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Refraction

Refraction

Refraction is a work that uses the entire band and all the colours it can possibly produce. As the title suggests, it was inspired the fascinating physical phenomenon known as refraction. Just like light is split and disbursed into all its colours, the main theme is split into little motives. As the individual motives are disbursed throughout the band, different sections become more prominent, only to recede into the general texture again. The work concludes with the fusion of all these elements in a monumental climax of movement, sound and colour.

SEK 652.00
1

Refraction

Refraction

Refraction is a work that uses the entire band and all the colours it can possibly produce. As the title suggests, it was inspired the fascinating physical phenomenon known as refraction. Just like light is split and disbursed into all its colours, the main theme is split into little motives. As the individual motives are disbursed throughout the band, different sections become more prominent, only to recede into the general texture again. The work concludes with the fusion of all these elements in a monumental climax of movement, sound and colour.

SEK 3259.00
1

Nocturne

Nocturne

Tchaikovsky is best known for his purely instrumental compositions. However, we must not underestimate him as a composer of operas. Many of his operas such as ¬Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin), composed in 1877-1878, was not called an opera by Tchaikovsky himself, but “lyric scenes”. The work is entirely dominated by lyricism. However, there are two moments that contrast sharply with this lyricism: two ball scenes, for which Tchaikovsky wrote a waltz and a polonaise.After opening with a less well-known allegro dansant, this arrangement features the aforementioned waltz, which can beconsidered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera, this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg.

SEK 1396.00
1

Three Onegin Dances

Three Onegin Dances

Tchaikovsky is best known for his purely instrumental compositions. However, we must not underestimate him as a composer of operas. Many of his operas such as ¬Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin), composed in 1877-1878, was not called an opera by Tchaikovsky himself, but “lyric scenes”. The work is entirely dominated by lyricism. However, there are two moments that contrast sharply with this lyricism: two ball scenes, for which Tchaikovsky wrote a waltz and a polonaise.After opening with a less well-known allegro dansant, this arrangement features the aforementioned waltz, which can beconsidered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera, this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg.

SEK 1822.00
1

Three Onegin Dances

Three Onegin Dances

Tchaikovsky is best known for his purely instrumental compositions. However, we must not underestimate him as a composer of operas. Many of his operas such as ¬Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin), composed in 1877-1878, was not called an opera by Tchaikovsky himself, but “lyric scenes”. The work is entirely dominated by lyricism. However, there are two moments that contrast sharply with this lyricism: two ball scenes, for which Tchaikovsky wrote a waltz and a polonaise.After opening with a less well-known allegro dansant, this arrangement features the aforementioned waltz, which can beconsidered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera, this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg.

SEK 1822.00
1

Klezmeriana

Klezmeriana

The instrumental music of the Yiddish-speaking Jews, especially those of Eastern Europe, is known as klezmer. This terminology was originally used in Jewish cultural life as the name of a musician who played at weddings. At Jewish weddings, which usually last several days, klezmer musicians played not only dance music but also ceremonial music – for example during the wedding ceremony, and also music that was listened to during the wedding feast. Originally, there was no special term for this style of music. It was simply referred to as ‘Jewish wedding music’. In the 1970s, the music – which is actually a fusion of different influences – enjoyed a resurgence in popularityand came to be known as klezmer. This music contains not only the sounds of the Balkans, but also influences of oriental and gypsy music too. Jan de Haan used no original klezmer melodies for Klezmeriana, but composed a series of sound-alike in an instrumentation for woodwind ensemble and optional percussion.

SEK 910.00
1

Klezmeriana

Klezmeriana

The instrumental music of the Yiddish-speaking Jews, especially those of Eastern Europe, is known as klezmer. This terminology was originally used in Jewish cultural life as the name of a musician who played at weddings. At Jewish weddings, which usually last several days, klezmer musicians played not only dance music but also ceremonial music – for example during the wedding ceremony, and also music that was listened to during the wedding feast. Originally, there was no special term for this style of music. It was simply referred to as ‘Jewish wedding music’. In the 1970s, the music – which is actually a fusion of different influences – enjoyed a resurgence in popularityand came to be known as klezmer. This music contains not only the sounds of the Balkans, but also influences of oriental and gypsy music too. Jan de Haan used no original klezmer melodies for Klezmeriana, but composed a series of sound-alike in an instrumentation for woodwind ensemble and optional percussion.

SEK 910.00
1

Klezmeriana

Klezmeriana

The instrumental music of the Yiddish-speaking Jews, especially those of Eastern Europe, is known as klezmer. This terminology was originally used in Jewish cultural life as the name of a musician who plays at weddings. At Jewish weddings, which usually last several days of days, klezmer musicians played not only dance music but also ceremonial music—for example during the wedding ceremony, and also music that was listened to during the wedding feast. Originally, there was no special term for this style of music. It was simply referred to as ‘Jewish wedding music’. In the 1970s, the music—which is actually a fusion of different influences—enjoyed aresurgence in popularity and came to be known as klezmer. This music contains not only the sounds of the Balkans, but also influences of oriental and gypsy music, too.Jan de Haan used no original klezmer melodies for Klezmeriana, but composed a series of sound-alike in an instrumentation for fanfare orchestra.

SEK 350.00
1

Town of the Seven Hills : Suite for Brass Ensemble and Percussion

Town of the Seven Hills : Suite for Brass Ensemble and Percussion

This suite tells the story of the French town ‘Tulle’ in the ‘Nouvelle-Aquitaine’. Tulle was built on seven hills, just like Rome and Lisbon, and is beautifully situated on the river Corrèze. The first movement opens with a stately introduction, which is followed by a historic march through the streets of Tulle. We pass Notre Dame cathedral and the characteristic houses from the Middle Ages and Renaissance period, i.e. the ‘Maison de Loyac’. Tulle was once the centre of the production of ‘tulle’, a net-like fabric that is named after this town. This is what the second movement is all about, and at certain moments the music sounds very graceful because tulle is often used as a material for ballet skirts and wedding dresses. The third movement was written to commemorate the blood bath of Tulle in June 1944. During a retaliatory action by the German SS, a large number of Tulle’s citizens were killed. The emotions expressed here are a combination of grief and comfort. In the last movement, the festive sounds of the annual fair held in May on the ‘Champs de Mars’ and the ‘Place de la Cathédrale’, can be heard.

SEK 1128.00
1