)

A collection of popular tunes, selected and arranged by Jerry Lanning to introduce the concepts and techniques required for the Associated Board Grade 5 Exam. Includes Candle In The Wind, Country House, Roll With It and Don?t Speak.

Widdicombe, T Six Inventions For Violin Classes Score And Parts

Tallis, T Euge Caeli Satb (From Chester Motet Book 2-english)

Hodge, T Three Sketches Flute, Violin And Piano Score And Parts

Three Sketches for Flute, Violin and Piano were written circa 1936. They are subtitled In The Woods - The Lake At Sunset - The Merry-Go-Round . The collection is dedicated to Joseph Slater , a British flautist who made regular performances and broadcasts from 1922 to 1951, including numerous radio performances while simultaneously serving in the Army during the Second World War. Muriel Talbot Hodge was one of the most popular composers of English chamber music in the years between the two world wars, the time often seen as the “last hurrah” for the genre. Her music was praised at the time for its exquisite and intimate nature, displaying an “unusual charm and substance”.

Helen Grime: Lullay, Lullow - I Saw A Sweete Seemly Sight (Vocal Score)

Helen Grime wrote this Christmas carol for the Hallé Youth Choir to sing at the close of 2013. The words are from an anonymous medieval cradle song. Grime said of the piece: ?I haven?t written much choral music before, so it?s really exciting for me. And I know they?re an absolutely fabulous choir. I wanted to write something quite simple in structure and clear in meaning.?

Helen Grime: Lullay, Lullow - I Saw A Sweete Seemly Sight

Helen Grime wrote this Christmas carol for the Hallé Youth Choir to sing at the close of 2013. The words are from an anonymous medieval cradle song. Grime said of the piece: ?I haven?t written much choral music before, so it?s really exciting for me. And I know they?re an absolutely fabulous choir. I wanted to write something quite simple in structure and clear in meaning.?

Simon Holt: A Table Of Noises (Full Score)

Commissioned jointly for Colin Currie by the City of Birmingham Symphony Orchestra and the Borletti-Buitoni Trust. First performance on 14th May 2008, at Symphony Hall, Birmingham, by Colin Currie (percussion) and the City of Birmingham Symphony Orchestra conducted by Martyn Brabbins.NOTE FOR PERFORMANCEIn table top, the unpitched solo percussion part in the 9th movement, the scoring was initially left open. The present full score shows a suggested instrumentation  which was devised by Colin Currie in conjunction with the composer. Soloists  should attempt to match the timbres used, but should not feel constrained by the  exact choice of instruments.COMPOSER?S NOTEThe percussion instruments used in a table of noises in some ways represent the odd things that were on my great uncle Ash?s parlour table that fascinated me as a child. There is even a bottle; there was always a milk bottle with the silver top pushed in surrounded by other essentials for his life. From birth he was quite severely handicapped in one of his legs and couldn?t walk too far without his trusty crutch. He kept everything he needed within arm?s length. In the list of instruments for the solo part there?s everything from deep log drum sounds to very high metallic chime sounds. Wood, glass, metal and a whistle. Mostly small-scale things with a large gong behind, used sparingly. I think that we managed to keep below 30 instruments in all, which I was keen to do. I didn?t want scores of things that are only played once, they have to earn their keep. I didn?t want to use a marimba but thought that trying to make the xylophone sound in a more expressive way would be more of a challenge. The percussionist sits for much of the time on a Cajon, a flamenco instrument which is essentially a wooden box. The player hits the front of the box in various ways, rather as you play a conga. There are guitar strings inside and bells to add to the overall colour. I would like to thank Colin Currie for the extraordinary 3 hours or so that we spent in his percussion studio trying to find potential instruments for table top. I had fully notated the rhythms for the movement, which functions as a cadenza, and knew the kinds of sounds that I wanted, but as I don?t know all the instruments available we were able to collaborate in a very constructive way and make the cadenza what it is now. I see the chosen instruments as being the yardstick for all future performances.

Judith Weir: Piano Quartet (String Parts)

Judith Weir: My Piano Quartet (2000) is part of an extended series of works for piano and strings which I have written over the last twenty years - although I didn¹t know it was going to be a series when I wrote the first of these works, Music for 247 Strings, in 1980. During this period, it has been far more usual for composers to write for mixed wind and string ensembles. But I continued (and still continue) to be fascinated by the potential of strings and piano; particularly the chance to write for the instruments as soloists or as a group, and often to use both these options simultaneously.String Parts.Premiered July 2000 at the Cheltenham Festival by the Schubert Ensemble.Piano Score available: CH61794

Simon Holt: Amistad

Amistad (the Spanish word for friendship) is a brief set of three pieces for two Flutes composed by Simon Holt in May 2013. It takes its form from the three syllables of the word a-mi-stad. The first piece begins on the note A and the second piece on E (-mi-) and the final movement has four sections of equal length which take the individual letters as their respective starting points; S (Eb/D#), T (B), the return of A and then D. Simon Holt has won numerous awards throughout his career for his compositions, such as the Ivor Novello Classical Award, and the British Composer Award. Having collaborated with the London Sinfonietta and the Nash Ensemble, Amistad is one in a long line of expertly composed and musically brilliant works. The piece as a whole is about 6 minutes long.

Simon Holt: Raju Raghuvanshi Is A Ghost - Solo Baritone

This song was written for the NMC Songbook and recorded by Omar Ebrahim."Raju Raghuvanshi is unmarried; he's forty five; his parents are dead; no siblings. He's had to move to Bamni nearby. For here in Katra where he lived, they rush into their houses, locking all the doors, locking all the windows, crying 'Ghost! Ghost! Ghost! Ghost! Ghost!' at the sight of him. He was in prison, you see, where he was hospitalised. Rumours were rife: he's fallen ill; he's been moved to another town; he's dead; cremated. Ganeshi, his cousin's wife, performed the last rites so his spirit could rest. 'Imagine our surprise when he turned up alive,' she said, 'We thought he was dead.' Poor Raju. Poor Raju, Raju Raghuvanshi; he's technically a ghost. 'Now I have to prove I'm alive. N.V. Vayangankar, Chief of Police, will help me. I have property, you see, a few acres of land. I know their game. They shall not beat me. I say to them: "But, can't you see that my feet are the right way round? If I was a spirit or a ghost, they'd turn backwards". I was not gone long, now I don?t exist.'"

Kaleidoscope No.2: A 16th Century French Dance (Tourdion)

Edited by Nicholas Hare. Kaleidoscope will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination and these varied ensembles are easy and enjoyable too. So much scope for virtually any combination of instruments! The series is successful with recorders, guitars, percussion and keyboard as well as with orchestral groupings. Whether there are five or fifty players, every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a score plus around 50 parts, each one carefully written to suit the needs of each instrument. For example, easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demanding parts too, for experienced players. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-known titles are a must for every school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites. And don?t forget we have Kaleidoscope bumper carol packs and seasonal gems for your Christmas Concert too!

Kaleidoscope: A Hard Day?s Night

(Lennon & McCartney) (F) Edited by Nicholas Hare. Kaleidoscope will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination and these varied ensembles are easy and enjoyable too. So much scope for virtually any combination of instruments! The series is successful with recorders, guitars, percussion and keyboard as well as with orchestral groupings. Whether there are five or fifty players, every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a score plus around 50 parts, each one carefully written to suit the needs of each instrument. For example, easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demanding parts too, for experienced players. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-known titles are a must for every school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites. And don?t forget we have Kaleidoscope bumper carol packs and seasonal gems for your Christmas Concert too!

Kaleidoscope: Theme From Coronation Street

(Spear) (G) Edited by Nicholas Hare. Kaleidoscope will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination and these varied ensembles are easy and enjoyable too. So much scope for virtually any combination of instruments! The series is successful with recorders, guitars, percussion and keyboard as well as with orchestral groupings. Whether there are five or fifty players, every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a score plus around 50 parts, each one carefully written to suit the needs of each instrument. For example, easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demanding parts too, for experienced players. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-known titles are a must for every school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites. And don?t forget we have Kaleidoscope bumper carol packs and seasonal gems for your Christmas Concert too!

Kaleidoscope: Bright Eyes

(Batt) (G) Edited by Nicholas Hare. Kaleidoscope will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination and these varied ensembles are easy and enjoyable too. So much scope for virtually any combination of instruments! The series is successful with recorders, guitars, percussion and keyboard as well as with orchestral groupings. Whether there are five or fifty players, every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a score plus around 50 parts, each one carefully written to suit the needs of each instrument. For example, easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demanding parts too, for experienced players. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-known titles are a must for every school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites. And don?t forget we have Kaleidoscope bumper carol packs and seasonal gems for your Christmas Concert too!

Kaleidoscope: Jupiter

(Holst) (C) Edited by Nicholas Hare. Kaleidoscope will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination and these varied ensembles are easy and enjoyable too. So much scope for virtually any combination of instruments! The series is successful with recorders, guitars, percussion and keyboard as well as with orchestral groupings. Whether there are five or fifty players, every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a score plus around 50 parts, each one carefully written to suit the needs of each instrument. For example, easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demanding parts too, for experienced players. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-known titles are a must for every school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites. And don?t forget we have Kaleidoscope bumper carol packs and seasonal gems for your Christmas Concert too!

Kaleidoscope: Yellow Submarine

(Lennon & McCartney) (G) Edited by Nicholas Hare. Kaleidoscope will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination and these varied ensembles are easy and enjoyable too. So much scope for virtually any combination of instruments! The series is successful with recorders, guitars, percussion and keyboard as well as with orchestral groupings. Whether there are five or fifty players, every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a score plus around 50 parts, each one carefully written to suit the needs of each instrument. For example, easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demanding parts too, for experienced players. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-known titles are a must for every school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites. And don?t forget we have Kaleidoscope bumper carol packs and seasonal gems for your Christmas Concert too!

Kaleidoscope: Mary?s Boy Child

(Hairston) (C) Edited by Nicholas Hare. Kaleidoscope will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination and these varied ensembles are easy and enjoyable too. So much scope for virtually any combination of instruments! The series is successful with recorders, guitars, percussion and keyboard as well as with orchestral groupings. Whether there are five or fifty players, every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a score plus around 50 parts, each one carefully written to suit the needs of each instrument. For example, easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demanding parts too, for experienced players. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-known titles are a must for every school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites. And don?t forget we have Kaleidoscope bumper carol packs and seasonal gems for your Christmas Concert too!

Kaleidoscope: Rudolph The Red-Nosed Reindeer

(Marks) (C) Edited by Nicholas Hare. Kaleidoscope will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination and these varied ensembles are easy and enjoyable too. So much scope for virtually any combination of instruments! The series is successful with recorders, guitars, percussion and keyboard as well as with orchestral groupings. Whether there are five or fifty players, every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a score plus around 50 parts, each one carefully written to suit the needs of each instrument. For example, easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demanding parts too, for experienced players. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-known titles are a must for every school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites. And don?t forget we have Kaleidoscope bumper carol packs and seasonal gems for your Christmas Concert too!

Kaleidoscope No. 4 Hello

(Richie) (Am) Edited by Nicholas Hare. Kaleidoscope will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination and these varied ensembles are easy and enjoyable too. So much scope for virtually any combination of instruments! The series is successful with recorders, guitars, percussion and keyboard as well as with orchestral groupings. Whether there are five or fifty players, every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a score plus around 50 parts, each one carefully written to suit the needs of each instrument. For example, easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demanding parts too, for experienced players. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-known titles are a must for every school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites. And don?t forget we have Kaleidoscope bumper carol packs and seasonal gems for your Christmas Concert too!

Burgon: First Was The World (Vocal Score)

Quoting Burgon: My first thought on receiving this commission was what sort of text would suit. Something on the general idea of growth - starting very small and blossoming was the obvious way to go, but it wasn?t until I found the Andrew Marvell poem Music?s Empire that I really got going. The poem is about the invention and development of music; this might sound a bit dry, but in fact it is both charming and dramatic, and it is also apt in that it can be set for both solo voice and chorus.The other factor to be considered in writing this piece was the Purcell connection. Purcell wrote Come Ye Sons of Art in 1964, the year the bank was founded, and this piece is also included in the celebratory concert. So I wanted to include some homage to HP as well.Marvell?s poem is the sort of text that Purcell might have set had he come across it. It is a sort of Ode of text that Purcell might have set had he come across it. It is a sort of Ode to St Cecelia and he wrote one of those as we know. So I have referred to Purcell in two particular ways; I have quoted Come Ye sons of Art directly, and I have used the countertenor. Purcell himself sang countertenor in many of his own pieces, and wrote some of the most gorgeous music ever written for that voice. I also happened to love both Purcell?s music and the countertenor so writing this piece was really a labour of love.It is scored for countertenor, mixed chorus and symphony of orchestra - rather larger than any orchestra that Purcell had access to as far as I know, but one in which I?m sure he would have revelled in given the opportunity. It is about ten minutes in duration.